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Source: Scan of an original photograph.
Image: P50702.
Date: © 1980 SBC.
Repository: Local Studies, Swindon Central Library.
www.swindon.gov.uk/localstudies
Commissioned by Thamesdown Community Arts with funds from the Arts Council of Great Britain (Source: Thamesdown Art Trails leaflet). The mural has since been replaced with another mural by a local school.
An open source photo gallery which aims to offer you some of our best takes – Use this photos for personal or commercial purposes, attribution is appreciated but not required – Here you go – Njoy!
Source: livinghistories.newcastle.edu.au/nodes/view/32637
Thomas James Rodoni was born in 1882 at Hotham East, Victoria, to Swiss and Irish parents. While living in Sydney in August 1914 as a man of 31, Rodoni joined the first Australian Imperial Force that would engage in the Great War: the Australian Naval & Military Expeditionary Force.
A week after enlisting, Rodoni’s company embarked on the HMAS Berrima and sailed to German New Guinea among a fleet with orders to seize two wireless stations and to disable the German colonies there.
Rodoni’s unofficial photographs – many of them “candid” shots, captured in the moment – are a rare glimpse of this pivotal moment in Australia’s history. He has documented the energetic atmosphere of prewar Sydney and its surrounds, from civilian and military marches to battleships docked in Sydney Harbour, with accompanying crowds of people brought together for these special events. His camera voyaged with him on the expedition to the Pacific region, taking images both from the ship’s deck and then again on dry land after disembarking.
Rodoni was stationed in New Guinea for five months with the AN&MEF after the successful capture of territory from the German forces. His striking images are testament to his ease with the camera, and the ease of his fellow servicemen around this avid amateur photographer. He used his camera to record daily events and significant moments in the expedition, and made several group portraits of the officers and soldiers in his company. Yet his images also suggest a genuine curiosity for the foreign people and places where he was stationed, and a love of the photographic medium in which he practiced during this early period of the war.
After leaving New Guinea with the AN&MEF and returning home to Australia in January 1915, Rodoni left the force to work in a Small Arms Factory manufacturing munitions for the war. He soon married and settled in Newcastle with his wife, Catherine Annie Wilson, and had four children: Thomas, Mary, Jim and William (Bill).
The wider collection of glass plate negatives – over 600 in total and with many views of Newcastle and its surrounds is an incredible legacy to Thomas Rodoni and his family.
Rodoni died in 1956 as a result of a car accident in Waratah, Newcastle.
The original negatives are held in Cultural Collections at the Auchmuty Library, University of Newcastle (Australia).
You are welcome to use the images for study and personal research purposes. Please acknowledge as Courtesy of the Rodoni Archive, University of Newcastle (Australia)" For commercial requests you must obtain permission by contacting Cultural Collections.
If you are the subject of the images, or know the subject of the images, and have cultural or other reservations about the images being displayed on this website and would like to discuss this with us please contact Cultural Collections.
If you have any further information on the photographs, please leave a comment.
These images are provided free of charge to the global community thanks to the generosity of the Bill Rodoni & Family and the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: dl.dropboxusercontent.com/u/21528529/veradeaconform.jpg
I dreamed about a human being is is part of a project exploring the use of artificial intelligence as applied to photography by using online open source code and data.
More information at fransimo.info/?p=1100
ID:338d8a144e3b0323ce33ca3408879cfd
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The publication SOURCE is a collection of interviews of people and groups who are actively challenging the political status-quo regarding the status of marginalized people and other difficult political issues, and who have visions of proactive tactics on how to address them.
The second issue of SOURCE that was published in US in November 2018 focused on topic of migration. Migration though was understood in more symbolic way as a process of transition, which is fundamental to so much of contemporary life. People migrate between identities, countries, languages, economic realities, genders, political beliefs, contexts.
Publisher: PLATFORM FOR INTERDISCIPLINARY PRACTICE "OPEN PLACE"
Edited by: Kosteryeva Yuliya, Kruchak Yuriy
Published: New York, 2018
Language: English
Details: Softcover, 8 pages
Category: Journal
Designed by: "OPEN PLACE" Design
Join us
www.facebook.com/OpenPlace.ArtistRunSpace
www.youtube.com/OpenPlaceComUa
www.youtube.com/OpenPlaceChannel
Photo by: Open Place
DSC_6724
The Source Theater 14th Street, NW, Washington, DC, photo taken at night
PEASE CLICK ABOVE TO VIEW LARGE ON BLACK, BEST VIEWED LARGE ON BLACK
Taken with the iPhone 4 camera with and Art on the iPad
Historia fisica y politica de Chile segun documentos adquiridos en esta republica durante doce años de residencia en ella y publicada bajo los auspicios del supremo gobierno.
Paris :||Chile, en el Museo de historia natural de Santiago,En casa del autor;1844-71..
Join ITS Tactical as we take an in-depth look at Source Hydration systems and London Bridge Trading Insulated Hydration Pouches. Check out ITS Tactical for a full written review and detailed photos! itstac.tc/qPDUP5
Join ITS Tactical as we take an in-depth look at Source Hydration systems and London Bridge Trading Insulated Hydration Pouches. Check out ITS Tactical for a full written review and detailed photos! itstac.tc/qPDUP5
YOMUNATRI Photo Made By Kailash Mansarovar Foundation , Swami Bikash Giri , www.sumeruparvat.com , www.naturalitem.com
Yamunotri (Hindi: यमुनोत्री) is the source of the Yamuna River and the seat of the Goddess Yamuna in Hinduism. It is situated at an altitude of 3,293 metres (10,804 ft) in the Garhwal Himalayas and located approximately 30 kilometers (19 mi) North of Uttarkashi, the headquarters of the Uttarkashi district in the Garhwal Division of Uttarakhand, India. It is one of the four sites in India's Chhota Char Dham pilgrimage. The sacred shrine of Yamunotri, source of the river Yamuna, is the westernmost shrine in the Garhwal Himalayas, perched atop a flank of Bandar Poonch Parvat. The chief attraction at Yamunotri is the temple devoted to the Goddess Yamuna and the holy thermal springs at Janki Chatti (7 km. Away).
The actual source, a frozen lake of ice and glacier (Champasar Glacier) located on the Kalind Mountain at a height of 4,421 m above sea level, about 1 km further up, is not frequented generally as it is not accessible; hence the shrine has been located on the foot of the hill. The approach is extremely difficult and pilgrims therefore offer puja at the temple itself.
The temple of Yamuna, on the left bank of the Yamuna, was constructed by Maharaja Pratap Shah of Tehri Garhwal. The deity is made of black marble. The Yamuna, like the Ganges, has been elevated to the status of a divine mother for the Hindus and has been held responsible for nurturing and developing the Indian civilization.
Close to the temple are hot water springs gushing out from the mountain cavities. Surya Kund is the most important kund. Near the Surya Kund there is a shila called Divya Shila, which is worshipped before puja is offered to the deity. Devotees prepare rice and potatoes, tied in muslin cloth, to offer at the shrine by dipping them in these hot water springs. Rice so cooked is taken back home as prasadam. The pujaris of Yamunotri come from the village of Kharsali near Janki Chatti. They are the administrators of the sacred place and perform religious rites. They are well-versed in the Shastras.
According to the legend ancient, sage Asit Muni had his hermitage here. All his life, he bathed daily both in the Ganges and the Yamuna. Unable to go to Gangotri during his old age, a stream of the Ganges appeared opposite Yamunotri for him.
The temple and the place opens every year on the auspicious day of the Akshaya Tritya, which generally falls during the last week of April, or the first week of May. The temple always closes on the sacred day of Diwali in mid-October - first week of November, with a brief ceremony. The temple staff return to their villages and for the rest of the time the valley is gripped in no-man silence and covered with a white sheet of snow. With the melting of the snow next summer, the temple re-opens.
The daughter of the Sun god, Surya and consciousness, Sangya the birthplace of the Yamuna is the Champasar Glacier (4,421 m) just below the Banderpoonch Mountain. The mountain adjacent to the river source is dedicated to her father, and is called Kalind Parvat, Kalind being another name of Surya. Yamuna is known for her frivolousness, a trait that she developed because, according to a common story, Yamuna's mother could never make eye contact with her dazzling husband.
Yamunotri Temple is situated in the western region of Garhwal Himalayas at an altitude of 3,235 metres (10,614 ft) near the river source.[3] The original temple was built by Maharani Guleria of Jaipur in the 19th century. The current temple is of recent origin as earlier constructions have been destroyed by weather and the elements. There seems to be a confusion as to who built the temple of Yamunotri. However according to sources, the temple was originally constructed by Maharaja Pratap Shah of Tehri Garhwal.
This is another brook that just boils up out of the soil beside the creek - we drank from this stream. There's nothing that tastes as clean as a fast-flowing mountain brook.
Source: The Allison Collection of World War II Photographs
photo N°77.09.1297
New York Bureau
Attempted Retreat Ends in Death
FRANCE – This German soldier was killed s he attempted to flee from his half-track vehicle as German forces retreated toward Mortain, France. Other vehicles in his unit (background) were also knocked out as they fled homeward.
Credit; (Signal Corps Photo From ACME)
Anse Source d'Argent . La Digue Island
Watch the videos of this trip VIDEO OF MAHÉ and the VIDEO OF LA DIGUE
Source: livinghistories.newcastle.edu.au/nodes/view/32608
Thomas James Rodoni was born in 1882 at Hotham East, Victoria, to Swiss and Irish parents. While living in Sydney in August 1914 as a man of 31, Rodoni joined the first Australian Imperial Force that would engage in the Great War: the Australian Naval & Military Expeditionary Force.
A week after enlisting, Rodoni’s company embarked on the HMAS Berrima and sailed to German New Guinea among a fleet with orders to seize two wireless stations and to disable the German colonies there.
Rodoni’s unofficial photographs – many of them “candid” shots, captured in the moment – are a rare glimpse of this pivotal moment in Australia’s history. He has documented the energetic atmosphere of prewar Sydney and its surrounds, from civilian and military marches to battleships docked in Sydney Harbour, with accompanying crowds of people brought together for these special events. His camera voyaged with him on the expedition to the Pacific region, taking images both from the ship’s deck and then again on dry land after disembarking.
Rodoni was stationed in New Guinea for five months with the AN&MEF after the successful capture of territory from the German forces. His striking images are testament to his ease with the camera, and the ease of his fellow servicemen around this avid amateur photographer. He used his camera to record daily events and significant moments in the expedition, and made several group portraits of the officers and soldiers in his company. Yet his images also suggest a genuine curiosity for the foreign people and places where he was stationed, and a love of the photographic medium in which he practiced during this early period of the war.
After leaving New Guinea with the AN&MEF and returning home to Australia in January 1915, Rodoni left the force to work in a Small Arms Factory manufacturing munitions for the war. He soon married and settled in Newcastle with his wife, Catherine Annie Wilson, and had four children: Thomas, Mary, Jim and William (Bill).
The wider collection of glass plate negatives – over 600 in total and with many views of Newcastle and its surrounds is an incredible legacy to Thomas Rodoni and his family.
Rodoni died in 1956 as a result of a car accident in Waratah, Newcastle.
The original negatives are held in Cultural Collections at the Auchmuty Library, University of Newcastle (Australia).
You are welcome to use the images for study and personal research purposes. Please acknowledge as Courtesy of the Rodoni Archive, University of Newcastle (Australia)" For commercial requests you must obtain permission by contacting Cultural Collections.
If you are the subject of the images, or know the subject of the images, and have cultural or other reservations about the images being displayed on this website and would like to discuss this with us please contact Cultural Collections.
If you have any further information on the photographs, please leave a comment.
These images are provided free of charge to the global community thanks to the generosity of the Bill Rodoni & Family and the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: dl.dropboxusercontent.com/u/21528529/veradeaconform.jpg
Open-course/Open-source is a free software one-day event which took place on the eleventh of April 2008 at Erg (Ecole de Recherche Graphique) in Brussels.
Invited artists and lecturers were Simon Geilfus, Nicolas Malevé, Lionel Maes, Olivier Meunier, Michel Cleempoel, OS Publishing (Femke Snelting, Harrisson & Pierre Huyghebaert), Michel Cleempoel, and Erg teachers Stéphane Noël and Marc Wathieu.
Infos (fr) :
Photographed by Kuber Sodari, These Photos capture the moments in the roundtable discussion done about Debian by jonas and siri.
We all need the waters of the Mercy River. Though they don't run deep, there's usually enough, just enough, for the extravagance of our lives
www.pinterest.com/pin/250864641723046301
★★"Chillin with a couple of fine musicians at one of the highest..." Chillin with a couple of fine musicians at one of the highest points in the Balkan mountains. There happened to be a handful of Alpine Swifts flying around up there. I never thought Id actually be in the presents of these birds that I named my latest album after. #lifesatrip #djdrez #alpineswift #travel #everforward #ProjectBlowed #wchq instagram.com/ProjectBlowedLA★★
Source: Scan of Original Postcard.
Date: Unknown.
Postmark: Unused.
Publisher: Unknown.
Photographer: Unknown.
Inscription: Haydon Wick Congregationalist Football Club season 1910-11.
Repository: Swindon Museum and Art Gallery.
MP1983-533
Department of Energy Under Secretary of Science Steven Koonin with ALS researcher Eli Rotenberg at Beamline 7.0
credit: Lawrence Berkeley Nat'l Lab - Roy Kaltschmidt, photographer
XBD200909-00782-17.TIF
Source: Scan of an original photograph.
Set: ENS01.
Date: 1960s?
Photographer: Mr J. Ensten.
Repository: From the collection of Mr J. Ensten.
Local Studies at Swindon Central Library.
With the winter we have had here in Kent, not as wet as some I admit, it seems that today would be a good day to go on a tour of the Nailbourne.
The Nailbourne, is a winterbourne, a river or stream that only flows in winter or wet weather, mostly of chalk downlands, and sometimes can flow through the chalk rather than on it.
The Nailbourne rises in Lyminge, under St Mary, the parish church, and once a Saxon monastery and probably a Roman site before then.
The stream springs from the ground, in the lea of the wall besde the road, meanders across the plating field then goes through the village.
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The Little Stour is one of the tributaries of the River Stour in the English county of Kent. The upper reaches of the river are better known as the Nailbourne, whilst the lower reaches were once known as the Seaton Navigation.
The intermittent source of the river is at Lyminge, and in its early reaches from Lyminge to Littlebourne it forms a chalk stream and winterbourne that is normally known as the Nailbourne. Below Littlebourne the river is better known as the Little Stour, and it joins with the Great Stour at Plucks Gutter near East Stourmouth.
The Nailbourne flows from Lyminge, through the Elham Valley until it becomes known as the Little Stour at Littlebourne.
The Nailbourne bubbles up beneath St Ethelburga's Well in Tayne Field in the centre of Lyminge. Whilst the stream often holds a plentiful supply of water from Lyminge to Elham throughout the year, it rarely holds any water from Elham to Bishopsbourne even in the winter months. However, in wet years the normally dry ditch can turn into a fast flowing torrent, flooding roads, fields and houses. An example of this was in 2001 when there was extensive flooding throughout the Elham Valley.
There are a number of minor tributaries that flow into the Nailbourne throughout the Elham Valley. Most are nameless although Ordnance Survey maps do mark a stream known as the East Brooke which runs from Etchinghill and joins the Nailbourne at Lyminge.
en.wikipedia.org/wiki/Little_Stour
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Æthelburh of Kent (born 601,[1] sometimes spelled Æthelburg, Ethelburga, Æthelburga; Old English: Æþelburh, Æðelburh, Æðilburh, also known as Tate or Tata),[2][3] was an early Anglo-Saxon queen consort of Northumbria, the second wife of King Edwin. As she was a Christian from Kent, their marriage triggered the initial phase of the conversion of the pagan north of England to Christianity.
Æthelburh would have been born in the late 6th century, as the daughter of King Æthelberht of Kent (sometimes spelled Aethelberht) and his queen Bertha, and sister of Eadbald. In 625, she married Edwin of Northumbria as his second wife. A condition of their marriage was Edwin's conversion to Christianity and the acceptance of Paulinus's mission to convert the Northumbrians.[4][5]
Æthelburh’s children with Edwin were: Eanflæd, Ethelhun, Wuscfrea and Edwen.
Her daughter Eanflæd grew up under the protection of her uncle, King Eadbald of Kent. Bede, Ecclesiastical History (2.20) states that Æthelburh did not trust her brother, or Edwin's sainted successor Oswald, with the lives of Edwin's male descendants whom she sent to the court of King Dagobert I (her mother's cousin).
King Edwin’s conversion was due to his marriage to Æthelburh, who brought her bishop Paulinus with her. Both Æthelburh and her mother, Bertha, received letters from popes Gregory and Boniface respectively, urging them to do their Christian duty by converting their pagan husbands.Their daughter Eanflaed was one of the first to be baptized in Northumbria.[6] After King Edwin was wounded, Æthelburh's alarm caused an early onset of childbirth. Both the mother, as well as the infant, appeared to be in danger. The prayers of Paulinus were offered for the queen and child. After they recovered, 12 of the royal households, as well as the baby, were baptized by Edwin’s permission and request.[7]
According to the Kentish Royal Legend, after Edwin's death at the Battle of Hatfield Chase in 633, she returned to Kent. She then established one of the first Benedictine nunneries in England, at Lyminge, near Folkestone, which she led until her death in 647, and where her remains were later venerated.[5]
Modern research has shown that the buildings at Lyminge were designed to contain a convent of monks as well as of nuns. The church is built from Roman masonry, and was possibly built out of the fragments of a villa, which was customary practice by Anglo-Saxons, or it may have been a Roman basilica
New public art: Sources/Derivations by artist Allan Harding MacKay. MacKay’s statement on the art reads:
The artwork in Pape Station is derived from two key sources:
1. Interior architectural features of the station before modernizartion.
2. Urban features of the neighbourhood.
The artworks, through image variations, act as slices of time and reminders of past moments in the life and context of this public space and its environs.
Moving from a representational image, through a series of variations, a visual narrative is expressed that delights the eye and metaphorically provides a journey of exploration for the viewer.
Source: livinghistories.newcastle.edu.au/nodes/view/33536
The University of Newcastle unveiled the $17 million medical services precinct at Callaghan campus in March 2014. The purpose-built four-storey building includes wet and dry anatomy facilities, a 120 person teaching lab and preparation space, a specimen museum and group study areas.
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