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Images from the 2013 edition Sensation "Source Of Light" Belgium.
March 9th, 2013
Ethias Arena, Hasselt. Belgium
Client: ID&T Belgium
© 2013 www.rudgr.com
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Source: NASA
Published: August 6, 2018
About the image: This picture of Neptune came from NASA's Voyager 2 spacecraft in 1989. Credit: NASA/JPL
solarsystem.nasa.gov/resources/1001/neptune-poster-versio...
The light source for the projector in the derelict Cinema. We found it lying on the floor, next to the projector which someone (as we found out later) had put up again for a photo. We considered putting the light source back on the projector - but it looked really heavy - so I decided to settle with a shot of the controls only...
My prototype build of the Random*Source DONK.
Since i have quite a little bit of eurorack, i built it with 3.5mm output sockets.
Source: The house Queen Caroline built: an effusion / by a wild Irishwoman (London: Printed for the Author, 1820); 22 cm. Call # TrialsB C22 pam4.
Join ITS Tactical as we take an in-depth look at Source Hydration systems and London Bridge Trading Insulated Hydration Pouches. Check out ITS Tactical for a full written review and detailed photos! itstac.tc/qPDUP5
Source: Scan of an original large mounted print.
Image: P... (TIM01)
Date: Unknown (1920s? 1930s?).
Photographer: Arthur Banbury, Swindon.
Kindly donated in June 2012 by local author Mr P. Timms.
Repository: Local Studies at Swindon Central Library.
Source Images:
DSC_0135.jpg (Av: F11.0; Tv: 1/160 sec.; ISO: 200; FL: 44.0 mm)
Processing:
Fusion 2.1.2 (Summator)
An open source photo gallery which aims to offer you some of our best takes – Use this photos for personal or commercial purposes, attribution is appreciated but not required – Here you go – Njoy!
Source: livinghistories.newcastle.edu.au/nodes/view/32510
Thomas James Rodoni was born in 1882 at Hotham East, Victoria, to Swiss and Irish parents. While living in Sydney in August 1914 as a man of 31, Rodoni joined the first Australian Imperial Force that would engage in the Great War: the Australian Naval & Military Expeditionary Force.
A week after enlisting, Rodoni’s company embarked on the HMAS Berrima and sailed to German New Guinea among a fleet with orders to seize two wireless stations and to disable the German colonies there.
Rodoni’s unofficial photographs – many of them “candid” shots, captured in the moment – are a rare glimpse of this pivotal moment in Australia’s history. He has documented the energetic atmosphere of prewar Sydney and its surrounds, from civilian and military marches to battleships docked in Sydney Harbour, with accompanying crowds of people brought together for these special events. His camera voyaged with him on the expedition to the Pacific region, taking images both from the ship’s deck and then again on dry land after disembarking.
Rodoni was stationed in New Guinea for five months with the AN&MEF after the successful capture of territory from the German forces. His striking images are testament to his ease with the camera, and the ease of his fellow servicemen around this avid amateur photographer. He used his camera to record daily events and significant moments in the expedition, and made several group portraits of the officers and soldiers in his company. Yet his images also suggest a genuine curiosity for the foreign people and places where he was stationed, and a love of the photographic medium in which he practiced during this early period of the war.
After leaving New Guinea with the AN&MEF and returning home to Australia in January 1915, Rodoni left the force to work in a Small Arms Factory manufacturing munitions for the war. He soon married and settled in Newcastle with his wife, Catherine Annie Wilson, and had four children: Thomas, Mary, Jim and William (Bill).
The wider collection of glass plate negatives – over 600 in total and with many views of Newcastle and its surrounds is an incredible legacy to Thomas Rodoni and his family.
Rodoni died in 1956 as a result of a car accident in Waratah, Newcastle.
The original negatives are held in Cultural Collections at the Auchmuty Library, University of Newcastle (Australia).
You are welcome to use the images for study and personal research purposes. Please acknowledge as Courtesy of the Rodoni Archive, University of Newcastle (Australia)" For commercial requests you must obtain permission by contacting Cultural Collections.
If you are the subject of the images, or know the subject of the images, and have cultural or other reservations about the images being displayed on this website and would like to discuss this with us please contact Cultural Collections.
If you have any further information on the photographs, please leave a comment.
These images are provided free of charge to the global community thanks to the generosity of the Bill Rodoni & Family and the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: dl.dropboxusercontent.com/u/21528529/veradeaconform.jpg
Source: Digital image.
Set: WHE01.
Date: 1905.
Repository: From the collection of Mr D. Wheatley.
Used here by his very kind permission.
Local Studies at Swindon Central Library
Source: Scan of an original postacrd.
Set: RAD01.
Postmark: 17th September 1910.
Date: 18th June 1910.
Publisher/photographer: William Hooper.
HOOPER COLLECTION ©P. WILLIAMS.
Repository: From the collection of Mr R. Radway & family.
Local Studies at Swindon Central Library.
The Mekong originates on the Tibetan plateau in the south of China's Qinghai province. The yellow line is a projection of the GPS track of our 2013 expedition to the Mekong sources.
Source: livinghistories.newcastle.edu.au/nodes/view/32637
Thomas James Rodoni was born in 1882 at Hotham East, Victoria, to Swiss and Irish parents. While living in Sydney in August 1914 as a man of 31, Rodoni joined the first Australian Imperial Force that would engage in the Great War: the Australian Naval & Military Expeditionary Force.
A week after enlisting, Rodoni’s company embarked on the HMAS Berrima and sailed to German New Guinea among a fleet with orders to seize two wireless stations and to disable the German colonies there.
Rodoni’s unofficial photographs – many of them “candid” shots, captured in the moment – are a rare glimpse of this pivotal moment in Australia’s history. He has documented the energetic atmosphere of prewar Sydney and its surrounds, from civilian and military marches to battleships docked in Sydney Harbour, with accompanying crowds of people brought together for these special events. His camera voyaged with him on the expedition to the Pacific region, taking images both from the ship’s deck and then again on dry land after disembarking.
Rodoni was stationed in New Guinea for five months with the AN&MEF after the successful capture of territory from the German forces. His striking images are testament to his ease with the camera, and the ease of his fellow servicemen around this avid amateur photographer. He used his camera to record daily events and significant moments in the expedition, and made several group portraits of the officers and soldiers in his company. Yet his images also suggest a genuine curiosity for the foreign people and places where he was stationed, and a love of the photographic medium in which he practiced during this early period of the war.
After leaving New Guinea with the AN&MEF and returning home to Australia in January 1915, Rodoni left the force to work in a Small Arms Factory manufacturing munitions for the war. He soon married and settled in Newcastle with his wife, Catherine Annie Wilson, and had four children: Thomas, Mary, Jim and William (Bill).
The wider collection of glass plate negatives – over 600 in total and with many views of Newcastle and its surrounds is an incredible legacy to Thomas Rodoni and his family.
Rodoni died in 1956 as a result of a car accident in Waratah, Newcastle.
The original negatives are held in Cultural Collections at the Auchmuty Library, University of Newcastle (Australia).
You are welcome to use the images for study and personal research purposes. Please acknowledge as Courtesy of the Rodoni Archive, University of Newcastle (Australia)" For commercial requests you must obtain permission by contacting Cultural Collections.
If you are the subject of the images, or know the subject of the images, and have cultural or other reservations about the images being displayed on this website and would like to discuss this with us please contact Cultural Collections.
If you have any further information on the photographs, please leave a comment.
These images are provided free of charge to the global community thanks to the generosity of the Bill Rodoni & Family and the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: dl.dropboxusercontent.com/u/21528529/veradeaconform.jpg
Source: en.wikipedia.org/wiki/Asheville,_North_Carolina
Asheville is a city in, and the county seat of, Buncombe County, North Carolina, United States. It is the largest city in Western North Carolina, and the 12th-most populous city in the U.S. state of North Carolina. The city's population was 92,452 according to 2018 estimates. It is the principal city in the four-county Asheville metropolitan area, with a population of 424,858 in 2010.
Source: en.wikipedia.org/wiki/Biltmore_Estate
Biltmore Estate is a historic house museum and tourist attraction in Asheville, North Carolina. Biltmore House, the main residence, is a Châteauesque-style mansion built for George Washington Vanderbilt II between 1889 and 1895 and is the largest privately owned house in the United States, at 178,926 square feet (16,622.8 m2) of floor space (135,280 square feet of living area). Still owned by George Vanderbilt's descendants, it remains one of the most prominent examples of Gilded Age mansions.
Source: www.exploreasheville.com/iconic-asheville/biltmore/
Elegance and grandeur abound at Biltmore, America’s largest home. This French Renaissance castle in the heart of Asheville and the Blue Ridge Mountains is an architectural jewel. The home features 250 rooms, including 35 bedrooms, 43 bathrooms and 65 fireplaces.
In addition to the house, the 8,000-acre estate is home to forested trails and beautiful gardens, which include one of the country’s most complete collections of azaleas. Biltmore is also where you’ll find the nation’s most-visited winery. As you explore the estate, enjoy shopping, dining and luxury accommodations.
Biltmore is as magnificent today as it was when it was built more than a century ago. George W. Vanderbilt created the estate in the 1890’s as a grand retreat in the North Carolina mountains. The estate officially opened to his friends and family on Christmas Eve 1895. Mr. Vanderbilt brought in Frederick Law Olmsted, the father of American landscape architecture, to design the gardens and trails. Biltmore was the last great project for Olmsted, whose work also includes New York’s Central Park and the grounds of the U.S. Capitol. The Estate is still privately owned and operated by George Vanderbilt’s descendants.
Source: livinghistories.newcastle.edu.au/nodes/view/32588
Thomas James Rodoni was born in 1882 at Hotham East, Victoria, to Swiss and Irish parents. While living in Sydney in August 1914 as a man of 31, Rodoni joined the first Australian Imperial Force that would engage in the Great War: the Australian Naval & Military Expeditionary Force.
A week after enlisting, Rodoni’s company embarked on the HMAS Berrima and sailed to German New Guinea among a fleet with orders to seize two wireless stations and to disable the German colonies there.
Rodoni’s unofficial photographs – many of them “candid” shots, captured in the moment – are a rare glimpse of this pivotal moment in Australia’s history. He has documented the energetic atmosphere of prewar Sydney and its surrounds, from civilian and military marches to battleships docked in Sydney Harbour, with accompanying crowds of people brought together for these special events. His camera voyaged with him on the expedition to the Pacific region, taking images both from the ship’s deck and then again on dry land after disembarking.
Rodoni was stationed in New Guinea for five months with the AN&MEF after the successful capture of territory from the German forces. His striking images are testament to his ease with the camera, and the ease of his fellow servicemen around this avid amateur photographer. He used his camera to record daily events and significant moments in the expedition, and made several group portraits of the officers and soldiers in his company. Yet his images also suggest a genuine curiosity for the foreign people and places where he was stationed, and a love of the photographic medium in which he practiced during this early period of the war.
After leaving New Guinea with the AN&MEF and returning home to Australia in January 1915, Rodoni left the force to work in a Small Arms Factory manufacturing munitions for the war. He soon married and settled in Newcastle with his wife, Catherine Annie Wilson, and had four children: Thomas, Mary, Jim and William (Bill).
The wider collection of glass plate negatives – over 600 in total and with many views of Newcastle and its surrounds is an incredible legacy to Thomas Rodoni and his family.
Rodoni died in 1956 as a result of a car accident in Waratah, Newcastle.
The original negatives are held in Cultural Collections at the Auchmuty Library, University of Newcastle (Australia).
You are welcome to use the images for study and personal research purposes. Please acknowledge as Courtesy of the Rodoni Archive, University of Newcastle (Australia)" For commercial requests you must obtain permission by contacting Cultural Collections.
If you are the subject of the images, or know the subject of the images, and have cultural or other reservations about the images being displayed on this website and would like to discuss this with us please contact Cultural Collections.
If you have any further information on the photographs, please leave a comment.
These images are provided free of charge to the global community thanks to the generosity of the Bill Rodoni & Family and the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: dl.dropboxusercontent.com/u/21528529/veradeaconform.jpg
The publication SOURCE is a collection of interviews of people and groups who are actively challenging the political status-quo regarding the status of marginalized people and other difficult political issues, and who have visions of proactive tactics on how to address them.
The second issue of SOURCE that was published in US in November 2018 focused on topic of migration. Migration though was understood in more symbolic way as a process of transition, which is fundamental to so much of contemporary life. People migrate between identities, countries, languages, economic realities, genders, political beliefs, contexts.
Publisher: PLATFORM FOR INTERDISCIPLINARY PRACTICE "OPEN PLACE"
Edited by: Kosteryeva Yuliya, Kruchak Yuriy
Published: New York, 2018
Language: English
Details: Softcover, 8 pages
Category: Journal
Designed by: "OPEN PLACE" Design
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