Man wird nur einmal 200! Wir feiern Anton Bruckner, kommen Sie mit! Besuchen Sie in einem geführten Walk unsere begehbaren und interaktiven Klangerlebnisse und tauchen so in die Welt Bruckners ein. Was könnte ihn damals inspiriert haben? Finden Sie es heraus und spielen doch Sie mal die „erste Geige“ im Bruckner Orchester.

Credits:

Ars Electronica Futurelab, Sounddesign by Julian P. Schmiederer, OÖ KulturEXPO Anton Bruckner 2024

Photo: Ars Electronica / Magdalena Sick-Leitner

Visiting a sound design studio.

Exploring Sonic Interaction with Artefacts in Everyday Contexts

Hands-on sonic interaction design workshop on 23 June 2008 at IRCAM (Paris, France).

Part of the 14th International Conference on Auditory Display, 24-27 June 2008

Organizers: Karmen Franinovic, Lalya Gaye, Frauke Behrendt

Workshop website: sonicinteraction.wordpress.com.

Man wird nur einmal 200! Wir feiern Anton Bruckner, kommen Sie mit! Besuchen Sie in einem geführten Walk unsere begehbaren und interaktiven Klangerlebnisse und tauchen so in die Welt Bruckners ein. Was könnte ihn damals inspiriert haben? Finden Sie es heraus und spielen doch Sie mal die „erste Geige“ im Bruckner Orchester.

Credits:

Ars Electronica Futurelab, Sounddesign by Julian P. Schmiederer, OÖ KulturEXPO Anton Bruckner 2024

Photo: Ars Electronica / Magdalena Sick-Leitner

Man wird nur einmal 200! Wir feiern Anton Bruckner, kommen Sie mit! Besuchen Sie in einem geführten Walk unsere begehbaren und interaktiven Klangerlebnisse und tauchen so in die Welt Bruckners ein. Was könnte ihn damals inspiriert haben? Finden Sie es heraus und spielen doch Sie mal die „erste Geige“ im Bruckner Orchester.

Credits:

Ars Electronica Futurelab, Sounddesign by Julian P. Schmiederer, OÖ KulturEXPO Anton Bruckner 2024

Photo: Ars Electronica / Magdalena Sick-Leitner

Logo Test

A close-up view of a mixing console featuring various controls and a cable connected to it. This setup is part of a recording session in a music studio, showcasing technical equipment.

Man wird nur einmal 200! Wir feiern Anton Bruckner, kommen Sie mit! Besuchen Sie in einem geführten Walk unsere begehbaren und interaktiven Klangerlebnisse und tauchen so in die Welt Bruckners ein. Was könnte ihn damals inspiriert haben? Finden Sie es heraus und spielen doch Sie mal die „erste Geige“ im Bruckner Orchester.

Credits:

Ars Electronica Futurelab, Sounddesign by Julian P. Schmiederer, OÖ KulturEXPO Anton Bruckner 2024

Photo: Ars Electronica / Magdalena Sick-Leitner

"Music and sound have become essential elements in the nonfiction narrative. What is the

intricate relationship between music and documentary films? How can you successfully utilize

sound design in a documentary? Style and instrumentation are dictated by the project, and

songwriter, composer and producer Todd Griffin (The Overnighters, E-Team) presents several

examples, leading us through this creative process."

with David Teague and Thom Paul

WESERGROUP multimedia production studios

Ihre Partner im multimedialen Markt.

WESERTON - WESERVIDEO - WESERART

Sander Huiberts - Richard van Tol (Creative Heroes)

Solarity Studios provides agencies and clients in need of video production, post-production, music production, aerial cinematography and photography, the luxurious ability to build value into their products in order to strengthen the connection to their target audience or market.

Surface de projection composée d’une trentaine de cubes de neige représentant une montagne de pixel. Dimension totale : 18m x 6m.

Crédit photo: Laurent VANDELLE

"Music and sound have become essential elements in the nonfiction narrative. What is the

intricate relationship between music and documentary films? How can you successfully utilize

sound design in a documentary? Style and instrumentation are dictated by the project, and

songwriter, composer and producer Todd Griffin (The Overnighters, E-Team) presents several

examples, leading us through this creative process."

with David Teague and Thom Paul

logo design old street studios

via Instagram ift.tt/1ZpUnZj

Exploring Sonic Interaction with Artefacts in Everyday Contexts

Hands-on sonic interaction design workshop on 23 June 2008 at IRCAM (Paris, France).

Part of the 14th International Conference on Auditory Display, 24-27 June 2008

Organizers: Karmen Franinovic, Lalya Gaye, Frauke Behrendt

Workshop website: sonicinteraction.wordpress.com.

THE VALLEY MISSION CARE

by Russel Legaspi

direction: Missy Maramara

lighting design: Meliton Roxas, Franz Beo

video design: Winter David

music and sound design: Teresa Barrozo

stage management: Noah Suena

cast:

Siegfried Sepulveda

Mayen Estanero

Richard S. Cunanan

-----

photo by Teresa Barrozo

teresabarrozo.webs.com/

Sander Huiberts (Creative Heroes)

"Music and sound have become essential elements in the nonfiction narrative. What is the

intricate relationship between music and documentary films? How can you successfully utilize

sound design in a documentary? Style and instrumentation are dictated by the project, and

songwriter, composer and producer Todd Griffin (The Overnighters, E-Team) presents several

examples, leading us through this creative process."

with David Teague and Thom Paul

THE VALLEY MISSION CARE

by Russel Legaspi

direction: Missy Maramara

lighting design: Meliton Roxas, Franz Beo

video design: Winter David

music and sound design: Teresa Barrozo

stage management: Noah Suena

cast:

Siegfried Sepulveda

Mayen Estanero

Richard S. Cunanan

-----

photo by Teresa Barrozo

teresabarrozo.webs.com/

Here's a glimpse of our sound design setup. What do you think?

Direção: Téia Werner

Trilha Sonora: Grace Torres

old street studios stationary design

"Music and sound have become essential elements in the nonfiction narrative. What is the

intricate relationship between music and documentary films? How can you successfully utilize

sound design in a documentary? Style and instrumentation are dictated by the project, and

songwriter, composer and producer Todd Griffin (The Overnighters, E-Team) presents several

examples, leading us through this creative process."

with David Teague and Thom Paul

Defused ("prop") grenades, used for sound effects recording.

logo design old street studios

"Music and sound have become essential elements in the nonfiction narrative. What is the

intricate relationship between music and documentary films? How can you successfully utilize

sound design in a documentary? Style and instrumentation are dictated by the project, and

songwriter, composer and producer Todd Griffin (The Overnighters, E-Team) presents several

examples, leading us through this creative process."

with David Teague and Thom Paul

Nick (left) and Richard (right) -- sound-op and designer for Talking Pictures