WESERGROUP multimedia production studios

Ihre Partner im multimedialen Markt.

WESERTON - WESERVIDEO - WESERART

Man wird nur einmal 200! Wir feiern Anton Bruckner, kommen Sie mit! Besuchen Sie in einem geführten Walk unsere begehbaren und interaktiven Klangerlebnisse und tauchen so in die Welt Bruckners ein. Was könnte ihn damals inspiriert haben? Finden Sie es heraus und spielen doch Sie mal die „erste Geige“ im Bruckner Orchester.

Credits:

Ars Electronica Futurelab, Sounddesign by Julian P. Schmiederer, OÖ KulturEXPO Anton Bruckner 2024

Photo: Ars Electronica / Magdalena Sick-Leitner

We are happy to tell you we were chosen to do sounddesign and post-production for a short animated movie called “Bulb”. We are doing this in order of Radicle, An animation studio based in HongKong!

We are very glad that we have the opportunity to work on this project!

Check our newsletter for mor...

www.soundgram.com/post-production-for-bulb/

"Music and sound have become essential elements in the nonfiction narrative. What is the

intricate relationship between music and documentary films? How can you successfully utilize

sound design in a documentary? Style and instrumentation are dictated by the project, and

songwriter, composer and producer Todd Griffin (The Overnighters, E-Team) presents several

examples, leading us through this creative process."

with David Teague and Thom Paul

Solarity Studios provides agencies and clients in need of video production, post-production, music production, aerial cinematography and photography, the luxurious ability to build value into their products in order to strengthen the connection to their target audience or market.

Surface de projection composée d’une trentaine de cubes de neige représentant une montagne de pixel. Dimension totale : 18m x 6m.

Crédit photo: Laurent VANDELLE

logo design old street studios

Wie können wir neue Geschichten aus dem kulturellen Erbe erzählen? The Mask of Time ist ein audiovisuelles Werk von Mattia Casalegno und Martux_m, das für die Fondazione Giorgio Cini im Rahmen des Digitalzentrums ARCHiVe geschaffen wurde. Mithilfe von Archivmaterialien und Technologien wie KI, 3D-Modellierung und Sounddesign wird das historische Teatro Verde neu interpretiert – durch photogrammetrische Scans und immersive virtuelle Bühnenbilder. Hyperrealistische Avatare lassen vergangene Inszenierungen wieder aufleben und machen das Theater zu einem Ort, an dem Natur, Kultur und Technologie auf visionäre Weise zusammenfinden.

Im Bild: Chiara Casarin

Foto: Ars Electronica / Birgit Cakir

Vancouver Post Alliance - to act as a catalyst and partner for knowledge exchange & professional development to the BC Post Production community

Exploring Sonic Interaction with Artefacts in Everyday Contexts

Hands-on sonic interaction design workshop on 23 June 2008 at IRCAM (Paris, France).

Part of the 14th International Conference on Auditory Display, 24-27 June 2008

Organizers: Karmen Franinovic, Lalya Gaye, Frauke Behrendt

Workshop website: sonicinteraction.wordpress.com.

THE VALLEY MISSION CARE

by Russel Legaspi

direction: Missy Maramara

lighting design: Meliton Roxas, Franz Beo

video design: Winter David

music and sound design: Teresa Barrozo

stage management: Noah Suena

cast:

Siegfried Sepulveda

Mayen Estanero

Richard S. Cunanan

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photo by Teresa Barrozo

teresabarrozo.webs.com/

Sander Huiberts - Richard van Tol (Creative Heroes)

Wie können wir neue Geschichten aus dem kulturellen Erbe erzählen? The Mask of Time ist ein audiovisuelles Werk von Mattia Casalegno und Martux_m, das für die Fondazione Giorgio Cini im Rahmen des Digitalzentrums ARCHiVe geschaffen wurde. Mithilfe von Archivmaterialien und Technologien wie KI, 3D-Modellierung und Sounddesign wird das historische Teatro Verde neu interpretiert – durch photogrammetrische Scans und immersive virtuelle Bühnenbilder. Hyperrealistische Avatare lassen vergangene Inszenierungen wieder aufleben und machen das Theater zu einem Ort, an dem Natur, Kultur und Technologie auf visionäre Weise zusammenfinden.

Foto: Ars Electronica / Birgit Cakir

Techno beat and strobe lights (not for the faint hearted or indeed for anyone with seizures triggered by strobe lights) have strongest effect after the sun sets, but even in mid-morning the newly installed scene across the Gillette Bridge in downtown Grand Rapids for the 2024 World of Winter (January 12 to March 10) makes an impression. See also www.creos.io/fr/portfolio/sonic-runway/

Press L for 'lightbox' to view the clip on a black background.

"Music and sound have become essential elements in the nonfiction narrative. What is the

intricate relationship between music and documentary films? How can you successfully utilize

sound design in a documentary? Style and instrumentation are dictated by the project, and

songwriter, composer and producer Todd Griffin (The Overnighters, E-Team) presents several

examples, leading us through this creative process."

with David Teague and Thom Paul

THE VALLEY MISSION CARE

by Russel Legaspi

direction: Missy Maramara

lighting design: Meliton Roxas, Franz Beo

video design: Winter David

music and sound design: Teresa Barrozo

stage management: Noah Suena

cast:

Siegfried Sepulveda

Mayen Estanero

Richard S. Cunanan

-----

photo by Teresa Barrozo

teresabarrozo.webs.com/

Here's a glimpse of our sound design setup. What do you think?

Wie können wir neue Geschichten aus dem kulturellen Erbe erzählen? The Mask of Time ist ein audiovisuelles Werk von Mattia Casalegno und Martux_m, das für die Fondazione Giorgio Cini im Rahmen des Digitalzentrums ARCHiVe geschaffen wurde. Mithilfe von Archivmaterialien und Technologien wie KI, 3D-Modellierung und Sounddesign wird das historische Teatro Verde neu interpretiert – durch photogrammetrische Scans und immersive virtuelle Bühnenbilder. Hyperrealistische Avatare lassen vergangene Inszenierungen wieder aufleben und machen das Theater zu einem Ort, an dem Natur, Kultur und Technologie auf visionäre Weise zusammenfinden.

Foto: Ars Electronica / Birgit Cakir

"Music and sound have become essential elements in the nonfiction narrative. What is the

intricate relationship between music and documentary films? How can you successfully utilize

sound design in a documentary? Style and instrumentation are dictated by the project, and

songwriter, composer and producer Todd Griffin (The Overnighters, E-Team) presents several

examples, leading us through this creative process."

with David Teague and Thom Paul

Direção: Téia Werner

Trilha Sonora: Grace Torres

old street studios stationary design

"Music and sound have become essential elements in the nonfiction narrative. What is the

intricate relationship between music and documentary films? How can you successfully utilize

sound design in a documentary? Style and instrumentation are dictated by the project, and

songwriter, composer and producer Todd Griffin (The Overnighters, E-Team) presents several

examples, leading us through this creative process."

with David Teague and Thom Paul