View allAll Photos Tagged SoundDesign
Official links :
Buy at : www.nimbitmusic.com/airwolfone
"Music and sound have become essential elements in the nonfiction narrative. What is the
intricate relationship between music and documentary films? How can you successfully utilize
sound design in a documentary? Style and instrumentation are dictated by the project, and
songwriter, composer and producer Todd Griffin (The Overnighters, E-Team) presents several
examples, leading us through this creative process."
with David Teague and Thom Paul
Photos from the dress rehearsal for SCLOrk concert inside the Music Recital Hall on March 16, 2017.
SCLOrk (the Santa Clara Laptop Orchestra) is an innovative ensemble of up to sixteen players dedicated to the creation and performance of live electronic music. Created in the Spring of 2012 by SCU faculty Bruno Ruviaro and students, this interdisciplinary group explores the intersection of music composition, live performance, human/computer interaction, programming, and sound design, with emphasis on musical creativity based on cutting-edge technologies.
(Photo by Joanne H. Lee/Santa Clara University)
Von Krahl Theatre: The Magic flute.
Directed by Peeter Jalakas
Photo by Alan Proosa.
Video- and sounddesign by V. Hyvönen
Looks like Ben Burtt (Star Wars) will be taking a year off to design sound for Wall•E. Will he be able to work on Indy 4?
18 sept. 2015 NIEUWE FILMERS Filmfestival in Theater aan de Parade Den Bosch.
De première avond van vijf korte films van jonge filmers gemaakt tijdens de ONE WEEK FILM project [10 t/m 14 aug. jl.], met interviews met de makers én uitreiking van de film award Het Paradepaardje! En bekendmaking eervolle vermeldingen voor best editing, best acting, best sounddesign, best camera DOP.
De films
-Mr HERO - team Cinema HYPE, regisseur Vincent Plu
- RUIMEL - team Rebel with a Crew regisseur Joris Sluiter
-SOKPOP - team IN PRINCIPE, regisseur Lenn-Art van Oostenbrugge
-WATERGAMES - team CineRaw, regisseur Robin de Ridder
- ZAP - team Rosebud, regisseur Jan van Ooijen.
Jury Marieke Jonker Amstelfilm/ JT bioscopen,
Marinus Groothof Regisseur, Harry Vermeulen directeur TP en Gertjan Stads ambassadeur TP.
Presentatie Coen Haver,
NF team Monique van de Wijdeven, Coen Haver, Marjoes Corsten en Marcus Peters
Live camera Rolf Jurgens
Techniek Ivan Hidayat
Fotografie Anouk Dalessi, Elise Borsboom, Marcus Peters / film Tristan Verbunt
VIDEOGIOCO
animation and concept by Donato Sansone
sound design by Enrico Ascoli www.enricoascoli.com
Watch this video on Vimeo. Video created by Enrico Ascoli - Sound Design.
Meri Amber went to King Sound Studios to record the vocals for her upcoming Mini-P. www.meriamber.com/blog/2013/04/recording-the-vocals-for-m...
Ist die Erde flach? Gibt es Corona überhaupt? Wird die Welt von Reptilien beherrscht, die sich als Menschen tarnen? Das alles sind Fragen, die online herumspuken und sich in die Offline-Realität einschleichen. Wie werden junge Menschen in die tiefen Höhlen des Internets gesogen? Finden sie online die Verbindungen, die sie offline verpasst haben? „Rabbit Hole“ von De Toneelmakerij ist eine interaktive Produktion am Puls der Zeit. In dieser einzigartigen, medienübergreifenden Umgebung sind die Grenzen zwischen online und offline vollkommen verschwommen. Über die eigenen Smartphones wird das Publikum Teil der Chat-Foren, in denen sich auch der isolierte Samy bewegt. Folgst du ihm into the „Rabbit Hole“? Oder bleibst du lieber draußen?
Ensemble / Crew:
De Toneelmakerij (NL)
Text: Daniel van Klaveren
Regie: Paul Knieriem
Dramaturgie und internationale Zusammenarbeit: Paulien Geerlings
Video- und Sounddesign: Mario Simon
Schauspiel: Tomer Pawlicki, Gonca Karasu
Technik: Ray Vaessen
Interactive components build on Getiyo.com: Morphix Productions
Fluid technical solutions: Marco Mooren, Mees van der Wijk
Productionmanagement: Sanne Liebregts
Ãœbersetzung: Henriette Festerling
Edukatives Rahmenprogramm: Martien Langman
Creative Developers: Fabian Hijlkema, Ibo Ibelings
Narrative and Game Designer: Jedidjah Julia Noomen
Development Digital Platform: Innovation:Lab Theater Utrecht
Partner: Theater Sonnevanck, Akademie für Theater und Digitalität,
Ars Electronica, SCHÄXPIR Festival, Saxion University of Applied Sciences.
Credit: Ars Electronica / Magdalena Sick-Leitner
Throughout the program of Radio Arts and Entertainment, students are encouraged to learn about all facets of radio broadcasting to have a better understanding of the industry. This is a photo of me adjusting the levels of the studio microphones before recording.
Simon Lau
BCIT Radio Arts and Entertainment
2019-2020
Later that night I created more sounds by burning the remaining strings and pulling them out with a hammer.
Photo: Conrad Schmitz
cargocollective.com/stefanodalessio
Out of Countenance
AudioVisual performance
Stefano D'Alessio | Martina Menegon
Vienna 2013
Out of countenance is a dialogue between two faces, deformed and transformed by a digital process into something strange, obsolete. The facial expressions are exaggerated and amplified, drew in a 3-Dimensional space, bringing the common feeling of expression in a different and distorted perception. The human face as known looses its physiognomy, allowing the other face to overlap, mix, fuse within it, turning into a digital creature, an extension of the human being in the digital era.
Two performers stands in front of their computer, positioned one to the extreme left and the other at the extreme right of the stage. The computers capture the performers faces thru their internal webcams, generating an interactive video flow that is projected on a screen. The projection screen fills the whole stage standing between the two performers. The two computers generate also an interactive audio flow. The performers interact with the system thru their movement, the expressions and distortions of their faces, generating different visuals and sounds.
The software in use in the two computers is created within MaxMSP/Jitter, two different patches are running on each computer.
The video images are captured in realtime by the two webcams, combined in different ways, distorted in time and space and transposed in a 3d environment.
Video and audio are always related, in sync and always interacting between each other.
The audio has different natures, pre-made, modified in realtime, realtime generated and generated via webcam interaction. The two software contained in both computer act as one audio visual generating flux and it has a fix time schedule that permit the performance development to have a precise order and execution.
From 27 May – 4 June 2016, London College of Communication celebrated the work of final-year students on BA (Hons) Sound Arts and Design in an off-site Degree Show at Copeland Gallery, London SE15 3SN.
Image © Lewis Bush
Meri Amber recorded flute in King Sound Studios for her upcoming Mini-P. She also recorded her string orchestration on synthesizer. www.meriamber.com/blog/2013/03/recording-flute-for-my-min...
Scénographie interactive permettant au public de voter via application mobile pour choisir la sélection musicale jouée par le DJ
Crédit photo: Lara BOURREL
RTT did the animation, art direction by McCann.
Creative Director for RTT: Jeff Bergmann
Creative Director for McCann: Jarrod Corbett
Executive Creative Director for McCann: Adam Wilson
Sound Design & Audio mix/master by Madsound
madsound.org
info@madsound.org
Sound designer Van is teaching Sound Design 101 in Studio i for teens. Workshops with professional series.
Larry Sider - Writing Soundider.
Part of CINECITY 2016, The Sound of Story presented a three-day programme of stimulating talks, masterclasses and workshops featuring a stellar line-up of world-class sound professionals.
Taking part were Ann Kroeber (Blue Velvet, Dead Poets Society), Catherine Hodgson (Atonement, Jane Eyre), Jo Jackson (Long Walk to Freedom, Suffragette), Judi Lee-Headman AMPS (Homeland, The Bible), Paul Davies (Hunger, The Queen, ’71, We Need to Talk About Kevin), Neil Cargill and Simon James (Akiha Den Den), Matthew Herbert (Life in a Day, Bodily Functions, One Pig), and Mike Brett (Notes on Blindness).
Photo by Bip Mistry
Cromotime
Bellissimo 2009
Sounds - Minus
Graphics - Bellissimo
Visuals - Bellissimo Vision
Programming - Gabriel Joffe, Daniele Morano
18 sept. 2015 NIEUWE FILMERS Filmfestival in Theater aan de Parade Den Bosch.
De première avond van vijf korte films van jonge filmers gemaakt tijdens de ONE WEEK FILM project [10 t/m 14 aug. jl.], met interviews met de makers én uitreiking van de film award Het Paradepaardje! En bekendmaking eervolle vermeldingen voor best editing, best acting, best sounddesign, best camera DOP.
De films
-Mr HERO - team Cinema HYPE, regisseur Vincent Plu
- RUIMEL - team Rebel with a Crew regisseur Joris Sluiter
-SOKPOP - team IN PRINCIPE, regisseur Lenn-Art van Oostenbrugge
-WATERGAMES - team CineRaw, regisseur Robin de Ridder
- ZAP - team Rosebud, regisseur Jan van Ooijen.
Jury Marieke Jonker Amstelfilm/ JT bioscopen,
Marinus Groothof Regisseur, Harry Vermeulen directeur TP en Gertjan Stads ambassadeur TP.
Presentatie Coen Haver,
NF team Monique van de Wijdeven, Coen Haver, Marjoes Corsten en Marcus Peters
Live camera Rolf Jurgens
Techniek Ivan Hidayat
Fotografie Anouk Dalessi, Elise Borsboom, Marcus Peters / film Tristan Verbunt
Official links :
Buy at : www.nimbitmusic.com/airwolfone
Von Krahl Theatre: The Magic flute.
Directed by Peeter Jalakas
Photo by Alan Proosa.
Video- and sounddesign by V. Hyvönen
Part of CINECITY 2016, The Sound of Story presented a three-day programme of stimulating talks, masterclasses and workshops featuring a stellar line-up of world-class sound professionals.
Taking part were Ann Kroeber (Blue Velvet, Dead Poets Society), Catherine Hodgson (Atonement, Jane Eyre), Jo Jackson (Long Walk to Freedom, Suffragette), Judi Lee-Headman AMPS (Homeland, The Bible), Paul Davies (Hunger, The Queen, ’71, We Need to Talk About Kevin), Neil Cargill and Simon James (Akiha Den Den), Matthew Herbert (Life in a Day, Bodily Functions, One Pig), and Mike Brett (Notes on Blindness).
Photo by Adam Bronkhorst (adambronkhorst.com)
Ein Artikel zum Sounddesign findet sich unter: www.flickr.com/photos/audiotechnicade/sets/72157630040665...
Official links :
Buy at : www.nimbitmusic.com/airwolfone
8 SEPTEMBER 2017 Verkadefabriek Den Bosch Grote zaal
KIELZOG winnaar PARADEPAARDJE 2017!
Carilijne Pieters en Jesse de Vries winnen met hun docufilm - KIELZOG - de film award
Het Paradepaardje 2017, tijdens de vierde editie van het NIEUWE FILMERS FILM FESTIVAL 2017 in de Verkadefabriek in Den Bosch.
De jury met Ilona van Heeckeren filmprogrammeur, San Fu Maltha filmproducent en Mike Weerts acteur en producer, was unaniem in haar beslissing en lichtte hun keuze als volgt toe:
KIELZOG - 'een mooi klein document over een schippersfamilie. We vinden het erg knap dat de makers er in geslaagd zijn om in 1 week een docu te maken met een verhaal waarin rekening is gehouden met de gekregen opdrachten. Er is een zeer originele keuze gemaakt. De chemie tussen de makers en hoofdpersonen in de docu is voelbaar. De makers werken mooi observerend en zijn zelf afwezig. De beelden werken mooi symbolisch en zijn in balans met het verhaal wat wordt verteld. Het is duidelijk dat de makers beschikken over talent om serieus door te groeien binnen het maken van documentaire. '
KIELZOG is één van de zeven korte films gemaakt door jonge filmmakers tijdens het ONE WEEK FILM PROJECT van 14 t/m 18 augustus jl. Tijdens het NIEUWE FILMERS FILM FESTIVAL zijn alle films in première gegaan en maakte het publiek kennis met de makers middels Q&A met de makers door gastheer Coen Haver.
Carilijne Pieters en Jesse de Vries ontvingen uit handen van de jury behalve de film award Het Paradepaardje ook twee extra prijzen; een geldprijs van € 500 aangeboden door het Hermes kunst & cultuurfonds en een waardecheque van € 750 ter beschikking gesteld door Budgetcam Cameraverhuur, voor de huur van filmapparatuur.
Ook reikte de jury prijzen uit in de categorieën: 'Beste acteur' Gustavo Ruben Valenzuela [Intrus]
'Beste actrice' Caroline Lichtenberg [Onder Dwang] , 'Beste DOP' [director of photography] Carilijne Pieters [Kielzog] , 'Beste sounddesign' Lars Burgwal' {Agent [...] }, 'Beste editor ' Left Handed [Kielzog] en 'Beste productie design' Floor Timmer {Agent [...] }
NIEUW dit jaar was de Publieksprijs. Het publiek koos voor de film INTRUS van regisseur Tim Ewalts en team Phantom.
EXTRA EXTRA prijs! Masterclass Film verzorgd door de juryleden i.s.m. Nieuwe Filmers/ Verkadefabriek. Dit werd tijdens het Film Festival bekend gemaakt. De masterclass is een uitgelezen kans voor de regisseurs met enkele van hun teamleden om hun werk met deze filmprofessionals te bespreken !
Het NF Film Festival werd mede mogelijk gemaakt door de Verkadefabriek, Gemeente
's-Hertogenbosch, Travel Doctor, Gofilex Zeist , Hermes Kunst & Cultuurfonds en Budgetcam Cameraverhuur. NIEUWE FILMERS is onderdeel van SOLOS.
Foto's SOLOS NIEUWE FILMERS en Suus Waijers
In occasione della Settimana delle energie sostenibili Lombardini22 prende parte all’iniziativa Studi di Progettazione Aperti, il ciclo di eventi promossi da MCE e Green Building Council Italia.
Insieme ai principali player del green building internazionale abbiamo aperto le porte del nostro Studio e raccontato il nostro impegno nell’ambito della sostenibilità edilizia. Prima attraverso le energie e la passione della business unit dedicata, L22 Engineering & Sustainability, e da oggi anche attraverso il nuovo brand Atmos, specializzato in fisica degli elementi e in principi sensoriali che muovono la qualità degli ambienti. Come funzionano gli edifici? Quali sono gli elementi che lo fanno vivere? Atmos accorpa soluzioni di ingegneria, architettura e psicologia. Integra nel processo progettuale la composizione delle variabili fisiche e calibra attentamente la percezione degli spazi.
Photos from the dress rehearsal for SCLOrk concert inside the Music Recital Hall on March 16, 2017.
SCLOrk (the Santa Clara Laptop Orchestra) is an innovative ensemble of up to sixteen players dedicated to the creation and performance of live electronic music. Created in the Spring of 2012 by SCU faculty Bruno Ruviaro and students, this interdisciplinary group explores the intersection of music composition, live performance, human/computer interaction, programming, and sound design, with emphasis on musical creativity based on cutting-edge technologies.
(Photo by Joanne H. Lee/Santa Clara University)
From 27 May – 4 June 2016, London College of Communication celebrated the work of final-year students on BA (Hons) Sound Arts and Design in an off-site Degree Show at Copeland Gallery, London SE15 3SN.
Image © Lewis Bush
KAFATIRAN
by Dingdong Novenario
cast:
Abner Delina
Ian Lomongo
Marco Viana
Acey Aguilar
director: JK Anicoche
production designer: Leeroy New
technical director: Ninya Bedruz
music and sound design: Teresa Barrozo
stage management: Carlo de Castro
-----
photo by Teresa Barrozo
In occasione della Settimana delle energie sostenibili Lombardini22 prende parte all’iniziativa Studi di Progettazione Aperti, il ciclo di eventi promossi da MCE e Green Building Council Italia.
Insieme ai principali player del green building internazionale abbiamo aperto le porte del nostro Studio e raccontato il nostro impegno nell’ambito della sostenibilità edilizia. Prima attraverso le energie e la passione della business unit dedicata, L22 Engineering & Sustainability, e da oggi anche attraverso il nuovo brand Atmos, specializzato in fisica degli elementi e in principi sensoriali che muovono la qualità degli ambienti. Come funzionano gli edifici? Quali sono gli elementi che lo fanno vivere? Atmos accorpa soluzioni di ingegneria, architettura e psicologia. Integra nel processo progettuale la composizione delle variabili fisiche e calibra attentamente la percezione degli spazi.
From 27 May – 4 June 2016, London College of Communication celebrated the work of final-year students on BA (Hons) Sound Arts and Design in an off-site Degree Show at Copeland Gallery, London SE15 3SN.
Image © Lewis Bush
In occasione della Settimana delle energie sostenibili Lombardini22 prende parte all’iniziativa Studi di Progettazione Aperti, il ciclo di eventi promossi da MCE e Green Building Council Italia.
Insieme ai principali player del green building internazionale abbiamo aperto le porte del nostro Studio e raccontato il nostro impegno nell’ambito della sostenibilità edilizia. Prima attraverso le energie e la passione della business unit dedicata, L22 Engineering & Sustainability, e da oggi anche attraverso il nuovo brand Atmos, specializzato in fisica degli elementi e in principi sensoriali che muovono la qualità degli ambienti. Come funzionano gli edifici? Quali sono gli elementi che lo fanno vivere? Atmos accorpa soluzioni di ingegneria, architettura e psicologia. Integra nel processo progettuale la composizione delle variabili fisiche e calibra attentamente la percezione degli spazi.