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Sue Harding - The Secret World of Foley.
Part of CINECITY 2016, The Sound of Story presented a three-day programme of stimulating talks, masterclasses and workshops featuring a stellar line-up of world-class sound professionals.
Taking part were Ann Kroeber (Blue Velvet, Dead Poets Society), Catherine Hodgson (Atonement, Jane Eyre), Jo Jackson (Long Walk to Freedom, Suffragette), Judi Lee-Headman AMPS (Homeland, The Bible), Paul Davies (Hunger, The Queen, ’71, We Need to Talk About Kevin), Neil Cargill and Simon James (Akiha Den Den), Matthew Herbert (Life in a Day, Bodily Functions, One Pig), and Mike Brett (Notes on Blindness).
Photo by Bip Mistry
Sue Harding.
Part of CINECITY 2016, The Sound of Story presented a three-day programme of stimulating talks, masterclasses and workshops featuring a stellar line-up of world-class sound professionals.
Taking part were Ann Kroeber (Blue Velvet, Dead Poets Society), Catherine Hodgson (Atonement, Jane Eyre), Jo Jackson (Long Walk to Freedom, Suffragette), Judi Lee-Headman AMPS (Homeland, The Bible), Paul Davies (Hunger, The Queen, ’71, We Need to Talk About Kevin), Neil Cargill and Simon James (Akiha Den Den), Matthew Herbert (Life in a Day, Bodily Functions, One Pig), and Mike Brett (Notes on Blindness).
Photo by Adam Bronkhorst (adambronkhorst.com)
Vania Medeiros em momento live paint no ICBA - Salvador, BA
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Blog oficial para network do projeto VISIO. cujo foco são as Artes Visuais e suas expressões na contemporaneidade.
Como o próprio nome sugere, é um ponto de encontro para troca de informações, exibição de técnicas, estilos e inspirações das artes plásticas, fotografia, arte digital, design gráfico, videoarte, web art, live act, dentre outros.
Nas edições presenciais, são apresentados projetos colaborativos desenvolvidos em rede; registros e veiculação instantânea de ações artÃsticas; produções audiovisuais; laboratório de criação e também atividades informais como o coletivo de desenho livre Canetarium; mini-oficinas; instalações, performances e exposições de artes.
A programação gratuita visa, fundamentalmente, a maior aproximação ao universo particular desta classe em seus processos criativos na formação de uma rede cooperativa com utilização de mÃdias tradicionais e móveis.
Equipe:
Conceito/ curadoria/ produção geral: Andrea May aka Happy Downlady
Consultoria em Arte e Tecnologia: Karla Brunet
Sound designer: Junix
Assessoria artÃstica: Flávia Bomfim e Juliana Bestetti
Coordenação de produção: Erica Telles
Produção executiva: Jandyra Fernandes
Assistencia de produção: Pedro May
Exploring Sonic Interaction with Artefacts in Everyday Contexts
Hands-on sonic interaction design workshop on 23 June 2008 at IRCAM (Paris, France).
Part of the 14th International Conference on Auditory Display, 24-27 June 2008
Organizers: Karmen Franinovic, Lalya Gaye, Frauke Behrendt
Workshop website: sonicinteraction.wordpress.com.
Ist die Erde flach? Gibt es Corona überhaupt? Wird die Welt von Reptilien beherrscht, die sich als Menschen tarnen? Das alles sind Fragen, die online herumspuken und sich in die Offline-Realität einschleichen. Wie werden junge Menschen in die tiefen Höhlen des Internets gesogen? Finden sie online die Verbindungen, die sie offline verpasst haben? „Rabbit Hole“ von De Toneelmakerij ist eine interaktive Produktion am Puls der Zeit. In dieser einzigartigen, medienübergreifenden Umgebung sind die Grenzen zwischen online und offline vollkommen verschwommen. Über die eigenen Smartphones wird das Publikum Teil der Chat-Foren, in denen sich auch der isolierte Samy bewegt. Folgst du ihm into the „Rabbit Hole“? Oder bleibst du lieber draußen?
Ensemble / Crew:
De Toneelmakerij (NL)
Text: Daniel van Klaveren
Regie: Paul Knieriem
Dramaturgie und internationale Zusammenarbeit: Paulien Geerlings
Video- und Sounddesign: Mario Simon
Schauspiel: Tomer Pawlicki, Gonca Karasu
Technik: Ray Vaessen
Interactive components build on Getiyo.com: Morphix Productions
Fluid technical solutions: Marco Mooren, Mees van der Wijk
Productionmanagement: Sanne Liebregts
Übersetzung: Henriette Festerling
Edukatives Rahmenprogramm: Martien Langman
Creative Developers: Fabian Hijlkema, Ibo Ibelings
Narrative and Game Designer: Jedidjah Julia Noomen
Development Digital Platform: Innovation:Lab Theater Utrecht
Partner: Theater Sonnevanck, Akademie für Theater und Digitalität,
Ars Electronica, SCHÄXPIR Festival, Saxion University of Applied Sciences.
Credit: Ars Electronica / Magdalena Sick-Leitner
KAFATIRAN
by Dingdong Novenario
cast:
Abner Delina
Ian Lomongo
Marco Viana
Acey Aguilar
director: JK Anicoche
production designer: Leeroy New
technical director: Ninya Bedruz
music and sound design: Teresa Barrozo
stage management: Carlo de Castro
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photo by Teresa Barrozo
On Friday 27 May, London College of Communication celebrated work by graduating students from BA (Hons) Sound Arts and Design at the opening of an off-site LCC Degree Show at the Copeland Gallery, SE15. Image © Ana Escobar
NIEUWE FILMERS FILM FESTIVAL met 5 korte filmpremières & uitreiking film award Het Paradepaardje 2018
Zaterdag 8 september vond de vijfde editie van het Nieuwe Filmers Film Festival plaats in de grote zaal van de Verkadefabriek in Den Bosch. Publiek en filmers werden feestelijk ontvangen met bubbels op de rode loper in de Verkadefabriek, partner van Nieuwe Filmers, onderdeel van SOLOS.
Een avondvullend feestelijk programma met premières van vijf korte films gemaakt voor het ONE WEEK FILM project 2018 en interviews met de makers door host Coen Haver. Na het voorlezen van het juryrapport volgde een spetterende uitreiking van de film award Het Paradepaardje 2018 met € 1.250 prijzengeld aan de regisseur van de winnende film! Ook reikte de jury prijzen uit in de categorieën; Beste regie, Beste scenario, Best Acteur m/v, Beste Sounddesign, Beste Camera DOP, Beste Editing & Beste Production Design! Het publiek bepaalde de winnaar van de Publieksprijs. Afsluitend was er een ‘afterparty’ met DJ Losse Veter.
Het publiek maakt tijdens deze filmavond kennis met zowel het inspirerende filmwerk alsook met de gedreven filmmakers zelf; de jonge regisseurs, scenarioschrijvers, acteurs e.a.
De vijf korte films die in première gaan zijn gemaakt tijdens het One Week Filmproject van 13 t/m 17 augustus. Vijf teams van een nieuwe generatie jonge filmmakers maakten in één week tijd ieder een nieuwe korte film van maximaal 10 minuten, van script tot eind montage en in elk denkbaar genre! Met hun film dingen de teams mee naar de prijzen die uitgereikt wordt door een professionele filmvakjury met Ilona van Heeckeren filmprogrammeur o.a. Verkadefabriek, Marina Wijn casting director,castte acteurs voor 80 speelfilms en series o.a. voor de Emmy Award winnende film ‘Anything Goes’ [2015]. Bob Wilbers regisseur van oa. ‘De ludwigs’, ‘Celblok H’, ‘Sluipschutters’ en ‘Dokter Tinus.
FILMS:
•‘Hein’, team GLANZEND GEEL - Team Captain en regisseur Robin de Ridder – Komische Thriller
‘Wanneer Magere Hein in opdracht van God de ziel van de bejaarde man Albert gaat halen, wordt hij hierin stukje bij beetje verstoord door iets onverklaarbaars.’
•‘2034’, Team SOJAMJO - Team Captains Jamie Manders regisseur & Jori van Duifhuizen scenarioschrijver - Psychologische thriller. ‘Als het niet gaat zoals het moet, moet het zoals het gaat.’
•‘Eindzege’, Team BELIEVE IT NOW - Team Captain en regisseur Merel van Oostrum – Biografische film
‘Opgegroeid in chaos, ontsnapt Emmy uiteindelijk uit het huis dat haar duister aan deed. Verloren in de nieuwheid van het onbekende leven ontdekt ze wie zij vertrouwen kan en dat, ondanks dat Emmy nooit meer terug keert naar huis, ze niet voorkomen kan dat ze nooit meer terugkeert naar het verleden.’
•‘Routes Familières’, Team ROSEBUD - Team Captain en regisseur Jan van Ooijen – Drama
‘Is de vertrouwde weg die van je verstand of van je hart?
•‘Badman’, Team NO SURRENDER - Team Captain en regisseur Frank Janssens – Thriller
‘Hein’s gokverslaving dwingt hem op allerlei wijze aan geld te komen totdat het op een avond flink mis gaat.
NIEUWE FILMERS is onderdeel van SOLOS.
Foto's NIEUWE FILMERS
Official links :
Buy at : www.nimbitmusic.com/airwolfone
"Music and sound have become essential elements in the nonfiction narrative. What is the
intricate relationship between music and documentary films? How can you successfully utilize
sound design in a documentary? Style and instrumentation are dictated by the project, and
songwriter, composer and producer Todd Griffin (The Overnighters, E-Team) presents several
examples, leading us through this creative process."
with David Teague and Thom Paul
Photos from the dress rehearsal for SCLOrk concert inside the Music Recital Hall on March 16, 2017.
SCLOrk (the Santa Clara Laptop Orchestra) is an innovative ensemble of up to sixteen players dedicated to the creation and performance of live electronic music. Created in the Spring of 2012 by SCU faculty Bruno Ruviaro and students, this interdisciplinary group explores the intersection of music composition, live performance, human/computer interaction, programming, and sound design, with emphasis on musical creativity based on cutting-edge technologies.
(Photo by Joanne H. Lee/Santa Clara University)
Von Krahl Theatre: The Magic flute.
Directed by Peeter Jalakas
Photo by Alan Proosa.
Video- and sounddesign by V. Hyvönen
Looks like Ben Burtt (Star Wars) will be taking a year off to design sound for Wall•E. Will he be able to work on Indy 4?
18 sept. 2015 NIEUWE FILMERS Filmfestival in Theater aan de Parade Den Bosch.
De première avond van vijf korte films van jonge filmers gemaakt tijdens de ONE WEEK FILM project [10 t/m 14 aug. jl.], met interviews met de makers én uitreiking van de film award Het Paradepaardje! En bekendmaking eervolle vermeldingen voor best editing, best acting, best sounddesign, best camera DOP.
De films
-Mr HERO - team Cinema HYPE, regisseur Vincent Plu
- RUIMEL - team Rebel with a Crew regisseur Joris Sluiter
-SOKPOP - team IN PRINCIPE, regisseur Lenn-Art van Oostenbrugge
-WATERGAMES - team CineRaw, regisseur Robin de Ridder
- ZAP - team Rosebud, regisseur Jan van Ooijen.
Jury Marieke Jonker Amstelfilm/ JT bioscopen,
Marinus Groothof Regisseur, Harry Vermeulen directeur TP en Gertjan Stads ambassadeur TP.
Presentatie Coen Haver,
NF team Monique van de Wijdeven, Coen Haver, Marjoes Corsten en Marcus Peters
Live camera Rolf Jurgens
Techniek Ivan Hidayat
Fotografie Anouk Dalessi, Elise Borsboom, Marcus Peters / film Tristan Verbunt
Official links :
Buy at : www.nimbitmusic.com/airwolfone
VIDEOGIOCO
animation and concept by Donato Sansone
sound design by Enrico Ascoli www.enricoascoli.com
Watch this video on Vimeo. Video created by Enrico Ascoli - Sound Design.
Meri Amber went to King Sound Studios to record the vocals for her upcoming Mini-P. www.meriamber.com/blog/2013/04/recording-the-vocals-for-m...
Ist die Erde flach? Gibt es Corona überhaupt? Wird die Welt von Reptilien beherrscht, die sich als Menschen tarnen? Das alles sind Fragen, die online herumspuken und sich in die Offline-Realität einschleichen. Wie werden junge Menschen in die tiefen Höhlen des Internets gesogen? Finden sie online die Verbindungen, die sie offline verpasst haben? „Rabbit Hole“ von De Toneelmakerij ist eine interaktive Produktion am Puls der Zeit. In dieser einzigartigen, medienübergreifenden Umgebung sind die Grenzen zwischen online und offline vollkommen verschwommen. Über die eigenen Smartphones wird das Publikum Teil der Chat-Foren, in denen sich auch der isolierte Samy bewegt. Folgst du ihm into the „Rabbit Hole“? Oder bleibst du lieber draußen?
Ensemble / Crew:
De Toneelmakerij (NL)
Text: Daniel van Klaveren
Regie: Paul Knieriem
Dramaturgie und internationale Zusammenarbeit: Paulien Geerlings
Video- und Sounddesign: Mario Simon
Schauspiel: Tomer Pawlicki, Gonca Karasu
Technik: Ray Vaessen
Interactive components build on Getiyo.com: Morphix Productions
Fluid technical solutions: Marco Mooren, Mees van der Wijk
Productionmanagement: Sanne Liebregts
Übersetzung: Henriette Festerling
Edukatives Rahmenprogramm: Martien Langman
Creative Developers: Fabian Hijlkema, Ibo Ibelings
Narrative and Game Designer: Jedidjah Julia Noomen
Development Digital Platform: Innovation:Lab Theater Utrecht
Partner: Theater Sonnevanck, Akademie für Theater und Digitalität,
Ars Electronica, SCHÄXPIR Festival, Saxion University of Applied Sciences.
Credit: Ars Electronica / Magdalena Sick-Leitner
Throughout the program of Radio Arts and Entertainment, students are encouraged to learn about all facets of radio broadcasting to have a better understanding of the industry. This is a photo of me adjusting the levels of the studio microphones before recording.
Simon Lau
BCIT Radio Arts and Entertainment
2019-2020
Photo: Conrad Schmitz
cargocollective.com/stefanodalessio
Out of Countenance
AudioVisual performance
Stefano D'Alessio | Martina Menegon
Vienna 2013
Out of countenance is a dialogue between two faces, deformed and transformed by a digital process into something strange, obsolete. The facial expressions are exaggerated and amplified, drew in a 3-Dimensional space, bringing the common feeling of expression in a different and distorted perception. The human face as known looses its physiognomy, allowing the other face to overlap, mix, fuse within it, turning into a digital creature, an extension of the human being in the digital era.
Two performers stands in front of their computer, positioned one to the extreme left and the other at the extreme right of the stage. The computers capture the performers faces thru their internal webcams, generating an interactive video flow that is projected on a screen. The projection screen fills the whole stage standing between the two performers. The two computers generate also an interactive audio flow. The performers interact with the system thru their movement, the expressions and distortions of their faces, generating different visuals and sounds.
The software in use in the two computers is created within MaxMSP/Jitter, two different patches are running on each computer.
The video images are captured in realtime by the two webcams, combined in different ways, distorted in time and space and transposed in a 3d environment.
Video and audio are always related, in sync and always interacting between each other.
The audio has different natures, pre-made, modified in realtime, realtime generated and generated via webcam interaction. The two software contained in both computer act as one audio visual generating flux and it has a fix time schedule that permit the performance development to have a precise order and execution.
From 27 May – 4 June 2016, London College of Communication celebrated the work of final-year students on BA (Hons) Sound Arts and Design in an off-site Degree Show at Copeland Gallery, London SE15 3SN.
Image © Lewis Bush
Meri Amber recorded flute in King Sound Studios for her upcoming Mini-P. She also recorded her string orchestration on synthesizer. www.meriamber.com/blog/2013/03/recording-flute-for-my-min...
Scénographie interactive permettant au public de voter via application mobile pour choisir la sélection musicale jouée par le DJ
Crédit photo: Lara BOURREL
RTT did the animation, art direction by McCann.
Creative Director for RTT: Jeff Bergmann
Creative Director for McCann: Jarrod Corbett
Executive Creative Director for McCann: Adam Wilson
Sound Design & Audio mix/master by Madsound
madsound.org
info@madsound.org
Sound designer Van is teaching Sound Design 101 in Studio i for teens. Workshops with professional series.
Larry Sider - Writing Soundider.
Part of CINECITY 2016, The Sound of Story presented a three-day programme of stimulating talks, masterclasses and workshops featuring a stellar line-up of world-class sound professionals.
Taking part were Ann Kroeber (Blue Velvet, Dead Poets Society), Catherine Hodgson (Atonement, Jane Eyre), Jo Jackson (Long Walk to Freedom, Suffragette), Judi Lee-Headman AMPS (Homeland, The Bible), Paul Davies (Hunger, The Queen, ’71, We Need to Talk About Kevin), Neil Cargill and Simon James (Akiha Den Den), Matthew Herbert (Life in a Day, Bodily Functions, One Pig), and Mike Brett (Notes on Blindness).
Photo by Bip Mistry
Cromotime
Bellissimo 2009
Sounds - Minus
Graphics - Bellissimo
Visuals - Bellissimo Vision
Programming - Gabriel Joffe, Daniele Morano
18 sept. 2015 NIEUWE FILMERS Filmfestival in Theater aan de Parade Den Bosch.
De première avond van vijf korte films van jonge filmers gemaakt tijdens de ONE WEEK FILM project [10 t/m 14 aug. jl.], met interviews met de makers én uitreiking van de film award Het Paradepaardje! En bekendmaking eervolle vermeldingen voor best editing, best acting, best sounddesign, best camera DOP.
De films
-Mr HERO - team Cinema HYPE, regisseur Vincent Plu
- RUIMEL - team Rebel with a Crew regisseur Joris Sluiter
-SOKPOP - team IN PRINCIPE, regisseur Lenn-Art van Oostenbrugge
-WATERGAMES - team CineRaw, regisseur Robin de Ridder
- ZAP - team Rosebud, regisseur Jan van Ooijen.
Jury Marieke Jonker Amstelfilm/ JT bioscopen,
Marinus Groothof Regisseur, Harry Vermeulen directeur TP en Gertjan Stads ambassadeur TP.
Presentatie Coen Haver,
NF team Monique van de Wijdeven, Coen Haver, Marjoes Corsten en Marcus Peters
Live camera Rolf Jurgens
Techniek Ivan Hidayat
Fotografie Anouk Dalessi, Elise Borsboom, Marcus Peters / film Tristan Verbunt
Official links :
Buy at : www.nimbitmusic.com/airwolfone
Von Krahl Theatre: The Magic flute.
Directed by Peeter Jalakas
Photo by Alan Proosa.
Video- and sounddesign by V. Hyvönen
Part of CINECITY 2016, The Sound of Story presented a three-day programme of stimulating talks, masterclasses and workshops featuring a stellar line-up of world-class sound professionals.
Taking part were Ann Kroeber (Blue Velvet, Dead Poets Society), Catherine Hodgson (Atonement, Jane Eyre), Jo Jackson (Long Walk to Freedom, Suffragette), Judi Lee-Headman AMPS (Homeland, The Bible), Paul Davies (Hunger, The Queen, ’71, We Need to Talk About Kevin), Neil Cargill and Simon James (Akiha Den Den), Matthew Herbert (Life in a Day, Bodily Functions, One Pig), and Mike Brett (Notes on Blindness).
Photo by Adam Bronkhorst (adambronkhorst.com)
Ein Artikel zum Sounddesign findet sich unter: www.flickr.com/photos/audiotechnicade/sets/72157630040665...