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The Clachan Bridge is a simple, single-arched, hump-backed, masonry bridge spanning the Clachan Sound, 13 kilometres (8.1 mi) southwest of Oban in Argyll, Scotland. It links the west coast of the Scottish mainland to the island of Seil.
The bridge was originally designed by John Stevenson of Oban (and not by Thomas Telford as sometimes quoted) and was built between 1792 and 1793 by engineer Robert Mylne. The original design had two arches, but it was finally built with a single high arch, of roughly 22 metres (72 ft) span and about 12 metres (39 ft) above the bed of the channel, to allow the passage of vessels of up to 40 tonnes (39 long tons) at high tide. The bridge is still in use today, forming part of the B844 road, and is in the care of Historic Scotland.
Because the Clachan Sound connects at both ends to the Atlantic Ocean, and might therefore be considered part of that ocean, the bridge came to be known as the Bridge over the Atlantic. Such an appellation has also been applied to certain other bridges having similar situations, such as the bridge between Norðskáli and Oyri in the Faroe Islands and between Lewis and Great Bernera in the Outer Hebrides.
Purse seine fishing boats from Gig Harbor, Washington fishing southern Puget Sound on October 18, 2010. Built in 1982 by Delta Marine Industries Inc., Seattle, WA. 49.6 feetl long, 19' beam, 10.1' draft and 72 gross tons. Owned by Edward N. Manning Jr. 11170 Ridge Rim Trail SE, Port Orchard, WA 98367.
nature island of the caribbean
you'll have to turn the computer round to see this one ;-) what I meant to record are the sounds of the rainforest.
Desolation Sound Aug 2008
Desolation Sound Aug 2008
desolation sound aug 2008
desolation sound aug 2008
ive been missing my computer alot last months mostly the music. while one can always listen to music in webcafes or with portable player its just so much better with a proper soundcard, good headphones and of course winamp
Gerbrand providing direction instructions to the rest of the crew.
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Tijdens de koude oorlog stegen dagelijks met veel gebrul Amerikaanse straaljagers op van Vliegbasis Soesterberg. The Sound of Freedom noemden omwoners het overweldigende geluid. Op de Internationale Dag van de Vrede 21 september, sluit de Vrede van Utrecht het grootse vieringsjaar af met Sound of Freedom. Niet met straaljagers, maar met een massale vredesmaaltijd, een spectaculaire reddingsoperatie van de Nederlandse Krijgsmacht én een groot vredesconcert onder leiding van het Metropole Orkest op de kruising van de landingsbanen.
Underground Industries is proud to team up with some new and very talented artists to bring you UNDERGROUND SOUND!
This night will give you a mouthful of awesomesauce & a dancefloor of energy!
BENNY VENOM (California)
Electro | Dubstep | Trap | Moombahton
Benny Venom has been spinning the hardest tracks EDM has had to offer for the past 5 years. He is well known in his hometown for his high energy performances, dirty tracks, and superb mixing ability. Hailing from northern California, he has performed in cities all around his hometown and the bay area including San Francisco, Berkeley, San Jose, Santa Cruz, and Oakland. Though he enjoys spinning tech house and trance, he has earned his name through consistently dropping the freshest in electro, dubstep, and trap for the underground rave scene.
www.facebook.com/pages/Benny-Venom/309715166662
DIGITAL MIZCHIEF (Virginia) BoP Promo
Psytrance
(B.A.R.S., DMSS, LOB, Bop, Skitz.)
DIGITAL MIZCHIEF (Robert Delano) has been a underground staple for the last decade or better. With hundreds of gigs under his belt, he is a master showman, recording engineer, producer, and talented DJ, his sets come strong with a agressive, nothing held back, insane style.
Flavors to a tasty set can include Psycotic Psy to Screaming Americian Hardstylz, Filthy Electro to Disco, and everything inbetween.
Robert is also owner and chief recording engineer of Blue Aura Recording Studio, and owner of DIGITAL MIZCHIEF Stage Systems.
CHARLIE BROWN SUPERSTAR
Charlie Brown Superstar (aka Brett Fuller) has been spinning records in Huntington's most popular nightclubs since
1994, covering a wide range of musical genres. He currently holds residency at the V Club, where he DJ's the area's most popular and longest-running dance night, New Moon on Mondays, mixing the best new wave, rock and pop that the 80's had to offer. He has had the honor of performing with such nationally recognized recording artists as Arrested Development and Electric Six.
Charlie Brown Superstar is also one of the first House music dj's in the area and was the resident at the legendary local venue Gyrationz (the first club to feature an all EDM format) He is known for his marathon sets of Deep House and Electro.
In addition, Charlie Brown Superstar is an LBA Records recording artist and has been composing original electronic music since 1999. He did sampling for and toured with the popular local rock band, Chum, during the mid-90's and is currently a member of the critically acclaimed drone/doom metal band, Hyatari. His influences include everything from Mercury Rev, Gary Numan, Curtis Mayfield, H.G. Lewis, robots and even B-movies.
www.facebook.com/charliebrownsuperstar
soundcloud.com/#charlie-brown-supersta
WE ENCOURAGE PEACE, LOVE, UNITY & RESPECT! PLEASE BRING THE ATTITUDE WITH YOU! ♥
LED'S ENCOURAGED!
Photo/Video by Tophu Photo. www.facebook.com/TophuPhoto?fref=ts
Brought to you by the always dedicated Underground Industries. www.facebook.com/undergroundind
Oleta Adams - an American soul, jazz, and gospel singer and pianist - was the final and main solo artist of the "Sound of Freedom" concert. In 1985, Adams was discovered by Roland Orzabal and Curt Smith, founders of the English band Tears for Fears, while she was performing in a hotel bar in Kansas City, Missouri whilst they were on a US tour. Two years later, they contacted her to invite her to join their band as a singer and pianist on their next album, The Seeds of Love.
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Tijdens de koude oorlog stegen dagelijks met veel gebrul Amerikaanse straaljagers op van Vliegbasis Soesterberg. The Sound of Freedom noemden omwoners het overweldigende geluid. Op de Internationale Dag van de Vrede 21 september, sluit de Vrede van Utrecht het grootse vieringsjaar af met Sound of Freedom. Niet met straaljagers, maar met een massale vredesmaaltijd, een spectaculaire reddingsoperatie van de Nederlandse Krijgsmacht én een groot vredesconcert onder leiding van het Metropole Orkest op de kruising van de landingsbanen.
Madison was home to the country's earliest summer theater. First held outdoors and later in a barn, the play were popular fundraisers for charitable causes including post WW I relief, the Madison Historical Society and the preservation of the Lee Academy.
These artifacts were part of the display of historic articles, photos and items at the Madison Historical Society's "Summer Exhibition 2013 and 2014
The Business of Leisure: Madison Welcomes its Summer Colony." See www.madisoncthistorical.org for more on this organization. See additional exhibits at flic.kr/s/aHskcW91YE. (Photo Credit - Bob Gundersen www.flickr.com/photos/bobphoto51/albums)
are these people recording what we say now? - those living in these houses better have a quiet sex life
Regardless of the band , the sound guy at the back always looks cooler , and probably always is . Dreadlock cool at Car Free Day on Commercial Drive . Summer in the City
The Plot (Amsterdam, Netherlands) & Friends - 1988
Photo: Robert Piesenecker / rustikal_records
www.instagram.com/rustikal_records
SQUAT - SOUNDS
AUTONOMES KULTURZENTRUM HANAU
(Besetztes Haus / Metzgerstrasse-Squat in Hanau / Germany).
Photographs 1987-1994
- Please scroll down for english and german info) -
The Squat - Photos:
www.flickr.com/photos/sterneck/sets/72157627799174125
Squating the Parliament (1988):
www.flickr.com/photos/sterneck/sets/72157627923787960
Concert-Photos 1987-1988:
www.flickr.com/photos/sterneck/sets/72157627799191443
Concert-Photos 1989-1990:
www.flickr.com/photos/sterneck/sets/72157627923799072
Concert-Photos 1991-1992:
www.flickr.com/photos/sterneck/sets/72157627923811302
Concert-Photos 1993-1994:
www.flickr.com/photos/sterneck/sets/72157627923815978
- Concert-Photos 1987-1988:
Culture Shuck (Warminster, England) - 1987+1988
Die Trottel (Budapest, Hungary) - 1988
Fear Of God (Zurich, Switzland) - 1988
Filler (Nottinghamshire, Engand) - 1989
Filthy Christians (Falun, Sweden) - 1988
Generic (Newcastle, England) - 1988
Heresy (Nottingham, England) - 1988
Karma Sutra (Luton, England) - 1988
Lärm (Amersfoort, Netherlands) - 1988
Loveslug (Amsterdam, Netherlands) - 1988
Milgram Experiment (Hanau, Germany) - 1987
Open Session - 1987
Negazione (Turin, Italy) - 1988
Rich Kids on LSD (Santa Barbara, USA) - 1988
Spermbirds (Kaiserslautern, Germany) - 1988
The Plot (Amsterdam, Netherlands) - 1988
UFD - Uncounted Faces of Death (Hanau, Germany) - 1988
Yeastie Girlz (San Francisco, USA) - 1988
5Les (Brussel, Belgium) - 1988
..... and Friends and .....
.........
There were a lot more bands playing in the squat.
If you have photographs or recordings - please get in contact:
contact@sterneck.net
Thanx! *
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THE SQUATED AUTONOMOUS CULTURE CENTER
METZGERSTRASSE / HANAU
In December 1986 some people in Hanau (Germany) decided to squat a house that had been empty for a long time, Metzgerstraße 8. They restored it and filled this free space with a new life.
Soon it became an ’Autonomous Culture-Center’ for the people and by the people, and also a focal point for a solidaric projects and for the resistance against ruling systems in all their repressive forms. The center has had a long history of attempts to establish a self-determined culture-center in Hanau, although it has always been repressed by the local city council.
The basic forum of the center is the ”squatter meeting,” which is open to everyone who has an interest in the squat as a counter-cultural free space. Decisions are made on the consent principle, which means that they try to find a decision that can be supported by everyone. Many activists in the squat, but not all, describe themselves as members of the autonomy movement, which connects anarchist, communist and feminist ideas.
At the moment there are a lot of projects, groups, and events that take place in the center. Everything is done on a do-it-yourself and nonprofit basis; no one receives money for her or his work. Solidarity, trust and self-determination are the basis for all work. Here are some examples:
- The ’Infoladen’ (Infoshop): The Infoshop is an opportunity to get information that can’t be found in the normal bourgeois media. There are a lot of autonomous, left radical and feminist leaflets, brochures and newspapers available. There is also a small media center and an archive that includes material on topics like anti-fascism, atomic politics, women’s liberation, internationalism, etc.
- The ’Volxküche’ (Peoples Kitchen): Frequently people from the community cook a vegetarian meal that is available for a small price. The idea behind this is to overcome isolation between people and the patriarchal roles typical in the kitchen, and, of course, to provide a good tasting meal for many people.
- The Concerts: Concerts in the center are organized, and absolutely dedicated to the principle of working in a self-determined way without a manager, an agency, or even a contract. The bands that play in the squat should have a mutual relation to the ideas of the center. There are no musical limits: Local punk bands have played there as well as jazz bands from North-America and Avantguarde projects from Eastern Europe. Some of the performances have been released on tapes and records.
In a way, the things that happen between the people in the center are more important than the events: changes in behavior, opportunities to live together without hierarchical structures, and new ways of relating. Although the squat is like an island in some ways, it’s far from a concrete utopia. Problems in interpersonal relations exist, as well as differences between ideals and real behaviour.
If people want to go alternative ways, the authorities try to stop them. In Hanau the local city council has said for a long time that none of the things the squatters do and organize represent culture. They decided in parliament that the center was to be closed and torn down without an alternative. In place of the squat, they planned to build five parking places. A decision that is very symbolic and characteristic. Certainly, the real aim was to destroy the ideas and the structures this center stands for.
The answer of the supporters of the Autonomous Culture-Center was the squatting of the parliament of the city. The politicians went out of the building and the squatters voted for the continuation of the center.
Up to now the authorities have not been able to realize their plans for various reasons. On the one hand there are many people who support the squat. There are also legal difficulties around closing it, and they are afraid of the resistance and activities that could take place after closing the squat.
But even if they evict the center, they can’t repress the ideas that the squat stands for. It’s about a self-determined culture and a self-determined life. It’s about dreams and ideals. It’s about consequence and change, here and now.
Wolfgang Sterneck, 2001.
Autonomes Kulturzentrum
Metzgerstrasse 8, D-63450 Hanau, Germany.
Autonomes Kulturzentrum Metzgerstraße:
- www.metzgerstrasse-hanau.org
- de-de.facebook.com/people/Metzgerstrasse-Acht-Hanau/10000...
- www.myspace.com/metzgerstrasse
Info on the Project of John Cage and Sterneck / KomistA in benefit of the squat:
- www.sterneck.net/john-cage/metzgerstrasse-e
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SUBVERSIVE SOUNDS *
Konzerte im Autonomen Kulturzentrum Hanau.
Das besetzte Haus
Im Dezember 1986 kam es in Hanau zur Besetzung eines ehemaligen Nachtclubs in der Metzgerstraße 8. Das Gebäude, das zuvor über Jahre hinweg leer stand, wurde renoviert, neu gestaltet, umbenannt und wird seitdem als Autonomes Kulturzentrum genutzt. Das Ziel der Besetzung war es, einen Freiraum zu schaffen, in dem die Vorstellung einer autonomen Kultur wie auch die Wiederaneignung des entfremdeten Alltags konkret umsetzbar wird.
Vor diesem Hintergrund gelang es, ein Zentrum zu entwickeln, in dem solidarisches Handeln, kollektives Leben und politische Identität auf vielen Ebenen verschmelzen oder sich zumindest annähern. Die Metzgerstraße wurde dadurch zu einem wichtigen Bezugspunkt von dem auf verschiedenen Ebenen vielschichtige politische, soziale und kulturelle Impulse ausgingen.
Im Laufe der Jahre entstanden vielfältige Projekte wie die Volxküche (Essen zum Selbstkostenpreis), der Infoladen (Aktuelle politische Informationen und Archiv) und das Basta-Cafe (Treffpunkt und Sozialberatung). Die politischen Schwerpunkte der im Kulturzentrum aktiven Gruppen liegen unter anderen in den Bereichen 'Internationale Solidarität', Antifaschismus und 'Soziale Veränderung'.
Die Entscheidungen innerhalb des Kulturzentrums werden basisdemokratisch nach dem Konsensprinzip getroffen. Alle Aktivitäten basieren auf einer idealistischen Grundhaltung. Keine Person aus dem Zentrum erhält für ihre Tätigkeiten eine finanzielle Entlohnung.
Selbstbestimmte Kultur ohne Kommerz
Musik hatte von Anfang an in der Metzgerstraße eine besondere Bedeutung. Über das Musikhören hinaus machen viele AktivistInnen selbst Musik, veröffentlichen eigene Aufnahmen oder organisieren Konzerte. Im Sinne des DIY-Prinzipes ('Do it Yourself') werden die Auftritte im direkten Kontakt mit den MusikerInnen ohne Konzertagenturen und auch ohne Verträge auf völlig nichtkommerzieller Basis organisiert.
Eine Grundlage bildet ein solidarisches Verhältnis der MusikerInnen zur Metzgerstraße, was sich unter anderem auch in der Gage ausdrückt, die sich in der Regel auf die für die Band entstandenen Unkosten und die Verpflegung beschränkt. Der Eintrittspreis ist so ausgerichtet, dass er für alle interessierten Personen erschwinglich ist und die anfallenden Kosten deckt bzw. im Rahmen von Benefiz-Konzerten bestimmte Projekte unterstützt.
Freiräume statt Parkplätze
Während der ehemalige sozialdemokratische Kulturdezernat Hanaus davon sprach, dass in der Metzgerstraße keine Kultur stattfindet, bildete dass selbstorganisierte Zentrum durch die Auftritte von Bands aus Westeuropa und Nordamerika einen im Hanauer Kulturleben herausragenden internationalen Bezugspunkt. Die musikalische Bandbreite umfasst unter anderem Rockmusik in den verschiedensten Schattierungen, Punk, Hardcore, Folk und Jazz, sowie experimentelle und improvisierte Musik. Lokale Nachwuchsbands traten im Laufe der Jahre genauso auf wie renommierte Gruppen aus unterschiedlichsten Ländern. Einen Kultcharakter erlangten zudem die Nachtcafe-Sessions, an denen jeder und jede teilnehmen konnte.
Die Aufnahmen einiger Konzerte wurden später auf verschiedenen Tonträgern veröffentlicht. 1992 kam es daneben zur Veröffentlichung eines der Metzgerstraße gewidmeten Stücks des Avantgarde-Komponisten John Cage.
In den Anfangsjahren plante der Hanauer Magistrat das Haus nach einer Räumung abreißen zu lassen, um dort stattdessen fünf Parkplätze zu errichten. Die Kulturpolitik des Magistrates entlarvte sich dadurch in einer kaum zu übertreffenden symbolhaften Weise selbst. Das Vorhaben wurde jedoch nicht zuletzt in Folge einer Besetzung des Stadtparlamentes durch Unterstützerinnen des Kulturzentrums nicht weiter verfolgt.
Rund 25 Jahre nach der Besetzung wird das Haus weiterhin als Kulturzentrum genutzt. Im ansonsten auf Konsum und Kommerz ausgerichteten Stadtzentrum Hanaus ist es mit seinen vielfältigen Projekten kreativer wie auch subversiver Freiraum.
Wolfgang Sterneck, September 2011.
Autonomes Kulturzentrum Metzgerstraße:
- www.metzgerstrasse-hanau.org
- de-de.facebook.com/people/Metzgerstrasse-Acht-Hanau/10000...
- www.myspace.com/metzgerstrasse
Eine ausführliche Beschreibung der Geschichte des Kulturzentrums:
Freiräume entwickeln - Das besetzte autonome Kulturzentrum Metzgerstraße Hanau
- www.sterneck.net/squat/metzgerstrasse-d
English Info:
The squated Autonomous Culture Center Metzgerstrasse Hanau
- www.sterneck.net/squat/metzgerstrasse-e
Infos zum Benefiz-Projekt von John Cage und Sterneck / KomistA für das Kulturzentrum:
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Osisko moved the town of Malartic (3000 people) to open a large, low-grade open pit gold mine. This big berm keeps most of the mine noise at bay.
Hoge Veluwe National Park, The Netherlands
for some of the stories behind the photos, check out www.monkboughtlunch.com
The Netherlands Institute voor Sound and Vision looks after, and releases, 70 per cent of the Dutch audio-visual heritage. In total, around 700,000 hours of television, radio, music and film, making Sound and Vision one of the largest audio-visual archives in Europe.
Fiordland National Park | South Island
New Zealand | October 2011
Discover the immense and diverse landscapes of NEW ZEALAND. Please check the TIMELAPSE presentation in vimeo. vimeo.com/32713259
bongbajo@yahoo.com
This photo calms me. Running around like a headless chicken while surfing the infinite loops of the mobius strip of my mind during this packing-moving process has made me realize that I must strive for more simplicty in my life.
Reading, that long abandoned past-time of mine, is the only thing that grounds me nowadays.
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Venetian blind. Shot taken at dawn using the Reverse Lens technique with my usual 50mm 1.4.