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Blended layers with Seven Styles watercolor action for Photoshop and [graphic contrast punch] layer blend in Topaz Studio.
Using Topaz Noise Adjust 6 for the first time.
This shot of a Beach Staggerwing Replica was very noise on the underside of the aircraft. Not a very good capture but a great candidate for the test.
Inspired by Vincent Van Gogh's & Claude Monet's impressionist sunflower paintings.
Finished using Alien Skin Software.
Thanks for viewing :)
Giving Nik Software HDR efex Pro 2 a test run. I'm not big into HDR, but sometimes it's just kinda necessary (in small amounts). Now that I've got an awesome tripod of awesomeness, it's time I learned to embrace it.
Also thinking it might be time to leave my beloved CNX2. I love it. I wish they would upgrade it and fix all the problems with it and maybe give us a few more features, but it's been YEARS since NX2 was released, there's been no news from nik software of any intention of upgrading it, and their newest versions of the plug-ins aren't even compatible with NX..... sigh....
Testing CS6 with the nik software plug-ins now to see if I can make it close enough to NX2 to convince myself to make the switch.
"Economics is on the side of humanity now."
– Isaac Asimov, in "The Currents of Space" (1952).
"Many readers judge of the power of a book by the shock it gives their feelings."
– Henry Wadsworth Longfellow, "Kavanagh: A Tale"(1849), Chapter XIII.
"The measure of your quality as a public person, as a citizen, is the gap between what you do and what you say."
– Ramsey Clark
Panorama, constructed from 4 Vertical images, stitched together in Photostitcher software
Taken from the grounds of St Mawes Castle on the 06/05/2012 at 15:43:25Hrs using a FUJIFILM FINE PIX S8000fd camera and looking towards Summers Beach St Mawes.
St Mawes in Cornwall, is a small fishing village. It is the Roseland’s principal village, and is situated at the southern end of the peninsula.
An Edwards B-1B Lancer takes off Runway 22L on April 1, 2014, to begin testing its Sustainment Block 16A software upgrades. The SB 16A software will work in conjunction with the long-range bomber’s new glass cockpit configuration in order to ensure its capabilities in a fast-paced integrated battlefield of the future. (U.S. Air Force photo by Ethan Wagner/Released)
playing with some editing software.
C-FPON De Havilland Canada DHC-8-102 Dash 8 Air Ontario 2x PWC PW120A 15. Sep 1989 808
C-FPON De Havilland Canada DHC-8-102 Dash 8 Air Nova 2x PWC PW120A 23. Nov 1989 808 leased from Air Ontario
opby Air Canada Regional since 11/01/2001
C-FPON De Havilland Canada DHC-8-102 Dash 8 Air Canada Jazz Y37 2x PWC PW120A 27. Mar 2002 836 tfd
C-FPON De Havilland Canada DHC-8-102 Dash 8 Jazz Air Y37 2x PWC PW120A 02. Feb 2006 836 tfd
C-FPON De Havilland Canada DHC-8-102 Dash 8 Air Canada Express Y37 2x PWC PW120A 27. Apr 2011 836 opby Jazz Air
We are now nearing the end of our voyage through the southern French provinces of Languedoc and Roussillon, and the penultimate monument we will visit is the very small and humble parochial church in the out-of-the-way village of Saint-Martin-des-Puits (i.e., “of the wells”) in the département of Aude. The village numbers less than 30 inhabitants, according to the 2021 census.
Small and humble, but how remarkable and outstanding this small church is! Its very old age (it was originally part of a Carolingian monastery), the way it still retains most of its architecture from the 800s, its astounding alfresco paintings, make it definitely worth a visit —and as an added bonus, you will most likely be alone, as the place is totally and blessedly ignored by the tourist trade.
For those of you who can read French and are interested in a detailed account if this monument, the study published in 1971 by Marcel Durliat is of primary importance; it can be accessed for free online here: www.persee.fr/doc/crai_0065-0536_1971_num_115_4_12692. For the others, I will try to summarize the history of this little jewel I have discovered.
The existence of the Carolingian monastery is first confirmed in writing in 897. At that time, it has possessions even in nearby Spain. Misappropriated by the Durfort family of local lords around 1050, it is returned to the religious world in 1093, but is from then on demoted from independent abbey and attached to the abbey of Lagrasse as a priory. It will remain so until the French Revolution. In the photographs, I will show elements re-used from Merovingian times, which tells us that an even older monument existed on this place, as I doubt there would have been enough financial resources to procure such elements and have then shipped from afar: the apparel itself tells us, as we will also see, how destitute the builders were.
Aside from its pre-Romanesque elements (the most significant of which is the splendid horseshoe arch, which Durliat dates from the Carolingian period in the Wisigothic tradition), the church was modified in the 1000s by the addition of a chapel to the South, acting like a sort of false transept arm.
As regards the alfresco paintings in the choir and apse, there are no less than four layers of them. The latest is from the 18th century, but the former ones go back to the 12th and 13th centuries. We will also look at them closely.
The wrought iron fence that separates the choir from the nave (it is called chancel in French, which is rather confusing for English-speaking people, for whom the chancel is the place beyond the French chancel, and not the separation itself). In my opinion, this is 18th century work of rather good quality, but nothing outstanding. In the back wall is the small armarium where gospels, chalices and other liturgical accessories would be kept.
To obtain this focusing effect on the wrought iron choir fence, I tilted the 45mm lens approximately 5 degrees to the right.
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