View allAll Photos Tagged Software
I finally managed to sneak down the Kukui Trail and found some nice clouds here at Waimea Canyon. Then the sun broke through clouds and cast some cool and interesting light over the landscape. After reviewing this photo, I wished I had taken out the 70-200 to pick the landscape apart piece by piece, but alas, Live and learn. :)
Thank you for taking the time to take a look at my photos and as always, your views, comments, faves, and support are greatly appreciated!! Have a great day :)
If you have any questions about this photo or about photography in general, I will do my best to help, just post a comment or send me a Flickr mail and I will respond as quickly as possible.
A heritage-style hybrid-tea rose. Meet 'Sharona'.
An enigmatic blend of variegated pink and white, tightly formed, petals. The perfect Sharona.
Growing at the incomparable Roxborough Park Rose Gardens.
Alfred Henry Whaling Reserve. Castle Hill.
Hills District of Sydney.
And here is the legendary band 'The Knack' with their No. 1 song from 1979: 'My Sharona':
www.youtube.com/watch?v=ZR-3r5Z9kqw
My Canon EOS 5D Mk IV with the Canon EF 100mm f/2.8L II USM lens.
Processed in Adobe Lightroom and PhotoPad Pro by NCH software.
This image is Generated using Midjourney V8 alpha software then i process in photoshop.
Thank you for your visit and faves and comment.
www.flickr.com/photos/202677633@N03
This image is Generated using Ai software then i process in photoshop.
Thank you for your visit and faves and comment.
prompt
Full body female standing wear Red suede pointed boots knee length with a white top and red leather coat, a young Maltese Terrier by her side, long flowing dark hair moving softly in the air, no head covering, extra details to the eyes and symmetrical in portion, symmetrical facial proportions, hyper-detailed luminous eyes with intricate iris reflections, realistic smooth skin with natural texture, subtle pores and imperfections, elegant posture, photorealistic yet dreamlike atmosphere, warm diffused natural light filtering through mist-laden trees, floating particles of light, cinematic depth of field, soft volumetric light rays, mysterious mood, enchanted woodland environment, rich warm colour palette, ultra-detailed, sharp focus on eyes, surreal realism --q 3 --v 7 --raw --chaos 5 --stylize 100
This fence is the line between a farmer's corn field and Mitchell's Grove Happy Fence Friday! Five exposure HDR processed with Nik HDR Efex Pro 2
Object: SH2-284 in Monoceros in SHO (February 2024)
This is a widefield capture in Monoceros (the Unicorn) showing the primary target: SH2-284 which is a HII star forming region about 15,000 light years distant. The image was shot with narrowband filters and combined in the SHO palette which is also know as the Hubble Space Telescope palette (HST)
Some of the objects in the field:
- SH2-284 – center-left- Sometimes referred to as the Little Rosette
- NGC2282- HII Ionized region in Monoceros – upper center right
- Lynd’s Bright Nebulae- LBN983-LBN984-LBN987
- Acquisition Date: 02/06/2024 to 02/09/2024
- Location: Western Massachusetts, USA
- Imaging Camera: QHY600PH-M -10°C - Mode 1(High Gain) Offset:15 Gain:56
- Telescope: Takahashi FSQ106EDXIII @ f/5 (530mm focal length - 106mm aperture)
- Mount: Astro-Physics AP1100 w/GTO4
- Guide scope: Celestron Off Axis Guider
- Guide Camera: ASI174m mini
- Software: Adobe Photoshop CS5, Sequence Generator Pro, PixInsight 1.8 Ripley, Aries Astro Pixel Processor
Filters:
- Chroma Ha 3nm 50mm
- Chroma OIII 3nm 50mm
- Astrodon SII 3nm 50mm
Exposure Times:
- Hydrogen Alpha (Ha): 27 x 10min. (270min) bin 1x1
- Oxygen III (OIII):34 x 10min. (340min) bin 1x1
- Sulfur II (SII) 29 x 10min. (290min) bin 1x1
Total Exposure:900 min. (15.0hrs)
Sky Quality:
-Magnitude: 19.71
-Bortle Class 5
-1.41 mcd/m^2 Brightness
-1234.6 ucd/m^2 Artificial Brightness
Ericpol Software Pool
Lodz, Poland
designed by HORIZONE Studio
more pics: blog.sotiriouphotography.com/index.php/ericpol-software-p...
NGC 6946, commonly known as the Fireworks Galaxy, straddles the border between the constellations Cepheus and Cygnus. Because, as seen from Earth, it lies near the plane of our own Milky Way Galaxy, it appears nestled amidst a rich field of foreground stars.
Telescope: Celestron Edge HD 8 at f/7
Camera: QSI 683wsg
Mount: Astro-Physics Mach 1 GTO
Integration: Approx 40 mins each of RGB (~8 x 5 minute subframes)
Processing Software: PixInsight v1.9, Adobe Photoshop
Captured under dark skies near Goldendale, WA.
Instagram: www.instagram.com/jorgeciscar
Facebook: www.facebook.com/jorgeciscar
EN |ES
---------------------------------------------------
And finally we enter the Arcs cave that can be seen at the end of Cala Moraig in Benitatxell (Alicante - Spain). Without any doubt, it is worth traveling the big ramp to arrive there. Once inside, you have to be very careful with slipping in the rocks, especially if the sea has been rough as it happened that day.
Y por fin nos adentramos en la Cova dels Arcs que se ve al final de la Cala Moraig de Benitatxell (Alicante – España). Sin duda vale la pena recorrer el pedazo desnivel que hay hasta llegar a ella. Una vez dentro hay que tener mucho cuidado con los resbalones en las rocas, especialmente si el mar ha estado movidito como sucedió ese día.
Suscríbete totalmente gratis a mi blog para recibir los nuevos post en tu e-mail: localizaciones fotográficas, técnicas de procesado, reviews y mucho más.
---------------------------------------------------
DESCUENTOS de mis colaboradores:
Filtros LucrOit (-10% con el código “CISCAR”)
Mochilas, trípodes y accesorios Vanguard (-20% con el código “CISCAR20VAN”)
Software Luminar (-10€ con el código “CISCAR”)
Star tracker MSM Move-Shoot-Move rotator (-5% con el código “CISCAR”)
.
.
.
Follow me on FACEBOOK
.
.
.
WEBSITE .......: www.jeansurprenant.com
.
.
.
My GETTY IMAGES work
.
.
.
Licence disponible sur [ GETTY IMAGES ]
Licence available at
.
.
.
Thanks for the visits, comments, awards, invitations and favorites. Please don't use my images on websites, blogs or others medias without my explicit permission.
Thanks!
© All rights reserved
My technique is alway the same:
Three exposures -2EV, 0, +2EV and then temperature adjustement using Lightroom and layering with luminosity mask using photoshop. Removal of distracting stuff with the stamp tool or patch tool. High pass filter to enhance details. Then saturation, contrast selectively control, dodge and burn where need...
DRI stand for Dynamic Range Increase. Three RAW files are used to achieve this. Rather than using a software like Photomatix for instance, I simply use mask to blend, my own way, the light, dark and normal shot with Photoshop and Lightroom.. To me, It looks more natural than the usual HDR treatment that I would normally applied.
Merci pour les visites, commentaires, récompenses, invitations et favoris. S.V.P. n'utilisez pas mes images sur des sites web, blogs ou autres médias sans ma permission.
Merci!
© Tous droits réservés
Ma technique est toujours la même:
Trois prises de vue -2EV, 0, +2EV. Ensuite ajustement de la température de couleur avec Lightroom et usage de calques et masques de luminosités avec Photoshop. Retrait d'éléments de distraction avec l'outil tampon. Filtre High pass pour le rehaussement des détails. Ensuite saturation et contraste ajustés de façon sélectives et locales. Dodge and burn là où requis...
DRI vient de l'anglais Dynmic Range Increase, qui pourrait se traduire par étendue dynamique améliorée. Les même 3 fichiers RAW entrent dans la composition d'un DRI. Plutôt que de se servir d'un logiciel comme Photomatix qui fait tout le travail, je me sers plutôt de masques pour filtrer l'éclairage dans photoshop et Lightroom. De mon point de vue, cette façon de faire donne une image plus naturel que le traitement HDR que j'employais auparavant.
.
.
.
Follow me on FACEBOOK
.
.
.
WEBSITE .......: www.jeansurprenant.com
.
.
.
My GETTY IMAGES work
.
.
.
.
Licence disponible sur [ GETTY IMAGES ]
Licence available at
.
.
.
Playing around with Tierazon fractal software. Such a fun and easy software tool. Creating fractals is really addictive !
Processing images of galaxies It’s not my favourite, I much rather be processing a nebula but it’s that time of year. I image this back in mid April but I put it to one side to process M57 the Owl nebula which I images afterwards, way more enjoyable.
OBJECT DESCRIPTIONS:-
M101 The Pinwheel Galaxy is a face-on spiral galaxy at a distanced of 21 million light-years away from Earth with a diameter of 170,000 light-years and has around a trillion stars, approximately twice the number that are in the Milky Way. M101 can be found in the constellation of Ursa Major. The Pinwheel Galaxy has a high population of H II regions where hydrogen gas is contracting under its own gravitational force resulting in stars formation taking place
EQUIPMENT:-
Explore Scientific 102mm F7 APO Carbon
Mount: AZ-EQ6 GT
HoTech Field Flattener
ZWO EAF focuser
ZWO ASI1600mm-Cool cmos camera
Orion Mini Auto Guide
ZWO LRGB Filters
Temp Cooled to -15 degC
IMAGING DETAILS:-
M101 Pinwheel Galaxy
Gain 139 (Unit Gain)
30 Red subs@180sec (1h 30min)
30Green subs@180sec (1h 30min)
25 Blue subs@180sec (1h 15min)
74 Lum subs@120sec (2h 28min)
30 Ha subs@120sec (2h)
Total imaging Time 8 43min
Dithering
20 Darks
20 Flats
PROCESSING/GUIDING SOFTWARE:-
N.I.N.A
PHD2
DSS
GraXper AI
Cosmic clarity denoise and sharpening
StarNet++
Siril
Affinity photo 2
Shots of Schaffhausen taken in 2018 in Northern German-speaking Switzerland. I have been trying some new editing and used these images as a test. In present circumstances, going back there to re-shoot is in any case not recommended.
Leica M8, Voigtländer Ultron 35mm f/1.7.
ON1 software.
For this image, I used the simulated analog film "Ilford HPS 800" with software DxO FilmPack 6.
Nikon D850 with Nikkor 14-24mm/2.8G: 14mm - ISO800 - 1/250s - f8
This is a rework of a picture I've posted before, using latest software. Key for me was bringing out the details of the pilot - I love that we can so clearly see his gloved right hand on the control column - and I also tried to improve the legibility of the stencilled instructions such as 'Walkway Forward' on the wing. I used a lighter touch with wing surface detailing, than previously. I'll probably have another go at this one next year!
Sunset at the Abacoa Golf Course in Jupiter Florida with some beautiful colors in the clouds. HDR image created using Photomatix Pro HDR software and Topaz plugin.
This is taken from the tour bus when we went to northwestern China. It was the beginning of June and we were very lucky to see sheep migrating for the season. They were moving their way up to the mountains, and would come down to the fields sometime in Sept. Everybody on the tour bus was so excited accept the driver :) I managed to grab this shot through the windshield. Used Photoshop to clean off the reflection and finishing editing in HDRtist NX 2.
HDRtist NX 2 is a MAC software I co-develop with my husband. If you'd like to see what it looks like before I used NX 2, please click here : www.flickr.com/photos/24426865@N03/49114010197/in/datepos...
Some software experts posed with me for a group portrait a couple months ago.
Top (L to R) is Christina, Lisa, Kandi, Cristy, and Jane.
Lower (L to R) is me and Jenna.
The concept was to publicly display some favorite software: real or faux.
I, for one, was initially surprised at the number of software experts in my collection of friends. In retrospect - maybe that should not be surprising.
After all, arguing with any one of us expert women is like reading a software license agreement...
...in the end, you ignore it all and click "I agree".
Resistance is futile.
Enjoy
Nora
Photo and detailing by Cassandra Storm
Still no snow in Southport but I can never resist photographing frost and ice. Sorry for lack of comments from my last posts. Having trouble with my hand so I am trying out some voice recognition software. Which could be fun or frustrating with my Lancashire accent ! Stay safe everyone it's rather scary again out there.
On1 software with warming filter. Poor guy looks like he is tired of photographer and all wants is his morning nap.
This building at the south end of Miami Beach seemed to call out for HDR. It is the same building from different perspectives. And the lighting was complicated in the late evening and early morning.
I do not use HDR much, but I decided to give it a try with this view. I used the HDR tool in the Canon DPP software. What do you all think about HDR in general and about HDR for these scenes?
More from my way back in the day when there was some art and skill involved shooting headshots vs. today where it has evolved to something that is a cross between a passport photo, DMV and a yearbook picture rant.
This is the headshot of the actress Collette Vollette. This was from my second "Hollywood" headshot session. I was newly minted from USC and my uncle CJ had given me a camera and a lens as a graduation present and said " Stop bitching about waiting tables I tought you photography...go shoot actors"
.
I shot this with a Nikon 6006s a Nikkor 70-210Dmm lens, a Westcott Sunlight reflector, and Iford HP5+ rated at 200iso. Scanned with an Epson V850 and Silverfast software.
#NikonAmbassador #kelbyone #photography #onOne #nikonUSA #Epson #wacom #xritephoto #onone #fjwestcott #fineartphotography
#Nikon100 #nikonlove #6006s #70-210 #kelbyone #photography #onOne @NikonUSA #NikonNoFilter #niksoftware @NikonUSA #NikonNoFilter #niksoftware #nikonUSA #Epson #wacom #xritephoto #onone #fjwestcott #fineartphotography #iamnikon #B&H #PhotogenicbyBenQ #lexarMemory #nikonLOVE