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My variegated pink hybrid tea-rose.
Growing at the Roxborough Park Rose Gardens.
Castle Hill. Hills District.
North-western Sydney.
My Canon EOS 60D with the Canon EF 100mm macro f/2.8 L lens.
Processed in Adobe Lightroom and PhotoPad Pro by NCH software.
in the time of corona.
the snails are awake and chomping.
bless their evil little hungry souls.
another color version below.
Lumen print with Varycon Fotokemika paper. tones adjusted in scanner software. under lamp.
Chestnut-capped Blackbird Couple
Garibaldi couple in Crystal Square
Casal de Garibaldi na Praça dos Cristais
Bird in the Beautiful Landscape
In this image I try to show the environment in which the bird was photographed, placing a photo of the local landscape as a background.
Chrysomus ruficapillus
Illustration/Art
High Quality (HQ) - 3D
Double Exposure
Mix Effect
Texture; Color; Light; Frame
Software: Windows Paint 3D; PicsArt Photo Studio
Edits made to my original photos.
Edições feitas em minhas fotos originais
Local da foto:
Praça dos Cristais
Brasília, Brasil
Eye of the Bare-throated Bellbird
The look of a captive bird is always sad ...
O olhar de um pássaro cativo é sempre triste...
Eye - Abstract Nature
Arte Digital - Digital Art
Image-editing
Effects - Texture
Double Exposure
Software: Pixlr; Windows
Araponga
Ameaçada de Extinção
Bare-throated Bellbird
Parque das Aves
Foz do Iguaçu
Paraná, Brasil
Foto da Capa - 19/11/2020
Art Week Gallery Group
Color Festival
The 'Captain Cook' cruise boat sailing around Pier One (Walsh Bay) for the start of the Vivid Sydney lightshow. May/June, 2024.
Photographed at dusk from Wharf (Pier) 2 at the Walsh Bay Wharf Precinct. Hickson Road, Dawes Point, Sydney.
Kirribilli is across the harbour, in the distance.
My Canon EOS 5D Mk IV with the Canon EF 24-105mm f/4L lens.
Processed in Adobe Lightroom and PhotoPad Pro by NCH software.
Object: SH2-284 in Monoceros in SHO (February 2024)
This is a widefield capture in Monoceros (the Unicorn) showing the primary target: SH2-284 which is a HII star forming region about 15,000 light years distant. The image was shot with narrowband filters and combined in the SHO palette which is also know as the Hubble Space Telescope palette (HST)
Some of the objects in the field:
- SH2-284 – center-left- Sometimes referred to as the Little Rosette
- NGC2282- HII Ionized region in Monoceros – upper center right
- Lynd’s Bright Nebulae- LBN983-LBN984-LBN987
- Acquisition Date: 02/06/2024 to 02/09/2024
- Location: Western Massachusetts, USA
- Imaging Camera: QHY600PH-M -10°C - Mode 1(High Gain) Offset:15 Gain:56
- Telescope: Takahashi FSQ106EDXIII @ f/5 (530mm focal length - 106mm aperture)
- Mount: Astro-Physics AP1100 w/GTO4
- Guide scope: Celestron Off Axis Guider
- Guide Camera: ASI174m mini
- Software: Adobe Photoshop CS5, Sequence Generator Pro, PixInsight 1.8 Ripley, Aries Astro Pixel Processor
Filters:
- Chroma Ha 3nm 50mm
- Chroma OIII 3nm 50mm
- Astrodon SII 3nm 50mm
Exposure Times:
- Hydrogen Alpha (Ha): 27 x 10min. (270min) bin 1x1
- Oxygen III (OIII):34 x 10min. (340min) bin 1x1
- Sulfur II (SII) 29 x 10min. (290min) bin 1x1
Total Exposure:900 min. (15.0hrs)
Sky Quality:
-Magnitude: 19.71
-Bortle Class 5
-1.41 mcd/m^2 Brightness
-1234.6 ucd/m^2 Artificial Brightness
Optics : 80/480 Apo + ZWO EAF;
Mount : Ioptron CEM70G & Ioptron TriPier;
Filter : IR CUT Baader Planetarium 2”;
Filter : H alfa Daystar Quark Cromosphere;
Camera : ZWO ASI 174 MM;
Software : FireCapture, AutoStakkert3, Photoshop
Equivalent Focal Length : 2016 mm
Sun Active region : NOAA 12887, 12886
Casalecchio di Reno - Italia
44° 29’ 29” N
11° 14’ 58” E
NEW CHALLENGE: MIXMASTER CHALLENGE #75 - Chef: skagitrenee
CHEF skagitrenee wants us to focus on photographic work!
➤ Create your background from photographed flowers or flower parts.
➤ Your main focus should be a single organic element: botanical object or (non-human) animal.
➤ Include a repeating element, natural or not.
➤ Also a 3D-appearing geometric shape created by you (not photographed) using your own basic software, such as Photoshop or Gimp, but no pre-made or AI shapes.
➤ NO AI-prompted landscapes.
Image published in the September 2025 edition of Sky and Telescope magazine.
Image:
This image is comprised of Ha and OIII band data, and for the first time I have a target where the OIII signal is far stronger than the Ha signal. In my rendering of this image that I posted a week ago, I could barely, if at all, see any evidence of the Ha in the image.
I altered my PixInsight workflow three ways to improve the original image and obtain this result. Before mapping the Ha and OIII to the RGB channels, I applied LinearFit to increase the intensity of the Ha data to match the OIII. After mapping Ha and OIII to the RGB channels, I applied SPCC, this time with Ideal QE Curve selected, and using Photon Flux for the Whte Reference. And lastly, I selected OIII as luminance when I mixed the colors in NarrowbandNormalization.
As a result of the alternate processing, I can see Ha depicted as a goldish color in the outlying wispy areas, and within the target object.
Equipment:
ZWO ASI6200MM-P/EFW 2" x 7 (HO)
TeleVue NP101is (4" f/4.3)
Losmandy G11
Software:
Captured in NINA
Processed in PixInsight
Finished in Affinity Photo
Integration:
Ha 20 x 600s = 3:20
OIII 26 x 600s = 4:20
Total integration: 7:40
BW redux
It is real. Extreme telephoto combined with software emulation of T/S lens.
As usual, all my software has the background set to pure black. Try it.
EF100mm f/2.8 L IS USM
Stack de 10 images capturées avec Helicon Remote et assemblées avec Helicon Focus
#FlickrFriday
#pieces
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Outfit ↴
★ Clothes, Gun & Glasses:
★ Spoiled - HIT&RUN COLLECTION BUY EVERYTHING
★ Get it at Mainstore: Spoiled
★ Heels:
★ Spoiled - Dagger Heels Fatpack
★ Get it at Mainstore: Spoiled
★ Hair:
★ Moon Hair - Taylah
★ Get it at Mainstore: Moon Hair
Softwares Used ↴
★ Photoshop CC 2018
★ Firestorm Second Life Viewer
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Playing around with Tierazon fractal software. Such a fun and easy software tool. Creating fractals is really addictive !
A beautiful landscape with a beautiful light make a beautiful shot. Period.
This picture comes from 3 raw (-2.0, 0, +2.0 EV) files taken with my amazing d7000 handheld.
Post-processing was made with Photomatix and Viveza software.
Rocks were not processed with any software, they're naturally 6-sided!!!
Almost 800 miles from the closest beaches in California, the Seagull was captured using Grand Mesa Observatory’s TAK E180 (soon to be live system 4) with a QHY128C Full Frame CMOS camera, I was very impressed with not having to do any noise reduction other than during calibration when the data was pre processed using Pixinsight. Tom Masterson did the acquisition and Terry Hancock did the processing.
Total Acquisition time 6 hours
HII region and stellar nursery forming the head and wings of a Seagull lying on the border of Monoceros and Canis Major at a distance of 3,800 Light Years
Image capture details
Credit: Terry Hancock, Tom Masterson and Grand Mesa Observatory
Captured on the 1st FEB
Color 360 min 36x 600 sec
Camera: QHY128C @ -20C
Offset 60, Gain 2200 Calibrated with flat, dark & bias
Optics: System 4, Takahashi E-180 F2.8 Astrograph
Image Acquisition software Maxim DL6
Pre Processed in Pixinsight
Post Processed in Photoshop
Owls - Corujas
Photo Edition - Photo Art
Photo Editing - Play Photo
Double Exposure
Software - Pixlr
Burrowing Owl
Coruja-buraqueira
Art Week Gallery Group - This Week: REPETITION AND RHYTHM
Brasília, Brasil
I am pretty happy with my first image of the tulip nebula.
Presented in the Hubble pallet also known as SHO which stands for Sulfur-Hydrogen-Oxygen. Hope you all enjoy and thanks for any constructive comments.
Equipment:
Telescope - Meade 6000 series 115mm APO refractor
Imaging Camera- ZWO ASI 1600mm Pro Cool
Mount - Sky-watcher EQ6-R Pro
Software:
Sequence Generator Pro
Pixinsight
Lightroom
Photoshop
Lights:
SII-40x300sec
HA- 40x300sec
Oiii-40x300sec
Red-30x60sec
Green-30x60sec
Blue-30x60sec
35 Darks
100 Bias
Total integration 11.5 Hours
Manchmal passiert Erstaunliches: Google schickte mir heute dieses Panorama, das aus mehreren Handy-Fotos zusammengesetzt wurde. Erstaunlich, weil ich frei Hand ein paar Bilder machte, um die Kamera zu testen und dabei weder auf Bild-Anschlüsse noch auf gleiche Höhe geachtet habe. Daraus ein nahtloses Panorama zu machen, zeugt von Spitzensoftware. Aber man fragt sich auch, was Google sonst noch mit Bildern anstellt, die ihm nicht gehören.
März 2019
Man kann es sich bei Flickr in Upload-Größe (4000 x Pixel) anschauen.
Facebook : Aegir Photography
500px : 500px.com/photo/159099043/between-the-lanes-by-glenn-crouch
Sunrise long exposure at Bronte beach pool, Sydney.
Nikon D800 & Nikkor 16-35mm, Formatt 10 stop filter. PP in PS CC using Nik Software and luminosity masks.
I did not have the best lens on for an action shot at the time. My Sigma 14-24. Had no time to do anything other than zoom out to 24mm and hope settings were good. This is cropped but not all that much. The original was fine.
It was interesting to see one of Tulsa's murals in process. On the left.
Some software experts posed with me for a group portrait a couple months ago.
Top (L to R) is Christina, Lisa, Kandi, Cristy, and Jane.
Lower (L to R) is me and Jenna.
The concept was to publicly display some favorite software: real or faux.
I, for one, was initially surprised at the number of software experts in my collection of friends. In retrospect - maybe that should not be surprising.
After all, arguing with any one of us expert women is like reading a software license agreement...
...in the end, you ignore it all and click "I agree".
Resistance is futile.
Enjoy
Nora
Photo and detailing by Cassandra Storm
A single exposure of the full lunar eclipse on 10-08-14. Processed with lightroom and on one software.
Telescope: Meade LX200 ACF 10" OTA
Camera QHYCCD QHY268 M
Mount: 10Micron GM2000 HPS II
LRGB
Total Integration: 60 h
SHO 20 + 20 +20 h
Software: N.I.N.A. and PixInsight
Antonio Ferretti & Attilio Bruzzone - Gruppo Astrofili Frentani from Lanciano (Italy)
The weather was wet and heavy. It had that feeling that it will rain any minute, and every minute it did not rain felt like a lucky break.
This church sat up high on a hill in NW Iceland and could not be seen from the street. I happened to turn up a little driveway and found it at the top. You can't see it from this angle (it was impossible to compose), but those homes on the left have grass roofs.
Read the rest of this at the Stuck in Customs blog.
Baltimore Inner Harbor
-
Rollei 35T (40/3.5) camera
Ilford XP5 BW film
Canon 9000 MkII scanner
Silverfast scanner software
Nik (noise, pre-sharpen) post-process prep work
Tonality Pro BW & contrast tuning
One our annual Fall traditions is to attend one or more of the Fall fairs (or similar events). On Canadian Thanksgiving (Monday, October 14) this year, we made a trip to the annual Balls Falls Festival just South of the village of Jordan, to get our fix of apple dumplings, apple cider, assorted artery-choking fast foods, crafts and historic displays. The festival is located in an historic mill site owned much of its life by the Ball family (hence the name) and sits atop the brow of the Niagara Escarpment. The waterfall shown here is Balls Falls (the main or lower falls - there are two here) on the Twenty Mile Creek (or simply, the Twenty to locals) and water from here was diverted to power the mill. The mill itself still stands and is operational for special events, so we picked up a couple of bags of freshly ground flour for baking. As for the falls itself, you can see how it has carved back a gorge into the face of the Niagara Escarpment. In so doing the various layers (and their colours ) of sedimentary rock have been revealed. And to top it off, Mother Nature has put on a great display of Autumn Colour. How we spent Thanksgiving Day. - JW
Date Taken: 2019-10-14
Tech Details:
Taken using a hand-held Olympus OM-D EM-5 fitted with an Olympus M Zuiko 14-42mm EZ 1:3.5-5.6 lens set to 26mm, Program mode, Daylight WB, ISO200, f/5.6, 1/100 sec for 3 overlapping frames to cover the area. PP in free Open Source RAWTherapee from Olympus SOOC JPEG source file for each of the 3 files: set final image size to be 8000px wide, set highlight reconstruction method to colour propagation, set exposure compensation to EV-0.25 (slightly darker than as-shot), set highlight recovery in Shadows/Highlights to 80, in L-A-B mode boost contrast and Chromaticity slightly, slightly boost Vibrance, sharpen (edges only), save. Using Open Source Hugin panorama software combine all 3 frames into a panorama (13,441x4,500 px) and produce a TIFF file format output. PP in free Open Source GIMP: adjust the tone curve to slightly brighten the image overall, sharpen, save, scale image to 11,998x4,000 px, sharpen slightly, save, add fine black-and-white frame, add bar and text on bottom, save, scale image to 3,600x1300 px for posting online, sharpen slightly, save.