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Great startup and investor moments from the SLUSH Week 2019 in Helsinki Finland. Cooler than ice.
In Photo: Helsinki Cathedral night.
www.helsinginseurakunnat.fi/en/index/helsingintuomiokirkk...
One of the world's coolest startup and investors event from Helsinki in Finland. www.slush.org/
Inspiring side event with Start North 5G MÖKKI concept on 5G AI and VR education - keynote by Rikard Steiber, founder of GoodTrust
CleanTech Region Impact group with Nordic Impact Week attended with leading companies.
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Join the Nordic-Baltic Impact Week to Silicon Valley and SOCAP
Photo and video Credit: Lars Ling
All rights reserved (c) Copyright
Frozen liquidity
Bald machen hier die Frösche wieder Spektakel. Jetzt aber ist das Wasser wie Slush Puppie. Ich habe keine Ahnung wer das hier gerührt hat...
Soon the frogs will make a spectacle here again. But now the water is like slush puppie. I have no idea who stirred this here....
Well .... I was finally at the end of my stock of D-76 and quite happy about that as I have not been happy with the results I was getting with this developer in combination with Legacy Pro 400 (Neopan 400) and Arista Premium 400 (Tri-X).
I found that I was getting anywhere close to box speed of these films with this developer so I thought what the hell, for my last roll I will rate the Legacy Pro 400 @ 250 iso and develop in D-76 1:1 for 10 minutes.
Holy Crap ... I love the results ... now WTF do I do? It is amazing how the highlights are not blown out and the shadows are nicely developed !
The reality is with street shooting, I will likely have to push these films to 640 iso or higher but now I know if I want to get a nice transition of grays in my images, I need to pull these films to 320 or 250 iso and develop for 400 iso minus about 15% of the time.
The fun of experimenting, you are always learning something.
"A very long walk ..." series
Bessa R3a + Ultron 35mm f1.7 + Legacy Pro 400 @ 250iso + D-76 1:1 @ 10 minutes (30 second agitation followed by 3 slight turns every minute)
Legacy Pro 400 is apparently Fuji Neopan 400
Exciting startup and investor highlights from SLUSH Week 2021 in Helsinki, Finland. Cooler than ice.
One of the world's coolest startup and investor events from Helsinki in Finland. www.slush.org/
Inspiring side event with Start North 5G MÖKKI concept on 5G AI and VR education - keynote by Rikard Steiber, founder of GoodTrust
CleanTech Region Impact group with Nordic Impact Week attended with leading companies.
Join the Nordic-Baltic Impact Week to Silicon Valley and SOCAP
Photo and Video Credit: Lars Ling
All rights reserved (c) Copyright.
Just along shore this section of shallow water has formed slush, not ice, but a sort of semi crystallized water, at or just below freezing. Where the water is clear, one can see ripples in the sand formed by a recent windstorm. Also, numerous Zebra mussel shells.
Taken and originally posted in 2006.
Boston's "heat island" effect was making short work of the new snow in the Financial District -- slop and slush everywhere.
kitchen open air
Couple more winter months and I would become a philosopher. How could it be, that nothing melts, snow is falling when it's almost April? Ah...
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SLUSH
> 🍹 Animated slush drink
> 🎨 Full color hud
> 🌟 Legacy bake textures / pbr hybrid
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️ Click and hold your mouse in world for 1/4th of a second to trigger a drinking animation
(as long as you are not clicking on any other scripted objects).
Click on the cup to receive a menu with the following options:
⏲️ : Time between drinks
> Set the time in seconds between drinks. Minimum is 10 to prevent sound spam
👤 : Choose between large and small
> This is to help align the straw in drinking animations for people with different width shoulders
/: Toggle static adjustment pose
> Toggles a static drinking pose for pictures or to help align the straw to your avatar's mouth
🔊 /: Toggle drink sounds
😋 /: Toggle mouth animation
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Sonic Drive-In's new Shark Week Slush, a new special celebrating Shark Week. Picture taken in Crest Hill Illinois.
Season of Photographic Eye - picture 7
Week 48, Wednesday
In previous post I discussed the relationship with photographic eye and art. Today I'm going to look the problem of photographic eye through a another related concept: photographers identity. One can say that photographer has a strong identity when people recognize his/her work from the photographs alone. Maybe it's the distinctive style, way to photographer handles the subject or the subject in itself – all in all it means that photographer doesn't just capture the objects and things front of his camera, but instead imposes his/her personal interpretation into a photographs he creates. One could also say that photographer who manages to do that has found his/her photographic eye and utilizes it through photography.
If you want to be a commercially successful photographer with a distinctive identity and style, the path into that is somewhat easy to outline:
1. Learn the photography from the technical and aesthetical point of view. Now, it has to said that either from the technical or aesthetical point of view photography is not a rocket science. As there are technical rules how expose a good looking shot, there are also certain rules, visual motifs and practices which guide the aesthetical part – and there is no reason to invent the wheel again. Unfortunately I see many people get stuck into debating minor aesthetical things, like 'where to crop' or 'rules of third', which are often just question of taste, in the end at least. Following broadly a certain rules usually produces quite suitable photographs.
2. Find your niche. If you think you are going to succeed as a 'portrait' or a 'landscape' photographer you will face a tough competition. The more there are photographers doing the same thing the more difficult it is to stand out of the mass. When you find yourself a successful niche chances are that there are very little competition against you and you have better possibilities to develop your identity and status as a photographer.
3. Develop your own interpretation of that niche. Finding your niche isn't always enough. You need to develop your own vision how you approach and photograph your subject. It can of course be something technical, but usually it also involves, for example, a new cultural interpretation of your subject or some other way to break away from the beaten path. Being a bit controversial in a constructive way helps here a lot.
4. Use marketing and branding to establish your style and identity as a photographer. To be recognized as a certain kind of photographer you need to present yourself as such, and to do that you need to be seen in public where the photography happens. Networking, branding and showing your work to others is crucial part of your identity as a photographer.
Now, I don't feel a need to become a commercially successful photographer and because of that I haven't exactly followed this path myself. Instead I've thought that I want to develop photography from the technical and aesthetical point of view, and learn to find my own way of interpreting the world through my photography. Therefore finding my photographic eye involves also contemplating my own identity as a photographer: why do I take photograph in the first place and what am I actually searching through photography?
Year of the Alpha – 52 Weeks of Sony Alpha Photography: www.yearofthealpha.com
The Royal Alexandra Theatre awning lights through a puddle of slush. I really like these lights (and pass them every day). Here are three more of them:
www.flickr.com/photos/peruse/11231509313/
www.flickr.com/photos/peruse/10770771956/
www.flickr.com/photos/peruse/9156285474/
Nikon E-Series 50mm f1.8