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...she sit on top of some of the boxes we started to pack (and store) for our upcoming move to our new house. This window is rather high up and Tussi haven't been able to look out there before...
call me a safe bet, i'm betting i'm not.
explore #30
models: sydnee and claibourne.
did you guys miss them? haha.
i'm also uploading this, because my website: www.azaraheells.com links photos tagged with "site" from my flickr. so, if i want it on my website, i have to put it here. just if you were curious or something :)
Après avoir exposé à Anvers et à Venise, en 1999, l'entreprise a déménagé dans une nouvelle maison connue sous le nom de Kanaal, située à Wijnegem, à vingt minutes à l'est d'Anvers. Construit à l'origine en 1857, le vaste site était un ancien complexe de distillerie et de maltage. L'architecture existante comprenait des entrepôts en briques et des silos à grains en béton situés le long des rives du canal Albert.
Le développement initial du Kanaal comprenait l'installation des bureaux et des studios de l'entreprise. Cela a été rapidement suivi par l'acquisition d'installations artistiques permanentes, telles que celle d'Anish Kapoor, Au bord du monde. Un plan a été conçu pour faire de Kanaal un centre culturel et résidentiel, un processus qui a commencé au début des années 2000.
Les plans de transformation du site se sont appuyés sur le caractère et l'histoire des bâtiments d'origine pour donner à l'ensemble du quartier un nouveau souffle authentique. C'est un trait central de beaucoup de nos projets. Dick Vervoordt a mené un plan ambitieux pour combiner les efforts de trois équipes d'architectes - Bogdan & Van Broeck, Coussée & Goris, Stéphane Beel - avec le paysagiste Michel Desvigne. La qualité de vie était une priorité absolue et les plans ont été conçus pour adapter la conception de l'intérieur vers l'extérieur, convertissant les anciens bâtiments en nouveaux espaces de vie et de travail.
En 2017, la galerie anversoise déménage dans un nouvel espace au Kanaal, ouvrant par une rétrospective monumentale de Kazuo Shiraga.
Le premier programme de la galerie comprenait une spécialité dans l'art d'après-guerre et contemporain avec un accent particulier sur l'art d'Europe, du Japon et de Corée, en particulier l'art des mouvements ZERO et Gutai. L'accent mis sur Dansaekhwa a suivi, alors que le programme de la galerie et sa participation à des foires d'art mondiales ont pris de l'importance et que sa liste d'artistes s'est élargie.
After exhibiting in Antwerp and Venice, in 1999 the company moved to a new house known as Kanaal, located in Wijnegem, twenty minutes east of Antwerp. Originally built in 1857, the sprawling site was a former distillery and malting complex. The existing architecture included brick warehouses and concrete grain silos located along the banks of the Albert Canal.
The initial development of the Kanaal included the installation of corporate offices and studios. This was quickly followed by the acquisition of permanent art installations, such as Anish Kapoor's At the Edge of the World. A plan has been devised to make Kanaal a cultural and residential center, a process that began in the early 2000s.
The site's transformation plans have built on the character and history of the original buildings to give the whole area an authentic new lease of life. This is a central feature of many of our projects. Dick Vervoordt led an ambitious plan to combine the efforts of three teams of architects - Bogdan & Van Broeck, Coussée & Goris, Stéphane Beel - with landscaper Michel Desvigne. Quality of life was a top priority and plans were made to adapt the design from the inside out, converting old buildings into new living and working spaces.
In 2017, the Antwerp gallery moved to a new space at Kanaal, opening with a monumental retrospective of Kazuo Shiraga.
The gallery's first program included a specialty in post-war and contemporary art with a particular focus on art from Europe, Japan and Korea, particularly art from the ZERO and Gutai movements. The focus on Dansaekhwa followed, as the gallery's program and its participation in global art fairs grew in importance and its roster of artists grew.
Going through her tricks at the beach. We were too early for the sunset but there were some nice clouds.
CSX B454-27 is sitting at Liberty Hi crewless with a NS & CP power set while an 8 platform (5 loads) CSX I018-28 cruises past on the adjacent main. North Baltimore, OH 12/28/2024.
To help pea plants grow
Last year I used canes and garden string to give the pea plants some support, and something to grab onto. It was a bit messy and awkward.
This year I thought I’d try something new, so I made this rectangular frame.
It’s 8ft long and 1 metre high (Yes, a mixture of imperial and metric measurements!). I ordered 2” x 2” timber from the woodyard… but they got it wrong and gave me 3” x 2”’ timber. It was meant to be as it works well.
I stapled plastic mesh on both sides of the frame; as the mesh was green I painted the timber green too.
The frame sits between two rows of pea plants.
We’ll see if it works.
I’m on with making another 6ft long one for another raised bed… I’ll work on it on Saturday.
HAPPY EASTER EVERYONE 🐣🐣🐣🐣
Stacksteads
Lancashire
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click to activate the icon of slideshow: the small triangle inscribed in the small rectangle, at the top right, in the photostream;
or…. press L to enlarge;
clicca sulla piccola icona per attivare lo slideshow: sulla facciata principale del photostream, in alto a destra c'è un piccolo rettangolo (rappresenta il monitor) con dentro un piccolo triangolo nero;
oppure…. premi L per ingrandire l'immagine;
www.worldphoto.org/sony-world-photography-awards/winners-...
www.fotografidigitali.it/gallery/2726/opere-italiane-segn...
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All the photos I present were taken on the beaches of Taormina and its surroundings (Sicily-Italy); I made photos related to "beach photography" (a genre similar to "street photography");
... I photographed young and old people ... with a great desire for the sea and a great desire to dive into the sea to swim (even if the sea water is still a little cold now ...); I made some photo-portraits of people I didn't know, I thank them very much for their sympathy and their availability; I tried to capture the essence of minimal photographic stories, collected walking along the beaches ... in search of fleeting moments ...
I used a particular photographic technique for some photographs at the time of shooting, which in addition to capturing the surrounding space, also "inserted" a temporal dimension, with photos characterized by being moved because the exposure times were deliberately lengthened, they are confused -focused-imprecise-undecided ... the Anglo-Saxon term that encloses this photographic genre with a single word is "blur", these images were thus created during the shooting phase, and not as an effect created subsequently, in retrospect, in the post-production
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Tutte le foto che presento sono state realizzate sulle spiagge di Taormina e dintorni (Sicilia-Italia); ho realizzato foto riconducibili alla “beach photography” (un genere affine alla “street photography”);
ho fotografato persone giovani e meno giovani…con tanta voglia di mare e tanta voglia di immergersi in mare per fare qualche nuotata (anche se l’acqua del mare adesso è ancora un po’ fredda…); ho realizzato dei foto-ritratti di persone che non conoscevo, le ringrazio veramente tanto per la loro simpatia e la loro disponibilità; ho cercato di cogliere al volo l’essenza di storie fotografiche minime, raccolte camminando per sulle spiagge... alla ricerca di attimi fugaci s-fuggenti ...
Ho utilizzato per alcune fotografie una tecnica fotografica particolare al momento dello scatto, che oltre a catturare lo spazio circostante, ha "inserito" anche una dimensione temporale, con foto caratterizzate dall’essere mosse poiché volutamente sono stati allungati i tempi di esposizione, sono confuse-sfocate-imprecise-indecise...il termine anglosassone che racchiude con una sola parola questo genere fotografico è "blur", queste immagini sono state così realizzate in fase di scatto, e non come un effetto creato successivamente, a posteriori, in fase di post-produzione.---------------------------------------------------------
virtualnightmare.blogspot.com/2020/03/jumo-posesion-ebent...
.:JUMO:. *Carter Gown* at Sense Event!
~Kira Tattoo~ *Zoe* at eBento
IDTTY *Blossom City* at eBento
PosESioN *Marian Set* at XXX Original Event
This old church sits abandoned and decaying which is sad to see as it looks like it would have been quite beautiful back in the day. This is the side view, the front facade is overgrown with vines and barely visible. However that gives me a good reason to go back in the winter for another visit when the vegetation has died back.
As always, your faves and comments are appreciated. Constructive criticism and suggestions are especially welcome as I believe they help to make me a better photographer. Thank you for taking the time to look at my photos.
Best viewed on black, so please press "L" to view large in Lightbox mode and "F" to fave.
Stepped away from photoshop and social media for a few months...... just needed a break.
This is my new client, Abita. She's a Sphinx cat which is just another name for hairless. She is absolutely full of personality!! I LOVE HER! She is one of the most unique cats I sit for. She lives with another Sphinx called Nola. You'll be seeing her too! Although Nola is much harder to get a good shot of because she rarely stops moving! Abita on the other hand plants herself in a spot and never moves!!! LOL!
I can't wait to go back to this house in November.
There wasn't a heck of a lot of light in this room. You can tell by her pupils. So I placed the camera on the floor and used it as a tripod.
Explore #53
Paris - Express line C station : Musee d'Orsay (built in 1898)
Lumix TZ10 Pocket camera - Black and white
Sit, listen, take it all in! Mother Nature gave us beaches to decompress. Take yourself to the end of the world and Enjoy.
Live like you're dieing...Hold nothing back. Be Kind in a world that is not so Kind.
Visit this location at Luanes World - Le Monde Perdu - Summer 2025 in Second Life
Foto 40: Oggetti artigianali per uso turistico che riproducono manufatti Maya, sito di Chichen Itza, Mexico
Foto del 2009
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LETTERA DI SCUSE
Bene, quasi senza accorgermene siamo arrivati alla fine di questo 4° capitolo.
Per scriverlo ci ho impiegato meno di un mese.
Ho "sforato" di una decina di paragrafi, la penna,
o meglio i tasti del computer, andavano da soli.
So per certo che ho esagerato.
Soprattutto con l'archeologia.
Che volete è il mio mondo.
Per farmi perdonare, lo giuro,
il 5° ed ultimo capitolo parlerà solo di natura,
col mare a farla da padrone.
Sarà la degna conclusione di un viaggio che narra l'amicizia e la libertà.
L'ho pensato per voi, devo dire mi ha arricchito molto.
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© Il testo e la foto sono di esclusiva proprietà dell'autore, Stefano Paradossi, che ne detiene i diritti e ne vieta qualsiasi utilizzo da parte di terzi. La foto fa parte dell'Archivio Fotografico della famiglia Paradossi.
© The text and the picture are of exclusive property of the author, Stefano Paradossi, who owns the rights and prohibits any use by third parties. The image is part of the Photo Archive of the Paradossi family.
This Lensbaby will need a lot of practice.
Flickr Lounge weekly theme solitude
2017 one photo each day
100x the 2017 Edition - 6/10 brown
As we pulled out of Belgrave Station I noticed this Kookaburra sitting on the wire.
Happy Telegraph Tuesday!
The incredible Tiger’s Nest Monastery sits high in the Himalayan mountains of Bhutan - a true spectacle from the land of the thunder dragon.
There was a brief moment, standing here, taking this photograph, when I felt like everything I had done in my life had in some way led me to this spectacular view. It was a sudden and refreshing burst of insight and it made me it seem like until this point, I've only been experiencing the world around me through my eyes and not with my heart. This was different, there’s just something special about this place that pulled me in and refused to let go. As a seasoned traveler, this is a rare experience that I always find to be truly special - and one that I appreciate tremendously.
To learn the techniques I used to shoot and post-process this image, you can find all the info about my new tutorial video series by visiting: bit.ly/landscape-tutorial