Petticoat Disciplined Boys
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The girls drove me to Sears to get some makeup and a new dress. While I was trying on a dress, they left me in the changing room. I had no choice but to catch a taxi home.
Scary petticoating scene from Insidious Ch 2. Watch the Youtube clip here -> www.youtube.com/watch?v=3b6biW_qicQ
My mum told me I was the kind of girl who'd need to show a bit of leg to get anywhere in life. I wonder what she meant.....
Feeling sweet sucking my lollipop in my yellow gingham school dress with back pack, knee high socks and shiny black mary janes x x
Excerpt from the film Serpent Camel Eye of the Sphinx Tiger featuring the music of Umm Kulthum
watch Serpent Camel Eye Of The Sphinx Tiger: Un Film Oriental (2021)
We wanted to make places that don’t exist, with rich iconographies pointing to nowhere. An indeterminate zone (“The Orient”) through which identity can fracture like refracted light. It’s a made up place where there is no there - yet the impacts of orientalism are felt materially, pooling around people and places of need to Other their struggles. This flattening of identity gives calm to the colonial gaze, as dehuminization creates objects and empathy gets in the way of control. Were they just terrorists asking for it, or just objectified massage workers. The gaze doesn’t ask. We wanted to meet and return this gaze to the spectator. Perform the liminalities of self made and imposed identities. Serpent Camel Eye of the Sphinx Tiger.
2021
Excerpt from the film Serpent Camel Eye of the Sphinx Tiger featuring the music of Umm Kulthum
watch Serpent Camel Eye Of The Sphinx Tiger: Un Film Oriental (2021)
We wanted to make places that don’t exist, with rich iconographies pointing to nowhere. An indeterminate zone (“The Orient”) through which identity can fracture like refracted light. It’s a made up place where there is no there - yet the impacts of orientalism are felt materially, pooling around people and places of need to Other their struggles. This flattening of identity gives calm to the colonial gaze, as dehuminization creates objects and empathy gets in the way of control. Were they just terrorists asking for it, or just objectified massage workers. The gaze doesn’t ask. We wanted to meet and return this gaze to the spectator. Perform the liminalities of self made and imposed identities. Serpent Camel Eye of the Sphinx Tiger.
2021
How do I look? My wife set me up with her boss Tyrone. He likes sissies but he's such a brute! I'm so nervous! Ooooh I hope he likes my new dress!! She wants a promotion so she's sending me out with no knickers on.....
Still from the film Serpent Camel Eye of the Sphinx Tiger (2021) featuring the music of Umm Kulthum
watch SERPENT CAMEL EYE OF THE SPHINX TIGER on YouTube!
We wanted to make places that don’t exist, with rich iconographies pointing to nowhere. An indeterminate zone (“The Orient”) through which identity can fracture like refracted light. It’s a made up place where there is no there - yet the impacts of orientalism are felt materially, pooling around people and places of need to Other their struggles. This flattening of identity gives calm to the colonial gaze, as dehuminization creates objects and empathy gets in the way of control. Were they just terrorists asking for it, or just objectified massage workers. The gaze doesn’t ask. We wanted to meet and return this gaze to the spectator. Perform the liminalities of self made and imposed identities. Serpent Camel Eye of the Sphinx Tiger.
Still from the film Serpent Camel Eye of the Sphinx Tiger featuring the music of Umm Kulthum
watch Serpent Camel Eye Of The Sphinx Tiger: Un Film Oriental (2021) on YouTube
We wanted to make places that don’t exist, with rich iconographies pointing to nowhere. An indeterminate zone (“The Orient”) through which identity can fracture like refracted light. It’s a made up place where there is no there - yet the impacts of orientalism are felt materially, pooling around people and places of need to Other their struggles. This flattening of identity gives calm to the colonial gaze, as dehuminization creates objects and empathy gets in the way of control. Were they just terrorists asking for it, or just objectified massage workers. The gaze doesn’t ask. We wanted to meet and return this gaze to the spectator. Perform the liminalities of self made and imposed identities. Serpent Camel Eye of the Sphinx Tiger.
Serpent Camel Eye of the Sphinx Tiger: Un Film Oriental (2021)
We wanted to make places that don’t exist, with rich iconographies pointing to nowhere. An indeterminate zone (“The Orient”) through which identity can fracture like refracted light. It’s a made up place where there is no there - yet the impacts of orientalism are felt materially, pooling around people and places of need to Other their struggles. This flattening of identity gives calm to the colonial gaze, as dehuminization creates objects and empathy gets in the way of control. Were they just terrorists asking for it, or just objectified massage workers. The gaze doesn’t ask. We wanted to meet and return this gaze to the spectator. Perform the liminalities of self made and imposed identities. Serpent Camel Eye of the Sphinx Tiger.
xxo AV