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Paul Signac. 1863-1935. Paris. Le Golfe de Calvi. The Gulf of Calvi. 1930. Bruges Oud Sint Jan. Vieil Hôpital Saint Jean.

Paul Signac, Venice, the Pink Cloud, 1909.

Artist | Paul Signac (1863-1935 in France)

Title | Capo di Noli (1898)

 

oil on wood

91.5 x 73 cm

 

Exhibitor | Wallraf-Richartz Museum, Köln

 

www.kulturelles-erbe-koeln.de/documents/obj/05017327

 

Color Magic

 

On the Italian Riviera, the Gulf of Genoa, is the little town of Noli. From Saint-Tropez, Paul Signac hiked there in 1896. Inspired by the beauty and the colour magic of the landscape, he started two years later on work for this picture, re-porting: "In order to spur myself on, I use patterns of dyed silk, which are so colour-intensive, so glossy. One after the other, I implement in my picture. I (...) would like to take every corner of the canvas to the utmost extreme in terms of colour." The master achieved his goal: a radiant colourfulness conjures up a shimmering ensemble of light and air, water and matter.

  

WRM033

painting by Paul Signac

Exposição "O Triunfo da Cor", Centro Cultural do Banco do Brasil, Rio de Janeiro, RJ

Portrait of Monsieur and Madame Manet (1860) by Édouard Manet, a deeply personal and stylistically conservative work that marked his debut at the Paris Salon.

This double portrait depicts Manet’s parents: Auguste Manet, a retired judge, and Eugénie Désirée Fournier, seated side by side in a quiet, domestic setting. Manet painted it in a sober, academic style, with dark tones and restrained brushwork—likely influenced by Spanish masters like Velázquez and Goya, whom Manet admired. The composition is formal, almost austere, with little ornamentation, reflecting both the bourgeois dignity of the sitters and the conventions of mid-19th-century portraiture.

Though it lacks the radical flair of Manet’s later works, this painting was accepted by the Salon of 1861, shown alongside The Spanish Singer, which signaled his emerging interest in modern life and painterly innovation.

The portrait remained in the family for decades, passing from Manet’s brother Eugène to Julie Manet, daughter of Berthe Morisot, before being donated to the French state in 1977. It now hangs in the Musée d'Orsay.

The Port of Marseilles by Paul Signac

Maximilien Luce

Paris 1858-1941

 

About 1925

Charcoal on paper

Inside Musee d'Orsay. Paul Signac - Women at the Well

Paul Signac

Paris 1863 - Paris 1935

Sailboats in the Port of Saint-Tropez

1894

Watercolour, ink, graphite on paper

 

Paul Signac

Paris 1863 - Paris 1935

 

1894

Watercolour, ink on paper

Fondation Vuitton - Expo Chtchoukine - Paul Signac - Dune (le Port Hue) (1890)

Left:

Claude Monet

The Seine near Asniers

Oil on Canvas

 

Berthe Morisot

Child among Hollyhocks - 1881

Oil on Canvas

 

Paul Signac

The Seine near Courbevole - 1883

Oil on Canvas

 

Right:

Berthe Morisot

The Harbour of Nice

Oil on Canvas

 

Edouard Manet

Still Life with Bunch of Asparagus

Oil on Canvas

 

Paul Gauguin

The Seine near Pont de Grenelle

Oil on Canvas

Museum of Modern Art, nyc

Fondation Hermitage Lausanne - Exposition Signac - Nice, le Paillon (1921)

Les Andelys, Côte d'Aval

1886

Paul Signac

Art Institute of Chicago

Chicago, IL

haven van marseille paul signac 1898

Paul Signac. 1863-1965. Paris. Le Pont des Arts à Paris. 1912 Essen Folkwangmuseum

 

Paul Signac. Le Pont des Arts in Paris. 1912 Essen Folkwangmuseum

Paul Signac

Paris 1863 - Paris 1935

 

1894

Watercolour, ink, graphite on paper

Paul Signac

Paris 1863 - Paris 1935

 

1895

Watercolour, pen and ink on paper

paul signac de twee cypressen opus 241(mistral)

Paul Signac "Les Andelys, Cote d'Aval" 1886.

Paul Signac. (French, 1863-1935). Setting Sun. Sardine Fishing. Adagio. Opus 221 from the series The Sea, The Boats, Concarneau. 1891. Oil on canvas, 25 5/8 x 31 7/8" (65 x 81 cm). Mrs. John Hay Whitney Bequest. © 2008 Artists Rights Society (ARS), New York / ADAGP, Paris

  

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