View allAll Photos Tagged ShutterRelease
The Tuanku Mizan Zainal Abidin Mosque, or Iron Mosque (Malay: Masjid Tuanku Mizan Zainal Abidin or Masjid Besi) is the second principal mosque in Putrajaya, Malaysia after Putra Mosque. It is located in Putrajaya's Precinct 3, opposite the Palace of Justice. Construction began since April 2004 and was fully completed on August 2009.It was officially opened by the 13th Yang di-Pertuan Agong, Tuanku Mizan Zainal Abidin on June 11, 2010...google
BIGGER better :)
shutter 15 sec
aperture f22
ISO 100
Used a grad ND8 filter to reduce the light from the top and a grad ND4 filter to reduce the light from the bottom, in order to get a slower shutter speed to get this effect in the water.
Had the 40D mounted on a tripod and used the shutter release cable to fire.
I would like to try this somewhere near the sea but sea is very far from here so i tried it out at the duck pond, sorry no ducks visible here, i think i may have scared them...
This is a exposure calculator and exposure meter.
The meter no longer works, but is a nice example as a display pice for the collection.
For this weeks theme of "Lead the Eye" I wanted something a bit more out of the ordinary, so what better to lead the eye than an eye? Not an easy object to shoot especially when it's your own eye, thanks to my sons infinite patience and direction to a wobbly model we were able to get a few keepers.
Shot with extension tubes and a reverse mounted 50mm f/1.8 lens at f/4.
Guo Jia Da Ju Yuan (National Centre for the Performing Arts) in Beijing is also called "The Egg".
Constructed from Titanium and Glass, and surrounded by an artificial lake, and located close to Tian'anmen Square & the Forbidden city.
Construction took 6 years to complete, the first concert being held in December 2007.
Having never been there, an impressive place to visit...
A mass of deep blue flowers covered the hills, valleys and woods on Symondsbury Estate, Bridport.
From the top of one hill looking across at the beautiful landscape and distinctive trees on Colmer’s Hill was simply amazing. As the song almost goes “I found my thrill on Bluebell Hill”.
The 3rd, longest and most flooded adit of the Black Jack Mines.
Wasnt able to fully explore this one due to the level of the water and mud. I will have to return in the future.
Skamania County WA
Exploration Video:
www.youtube.com/watch?v=BTMIq1hLl24
Instagram: instagram.com/jacobarciniega
Light trails of motorway traffic, this picture was taken in April 2011 and i have only getting round to uploading it now.
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To view this picture large just press L on your keyboard.
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**** Disclaimer ****
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I love long exposures, everything to do with night time, the dark, sunrise and sunset.
I like to take pictures mainly at night , sometimes during the day and in dull and fading light and I will sometimes display the time and date the picture was taken too.
I tend to take pictures of Light trails, Motorway traffic, Street lights, Buildings, Landscapes, Bokeh, Night bokeh and Hexagonal Night Bokeh in England.
All of my pictures are 100% natural and untouched in every way without ever been Photo shopped or altered or messed about with in anyway whatsoever, No multi layered photography, No HDR's and No image manipulation of any kind, all of my pictures look just the way they did when I saw them at the time of taking and I'm VERY PROUD of that.
I don't do any photo processing at all, I don't even own any photo software.
All of my starbursts are all 100% natural without using any filters or anything else, as is all my bokeh, night bokeh and hexagonal night bokeh, its all natural, no funny gimmicks at all.
I don't do anything with my pictures apart from take them and then upload them , 99.99999% of my pictures don't even get cropped , they are all 100% natural and untouched and then uploaded.
All of my pictures are copy right, © All rights reserved, you MAY NOT use any of my pictures without my written consent, you also MAY NOT change, alter, adjust or rearrange my pictures in anyway what so ever.
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© All rights reserved.
If you enjoy taking pictures of Car Light Trails At Night please feel free to join the group.
All of my pictures are copy right, © All rights reserved, you MAY NOT use any of my pictures without my written consent, you also MAY NOT change, alter, adjust or rearrange my pictures in anyway what so ever.
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© All rights reserved.
The very modest contents of my camera bag:
Billingham Hadley Small
Canon T4i
Canon EF-S 15-85mm f/3.5-5.6 IS USM
Canon EF-S 55-250mm f/4.0-5.6 IS II
Canon EF 50mm f/1.8 II Camera Lens
UV Filter
Lens Hood
Wireless Shutter Release
Shutter Release
USB Connector
Canon T4i Manual (not pictured here)
First, I'd like to dedicate this post to my wife. Today, we have been married 10 years. She is my rock. She supports all my crazy endeavors and still loves me!
On my last (very eventful) trip up to Mossbrae Falls, I brought my 1950 Rolleiflex 120 film camera. I haven't shot film for at least a year or two, so it was fun to break out the film and make some exposures. I chose to bring a medium format camera, as I love the square format.
It is amazing how the basic principles of photography have remained rock solid through the years. Sure, technology has made photography more convenient, and refined the equipment, but you can still make amazing images with really old cameras... images that rival (and sometimes best) photos from the top digital SLRs today. It is one (of the many) things about photography that is refreshing.
I combined technology a bit on this, and scanned the negative with my flatbed scanner and processed the image digitally. I love printing images in the darkroom, but I just didn't make the time to do it for this roll. The film required a bit more sharpening than most of my images from my 5DmkII. The Rollei doesn't have a light meter, so I used some readings from my digital camera for a starting point. I also have an external light meter that works well for the Rollei. I am used to the quick and easy digital world, and what I like about film is that it requires me to slow down, compose, and shoot in a much more relaxed way.
Be sure to click on the image or press "L" to view this on a darker background, as the white background makes this look a little under exposed.
Rolleiflex Automat 6x6 Model K4
Tessar 3.5 Zeiss-Opton Lens @75mm
4 seconds @ F22
Kodak 100TMAX Film (a couple years old!)
B+W 023 3X dark yellow filter
Fisheye of the Black Jack Mine portal. Something straight out of Skyrim.
Skamania County WA
Exploration Video:
www.youtube.com/watch?v=BTMIq1hLl24
Instagram: instagram.com/jacobarciniega
//From my new project - Moonshine.
“In the eighteenth century illegal trade in England grew rapidly, huge volumes of contraband were landed on the southern coasts of England. I have made images in two caves along the Dorset coastline where there is evidence of this once happening. These places have transformed over the hundreds of years since they were used for these purposes. Rocks have fallen, the coastline has changed, but these caverns have remained.”
See the rest \here
Paperbark: I've had this shot in mind for a few years; it's over near my Hairdresser, not on any of our walks! Anyway had all the right gear, tripod etc. but the wind decided to blow as I was setting up and, of course, all the bark was waving about, so what to do?
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...I cranked the shutter up to 1/160 sec. from 1/30 sec. found a reasonably flat section for the f/4 aperture and focused on the holes which seemed like a good idea, as the are, more or less on the same plane, and what you see is what you get! I'll do this again sometime.
On the evening of Monday, April 4, 2011, the Space Needle was lit in red and white in support of donations to help the Japan earthquake and tsunami victims after last month's devastation. Kerry Park, Seattle, Washington. I wish for a clean and quick recovery for Japan, the amount of lives lost and devastation was tremendous, very sad. This is a great thing they are doing here.
Guo Jia Da Ju Yuan (National Centre for the Performing Arts) in Beijing is also called "The Egg".
Constructed from Titanium and Glass, and surrounded by an artificial lake, and located close to Tian'anmen Square & the Forbidden city.
Construction took 6 years to complete, the first concert being held in December 2007.
Having never been there, an impressive place to visit...
This picture was taken with a Canon T1i and EF 50mm f/1.8 lens, in sports mode and with a wireless shutter release. The photo was cropped down a bit. Originally the truck was more in the middle of the photo and you could see more of the road in front of the truck. Which was nice because I felt that it gave direction but the subject/truck diminished.
The goal was to capture the truck mid slide with it's dust cloud backlit by the low slung sun in the sky. However the sun ended up passing through a overcast haze as it got closer to the horizon, which ended up blowing out the sky completely and not giving me the sharp contrasts I was looking for. I took around a hundred photos on this outing and only the one turned out decent. It was a learning experience.
A fun theme this week as we start a four part "story" with the remaining chapters spread throughout the rest of the year. I'm very excited about this challenge I think it will be fun to see how my initial idea changes over the months between chapters.
My wife's Valentines Day Bouquet was just begging for some golden hour back lighting. I wanted to display the softer side of light and the way it transitions from highlight to shadow in such a short distance.
I made this shot using my 50mm f/1.8 with a 36mm extension tube.
Blog entry with more pictures here: newd7000user.wordpress.com/2012/02/24/week-7-light-pastel...
The title refers to a quote of sport photographer telling that if you see the action through the viewfinder you have already missed it, because it means at least the mirror of your camera was in front of the sensor :-) ... the hand in the frame belong to Stephen instead the guy walking is Neil.
Of course Stephen did not miss it ;-)
Selamatkan anak kita
Dari padang jerangkap samar
Selamatkan anak kita
Orde baru politikus usang
#MNasir#
I took a crack at some long exposures using bulb exposure using a wireless shutter release. This was exposed at 83 seconds at F/22.
Marina City..300 n State.
This weekend saw the peak of the Perseid Meteor Shower (en.wikipedia.org/wiki/Perseids) This was taken during a star trails exposure of the MilkyWay over a marker for the Pony Express Trail in Utah's West Desert. (www.expeditionutah.com/featured-trails/pony-express-trail... - See #110) I used a Sigma 10-20mm on a Nikon D7000 at iso1600.
See more images and some timelapse videos on my blog here: newd7000user.wordpress.com/2012/08/23/week-32-of-52-theme...
Explore #178 - April 15, 2009 - Thank you! (1st post from new D90 made it in!)
According to Scout this is my #201st image to be selected for Explore.
This is the first photo uploaded from my new camera! I received it around 1:30 yesterday (Tuesday) and put it into service as soon as possible!
Thank you all for your comments and condolences on my old friend's demise - I will send it off for repairs today - maybe it will be a good second, a camera for my daughter or seen on Ebay in the near future!
Any bids from my Flickr peeps will be considered!
HBW!
Prod. 1984-...
Silver (sn. 8321868) one with Minolta MD Zoom 35-70mm 1:3.5 Macro
Black (sn. 8993324) one with Minolta MD Rokkor Zoom 35-70mm 1:3.5
wikipedia:
"Based on the X-700 chassis, Minolta later launched the cheaper models X-300 and X-500. The X-500 lacked the X-700's program exposure mode, but featured a fill-in flash mode. The X-300 was the basic model of the late X-series. It lacked TTL flash metering and program exposure mode, it did not show the f-stop-setting of the lens in the viewfinder and it did not have a depth-of-field control button. Basic parts of all three cameras, i.e. shutter, viewfinder, mirror system, and light metering system were identical."
From x-300 owners manual:
Quartz/electronically governed 35mm single-lens reflex auto-exposure (AE) camera
Exposure-control modes:
Aperture-priority automatic ("AUTO") and match-LED/full-metered manual ("M")
Exposure control and functions:
Low-voltage, low-current computer circuit varies shutter speed steplesslyaccording to aperture set
in AUTO mode, to yield proper exposure for film speed set; auto-exposurerange: EV 1 to EV 18 (e.g., 1 sec. at f /1.4 to 1/1000sec. at f/16) at ISO 100/21° with f /1.4 lens; AE lock enabling holding meter reading for exposure at that value.
Shutter:
Quartz-controlled horizontal-traverse focal-plane type; stepless speeds 1/1000 to 4 sec. set automatically with selector dial at "AUTO" setting or fixedspeeds 1 to 1/1000 sec. or "B" (bulb) set manually atdetented indications; electromagnetic shutter releaselocks when voltage too low for proper operation.
Metering:
TTL center-weighted averaging type, by silicon photocell mounted at rear of pentaprism
Film-speed range:
ISO 12/12° to 3200/36° set by film-speed dial that locks at 1/3-EV increments
Mirror:
Triple-coated oversize instant-return slide-up type
Viewfinder:
Eye-level fixed pentaprism type showing 95% of 24 x 36mm film-frame area; magnification: 0,9x with 50mrn standard lens focused at infinity; power: -1D, adjustable with accessory snap-on eyepiece lenses; Acute Matte focusing screen with central horizontally oriented split-image focusing spot surrounded by micro-prism band; visible around frame: mode indication ("A" or "M"), shutter speed scale with LED setting indication for metered speed and manually set speed, 14 sec. auto-speed indication, over-/underrange LED indicators, "B" setting indication, flash-ready signal, automatic battery check display and metering activated by normal finger contact, or slight pressing of operating button or by engaging AE lock, continue for 15 sec. after finger removed.
Flash sync and control:
Hot shoe for X sync; camera-control contact on hot shoe for automatic setting ofshutter at 1/60 sec. (except when mode/shutter-speedselector at "B") and flash-ready signaling with X-series Auto Electroflashes; other electronic flashes synchronize at 1/60 sec. and slower
manual speeds or "B" setting; Class MF, M, and FP flashbulbs, at 1/15 sec. or slower setting.
Power:
Two 1.5v alkaline-manganese (LR44: Eveready A-76 or equiv.), two 1.55v silver-oxide (SR-44: Eveready S-76, EPX-76, or equiv.), or one 3v lithium (CR-1/3N) cell(s).
Self-timer:
Electronic for 10-sec. delay, with operationindicated by camera-front LED that blinks at 2Hz for 8sec., then 8Hz for 1 sec., then remains on until shutterreleases, cancelable anytime before releas.
Canon 430EXIII-RT
Canon EOS 70D
Canon EF 70-300mm 4.5-5.6 USM
MeFOTO A2350 tripod
Vello FreeWave Plus wireless remote
Sometimes, your actions bring you to a point from which you can no longer turn back and you are committed to your destiny. See it BIGGER
In this photo, the matchstick tripped an infrared beam shutter-release as it was being struck. The beam was projected over the top of the matchbox (just above the inverted 'A' in the word "MATCHES").
Prod. 1984-...
Silver (sn. 8321868) one with Minolta MD Zoom 35-70mm 1:3.5 Macro
Black (sn. 8993324) one with Minolta MD Rokkor Zoom 35-70mm 1:3.5
wikipedia:
"Based on the X-700 chassis, Minolta later launched the cheaper models X-300 and X-500. The X-500 lacked the X-700's program exposure mode, but featured a fill-in flash mode. The X-300 was the basic model of the late X-series. It lacked TTL flash metering and program exposure mode, it did not show the f-stop-setting of the lens in the viewfinder and it did not have a depth-of-field control button. Basic parts of all three cameras, i.e. shutter, viewfinder, mirror system, and light metering system were identical."
From x-300 owners manual:
Quartz/electronically governed 35mm single-lens reflex auto-exposure (AE) camera
Exposure-control modes:
Aperture-priority automatic ("AUTO") and match-LED/full-metered manual ("M")
Exposure control and functions:
Low-voltage, low-current computer circuit varies shutter speed steplesslyaccording to aperture set
in AUTO mode, to yield proper exposure for film speed set; auto-exposurerange: EV 1 to EV 18 (e.g., 1 sec. at f /1.4 to 1/1000sec. at f/16) at ISO 100/21° with f /1.4 lens; AE lock enabling holding meter reading for exposure at that value.
Shutter:
Quartz-controlled horizontal-traverse focal-plane type; stepless speeds 1/1000 to 4 sec. set automatically with selector dial at "AUTO" setting or fixedspeeds 1 to 1/1000 sec. or "B" (bulb) set manually atdetented indications; electromagnetic shutter releaselocks when voltage too low for proper operation.
Metering:
TTL center-weighted averaging type, by silicon photocell mounted at rear of pentaprism
Film-speed range:
ISO 12/12° to 3200/36° set by film-speed dial that locks at 1/3-EV increments
Mirror:
Triple-coated oversize instant-return slide-up type
Viewfinder:
Eye-level fixed pentaprism type showing 95% of 24 x 36mm film-frame area; magnification: 0,9x with 50mrn standard lens focused at infinity; power: -1D, adjustable with accessory snap-on eyepiece lenses; Acute Matte focusing screen with central horizontally oriented split-image focusing spot surrounded by micro-prism band; visible around frame: mode indication ("A" or "M"), shutter speed scale with LED setting indication for metered speed and manually set speed, 14 sec. auto-speed indication, over-/underrange LED indicators, "B" setting indication, flash-ready signal, automatic battery check display and metering activated by normal finger contact, or slight pressing of operating button or by engaging AE lock, continue for 15 sec. after finger removed.
Flash sync and control:
Hot shoe for X sync; camera-control contact on hot shoe for automatic setting ofshutter at 1/60 sec. (except when mode/shutter-speedselector at "B") and flash-ready signaling with X-series Auto Electroflashes; other electronic flashes synchronize at 1/60 sec. and slower
manual speeds or "B" setting; Class MF, M, and FP flashbulbs, at 1/15 sec. or slower setting.
Power:
Two 1.5v alkaline-manganese (LR44: Eveready A-76 or equiv.), two 1.55v silver-oxide (SR-44: Eveready S-76, EPX-76, or equiv.), or one 3v lithium (CR-1/3N) cell(s).
Self-timer:
Electronic for 10-sec. delay, with operationindicated by camera-front LED that blinks at 2Hz for 8sec., then 8Hz for 1 sec., then remains on until shutterreleases, cancelable anytime before releas.
Only about 10 feet in, I didn't go much further as I didn't have rubber boots or a better light source. I will be returning soon with all my equipment. Crazy to think these timbers have been standing for over a century.
Skamania County WA
Exploration Video:
www.youtube.com/watch?v=BTMIq1hLl24
Instagram: instagram.com/jacobarciniega
Photograph taken at 09:42am on Sunday 30th December 2012 off Botany Road and Foreness Close, along the Golden sands and rocky shoreline close to the archway of Botany Bay, the Northern most of seven bays in Broadstairs, Kent, England.
The seven bays are (from south to north) Dumpton Gap, Louisa Bay, Viking Bay, Stone Bay, Joss Bay, Kingsgate Bay and Botany Bay.
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Nikon D800 24mm 1/125s f/14.0 iso200 RAW (14 bit)
Nikkor AF-S 24-70mm f/2.8G ED IF. Jessops 77mm UV filter. Nikon MB-D12 battery grip. Two Nikon EN-EL batteries. My memory 32GB class 10 20MB/s SDHC. Nikon DK-17M Magnifying Eyepiece. Nikon DK-19 soft rubber eyecup. Manfrotto 055XPROB tripod. Manfrotto 327RC2 Grip action ball head. Manfrotto quick release plate 200PL-14. Jessops Tripod bag. Optech Tripod Strap. Sandisc 32GB Ultra Class 10 30MB/s SDHC. Lowepro Transporter camera strap. Lowepro Vertex 200 AW camera bag. Nikon MC-DC2 remote shutter release. Nikon GP-1 GPS unit.
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LATITUDE: N 51d 23m 15.40s
LONGITUDE: E 1d 26m 30.90s
ALTITUDE: 0.0m
RAW (TIFF) FILE: 44.20MB
PROCESSED FILE: 19.87MB