View allAll Photos Tagged Shifting
Yesterday I posted to Substack a bit of writing (and audio) about why we embrace the imperfections of film photography.
Few things exemplify that as much as expired film developed in ECN-2. Here, there's color shifts and probably some odd development quirks. There are white specks all over it as well, though I don't remember why.
I shot this in 2021 and developed it that autumn. I don't know why it took me this long to share it. Probably because of the specks and shifts.
These imperfections, well, looks like I haven't quite embraced them. But it's still kind of a cool photo. And a wonderful place.
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'Without a Rudder'
Camera: Mamiya RB67
Lens: Mamiya-Sekor 3.8/90mm
Film: Agfa XRS1000; x-1999
Process: DIY ECN-2
Wyoming
July 2021
River Mourne, Liskey & Milltown, Strabane, County Tyrone, Northern Ireland
There’s many things I love about aerial photography. Mainly it’s the ability to look down on things like a bird, shifting perspectives on our landscape. Places in which we often pass on ground, yet never realising how much they can change when viewed from the above.
From the ground it’s difficult to even see this river, unless your right next to it! but from the sky all looks completely different. I literally just let my drone hover in place for a good 10 minutes. In that window of time I watched the sun gently set behind distant hills, all whilst the sky changed from blue to amber then finally red 😍
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A couple of LNER employees discuss their next trip at London Kings Cross. 82213 stands in the background.
Tiltshift in infrared, Red Bluff, Yanakie, Victoria, Australia.
Olympus OMD EM5.2,
converted to 720nm infrared.
Unknown 15mm f4 tilt-shift
The setting sun lights up shrub roots that are being exposed as a sand dune erodes in Bournda National Park. Wallagoot Lake is in the distance.
©Jane Brown2013 All Rights Reserved. This image is not available for use on websites, blogs or other media without explicit written permission
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Plan U 151 tijdens de Railsafari op 4 juli 2021 te Medemblik. Ik heb er een tilt-shiftbewerking op uitgevoerd.
Valley of Fire State Park is a public recreation and nature preservation area located 16 miles (26 km) south of Overton, Nevada. The state park derives its name from red sandstone formations, the Aztec Sandstone, which formed from shifting sand dunes 150 million years ago. These features, which are the centerpiece of the park's attractions, often appear to be on fire when reflecting the sun's rays. It is Nevada's oldest state park. It was designated as a National Natural Landmark in 1968.
Valley of Fire is located 50 miles (80 km) northeast of Las Vegas, at an elevation between 1,320–3,009 feet (402–917 m). It abuts the Lake Mead National Recreation Area on the east at the Virgin River confluence.
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Papa Great Egret arrives at the nest to give mama a break at the Smith Oaks rookery, High Island, Texas.
I photographed a Gray Seedeater (Sporophila intermedia) during an urban photo walk through Restrepo, in the Department of Meta in Colombia. The bird perches on a rusty horizontal wire that runs across the frame, grounding the composition while soft green distance dissolves into clean bokeh. Slate plumage shifts from charcoal crown to silvery flanks, a peach bill and dark eye bringing a calm, watchful mood.
I worked low and parallel to the perch to keep the plane of focus tidy across the face and shoulder. A shallow depth of field isolated the subject, a fast shutter preserved fine texture, and slight negative compensation protected the light bill. I timed exposures between small gusts, letting the wire’s straight line anchor the image and guide the gaze.
©2025 Adam Rainoff Photographer