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A unique public art display to showcase a rotation of original works by regional artists in an urban setting, The Art Box at North Hills is a collaboration between North Hills and the NCMA. The collaboration features regional and NC art and share information about NCMA exhibitions and program opportunities with the community. The Art Box is open on the ground level of the Bank of America Tower, at the corner of Six Forks and Dartmouth Roads.
The current installation will last 12 months and features Maya Freelon’s commissioned work, Shifting Seasons.
Shifting Seasons is a site-specific, kinetic installation made completely out of tissue paper. As the title suggests, the artwork will change throughout the year encouraging the public to revisit North Hills and witness the evolution of her artwork.
A unique public art display to showcase a rotation of original works by regional artists in an urban setting, The Art Box at North Hills is a collaboration between North Hills and the NCMA. The collaboration features regional and NC art and share information about NCMA exhibitions and program opportunities with the community. The Art Box is open on the ground level of the Bank of America Tower, at the corner of Six Forks and Dartmouth Roads.
The current installation will last 12 months and features Maya Freelon’s commissioned work, Shifting Seasons.
Shifting Seasons is a site-specific, kinetic installation made completely out of tissue paper. As the title suggests, the artwork will change throughout the year encouraging the public to revisit North Hills and witness the evolution of her artwork.
Global Fund Cf - Symposium.
Shifting the Power at Mary Ward House, London UK
© vickicouchman
07957226911
Global Fund Cf - Symposium.
Shifting the Power at Mary Ward House, London UK
© vickicouchman
07957226911
I've pushed the cable out some so you can see the standard, molded end it has. The cable is fed into the shifter and pulled through until this end rests in a cup inside the shifter. Notice that the cable then runs counter-clockwise around the axis of the shifter to emerge at the bottom. This means that, to tug on the molded cable end and thus put pressure on the derailer (as you would when downshifting), you have to pull the shifter clockwise. This is reasonably intuitive: from the rider's perspective, you push these levers down to downshift and up to upshift. On the bar-end shifters the cable goes clockwise around the shifter's axis, so the directions are reversed. This will take some getting used to.
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Reflections from water in the slip dancing over the white hull of a ship, Fisherman's Terminal, Seattle, WA USA