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As I watched and photographed the sunset, I looked away and noticed the sand. I love the dimension and texture it adds.
The red rock landscape of Canyonlands after sunset at Dead Horse Point State Park in Utah. The direct light of the sun had faded and left just a bit of indirect glow on the eastern side of the Colorado River canyon. I really liked the warmth of the red rock in this light, enhanced a bit with a long 80 second exposure through Lee Filters Little Stopper (6 stop) ND filter.
This is the second shot I posted from Dead Horse Point, something I don't normally do, but I'm making lots of exceptions for this trip. The light and the composition are very different from my previous shot. This shot taken using the Pentax K-3 ii pixel shift and the Sigma 18-35mm F1.8 Art lens.
Back in May 2008 I made a solo trip up to da Range to shoot some DM&IR power while it lasted. It seemed like every week there would be news on the internet of another unit or two being sidelined.
Case in point: SD38 205 basks in the last rays of some drop under light at Fairlane on May 20. A couple of days later I read that this unit was retired on May 21. This was probably the last shift the 205 worked hauling taconite ore to the pellet plant. I'm glad I waited out the clouds.
First proper opportunity to get out and test drive my new tilt shift lens today, and am already a big fan. The shift funtion is unbelivably useful, and slowly getting used to the extra dimension the tilt can add. I probably went a bit overboard on tilt today, but I really like the way you can focus the eye on a virtual path through the image with it.
It's all just a big blur...which will most likely continue right into year's end. A nice Thanksgiving, spent with family.... an overnight shift with my Kohl's family....drive home, an hour's sleep and a shower and a full busy day at work... back to Kohls to shop for things that I forgot that my daughter asked me to get. The end result... I hardly even know what day it. Oh, yeah... it's Friday... so here's a fence. LOL! I'm going to sleep now so I can stay awake at my desk tomorrow. 'Tis the season.... is it any wonder why I don't really like the holidays anymore?!!
Happy Fence Friday... I hope your Thanksgiving brought you more fun than work!!
I'm not a great fan of this photo technically. But I decided to upload it just for how amazing I thought the blue spraying out the top of the cloud looked.
If you look too far down the road, you'll miss what's right in front of you.
Explore #376 for January 10, 2008.
I promise I will not use M645 80/1.9 Sekor for another tilt/shift experiment. this was the best coverage I could get at F/4 and still was insufficient. Thus, I've lost control over light leaking...
Mamiya 645 1000s, Sekor 80/1.9 C, Kodak Ektar 100.
by the way, if anyone can identify this ancient Voigtländer fold-out camera, please let me know which one is it.
Yet another tilt shift.
The 2006 FA Community Shield was a football match played at the Millennium Stadium in Cardiff on 13 August 2006 between the 2005–06 FA Premier League champions Chelsea and 2005–06 FA Cup winners Liverpool. Liverpool won the match 2–1, with goals coming from John Arne Riise and Peter Crouch. Chelsea's only goal was scored by their new signing Andriy Shevchenko.
The match was the last Community Shield to be played at the Millennium Stadium during the reconstruction of Wembley Stadium. 56,275 people attended the match, which was refereed by Martin Atkinson.
Watching the clouds and tides as the sun goes down from Bushwick Inlet Park, Williamsburg.
My Instagram
Tilt-shift effect of Cornish fishing town.
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An intermodal rolls through the rain toward the overlook bridge at Cassandra.
Nikkor PC 85mm f/2.8 Tilt/Shift, wide open
© Ben Stacey All Rights Reserved - Any use, reproduction or distribution of this image without my explicit permission is strictly prohibited.
A nicely dressed security man on his guard shift at a restaurant. It's still in lockdown at the moment so everything is quiet and he seems to enjoy his peaceful time.
Taken in District 1, Saigon
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Camera (personal) Sony A7III amzn.to/2X8XoVJ
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Actioncam: Gopro Hero 8 Black amzn.to/3aA3Bhn
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Lens: Sony 24mm f1.4 G-Master amzn.to/2XbY4JQ
Lens: Sony FE 35mm f1.8 amzn.to/2xGvF4f
Lens: Sony 100-400mm f4.5-5.6 G-Master amzn.to/2wdf2g4
Lens: Sony FE 55mm f1.8 Zeiss [US version: amzn.to/2wWHGlO]
------------------------------------- Or [Discounted version - which I use: amzn.to/2x0LimR]
Lens: Laowa 10-18mm f4.5-5.6 C-Dreamer FE amzn.to/2wWHR0s
Lens: Sony FE 90mm G macro OSS amzn.to/2UH7TOB
Lens: Sigma 24-70mm DG DN Art amzn.to/2xItL2T
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Gimbal: Zhiyun Webill S amzn.to/2JMJ7GB
Tripod: Benro Velocity ($80) amzn.to/3bPtkCu
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This image of Jokulsarlon's glacial lagoon was taken just as a veil of mist started to lift, revealing the numerous shapes and forms of the icebergs that are making their way out to sea. In the distance, low clouds mask off the bottom half of a peak, leaving just its top exposed, removing the scale and giving the illusion of a much larger and formidable mountain. I chose the title 'Shifting World' due to the fact that as I watched the scene unfold, the only things that remained still were the two gulls, perched on the nearest iceberg, watching as everything around them shifted in this unstable environment.
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Thanks for looking
Graeme
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Taken before we were asked to stop. The in-camera metering gets all wonky due to the intense vignetting of the lens at various tilt/shift/rotate/focus settings.
I managed to spot some lovely crepuscular rays over the sea recently and rushed down a field to catch it. Glad I did, it was a spectacular show! The manacles are a group of rocks that stretch nearly a mile just below the surface of the water. Extremely hazardous to ships, there are countless wrecks there.
train tracks. tilt-shift lens used for selective focus.
80mm volna and plunger on canon 10D body.
no ps
LNER 4-6-2 Pacifics A4 Class 60007 "Sir Nigel Gresley" and A1 Class 60163 "Tornado" are given close attention by the night shift workers on shed to prepare them for the following day's work. They were at the Didcot Railway Centre for the "Once in a Blue Moon" event with fellow British Railways Express Passenger Blue engine "King Edward I", and are seen during a Timeline Events photographic evening.