View allAll Photos Tagged ShanghaiGP3100
I don't really know where I'm going with this....
Yashica Mat 124G | Shanghai GP3 100 | Rodinal (1+25)
If you, like me, who enjoys cheap things, then this film is definitely made for us. At RM90.00 per 10 rolls on Ebay, in these days of film price are getting expensive by the day, l now believe that "everyone can shoot film" again..
Of course, Al Cheapo film is not as good as the Le Expensive film. This Shanghai GP3 feels so thin. The silver nitrade things that made the film be like a film feels like they just put it barely enough just to capture an image. This film can scratch super easily. It carries neither frame numbers nor the brand-name on it's strips.
But surprisingly, this Shanghai made the wetting fluid during development process became blue. Much like the Fomapan. l don't know what the purpose of this blue like chemical thing is, but, again they made it blue this time. As far as l remember, it was colourless during the previous batch of Shanghai.
In the previous batch, most of us are concern about the grainy snowy effect. Luckily, it was not there this time.
Image above was taken with a Holga 120GN on the Shanghai GP3 in an industrial site, a good combination as far l am concern.
The image produce by this film suit my taste and l am enjoying every frame of it. Recommended? Of course.
Somewhere, MALAYSIA
Holga 120GN / Shanghai GP3 100
This camera is from before 6x4.5 was a popular format, so the ruby window on the back isn't over the 6x4.5 track on the backing paper. It has two windows over the 6x9 track. You move the number on the backing paper from one window for the first exposure to the next window for the second exposure and then repeat with the next number. Unfortunately this (in my experience) usually leads to overlapping exposures (see photo above). Admittedly I've only used this camera with Shanghai GP3 so far, so it could be their number spacing that's causing the loss of accuracy.
Also, the finder is pretty hard to use when you are close to the object you want to photograph.
Welta Perle 6x4.5 Folder (Early 1930's)
Shanghai GP3 100 ASA Film
Agfa Rodinal Developer
Ilford Rapid Fixer
Fotospeed RA50 Wetting Agent 1:200
1937 Agfa Isolette 6x6 Folder
Apotar f4.5 lens
Shanghai GP3 film
Rodinal
This is a very early (pre WWII) Agfa Isolette made in 1937. The Isolette was written using a font based upon early German script, that made it look like it was called a Jsolette.
The shutter was jammed and the focusing was stuck when I got this camera for £12 off eBay. I fixed the shutter, cleaned the lens, reassembled and then recalibrated the focus on the lens. This was a test shot at wide open (f4.5).
Place: Val, Chernihiv, Ukraine
Film: Shanghai GP3 100
Camera: Yashica-635
Lens: Yashinon 80mm F/3.5
F-stop: F4
Shutter: 1/60
No Filter
Film developing: D-23, 1+2, 20ºC, 24min.
Angels and devils inside
[Dicono che un pò di gnocca nello stream non guasta mai. Deduco quindi che "gnocca +gnocca" sia ancora meglio]
This year I'm using a different film format each month, starting with the smallest and working my way up through the sizes. The format for September is 127 roll film which was introduced in 1912. Narrower than 120 film, it allowed for smaller more pocketable cameras to be made, perhaps most famously the Kodak VP (Vest Pocket) also known as the soldiers' camera because many of them were used during the First World War (1914-18).
This was taken using a Korelle 3x4cm camera, which dates to the 1930s.
The film is Shanghai GP3 ISO 100 black and white, developed in Rodinal 1:50 for 11 mins at 22 degrees.
SG-AE Tests-- Huntington Beach with VND
Getting a bit closer to where I hope to be on this. And managing my chemistry better.
cold day...wind...storm...good tide = surfs up!
came across this surfer - shivering and skin turning blue...trying to warm up to go back out. asked if i could use some film up on him... 'totally' was the response.
Yashica D
Shanghai GP3/100
Self Processed: hc-110
Self Scanned: Epson V700
Camera: Pacemaker Crown Graphic 4x5
Lens: Kodak Ektar 127mm f/4.7
Film: Shanghai GP3 100
Shutter Speed: 1/5
Aperture: f/32
Developer: Kodak D-76 (1+1) @ 20.7C for 13:13 minutes
Scanner: Epson V850
Catalog ID: 2021-Sheet-016
Fortified monastery of Abbey Lérins.
Bronica SQ-A Camera
Bronica 50mm f3.5 Lens
Kodak TMax 400 Film
Rodinal R09 Developer 1:49
Ilford Rapid Fixer 1:9
Fotospeed RA50 Wetting Agent 1:200
This used to be a Gulf gas station. It shut down around 2018, and in 2019 they tried to auction it off. Then COVID happened, and nobody bought it, and it sits here doing nothing. Hasselblad 500cm, Shanghai GP3 100 (220 format), Rodinal 1:50.
shanghai metered for box but i wanted to push a bit because of backlighting. shanghai is 160iso in diafine so it's pretty close to box.
A spruce that has met with fate. The lower branches still jutting out from the stump making for an interesting image.
From the first roll through the beat up Kalloflex K2. Mostly shot to test if its functional after I´ve cleaned the shutter, and the mirror and finder. She may well do.
f5.6 @ 1/30s handheld! Shanghai GP3, EI125, Caffenol-C-M (RS-35), 4min pre-soak, 12min @ 20C. Epson 2400dpi 16bit greyscale scan
This year I'm using a different film format each month, starting with the smallest and working my way up through the sizes. The format for September is 127 roll film which was introduced in 1912. Narrower than 120 film, it allowed for smaller more pocketable cameras to be made, perhaps most famously the Kodak VP (Vest Pocket) also known as the soldiers' camera because many of them were used during the First World War (1914-18).
This was taken using a Korelle 3x4cm camera, which dates to the 1930s.
The film is Shanghai GP3 ISO 100 black and white, developed in Rodinal 1:50 for 11 mins at 22 degrees.
End of roll including overlapping and double exposures.
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Shot on Shanghai GP3 100 at EI 100.
Black and white negative film in 120 format shot as 6x6.
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Read on at: emulsive.org/photography/medium-format/threading-the-need...
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Filed under: #Mediumformat, #Photography, #120FormatFilm, #2018June, #6X6, #BlackAndWhiteNegativeFilm, #EI100, #EMULSIVEDailyPhoto, #Hasselblad, #Hasselblad2000FCW, #HasselbladPlanarF80MmF28, #ISO100, #Shanghai, #ShanghaiGP3100
#shootfilmbenice #filmphotography #believeinfilm
Camera: Rolleiflex 2.8C
Lens: Schneider Xenotar 1:2.8/80
Film: Shanghai GP3
Develop&Scan: 台北影像
2020-10-10
苗栗通霄
Holga
Caffenol-C
I used a recipe by Tricia V... who apparently obtained it from
jon caradies
Check out both their streams!
I've never tried developing film in coffee, but I am impressed with the results. I probably should have used a camera other than a Holga for the first batch, but it was quick and easy. The recipe is as follows:
500 mls tap water @ 70 deg. F.
4 tsp. arm and hammer washing soda (not baking soda)
1&1/2 tsp vitamin C powder
1/2 tsp iodized salt (mortons)
5 rounded tsp cheap instant coffee (the cheaper the better
and not decaffeinated)
Mix in that order and let sit for 5 min
pre-soak film for 5 min in 70 deg. tap water
develop for 11 min (I used 10 for this roll - consult the Massive Development Chart for your actual film and time)
agitate for the first 30 sec. then a couple inversions every 30
sec. till done
Works best with 100 iso or slower film.
Rolleflex 3.5E with Xenator 75mm F3.5 lens (Fuji Reala 100)
If you like my work, please visit my website: www.jerrybei.com