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Full view of the river Cauvery falling at Shivanasamudram
India's first major hydro electric power station was setup here in 1902.
Location: Shivanasamudram, 80 kms from Bangalore, Karnataka State, India
Camera: Nikon FM10
Also called Gagana Chukki locally.
Its February! This is my three year photography anniversary! I purchased my first camera (Nikon D40x) in February 2008. It has been an amazing 3 years of learning and growing.
I have worked extremely hard to pay for every single piece of equipment on my own (parents helping guide me along the way though).
Setup picture... 3 flashes, 3 light modifiers, tethered shooting setup w/pocket wizard triggers.
Learn how to light at Strobist.
A few people have asked how I do the oil & water pics I've been posting. Here is my setup. I'm lucky enough to have a glass top side table to put the bowl on. I use a Tamron 90mm macro lens, all settings on manual. I got the basic settings from the YouTube tutorial I posted a link to but for me ISO 800, shutter speed 1/320, f7.1-8 seem to work pretty well - I have deviated from those settings too, so it's just a matter of experimenting until you find what works for you. I'm sure you can do it with a macro setting on a point and shoot with a little playing around. Interestingly I'm finding that I get my best results in the evening when the ambient light is pretty low. Hope this bit of info helps! ;D
This was the setup shot for this photo: Robyn.
The setup consisted of two flashes with two shoot-thru umbrellas. One brolly low to the ground and aimed up, one high and aimed down. Aim your camera between the gap in the umbrellas.
This gives a very even light over the entire face with minimal shadow. The few photos we did like this all came out great, very glamorous.
Setup for the dancing Paint
this si what i am after but dont like the reflection yet
1 canon 430 EX II right about 4 inches away from the splashes
continue to learn, a lot better today! applied some lube to the balloon to make it shine like a mirror! thinned down the paint even more and played lots with garageband to generate tones and vibrations......moved flash even closer (about 3-4 inches away) so i could go to a smaller aperture, used F22 here.
strobist: 1 * 430EXII at 1/32 of a second
Thanks to Linden G for the inspiration erh or better just call me the copycat
Unexpected photo session today with one of my wife's best girlfriends. Thank you ladies (and boy) for this one - was a good bit of fun and for sure a new experience: turning the normal lighting and posing rules around to highlight all the forms one usually tries to hide ;-) It came in quiet handy that she has years of yoga experience - rarely I have seen such a fluently moving seven month pregnant woman. All the best for the expecting mom...
Strobist: One DX 4 Elinchrom from camera right through a strip box. Well, and even if this is not visible on this picture - this really helped to expose her face and baby belly equally while keeping the background fairly dark. Shot on a fashion grey seamless paper background. Light post edit to increase contrasts and heighten color temperature.
Our 'no-fuss' lighting setup for bride-groom 'formals'. We meter for ~1 stop under ambient (for mood), and then bring the flash power down to something that looks good. We'll usually gobo the back flash or move it off-axis enough so that it won't flare. We feather the main light across the front of the subjects, and voila!
In this case, we were shooting at Stonebridge Manor, a Wedding/Reception venue in Mesa, AZ - one of the nicer venues in the Phoenix area that isn't associated with a swanky resort. The late afternoon sun was just about to disappear, so we worked quickly. This is a 2 minute setup that yields far better results than taking the easy way out and shooting with on-camera lighting or hoping for the best with available light.
We used 2 Vivitar 283's on stands. The main light was at 1/8 power into an umbrella, camera right, and the other was at 1/16 power, bare, camera left. We have Varipower VP-1's on the Vivtars to dial down the light. Flashes were triggered with Cybersyncs. You can also just make out our self-built batteries (just some 6v SLA batteries wired to some fake battery 'slugs' in the 283's battery compartment) used to provide quick recycle times.
For more wedding strobist stuff, check out our blog.
Lighting setup & settings info: CLICK HERE! to see the full article!
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Strobist info:
Bare Canon 580EXII in a 80x60 Softbox - Camera right
Nikon SB-26 with a CTO filter (I think it was a 1/2 cto) behind her
Canon flash is triggered by a Pocket Wizard II Plus, and the Nikon flash behind her is triggered by optical slave from the Canon flash
Golden Hour
Lighting here was made of 2 strobes, one as a main light for the model, and the other to add some sunset mood with some orange tones! So as the main light, I was using a Canon 580EXII in a 80x60 Softbox, which I'm using on location quite often! Also behind her I decided to put some orange filtered flash, as the sunset did not bring any rays of light to the place where we were! I wanted to have some orange tones in her here, so that was the way to do it! As a flash I was using a Nikon SB-26, pretty handy with the Optical slave feature, considering that I had only a pair of Pocket Wizards available at that time! Lighting setup & settings info: CLICK HERE! to see the full article!
Setup for waterfigures. The upper spreaker is the dropcontroller. This dropper give a second drop via an audio waveform on the speaker. Control of this timing via a second laser detector just under the dropper. Multiple flashes are used, 5 max for the forground, one for the background. Background can be changed via a colored A3 paper. Different tools can be added, a color injector stay more on the foreground and is controlled via a magnet drive system. This color injector can inject a few paint drops into a falling drop to merge and to form multiple gradiend colors on the splash. On the bottom a second speaker system is used for the waterfigures. Splashes and waterfigures and color injection can be merge together. On the leftside stay a projectiel tool to fire a small iron item through the falling droplet. Ofcourse all this parts are homemade including the hardware controller ( not to seen into this picture). The camera is the D200 nikon driven also by the controller. 2 lasers are used for detection to give the controller the information for all delay's and timings. All timings are digital at a resolution of 1 to 100 usec at 4 digit/ delay unit. Delays are entred via the keyboard but preset by poweron at the best default time. Some values are drive by 2 rotary encorders to change fast the value.
Strobist setup
- 430 EXII @ 1/16 24mm through Westcott Micro Apollo with orange gel cam left
- 430 EXII @ 1/8 24mm with blue gel
- 580 EXII @ 1/4 24mm through 28" Westcott Apollo Softbox
- EOS 5D MKII @ 1/15 ISO 400
- EF 70-200 2.8 L IS @ 150mm f/2.8
- triggered with Phottix Tetra
Olympus OM-2 | Fuji Velvia 100 | ISO 125/21° / expired 2017.07
Weitere Fotos dieser Serie auf meinem Fotoblog
This shows the general setup with sweep, lights and camera. We have additional lights to use under the sweep for bottom lighting. Even so, we could always use more lights, but this setup is pretty versatile. Next step is to mount some weights and wheels on the tripod to make it heavier and more moveable.
I thought I would reveal all of my “secrets” and show my setup for this photo. And yes, the camera lens got a little bit wet! I have limited energy, so I am all for making things as quick as easy as possible. I used an aluminum cookie sheet for the gray background, and placed a waterproof cobblestone base from Calico Critters on top of another cookie sheet that I used to span the sink. Grouchy did NOT enjoy this photo shoot! :-)
Setup for this shot : www.flickr.com/photos/balakov/3812884634/
So I cheated a bit in photoshop with this one.
Because there was so much twine to remove in this shot I took a separate shot of the background on its own to help with the cloning.
Patience was required.
A bit of a new setup for me, though many have done similar before. Had to take a picture frame apart for a large enough piece of glass. Then a matching pair of boxes had to be found to get the same height either side.
Two sheets of white card, one below and one behind to bounce the light off.
A pair of flashes crossing over below the glass to provide a graduated background. On the left, a Neewer SF-01 mini slave flash, which has a fixed output as the main light and fitted with a Blazeo radio trigger. On the right and secondary light, a Yongnuo YN-460 set at 1/8th power and in slave mode.
The boxes the sheet of glass is resting on, have sheets of black card covering the sides to prevent the colour from being picked up in the pieces of the broken glass.
The result can be seen below :
Set up shot for Viru beer. I couldn't get far enough back to show the whole set up in one shot, so it's a badly stitched composite. Things are a bit screwy on the right hand side of the picture.
The setup for the picture of the flowers. The only thing different is that the transmitting Pocket Wizard is on the camera taking this picture rather than the camera that took the final picture of the flowers.
You can see some setup shots for other images here.
This was one of the most interesting photos of February 17th, 2008.
Dear friends, after so many mail requests here´s the setup for "Gravity Drink"
Two softboxes triggered at 1/8 , and two SB-800 wirelessly triggered towards the white wall at 1/8
Los Campesinos! have a new album, No Blues. Check out the video for Avocado Baby - the lead single here: tinyurl.com/mzxwgln
Skip forward to 4:25 to see the part depicted in the build.
Setup Info:
Savage Port A Stand backdrop system
White fuzzy sheet backdrop (purchased from Ross)
Bean Bag (purchased from Target)
Bare Nikon SB900 zoomed out and 2/3 stop higher than key light to light background
Nikon SB900 modified in Westcott 28" softbox 45 degree camera right
All fired by Pocket Wizards