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This photo was taken at Insomnia60

 

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Photo Credit - David Portass/iEventMedia

Social and Editorial Use Only (with photographers credit) / All Rights Reserved. All other use please email: photo@iEventMedia.co.uk

Setup for this shot. I used the softbox rather than one of my umbrellas, because I wanted super soft wrap around light on my fingers, and less light spillage into the room.The fairly low power of 1/64 was due to the fact I had the lens wide open at 1.4.

Strobist:

430EX with shoot through umbrella mounted on extended lightstand, held as a boom, directly above couple but just out of frame

triggered with CTR-301s

 

Final shot

Setup pic

Setup for Deep Diver Revisited. Ref: D989-02

 

Blog post review

Read about the set up and see the resulting shots here

 

rokchoi.com/blog/2010/03/visit-from-a-lady/

This is the setup for the dark-field shots. Taken after reading the book light, science and magic.

 

Two flashes fired behind DIY softboxes. Just within the Angle of lights.

 

Background and underground surface is black foam. Actualy also my snoots.

 

Please comment, I want to learn!

The piggyback camera mount, designed to allow the Questar drive to move a camera, is here connected to a right angle bracket that was probably made to mount a flash in a camera. The camera is then connected by its tripod thread to the bracket. This is currently the only connection between the camera and the telescope.

 

This mounting is quite flimsy, but the camera's infra-red remote control allows the shutter to be tripped without touching either camera or telescope. The C2000ZOOM is aimed at the eyepiece of the telescope.

setup for www.flickr.com/photos/topinfrared/3389639706/

 

strobist info in notes. the setup is with a blue gel, that was used only for the upper left final picture, together with a glass "orange squeezer" cookie (not shown here).

setup for this shot.

 

FYI..I forgot to mention in the setup shot, there was a sheet of Black Bristol Board...the walls in this guest bathroom is blue so I didn't want all that blue showing.

aqui os dejo el guetto set up que monte en el curro para hacer la foto a la ballena.. lo mas complicado era sujetar el acetato azul con una mano y hacer la camara con otra

This photo was taken at insomnia58

 

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Photo by David Portass/iEventMedia.co.uk

The set up for this shot. Roll over the pic for info.

 

have managed to set some of macs macs up

This photo was taken at insomnia59

 

Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook, twitch, twitter and instagram.

 

Photo Credit - David Portass/iEventMedia.co.uk

Social and Editorial Use Only (with photographers credit) / All Rights Reserved. All other use please contact photo@iEventMedia.co.uk

 

This photo was taken at insomnia58

 

Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook and twitter.

 

Photo by David Portass/iEventMedia.co.uk

Bueno mande dos fotografias, al concurso de fahernheit 451, donde se trata de una novela de Ray Bradburly, y bueno no se pueden subir las fotografias ya finalizadas, pero puedo subir el setup para que lo vean, la verdad el resultado final me muero de ganas de ponerlo pero eso se podra poner hasta el 15 de septiembre.

Si quieren mas informe del tema. visiten: www.cultura.udg.mx/actividades/672fahrenheit451/convocato...

 

Photografia: Juventino Jimenez.

Modelo: Miguel Mccormick

New MacBook Pro to the left, old PowerBook G4 to the right.

Setup for this. That's an AB1600 in the top and a 2'x3' softbox.

This holder is too small for my reflector. (Setup & Action Shots by Henry Wong.)

Setup for this picture and this picture

 

Ambient has been killed by f/14 @ 1/200s @ 200 ISO.

 

With this configuration, it's really easy to get interesting results. Try it!

Setup for Strobist Lighting 102, section 2-1, "softness"

In this pic, you can see the setup we used for my Asher's 1st Studio Shoot series. This was actually set up a couple days before for a client's product shoot. The main difference here is that the umbrella was half closed... NOT in the Asher shoot, and the camera on the right is my dad's old Canon.

Pretty good and inexpensive custom setup package deal from zeropong.com.

 

blade: LKT Instinct+, 7-layer wood

FH: Gambler Outlaw, black 2.2mm

BH: 729 Cream w/ Transcend sponge, red 2.0mm

 

The blade weighed in at 95g instead of the 85g as marked. Total weight is 184g, which is turning out to be a touch heavier than I prefer. I've been playing with this for almost a month now and am getting used to the speed. Before this I was playing with a 20yr old butterfly blade and the cheap 729 FX Lightning on both sides of it, so this is a step up. Though I'd like to put faster rubber on that old Butterfly blade to see how that feels.

The setup used on todays photo.

 

DIY Softbox cam right ( i made this the other day)

 

Bare 430ez cam right at back for rim

 

2x black board for backgound.

This photo was taken at insomnia59

 

Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook, twitch, twitter and instagram.

 

Photo Credit - David Portass/iEventMedia.co.uk

Social and Editorial Use Only (with photographers credit) / All Rights Reserved. All other use please contact photo@iEventMedia.co.uk

 

This photo was taken at insomnia59

 

Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook, twitch, twitter and instagram.

 

Photo Credit - David Portass/iEventMedia.co.uk

Social and Editorial Use Only (with photographers credit) / All Rights Reserved. All other use please contact photo@iEventMedia.co.uk

 

Setup photo for the "droplets" photo.

 

Water ~50mm deep in clear pyrex bowl with blue food colouring (i think i had emptied it before i took this setup shot). bowl sits on a piece of frosted glass (from the door of our buffet unit), raised by 4 large drinking glases.

 

eyedropper (from kids panadol packet) held in light stand boom, topped up with clear water (take the water to the dropper in a glass so the dropper location remains constant).

 

YN560II strobes (x2).

 

one directly below the bowl, diffused through some folded over tracing paper, set to the minimum power. secondary difusion provided by the glass, then the food colouring.

 

one placed behind, shooting thru some pink tissue paper that i had found lying around the house. also difused thru the glass.

 

camera is aimed so the top of frame is just below the edge of the glass,

 

Focus is done manually: put a tooth pick on a blob of bluetack directly under the dropper (release some drops to ensure correct location). focus manually, set camera to MF and dont touch anything.

 

Camera is triggered by hand remotely as dropper is squeezed.

The setup shot for "Dime".

 

Nikon 50mm lens with Kenko 12mm & 20mm extension tubes.

 

Lighting by a single SB-25 on full power zoomed out to 24mm fired into a home made prototype softbox. This consists of a primary diffuser (home made Stofen) fitted over the flash and surrounded by a pyramid of white A4 card, with a tissue paper secondary diffuser on the front. Additional modifications were required for this shoot, which included using straws to give some rigidity to the structure, and a sheet of black card to prevent light leakage towards the subject.

 

Triggering performed by Elinchrom Skyport.

Try to setup lighting, place, props and the mood...etc

This is my bathroom Strobist setup. SB-26 with a Pocket Wizard mounted on an umbrella bracket, on a Bogen clamp, sitting on the counter.

This photo was taken at Insomnia60

 

Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook, twitch, Insomnia Events Twitter, Multiplay Esports Twitter and instagram.

 

Photo Credit - David Portass/iEventMedia

Social and Editorial Use Only (with photographers credit) / All Rights Reserved. All other use please email: photo@iEventMedia.co.uk

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