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SVP - Mathis Pack
6 male poses set water gun included.
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Vegas :. Tattoo - Death sentence
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Don Pedro Domingo Murillo is the most important figure in the war of Bolivia’s liberation. Leader of the emancipation movement, he launched the first revolutionary cry on July 16, 1809. Taken prisoner by the Spaniards, he was sentenced to be hanged.
“Simplicities are enormously complex. Consider the sentence "I love you".”
― Richard O. Moore, Writing the Silences
flickr friends+me = twice as nice
Thank you for putting up with me flickr friends. I know I type dyslexic all the time without realizing it. I leave words out of my sentences completely. My friends tell me they have learned a new language by being my buddy on instant messages. Now I just noticed I have been handing out spanish invites to all of my friends for two days! I told you yesterday I am still silly. Well here you go!!! LOL
Have a wonderful day!!
If seeing the words spider and rattlesnake combined in the same sentence doesn't creep you out, then nothing in nature likely will. Earlier in the summer I photographed another female shamrock orbweaver here at Chipera Prairie. That one had a pale yellow abdomen so these decorative white dots didn't show up at all. It was neat to see this large female with her beautiful brick-red abdomen today since those scattered white spots form a pretty pattern.
"You can lead a horticulture, but you can't make her think" :-))
Dorothy Parker's most famous quote
HMM!! HPPT!! Humor Matters ;-)
camellia, sarah p duke gardens, duke university, durham, north carolina
" LOIX et ACTES de l’AUTORITE PUBLIQUE "
Il s'agit d'une plaque en ardoise destinée à porter à la connaissance du peuple les décisions des autorités révolutionnaires.
Sous cette plaque, l'autorité publique pouvait y exposer ces décisions et ainsi informer les citoyens. Les actes affichaient n'étaient pas seulement des lois. Sous la révolution, les condamnations à mort des citoyens qui seront guillotinés y étaient placardés.
"LOIX and ACTS of the PUBLIC AUTHORITY"
It is a slate plate intended to bring to the attention of the people the decisions of the revolutionary authorities.
Under this plate, the public authority could expose these decisions and thus inform the citizens. The acts displayed were not only laws. Under the revolution, the death sentences of the citizens who will be guillotined were placarded.
What a difference a Year Makes
This was December 2019 , commuting in the dark and seeing the dawn rising . as the LUAS tram passed over the M50 motorway. I have been Working From Home . since late February , this year has gone in a blur of unexpected events and lots and lots of isolation. I don't know how I feel about commuting anymore. It seems like something from a bizarre Sci-fi film now :)
We are good at adapting !
IMG_3654WB4C9
Hair: Limerence - Else hair (gift) ♥
Cyber set: Aitne -> Trinity //body, gloves, boots, harness, pasties, sleeves// (kupra, maitreya, legacy, reborn, Belleza Gen X)
Sword: Legion - Destroyer Blade
Jaw & bandage: Legion
Ears: Aii
Oculus - Tentacio - Abdromeda
LM Aitne New Location!
Using the "Skull" and its shadow this time to create this Master of Dreams with its open mind;-))
Happy Sliders Sunday!!
“More than ninety-five percent of your brain activity, as you consciously read this sentence, is being used by your subconscious mind.”
Quote ― Kevin Michel, Moving Through Parallel Worlds To Achieve Your Dreams
Die Skulptur "Balanceakt" von Stephan Balkenhol steht auf dem Platz vor dem Axel-Springer-Hochhaus an der Ecke Axel-Springer-Straße/Zimmerstraße inmitten von elf um den Mann herum platzierten, originalen Mauerteilen in Berlin-Kreuzberg. Hier ragt die Figur zwischen Axel-Springer-Hochhaus und Axel-Springer-Neubau in den Himmel. Das Denkmal soll an die Deutsche Wiedervereinigung und zwar insbesondere an den Mauerfall erinnern. Weitere Details zur Skulptur: de.wikipedia.org/wiki/Balanceakt_(Berlin)
Möglicherweise wurde Balkenhol zu dieser Skulptur durch den als Mauerläufer oder Mauerspringer bekannten John Runnings (1918-2004) inspiriert, der am 7. August 1986 mit einer selbstgebauten Leiter vor laufenden Kameras die Berliner Mauer von West-Berlin aus erkletterte und die Mauerkrone mit einem Vorschlaghammer bearbeitete. Er wurde von den Grenzsoldaten der DDR heruntergezogen, von der DDR-Justiz zu 18 Monaten Haft verurteilt, allerdings im November 1986 nach drei Monaten freigelassen und aus Berlin ausgeflogen. Eine von ihm angefertigte Mauerramme ist im Checkpoint-Charlie-Museum zu sehen. de.wikipedia.org/wiki/John_Runnings
Stephan Balkenhol's sculpture "Balance Act" stands on the square in front of the Axel Springer high-rise at the corner of Axel Springer Street and Zimmer Street, amidst eleven original sections of the Berlin Wall placed around the man in Berlin-Kreuzberg. Here, the figure rises into the sky between the Axel Springer high-rise and the new Axel Springer building. The memorial is intended to commemorate German reunification, particularly the fall of the Berlin Wall.
Balkenhol may have been inspired to create this sculpture by John Runnings (1918-2004), known as the Wall Walker or Wall Jumper, who, on August 7, 1986, climbed the Berlin Wall from West Berlin using a self-made ladder in front of live cameras and then demolished the top of the wall with a sledgehammer. He was dragged down by East German border guards and sentenced to 18 months in prison by the East German judiciary. However, he was released after three months in November 1986 and flown out of Berlin. A wall ram he made can be seen in the Checkpoint Charlie Museum. en.wikipedia.org/wiki/John_Runnings
The sentence "Rose is a rose is a rose is a rose." was written by Gertrude Stein as part of the 1913 poem Sacred Emily, which appeared in the 1922 book Geography and Plays.
Many thanks to everyone who chooses to leave a comment or
who adds this image to their favorites, it is much appreciated.
Kind regards,
Cor
love
/ləv/ • noun
~ an intense feeling of deep affection; a great interest and emotional attachment to a person that one loves. ❤️
"Can you use it in a sentence please?"
"I love you, Daddy!"
Im super happy that we have the sunsets back! I missed it way too much in those grey winter days.
In my older shot there were those sentences starting as "I am bored of summer I want winter" and stuff too I know :-) But we humanbeings,just get never enough right? :-)
The spring is 'unofficially' here -yey- and I have started riding bike in the forest and enjoying the soft sunlight already! Feels good for real.
Wishing everyone a great monday & a great week ahead ;-)
Pants : Kindex - Tochi Legging (Legacy M/A | Jake | Gianni X | Kario Fit/Flex)
New release at Mancave Event starts on 17/DEC - 14/JAN
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Turning the pages a sentence caught her eyes. “A dream is a wish your heart makes”. Perhaps there was truth in those words. She had dreamed of a different life. A life with love. Surprising and unexpected love came. Time had been tough and lonely, she thought. The change was most welcoming and very invigorating.
She had felt so happy. He was a kind and charming man. Rapidly her love for him grew stronger. Every day she had longed for him like A DRIED OUT FLOWER. She had needed him like a flower needs water. So easily he had filled her heart and soul with love, hopes and dreams. She hesitated. Stop! Don't start winding yourself up. He's gone, she reminded herself. As unexpected as he came.
Her eyes brimmed with tears as she sadly realized, that she had never found the true path to his heart. Now she knew, there was no need for searching any longer. He would remain an utterly priceless treasure. In time, she hoped, the memory would be without pain. I miss you, she sighed. No, I've to forget about him, she muttered. Still she could feel him and the bond between them. She wished it would be different, but he would always be a part of her, unfortunately she knew that for a fact. Perhaps it was time for new dreams.
Just for fun -- seeing the line up of flowers in various stages seem to form a sentence using different 'words' and 'punctuation marks'!
LACPIXEL - 2025
All pictures were taken with respect for the persons and just for artistic purposes only.
Please don't use this image without my explicit and written permission.
© All rights reserved
I've no idea what these flowers are, but they were suspended from an arch trellis and made a beautiful display.
The stripes may mark him as the prisoner, yet the weight rests on her shoulders. His smoke drifts free into the night, while she sits bound by silence. On the steps of the Cathedral, the roles of captive and keeper quietly reverse. Shot in Cologne, Germany with a Leica M11 Mono and Summilux 50mm.
This sentence is made of lead (and a sentence of lead gives a reader an entirely different sensation from one made of magnesium).
This sentence is made of yak wool.
This sentence glows in the dark.
This sentence was born with a caul.
This sentence once spit in a book reviewer's eye.
This sentence suffered a split infinitive - and survived.
This sentence leaks.
Tom Robbins
The last time I visited this place there were few (if any) parking charges. Today the State charges the tourist for everything...
Fremantle Prison, sometimes referred to as Fremantle Gaol or Fremantle Jail, is a former Australian prison and World Heritage Site in Fremantle, Western Australia. The site includes the prison cellblocks, gatehouse, perimeter walls, cottages, and tunnels. It was initially used for convicts transported from Britain, but was transferred to the colonial government in 1886 for use for locally-sentenced prisoners. Royal Commissions were held in 1898 and 1911, and instigated some reform to the prison system, but significant changes did not begin until the 1960s. The government department in charge of the prison underwent several reorganisations in the 1970s and 1980s, but the culture of Fremantle Prison was resistant to change. Growing prisoner discontent culminated in a 1988 riot with guards taken hostage, and a fire that caused $1.8 million worth of damage. The prison closed in 1991, replaced by the new maximum-security Casuarina Prison.
The prison was administered by a comptroller general, sheriff, or director, responsible for the entire convict or prison system in Western Australia, and a superintendent in charge of the prison itself. Prison officers, known as warders in the 19th century, worked under stringent conditions until they achieved representation through the Western Australian Prison Officers' Union. Convicts were initially of good character as potential future colonists, but less desirable convicts were eventually sent. As a locally-run prison, Fremantle's population was generally short-sentenced white prisoners in the 1890s, with very few Aboriginal prisoners. By the late 20th century, most prisoners were serving longer sentences, a higher proportion of them were violent, and Aboriginal people were present in large numbers.
Prison life at Fremantle was extremely regulated. Meals were an important part of the day, eaten in the cells throughout the operational life of the prison. Convict or prisoner labour was used on public infrastructure works until around 1911; subsequently, only work inside the prison was allowed, though there was never enough to fully occupy the inmates. Punishments varied over the years, with flogging and time in irons eventually replaced by lengthening of sentences and deprivation of visitors or entertainment. More than 40 hangings were carried out at Fremantle Prison, which was Western Australia's only lawful place of execution between 1888 and 1984. Prominent escapees included Moondyne Joe, as well as John Boyle O'Reilly and six other Fenians in the 19th century, and Brenden Abbott in 1989. There have been various riots and other disturbances, with major riots causing damage in 1968 and 1988.
Since 1991, Fremantle Prison has been conserved as a recognised heritage site, and various restoration works have been undertaken. New uses have been found for some buildings within the prison, which has also become a significant tourist attraction. The process of obtaining World Heritage listing as part of the Australian Convict Sites submission focused historical interpretation and conservation efforts on the prison's convict era (1850 – 1886), at the expense of its more recent history, including Aboriginal prisoners held there. (Wikipedia)
The Conciergerie is a former courthouse and prison in Paris, France, located on the west of the Île de la Cité, below the Palais de Justice. It was originally part of the former royal palace, the Palais de la Cité, which also included the Sainte-Chapelle. Two large medieval halls remain from the royal palace. During the French Revolution, 2,780 prisoners, including Marie-Antoinette, were imprisoned, tried and sentenced at the Conciergerie, then sent to different sites to be executed by the guillotine. It is now a national monument and museum. (Source: Wikipedia)
Ayr
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'"Tam o' Shanter" is a narrative poem written by the Scottish poet Robert Burns in 1790, while living in Dumfries. First published in the second volume of Francis Grose's Antiquities of Scotland in 1791, at 228 (or 224) lines it is one of Burns' longer poems, and employs a mixture of Scots and English.'
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"Mae brolio Cyn-Swyddog Gwybodaeth Israelaidd, Ella Kenan, gerbron cynhadledd o blaid Israel, wedi datgelu gweithgaredd propaganda digidol anferthol y meddianwyr. Soniodd am fyddin o 60,000 sy'n llwyr ganolbwyntio ar danseilio cefnogaeth i'r Palesteiniaid ledled y byd."▪️ Mewn ffordd drahaus sy'n nodweddiadol o Israeliaid, mae hi wedyn yn honni bod cwmpas ei sefydliad 'yn gwbl organaidd'. Yna, yn frawddeg nesaf, mae hi'n brolio bod ei bropaganda'n yn mynd 'yn feirol' oherwydd y 'cymunedau' cysylltiedig o 60,000 - ac oherwydd cymorth 'dylanwadwyr nad Israeliaid mohonyn nhw' ond sy'n cydweithio. " (...) "Dyna beth sy'n mynd ymlaen gyda'r holl bropaganda ar y cyfryngau torfol, manipiwleiddio algorithmau gan Silicon Valley, melinau trafod a gaiff eu hariannu gan gyfoethogion, cynhyrchu diwylliant y brif ffrwd yn Efrog Newydd ac yn Hollywood, a gweithgaredd dylanwadu ar-lein fel yr hyn a geir gan Ella Kenan. Mae ychydig o fanipiwleiddwyr clyfar yn deall y gellwch reoli'r gymdeithas drwy reoli ei phrif naratifau." Caitlin Johnstone
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"Former Israeli intelligence officer Ella Kenan’s boast to a pro-Israel conference has exposed the occupation’s massive digital propaganda operation. Kenan’s 60,000-strong ‘army’ is focused entirely on undermining global support for the Palestinian people."▪️"With typical Israeli arrogance, she claims that her organisation’s reach is ‘completely organic’. Then, in the next sentence, she boasts that its propaganda goes ‘viral’ because of coordinated ‘communities’ of 60,000 – and the help of ‘non-Jewish influencers’ that colloborate." (...) "That’s what’s going on with all the mass media propaganda, Silicon Valley algorithm manipulation, plutocrat-funded think tanks, mainstream culture manufacturing in New York and Hollywood, and online influence operations like the one run by Ella Kenan. A few clever manipulators understand that you can control a society by controlling its dominant narratives."
Tempo fa m’imbattei in uno scritto, non ricordo nemmeno di chi era, ma il senso è ancora fisso in me come un macigno in mezzo alla strada, diceva pressappoco così:
“avete mai provato a vedere la luna da casa vostra? Non credo che nessuna guida turistica la segnali nessuna agenzia la promuova.
Figuriamoci, tutti propongono attività e locali “by night”, per chi ha la grana, per chi ha voglia di divertirsi. E chi la grana non ce l’ha? E chi non ha voglia di fare nulla?”….. Ogni posto e’ splendido se si prende col verso gusto senza imbottirsi di surrogati di felicità estrema, è stupenda l’alba dalla mia finestra senza fare niente e gratis!”
Ci sfugge l’imprevisto del possibile, la naturalezza del quotidiano, certo se si corre dalla mattina alla sera non si fa più caso a niente, non si nota più la gratuità del giornaliero, ma cosa vogliamo fare veramente? Forse è il momento di fare punto e a capo, di essere un po’ più padroni di noi stessi e non essere sempre li ad aspettare l’imbeccata giusta!
Cosa mi piace fare? Scrivere? Leggere? Chiacchierare fino all’alba? Gridare il mio nome a squarciagola e affermare la mia esistenza? Ballare con band improvvisate di nordafricani impazziti coi loro bongos?
Forse mi rendo conto che il mio tempo, potrebbe essere già segnato, ma non mi rassegno, anche se la schiena fa male e sto diventando un po’ troppo comodo per i miei gusti.
Ma, e qui la frase irrompe come uno tsunami, “Non vi è forza di SVOLONTA’ umana tale che possa intromettersi quando i versi avanzano!” (M. Cristan)
Time does m' I bumped into in one written, not memory do not even of who was, but the sense is still fixed in me like a rock in the middle to the road, said about so: "It have ever experienced to see the moon from home yours? I do not believe that no sightseeing guide the no signals agency promote it. Everybody promoves activity and local "by night", for who has the money, for who has desire to amuse itself. And who the money not there l' has? And who it has not desire to do nothing?" ….. Every place and' splendid if it is taken with the verse flavor without to stuff itself of extreme substitutes of happiness, is marvellous l' dawn from my window without do nothing and free!" There it l escapes' unforeseen of the possible one, the naturalness of the daily one, certainty if it is run from morning to night it is not done more case to nothing, it is not noted more the gratuitousness of the daily one, but thing want to do really? Perhaps it is the moment to do point and to head, of to be a little' more owners of those same and to is not always l wait for them' right prompt! It does it pleases to do me? To write? To read? To chat until all' dawn? To scream my name and to affirm my existence? To dance with band surprises of north african gone crazy with the them bongos? Perhaps I give back myself account than my time, already could be marked, but I do not resign me, even if the back does badly and I am becoming a little' too comfortable for my flavors. But, and here the sentence bursts like a tsunami, "is Not yourselves force of S-VOLONTA' such human that can interfere itself when the verses advance!" (M. Cristan)
'Hell. Here we die'
L'isola di Capraia è stata sede, dal 1873 al 1986, di una Colonia penale agricola. Tale colonia penale fu destinata alla rieducazione dei condannati a pene lievi che dimostravano di potersi redimere. Nel corso dei decenni furono realizzate opere di bonifica, costruzione di strade e di strutture di vario tipo. Ora è in rovina e abbandonata.
The island of Capraia was the site of an agricultural penal colony from 1873 to 1986. This penal colony was intended for the re-education of those sentenced to light sentences who showed that they could redeem themselves. Over the decades, land reclamation works and the construction of roads and various types of structures were carried out. It is now in ruins and abandoned.
London
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