View allAll Photos Tagged Sensors,

I came across this interesting comparison on the internet today. I'm toying with the idea of getting another compact camera and at present it's a toss up between the Sony 100 iii (still available though newer models have been released) and the not yet released Panasonic TZ90.

The Sony has a 1" sensor whilst the Panasonic has a 1/2.3" sensor; this is somewhat outweighed by the Panasonic's longer optical zoom range and more flexible screen.

 

Given the generally poor performance of my Ricoh GR4 (which has a 1/1.7'' sensor) compared with my iPhone 6 (1/3'' sensor) perhaps I don't need another compact camera anyway.

When my CoolPix e995 began to show signs the sensor was failing. Circa 2002. Canmore, Alberta.

Scintillating glass optical fibers are the first viable medium for large-area, solid-state, thermal neutron sensors that have applications in national security, medicine, and materials research. Here, ultraviolet-induced fluorescence mimics scintillation.

 

For more information, visit www.pnl.gov/news/

 

Terms of Use: Our images are freely and publicly available for use with the credit line, "Courtesy of Pacific Northwest National Laboratory." Please use provided caption information for use in appropriate context.

From my daughter's lens-less smashed camera.

A simple, quick, and very cheap circuit to turn on an LED when it gets dark. Read more about this project here.

Nikon D800 Photos Beautiful Swimsuit Bikini Lingerie Model Goddess! Modeling the Gold 45 Revolver Gold'N'Virtue swimsuits and lingerie which is inspired by classic, epic mythology--Homer, Odysseus, Achilles, Aeneas, et al.--Hero's Journey Mythology! :)

 

Shooting stills & video @ the same time:

www.youtube.com/watch?v=OEPimA5_fJs

youtu.be/QNLkIYNilB8

 

Join Johnny's Hero's Journey Mythology Goddesses facebook! www.facebook.com/45surfHerosJourneyMythology

 

Subscribe to my youtube! www.youtube.com/user/bikiniswimsuitmodels

 

Modeling Gold 45 Revolver Gold'N'Virtue Lingerie with the famous golden gun! The Colt 45 Revolver comes directly form Clint Eastwood's/Sergio Leone's Fistful of Dollars--my favorite Western--heck my favorite all-time film, exalting the classical, archetypal themes I seek in all my photography!

 

She was tall, athletic, thin, pretty, and fit with gorgeous blue eyes and long legs! Shot with the D800 and my favorite workhorse lens the very sharp Nikon 70-200mm f/2.8G ED VR II AF-S Nikkor Zoom Lens. A slight change of pace for all my flickr fans!

 

Here's some HD video shot during the swimsuit/lingerie shoot that day:

 

www.youtube.com/watch?v=OEPimA5_fJs

youtu.be/QNLkIYNilB8

www.youtube.com/watch?v=lDRyjOsK93s

www.youtube.com/watch?v=gL3eoYHBxw0

www.youtube.com/watch?v=L91IFFvbyDI

www.youtube.com/watch?v=qq-4rZme9aA

www.youtube.com/watch?v=-Uqo_z51YNc

 

The tall, golden-haired, blue-eyed goddess was modeling the black & gold "Gold 45 Revolver" Gold'N'Virtue swimsuits with the main equation to Moving Dimensions Theory on the swimsuits: dx4/dt=ic. Yes I have a Ph.D. in physics! :) You can read more about my research and Hero's Journey Physics here:

herosjourneyphysics.wordpress.com/ MDT PROOF#2: Einstein (1912 Man. on Rel.) and Minkowski wrote x4=ict. Ergo dx4/dt=ic--the foundational equation of all time and motion which is on all the shirts and swimsuits. Every photon that hits my Nikon D800e's sensor does it by surfing the fourth expanding dimension, which is moving at c relative to the three spatial dimensions, or dx4/dt=ic!

 

May the Hero's Journey Mythology Goddess inspire you (as they have inspired me!) along your own artistic journey! Love, love, love the 70-200mm F/2.8 Lens! Holding it up all day, alongside the Sony NEX 6 with the 50mm F/1.8 lens for cool video bokeh which I have mounted under the Nikon D800E camera, is quite the workout! My shoulders have gotten bigger after so many days with six hour shoots in the AM and 3 hour shoots in the PM holding that rig up :). Plus I have to carry all the gear, books, and clothes a few hundred yards up and down the steep cliffs. I count my photography days as two workout days. :) But I love it! Every day presents a puzzle--how to figure out the light, and every model presents a mystery to be unlocked--what are her best angles/poses/actions? Nothing beats the challenge of capturing the natural beauty of a day out there, when the light's dynamic range can change by a factor of ten in a few minutes as the mist burns away to reveal the sun, and then the wind whips up and a fog rolls on in, making it seem like a windy December dusk in July. One must always be mindful of tide, times, and temperatures and work quickly before the cameras get too hot in the sun, or the model gets too cold in the wind, as the tide and rogue waves reach out to grab your equipment/props/clothes and claim them for Poseidon, the god of the sea . Beach photography/video is just like surfing, with the conditions always changing and every wave a bit different. Studio photography is like riding an exercise bike set at level 1 in a gym in front of a TV. And shooting stills and video @ the same time is like Jimmy Page or Slash improvising on his double-necked guitar.

 

I'm working on a book called "Lone Cowboy Photography: A Humble Hero's Journey into the Art of Photography" about how to shoot it all on your own--stills and video for sports, portraits, and landscapes--with no assistants nor teams. Just you and the goddesses, the heroic athletes, the majestic, epic landscapes, and a copy of Homer's Iliad and Odyssey to teach you of the poetry of epic, heroic beauty. You gotta be ready, son--you gotta be ready for quick-draw showdowns at sunrise and sunset, during the magic hours and in the harsh light at high noon. Every shoot is over the second you finish packing your bags for the day with all your batteries, backup cameras, freshly-cleaned lenses, washed and folded clothes and hoodies, and props and polarizer filters. Every shoot ends the second the prep is over, and the fun, and art, and life of the live performance begins. :) "Every fighter has a plan," said boxing great Mike Tyson, "Until they get hit."

 

All the Best on Your Epic Hero's Journey from Johnny Ranger McCoy!

I yanked this out of a Sony Standard def Camcorder. Such a "big" device for such a small sensor.

M240 / 50 Summilux

 

Thank you for visiting and viewing.

Jim

 

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agfa optima sensor 1035 ektar 100

Car parking sensors at Sainsburys in Halifax.

Made in Germany ; 1974 - ... . For the 110 cartridge . With magicube socket and extender .

While cleaning the sensor of my camera a while back I randomly got the idea to try taking a photo of my computer monitor without a lens attached just to see what would happen. This is what I got. I don't remember what I had on screen at the time to get these specific colors, but I thought it made for an interesting gradient.

2019 Ram 1500 (new body) with Precision Back-up Sensor Guard.

Manufactured by Agfa Kamerawerk AG, Munich, West Germany

Model: c.1970, (all models of Silette produced between 1953-1974)

Agfa logo on the front of the camera: black relief

35 mm film Viewfinder camera

Lens:Agfa Color - Agnar 45mm f/2.8

Aperture: f/2.8 -f /22 , stepless allowing for easy adjustment with the TTL meter

setting: ring and scale on the back of the lens

Focusing: front ring manual focus, w/ DOF scale

Focus range: 1-5m +inf.

Shutter: Parator speeds: 30, 60, 125, 300 +B, extremely quiet

setting : ring and scale on the lens

Shutter release: Red "Sensor" shutter release button,

very smooth and sensitive so no camera shake

Cable release socket: on the back of the top plate

Exposure meter: TTL (coupled to the lens) Selenium Optima 200 Sensor (working !.)

Exposure setting: via 1- the small needle window on the top plate, 2- the indicator in the viewfinder, set the speed and turn the aperture ring

Film speed range: ASA 25-400 (DIN 15-27), setting knob and scales on the lens

View finder: bright frame finder,

Cocking lever: also winds the film, short stroke, on the left of the bottom plate

Frame counter: advance type, manual reset by a button behind the counter window, on the bottom plate

Re-wind release and re-winding: the black lever marked R and arrow on the right lower side of the lens releases and engages the reversing gear

thus the cocking and winding lever is the re-wind lever now

Flash PC socket: none, you can use a flash sync. cord with an Agfa flash adapter

Hot-shoe: flash sync. bulbs 1/30, electronic all speeds

Self-timer: none

Back cover: hinged, opens by a latch on the right side of the camera

Film loading: special easy quick loading system

Body: metal

Tripod socket: 1/4''

serial no. LW 6837 BC

The Silette series' rangefinder models were called Super Silette. There was also an interchangeable lens rangefinder model called the Ambi Silette.

Photos by the camera

Canon 5D Mark II Photos of Beautiful Sandy Blonde / Brunette Swimsuit Bikini Model Goddesses with Pretty Blue Eyes !

 

Welcome to your epic hero's journey! The beautiful 45surf goddess hath called ye to adventure, beckoning ye to read deeply Homer's Iliad and Odyssey, whence ye shall learn of yer own exalted artistic path guided by Hero's Journey Mythology. I wouldn't be saying it if it hadn't happened to me.

 

Canon 5D Mark II photos of Beautiful Blonde Swimsuit Bikini Model Goddess!

 

Some video of the goddess:

vimeo.com/45surf

 

She was tall, thin, fit, and very pretty with long, blonde hair and blue eyes! From Sweden!

 

The Canon EOS 5D Mark II EF 24-105/4L IS USM was my workhorse until I got the Nikon D800 & D800E with the 70-200 mm 2.8 VR2 zoom.

 

Canon, Nikon, you can't go wrong with the pretty 45surf model goddesses! (Though the D800 is my new love.)

 

May the goddess inspire ye along a hero's journey of yer own making, and the path of yer own taking.

 

Was a classic socal autumn morning with a bright, blue, sunny sky! Hope the photos make you feel like you were there! :)

  

May the HJM Goddesses guide, inspire, and exalt ye along yer heroic artistic journey!

 

Shot in both RAW & JPEG, but all these photos are RAWs finished in Lightroom 5.3 ! :)

  

New Instagram! instagram.com/45surf

 

Join/like my facebook page! www.facebook.com/45surfHerosJourneyMythology

 

Follow me on facebook! facebook.com/elliot.mcgucken

 

vimeo.com/45surf

dailymotion.com/45surf

 

A Gold 45 Goddess exalts the archetypal form of Athena--the Greek Goddess of wisdom, warfare, strategy, heroic endeavour, handicrafts and reason. A Gold 45 Goddess guards the beauty of dx4/dt=ic and embodies 45SURF's motto "Virtus, Honoris, et Actio Pro Veritas, Amor, et Bellus, (Strength, Honor, and Action for Truth, Love, and Beauty," and she stands ready to inspire and guide you along your epic, heroic journey into art and mythology. It is Athena who descends to call Telemachus to Adventure in the first book of Homer's Odyssey--to man up, find news of his true father Odysseus, and rid his home of the false suitors, and too, it is Athena who descends in the first book of Homer's Iliad, to calm the Rage of Achilles who is about to draw his sword so as to slay his commander who just seized Achilles' prize, thusly robbing Achilles of his Honor--the higher prize Achilles fought for. And now Athena descends once again, assuming the form of a Gold 45 Goddess, to inspire you along your epic journey of heroic endeavour.

 

A Gold 45 Goddess guards the wisdom of dx4/dt=ic -- my physics theory which appears on all the 45surf clothes. Yes I have a Ph.D. in physics! :) You can read more about my research and Hero's Journey Physics here:

herosjourneyphysics.wordpress.com/ MDT PROOF#2: Einstein (1912 Man. on Rel.) and Minkowski wrote x4=ict. Ergo dx4/dt=ic--the foundational equation of all time and motion which is on all the shirts and swimsuits. Every photon that hits my Nikon D800e's sensor does it by surfing the fourth expanding dimension, which is moving at c relative to the three spatial dimensions, or dx4/dt=ic!

 

May the Hero's Journey Mythology Goddess inspire you (as they have inspired me!) along your own artistic journey! All the Best on Your Epic Hero's Journey from Johnny Ranger McCoy! Catch those photons as they surf the fourth expanding dimension!

 

Canon 5D Mark II Photos of Beautiful Sandy Blonde / Brunette Swimsuit Bikini Model Friend Goddesses with Pretty Blue Eyes !

My photographs are my private property and are copyright © by me, John Russell (aka “Zoom Lens”) and all my rights are reserved. Any use without permission is forbidden.

 

.

  

The photographs in my set, "Weed Flower Micros," may appear to be close-ups of regular-sized flowers – they are not!

 

These are micro (macro) photos of tiny little flowers which bloom on ordinary weeds found in my lawn.

 

How tiny? The largest weed flower in the set is only, when measured across its widest part from petal tip to petal tip, 3/4" in diameter (19mm)!

 

Some of these miniscule flowers are so small that the entire blossom you are looking at is 1/4" in diameter (6mm)…or smaller! Again, that’s measuring from petal tip to petal tip across the widest part of the bloom!

 

The smallest part of a weed flower that I have managed to successfully shoot and achieve good detail in is a photo I made of a bud that measured LESS than 1/32" in diameter (0.7mm) across its widest part!

 

For size references I have included a photo of certain flowers and buds next to the head of an ordinary paper match, which dwarfs the blooms and buds.

 

It’s delightful to discover the beauty, complexity, and variety in something so small that it’s easily ignored, taken for granted, dismissed as a pest, or just downright difficult to see with the naked eye.

 

And it’s an even greater delight to realize that this incredible beauty has been growing wild in my lawn, year after year, right under my un-seeing eyes as I’ve repeatedly mown them down with my lawn mower, never realizing the unseen beauty that I was trampling under my feet.

 

I hope you enjoy viewing these as much as I do. I have a lot of fun making them for us to look at!

 

.

 

See more of these incredible, tiny jewels in my set, "Weed Flower Micros:"

 

www.flickr.com/photos/motorpsiclist/sets/72157626023965740/

 

Sensors for guidane, navigation, control and positioning of the MASCOT lander.

 

Read more about MACOTs thrilling mission into the unknown here: www.dlr.de/dlr/en/desktopdefault.aspx/tabid-10081/151_read-30050/

 

Credit: DLR (CC-BY 3.0)

NYC: Home / Sensor Cleaning Tools

 

Sensor Swabs + Eclipse2 weren't getting the D700 sensors clean. Switched to VisibleDust: perfect!

 

1) Blower.

2) Brush + blower.

3) Smear Away x2 on one swab + brush + blower.

4) VDust Plus x2 on one swab + brush + blower.

 

Nikon D700 | Nikon AF-S 60 | ƒ3 | 1/30s | ISO3200 | Handheld

Manufactured by Agfa Kamerawerk AG, Munich, West Germany

Model: c.1970, (all models of Silette produced between 1953-1974)

Agfa logo on the front of the camera: black relief

35 mm film Viewfinder camera

Lens:Agfa Color - Agnar 45mm f/2.8

Aperture: f/2.8 -f /22 , stepless allowing for easy adjustment with the TTL meter

setting: ring and scale on the back of the lens

Focusing: front ring manual focus, w/ DOF scale

Focus range: 1-5m +inf.

Shutter: Parator speeds: 30, 60, 125, 300 +B, extremely quiet

setting : ring and scale on the lens

Shutter release: Red "Sensor" shutter release button,

very smooth and sensitive so no camera shake

Cable release socket: on the back of the top plate

Exposure meter: TTL (coupled to the lens) Selenium Optima 200 Sensor (working !.)

Exposure setting: via 1- the small needle window on the top plate, 2- the indicator in the viewfinder, set the speed and turn the aperture ring

Film speed range: ASA 25-400 (DIN 15-27), setting knob and scales on the lens

View finder: bright frame finder,

Cocking lever: also winds the film, short stroke, on the left of the bottom plate

Frame counter: advance type, manual reset by a button behind the counter window, on the bottom plate

Re-wind release and re-winding: the black lever marked R and arrow on the right lower side of the lens releases and engages the reversing gear

thus the cocking and winding lever is the re-wind lever now

Flash PC socket: none, you can use a flash sync. cord with an Agfa flash adapter

Hot-shoe: flash sync. bulbs 1/30, electronic all speeds

Self-timer: none

Back cover: hinged, opens by a latch on the right side of the camera

Film loading: special easy quick loading system

Body: metal

Tripod socket: 1/4''

serial no. LW 6837 BC

The Silette series' rangefinder models were called Super Silette. There was also an interchangeable lens rangefinder model called the Ambi Silette.

Photos by the camera

MOC: Sensor GTR. Hey, look at that snazzy engine! I have no idea how it works, but it looks great.

2019 Ram 1500 (new body) with Precision Back-up Sensor Guard.

Abellio London (2555, YX17 NVB, Hayes/North Hyde Gardens (WS)-based) at Uxbridge Station, Belmont Road, Uxbridge, London. Body no G468/4, delivered new 23/03/2017. Apologies for the mark on the left hand side of the photo, caused by a clump of sensor dust that got into one of the filters in my camera lens.

Placemeter uses computer vision algorithms extract movement data in real time. The Kaiser Permanente Center for Total Health is using the Placemeter sensor in conjunction with our already installed Eco-Counter to measure pedestrians on the Metropolitan Branch Trail, 2nd Street, NE, Washington, DC USA

Manufactured by Agfa Kamerawerk AG, Munich, West Germany

Model: c.1970, (all models of Silette produced between 1953-1974)

Agfa logo on the front of the camera: black relief

35 mm film Viewfinder camera

Lens:Agfa Color - Agnar 45mm f/2.8

Aperture: f/2.8 -f /22 , stepless allowing for easy adjustment with the TTL meter

setting: ring and scale on the back of the lens

Focusing: front ring manual focus, w/ DOF scale

Focus range: 1-5m +inf.

Shutter: Parator speeds: 30, 60, 125, 300 +B, extremely quiet

setting : ring and scale on the lens

Shutter release: Red "Sensor" shutter release button,

very smooth and sensitive so no camera shake

Cable release socket: on the back of the top plate

Exposure meter: TTL (coupled to the lens) Selenium Optima 200 Sensor (working !.)

Exposure setting: via 1- the small needle window on the top plate, 2- the indicator in the viewfinder, set the speed and turn the aperture ring

Film speed range: ASA 25-400 (DIN 15-27), setting knob and scales on the lens

View finder: bright frame finder,

Cocking lever: also winds the film, short stroke, on the left of the bottom plate

Frame counter: advance type, manual reset by a button behind the counter window, on the bottom plate

Re-wind release and re-winding: the black lever marked R and arrow on the right lower side of the lens releases and engages the reversing gear

thus the cocking and winding lever is the re-wind lever now

Flash PC socket: none, you can use a flash sync. cord with an Agfa flash adapter

Hot-shoe: flash sync. bulbs 1/30, electronic all speeds

Self-timer: none

Back cover: hinged, opens by a latch on the right side of the camera

Film loading: special easy quick loading system

Body: metal

Tripod socket: 1/4''

serial no. LW 6837 BC

The Silette series' rangefinder models were called Super Silette. There was also an interchangeable lens rangefinder model called the Ambi Silette.

Photos by the camera

Fingerhut (digitalis)

Please press "L" bzw die 1800 Pixelversion

  

Yesterday we took a trip to the small island of Spinalonga, along with some friends, and we had a great time. I'll be posting photos of the island during this week.

 

See where this picture was taken. [?]

Day 72 of 365 - Cleaning My Sensor

This is the right way, no??? :P JK of course

Puma concolor; motion-sensor camera, private wildlands San Mateo County, Santa Cruz Mountains, California, U.S.A.

 

current ATMs will see a new design adopting a fingerprint biometric sensor by pressing yr thumb onto the sensor.....www.scientificamerican.com

Manufactured by Agfa Kamerawerk AG, Munich, West Germany

Model: c.1970, (all models of Silette produced between 1953-1974)

Agfa logo on the front of the camera: black relief

35 mm film Viewfinder camera

Lens:Agfa Color - Agnar 45mm f/2.8

Aperture: f/2.8 -f /22 , stepless allowing for easy adjustment with the TTL meter

setting: ring and scale on the back of the lens

Focusing: front ring manual focus, w/ DOF scale

Focus range: 1-5m +inf.

Shutter: Parator speeds: 30, 60, 125, 300 +B, extremely quiet

setting : ring and scale on the lens

Shutter release: Red "Sensor" shutter release button,

very smooth and sensitive so no camera shake

Cable release socket: on the back of the top plate

Exposure meter: TTL (coupled to the lens) Selenium Optima 200 Sensor (working !.)

Exposure setting: via 1- the small needle window on the top plate, 2- the indicator in the viewfinder, set the speed and turn the aperture ring

Film speed range: ASA 25-400 (DIN 15-27), setting knob and scales on the lens

View finder: bright frame finder,

Cocking lever: also winds the film, short stroke, on the left of the bottom plate

Frame counter: advance type, manual reset by a button behind the counter window, on the bottom plate

Re-wind release and re-winding: the black lever marked R and arrow on the right lower side of the lens releases and engages the reversing gear

thus the cocking and winding lever is the re-wind lever now

Flash PC socket: none, you can use a flash sync. cord with an Agfa flash adapter

Hot-shoe: flash sync. bulbs 1/30, electronic all speeds

Self-timer: none

Back cover: hinged, opens by a latch on the right side of the camera

Film loading: special easy quick loading system

Body: metal

Tripod socket: 1/4''

serial no. LW 6837 BC

The Silette series' rangefinder models were called Super Silette. There was also an interchangeable lens rangefinder model called the Ambi Silette.

Photos by the camera

I've been having some issues with oil on the D7000 sensor. Here is a sample.

Detalhe do circuito do sensor ultra-sônico.

Agfa ließ es sich 1972 nicht nehmen, ihre 126er Kameras vom berühmten Atelier Schlagheck Schultes Design entwerfen zu lassen - das auch später für die Agfa-optima-sensor-electronic-Reihe verantwortlich zeichnete.

 

Aber nicht nur die Form, auch die Technik hob die Agfamatic von vielen anderen Kodapak-Knipskästen ab. Zur Festblende 8 steuerte der Paratronic-Verschluss eine passende Zeit zwischen 30 Sek. (nicht 1/30!) bis 1/300 Sekunde bei, das sorgte für eine genaue Belichtung. Bei Zeiten länger als 1/30 Sek. leuchtete ein rotes Signal im Sucher. Der Dreilinser Agnar ließ sich fokussieren, oben durch Symbole, unten durch Zahlenangaben. Bei diesen Entfernungsangaben wurde auch der jeweilige Blitzbereich durch eine "Bereichsgabel" angezeigt. Steckte man einen X-Blitzwürfel auf die Kamera, stellte sie auf 1/30 Sek. um.

 

Da die X-Blitzwürfel keine Batterien brauchten, benötigte man für die Spannungsversorgung nur zwei 1,5-Volt-Knopfzellen, heutzutage sind das die Varta V625U. Man darf also keine Quecksilber-Zellen mit 1,35 Volt nehmen. Das ist nicht allen klar, weil es die ürsprünglich vorgeschlagenen Batterie-Typen (z. B. Mallory Mn625G) nicht mehr gibt – die hatten aber auch eine Spannung von 1,5 Volt.

 

Mit dem gleichen Design gab es noch die einfacher ausgestatteten Agfamatic 100 und 200.

APS-C sensor, X-Trans CMOS III.

 

Flagship model of Fuji X series. My husband wrote the review in Japanese, I took the photos of the camera, in March.

 

The first part

news.mynavi.jp/articles/2016/03/09/x-pro2_1/

 

The latter part

news.mynavi.jp/articles/2016/03/12/x-pro2_2/

today i bought some sensors for arduino

This is a 5 megapixel image sensor from my old HTC Aria Smart Phone.

 

This is a little bigger than 1:1 macro since the Nikkor 40mm 2.8G DX can be manually focused a little past 1:1. I used both of my SB-700's for this. They were set to 1/50th power.

digital camera sensor size chart.

 

inspired by rising buzz about micro four thirds, which is just what i was missing so long. it was made first for myself, as long, as other charts, just to make an system in all absorbed information. maybe someone of you will find it useful.

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