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The sensitive fern (Onoclea sensibilis). Also known as bead fern. Its common name comes from its sensitivity to frost and drought. It is considered native to both North America and Eurasia.
Often considered to be the only species in the Onoclea genus, although that varies with classification system.
In the Onocleaceae family and the Polypodiales order.
On the edges of a vernal pool at Seminary Woods in Saint Francis, Wisconsin, a southern suburb of Milwaukee.
Photo taken late August 2023. Original key: IMG_7626
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This little brier is kin to the Mimosa tree.
The small fuzzy, pink flowers look like fireworks. The brier trails along the ground and leaves fold up to the touch as taken with MyLittleBigShotMacroLens
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Founded in 1970, Arcosanti is an arcology designed in the Brutalist style by Paolo Soleri to serve as a self-sufficient community on a desert mesa near Cordes Lakes, Arizona. The buildings that comprise the complex, despite being a work-in-progress, were mostly built between 1971 and 1980, with more sporadic work on a few portions of the complex being completed as recently as 2008. The complex is the result of the design philosophy of Soleri, being an example of his theory of an arcology, combining ecology with architecture, making a dense, self-sufficient community that works with the natural landscape, and an alternative to urban sprawl and more conventional development patterns. Soleri guided the project until his death at the age of 92 in 2013, with further phases of construction being planned. However, Arcosanti has struggled to grow beyond a commune of 150 people, taking on a form and size comparable to a traditional pre-industrial rural village, rather than a town or city with thousands of residents as envisioned by Soleri. Most residents of Arcosanti are like-minded, which is required for the community’s ability to function and operate, and consist primarily of artists, environmentalists, farmers, and sustainability advocates, whom each contribute their skills to the community. In addition to the permanent residents, temporary residents whom spend five weeks attending workshops at the site. Despite its shortcomings, Arcosanti’s relationship to the surrounding environment, radical approach in design, philosophical background, and self-sufficiency are key points that are valuable to consider when designing buildings for sustainability and environmental consciousness, along with being an excellent example of Brutalism, which harmonizes nicely with the surrounding desert landscape.
The buildings at Arcosanti include the boxy, rectilinear Visitor Center, which appears like a medieval tower rising from the edge of the Mesa, with an open pier foundation that provides shelter to visitors entering and exiting the Visitor Trail, the half-domes for the Ceramics Studio and Metallurgy Foundry, various resident apartments, which demonstrate varying exterior characteristics, a barrel vaulted canopy over the central plaza, known as the vaults, a laboratory that houses a greenhouse and woodshed, allowing for food to be grown more efficiently and for items to be crafted by residents, the East Crescent, which contains resident housing and surrounds a central amphitheater. The site also features a swimming pool, gardens, resident cabins, which mostly date to the first stages of construction in the early 1970s, a self-contained wastewater management system, and guest rooms for visitors. The main complex of buildings are arranged at the edge of a mesa, overlooking a canyon, with smaller buildings located further down into the canyon and in the bottomlands along the Agua Fria River.
Arcosanti provides a counterpoint to the modern development pattern, one that is more sensitive and respectful to the landscape and the natural environment, and a design that fosters a strong sense of community, all of which are lacking from most new development being built today. Residents are able to quickly walk to work and to amenities within the community, reducing the dependency on cars and mechanized transportation. Additionally, buildings are designed to be energy efficient, incorporating passive strategies for thermal regulation and lighting. The complex, owned by the Cosanti foundation, remains a work in progress, with only ten percent of the proposed buildings being complete, and cover a very small area of the larger property owned by the foundation, with most of the land being left in its natural state or utilized for agriculture. Tours are available for visitors, along with overnight stays in the guest rooms at the complex, and the complex continues to house and foster a tight-knit, vibrant community.
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Light-sensitive sound insects, created for the event "Bandus, la tregua di natale", at the abandoned military base Osoppo, in Udine, Italy. 17th - 19th December 2015.
Inspiration by Reinhard Gupfinger and Laurent Mignonneau
Insetti sonori fotosensibili, creati per l'evento "Bandus, la tregua di natale", alla caserma Osoppo, Udine, 17-19 Dicembre 2015.
Progetto ispirato da Reinhard Gupfinger e Laurent Mignonneau