www.susie-garter.book.fr/

View On Black

Erythronium revolutum—coast fawn lily. Included in the CNPS Inventory of Rare and Endangered Plants on list 2.2 (rare, threatened, or endangered in CA; common elsewhere). E. revolutum is also listed as rare in Oregon and sensitive in Washington. The major threat to the species comes from logging. Photographed at Regional Parks Botanic Garden located in Tilden Regional Park near Berkeley, CA

DadaKamikazeKnitting

Guerrilla knitting attack

in intuitive

sensitive

highspeed mode

tunic

dress

pseudo-poncho

wrap

multimedia

multitechnique

freeform & pattern crochet/knitting

Navajo 3-ply

& some more nonsense I cant´t remember

multi versatile

like most of my creations

endless wearing options

for fearless ladies with attitude

& urban drag queens

German postcard by Ross Verlag, nr. 5659/1, 1930-1931. Photo: Nero-Film. Still from Ariane (1931, Paul Czinner).

The profoundly sensitive acting of Austrian- British actress Elisabeth Bergner (1897-1986) influenced the German cinema of the 1920’s and 1930’s. She specialized in a bisexual type that she portrayed in Der Geiger von Florenz and in other film and stage roles. Nazism forced her to go in exile, but she worked successfully in the West End and on Broadway.

Elisabeth Bergner was born as Elisabeth Ettel in Drohobycz, Austria-Hungary (now Drogobych, Ukraine). She started acting in Innsbruck in 1915. In Vienna, she studied at the Vienna Conservatory, and worked as an artist's model. She posed for sculptor Wilhelm Lehmbruck, who fell in love with her. She eventually moved to Munich, and in 1921 to Berlin. She made her film debut in Der Evangelimann (1924, Holger-Madsen) with Paul Hartmann. Under Max Reinhardt's direction she reached international fame in the stage production of Saint Joan by George Bernard Shaw. She specialized in playing women with childlike or boyish traits, , and captivated spectators and critics in such stage productions as Romeo and Juliet, Queen Christine, and Camille. Hungarian director Paul Czinner, who had come to Germany from Budapest via Vienna, gave her a role in Nju - Eine unverstandene Frau/Husbands or Lovers (1924, Paul Czinner). The film was an instant success, and Czinner became both her artistic and private partner. Their successful collaboration also included films like Der Geiger von Florenz/The Violinist of Florence (1926), Liebe/Love (1927), Dona Juana (1928), and the Arthur Schnitzler adaptation Fräulein Else/Miss Else (1929). Her co-stars were the great film actors Emil Jannings, Conrad Veidt, and Albert Bassermann.

With the coming of sound, Elisabeth Bergner began to portray a more sentimental and delicate woman. Soon critics labeled her characters as fragile, emotional, or nervous. Bergner acted her roles in such a manner as to charm her audience in an almost hypnotic way. Czinner allowed her to play the whole gamut of emotional experience in a series of films. The peak of her career is represented by her work in two films. In the first, Ariane (1931), an adaptation of a novel by the French author Claude Anet, Bergner played a girl who plunges into adventure with an older, more experienced man (Rudolf Foster). The second is the drama Der träumende Mund (1932), an adaptation of a play by Henri Bernstein. Here Bergner played a sensitive, pure woman who cannot escape her passion for a musical virtuoso, but does not want to hurt her loving husband. This film was remade by Czinner in 1937 as Dreaming Lips, with Bergner again in the leading role. In 1933, with the rise of Nazism, Berger and Czinner, who were both Jews, went in exile to London, where they married. Her stage debut there as Gemma Jones in Escape Me Never (1933) was met with great enthusiasm, and she repeated the role in New York (1935) and again for the film version, Escape Me Never (1935), which earned her an Oscar nomination for Best Actress. Another film The Rise of Catherine the Great (1934) was banned in Germany because of the government's racial policies, reported Time magazine (26 March 1934). Her stage work in London included The Boy David (1936) by J.M. Barrie, his last play which he wrote especially for her. She repeated her stage role of Rosalind, opposite Laurence Olivier's Orlando, in As You Like It (1936), the first sound film version of Shakespeare's play, and the first sound film of any Shakespeare play filmed in England.. Bergner had previously only played the role on the German stage, and several critics found that her accent got in the way of their enjoyment of the film, which was not a success. In 1938 she became a citizen of Great Britain.

In 1940 Elisabeth Bergner and her husband emigrated to the USA. Her only Hollywood movie, Paris Calling (1941, Edwin L. Marin), failed to attract attention, and she returned to the stage. An incident with a fan/aspiring actress in 1943-44, while Bergner was performing in the hit play The Two Mrs. Carrolls on Broadway, inspired Mary Orr to write her short story The Wisdom of Eve. The story was ultimately filmed as All about Eve (1950, Joseph L. Mankiewicz). In the story Eve does not get a comeuppance -- as was required by the Hollywood Production Code for the film -- but gets away with everything and is last seen heading to Hollywood with a "thousand dollar a week contract in her pocketbook”. After the war Elisabeth Bergner worked in New York , for instance in the title role of John Webster's The Duchess of Malfi in 1946. In 1950 she returned to England, and in 1954 temporarily to Germany.For nearly two decades she performed intermittently in German and Austrian theaters, and in 1970 she made her debut as a director. In 1961, after a 20-year absence, she returned to the cinema. Among her later film appearances were Die glücklichen Jahre der Thorwalds/The Happy Years of the Thorwalds (1962, John Olden, Wolfgang Staudte), Cry of the Banshee (1970, Gordon Hessler), Strogoff (1970, Eriprando Visconti), Der Fussgänger (1973, Maximilian Schell), and Der Pfingstausflug/The Pentecost Outing (1978, Michael Günther). She won awards at the Berlin Film festivals of 1963 and 1965. Elisabeth Bergner became the first actress to win the Schiller Prize (1963) for contributions to German cultural life. She also received the Ernst Lubitsch Prize in 1979, and the Eleonora Duse Prize of the city of Venice in 1982. In the Berlin district of Steglitz a city park was named after her. In 1986 she died in London, aged 88. A year later her memoirs were published.

Sources: Karel Tabery (Filmreference.com), Encyclopaedia Brittanica, Androom (IMDb), Thomas Staedeli, Wikipedia, and IMDb.

I am not sure why this is happening. Maybe its for firewood, Maybe the trees are being taken down to increase a farmers yield. Hopefully its not for a subdivision.

A few years ago Maureen and I viewed EDWARD BURTYNSKY's "The Human Epoch" photography Exhibition in Toronto. I was so amazed how EDWARD BURTYNSKY captured how, we transform the planet for our own means. Ever since then I have been sensitive how in our own backyard we also transform the Landscape for our needs. My small City will be transforming a lot of green space in the near future just for housing. One piece at a time it all disappears for our eternity.

Sensitive teeth can be very annoying. Imagine when you’re enjoying your food when suddenly a jolt of pain rushes through. Millions of people experience this and it can affect your social life in a very bad way. But it’s not all negative, you can do something to alleviate your situation and, the f...

www.knownhomeremedies.com/7-lesser-known-home-remedies-se...

1977

A true power-receiver designed by Luxman. Excellent sounding and sensitive tuner section. Fine phono amplification for two turntables

65 watt per channel

-

Ein leistungsstarker Receiver im typischen Luxman Design. Sehr empfindlicher Empfangsteil und zwei hervorragend klingende Phonoeingänge.

Unknown butterfly, Chester zoo.

www.youtube.com/watch?v=JAlg7L-latw&ab_channel=sergey...

I've seen the work of DisneyBarbieCollector , so.. i was bored and.. i did it! So if you see this one and you want to try, you're TAGGED :) !

Here is my 15* favorite ARTISTS.

I have slipped the "chart" in 2 parts: 10 singers (first 2 lines) and 5 actresses (last line) :)

1) Marilyn Monroe. No words. I admire her. For me an angel, a diva, a sensitive and open-minded woman.

2) Agnetha Faltskog. She is one of my favorite singers ever. I simply adore her.

3) ABBA. Of course, my admiration for Agnetha started with the famous swedish group. They are so brilliant.

4) Ella Fitzgerald. Another angel of music. Actually for me the queen of jazz music.

5) Mina. She is one of the most bigger and talented singers in the world. In Italy she is like Fitzgerald.

6) Laura Pausini. Another italian (sorry, i'm italian too) singer. I admire her for her semplicity and passion for what she do. She was my "first musical crush" when i was little.

7) Giorgia. Another italian one, she had a SPECTACULAR voice. So beautiful.

8) Mireille Mathieu. She is a famous french singer, she have such a high,sweet and delicate voice when she sings.

9) Mia Martini. Another italian star needs to shine. :')

10) Madonna. Now i am critic: i admire the FIRST Madonna (the one in the 70-80-early 90's) because she was original and cool. Now.. she isn't the madonna i admire. Really..

And because my music tastes are limited, here the 5 actresses i pick:

1) Again, Marilyn Monroe. She was spectacular in front of the cameras. She deserve the best.(I would put here in this chart Audrey Hepburn and Elizabeth Taylor too, but if i had to choose one eternal Diva, i pick 100% Marilyn).

2) Meryl Streep. For me, one of the recent DIVAS. She is so talented. Magistral woman.

3) Bette Midler. Again, she is a very talented woman. She can sing very well too. A star.

4) Vanessa Williams. I never think i put her here, but com'on,she is a great acctress, a wonderful singer and a good person too.

5) Amy Adams. She have the potential to be one of the greatest "modern" actresses in these days..

=)

// Selfportrait_ Martin Grohs

Website | Facebook | Twitter | Behance

Sensitive fern is a large, somewhat coarse, deciduous fern which occurs in wet woods and thickets and in moist soils along streams and springs. Grows up to 4' tall. Features long-stalked, deeply pinnatifid, bright green, vegetative (sterile) fronds (2-4' long) with leathery, triangular leaflets (pinnae) which have distinctively netted veins. Shorter, erect, woody-like fertile fronds (to 12" tall), whose ultimate divisions are bead-like segments, typically brown up in late summer and persist throughout the remaining season and winter. Commonly called sensitive fern because the green vegetative fronds are sensitive to and suffer almost immediate damage from the first fall frost. Also sensitive to drought.

Photo taken and edited with an iPhone.

© Gusbano

tumblr ❒ twitter

D1 fotóklubján készült.

Köszönet: Kiss Györgynek érte.

Toujours des murs, toujours des couloirs, toujours des portes, et de l'autre côté encore d'autres murs. Avant d'arriver jusqu'à vous, avant de vous rejoindre, vous ne savez pas tout ce qu'il a fallu traverser. Et maintenant vous êtes là où je vous aie mené, et vous vous dérobez encore. Mais vous êtes là dans ce jardin, à porté de ma main, à porté de ma voix, à porté de regard, à porté de ma main.

asymmetric

pseudo poncho

tunica dress top

hard to top

radical kamikaze knitting

sensitive Dada knitting

intuitive guerilla knitting

whimsical nonsense knitting

a supermodel´s nightmare

due to

infinite wearing options

a tribute to divas

who are not afraid

to self- express

蝶々結び

+++ DISCLAIMER +++

Nothing you see here is real, even though the conversion or the presented background story might be based on historical facts. BEWARE!

Some background:

After the Ukrainian independence in 1991, the Ukrainian Air Force (Повітряні Сили України, Povitryani Syly Ukrayiny) was established on March 17, 1992, in accordance with a Directive of the General Staff Chief of the Armed Forces. When the Soviet Union dissolved in 1991, many aircraft were left on Ukrainian territory, including a wide range of fighters and attack aircraft, helicopters and even strategic bombers, and these became the initial equipment. Ever since, the Ukrainian air force has been downsizing and upgrading its forces, but for many years the main inventory still consisted of Soviet-made aircraft.

Since their introduction, the Ukrainian F-16s have been fulfilling QRA duties and airspace patrol, and the corresponding maintenance infrastructure has been gradually built up, so that F-16 operations became independent from Poland in 2019. With the worsening relationship to Russia, more military hardware of Western origin is expected to enter Ukrainian service. If the tight Ukrainian defense budget allows it, twenty more 2nd hand F-16s are to be delivered in 2021 to replace more Soviet fighter types (primarily the rest of the Ukrainian MiG-29 “Fulcrum” single and two seater fleet), and the procurement of LANTIRN pods to expand the type’s capabilities is under consideration and negotiations, too.

General characteristics:

Length: 49 ft 5 in (15.06 m)

Wingspan: 32 ft 8 in (9.96 m)

Height: 16 ft (4.9 m)

Wing area: 300 sq ft (28 m²)

Airfoil: NACA 64A204

Empty weight: 18,900 lb (8,573 kg)

Gross weight: 26,500 lb (12,020 kg)

Max. takeoff weight: 42,300 lb (19,187 kg)

Internal fuel capacity: 7,000 pounds (3,200 kg)

Powerplant:

1× General Electric F110-GE-100 afterburning turbofan

with 17,155 lbf (76.31 kN) dry and 28,600 lbf (127 kN) thrust with afterburner

Performance:

Maximum speed: Mach 2.05 at altitude in clean configuration

Mach 1.2, 800 kn (921 mph; 1,482 km/h) at sea level

Combat range: 295 nmi (339 mi, 546 km) on a hi-lo-hi mission with 4x 1,000 lb (454 kg) bombs

Ferry range: 2,277 nmi (2,620 mi, 4,217 km) with drop tanks

Service ceiling: 50,000 ft (15,000 m) plus

g limits: +9.0 (limited by flight control system)

Rate of climb: +50,000 ft/min (250 m/s)

Wing loading: 88.3 lb/sq ft (431 kg/m²)

Thrust/weight: 1.095 (1.24 with loaded weight & 50% internal fuel)

Armament:

1× 20 mm (0.787 in) M61A1 Vulcan 6-barrel rotary cannon with 511 rounds

2× wing-tip air-to-air missile launch rails plus 6× under-wing

and 3× under-fuselage pylon (2 of these for sensors) stations

with a capacity of up to 17,000 lb (7,700 kg) of a wide range of stores

The kit and its assembly:

I am not a big F-16 fan, but in some cases it’s an unavoidable canvas – just like in this case here. This fictional aircraft model (or better: this model of a [yet] fictional F-16 operator) was spawned by two ideas. One was the simple question: what if the Ukraine had after the USSR’s dissolution chosen a stronger attachment to (old) Western forces after the dissolution of the USSSR? And/or: what if the Ukraine had started to procure non-Russian equipment, esp. aircraft? So, what would an Ukrainian F-16 might have looked like, in general but esp. after the Crimea annexation in 2014 when such a scenario had become even more possible?

The other source of inspiration was a picture of an Ukrainian Su-24 with grey digital camouflage, a scheme that was/is also worn by some Su-25s. When I stumbled upon an Authentic Decals sheet for this unique paint scheme that allows to apply the complex and delicate pattern through water-slide transfers, I thought that the relatively “flat” F-16 surface would be an ideal basis to try this stunt?

What sounded like a very simple livery whif on an OOB model turned into a construction nightmare. Originally, this project provided me with a purpose for a dubious Trumpeter F-16 kit that I had bought some years ago – dead cheap, but righteously so. This kit is cruel, the model even has no concrete variant specification and is apparently the re-boxing of a kit from an obscure Chinese company called “Income”. Effectively, the Trumpeter F-16 is a rip-off of Italeri’s quite nice F-16C/D kit – but the Income/Trumpeter clone comes with MUCH deeper engravings esp. on the fuselage that remind a lot of the dreaded Matchbox “trenches”. Everything is rather “soft” and toylike, the clear parts are poor and the (few) decals look like toy stickers (!!!). I’d call it crude, even the instructions are apparently poor scans or photocopies from the Italeri kit, including hints for detail painting with no corresponding reference what colors should be used at all… All that could have been overlooked, but after starting with the kit I could not commit myself to use it any further. It’s rare that I give up because of a kit’s basis!

Next idea to “save” the project’s idea of an Ukrainian F-16 was to dig out a surplus Intech F-16 from the pile, also bought long ago because it was cheap, as conversion fodder. This kit has also been re-released in infinite variations under the Mister-/Mastercraft label. Upon closer inspection this kit turned out to have massive flaws, too, but in different areas from the Trumpeter thing. For instance, the Intech kit’s wings are utterly thick, certainly 1mm thicker than the Trumpeter model’s parts. This does not sound much, but on the really thin F-16 wings and stabilizers this looks really awful! Furthermore, the clear parts had not been fully molded, so I’d have needed a replacement canopy, anyway. Again, I gave up on building…

…until I decided to make the best of this mess and combine the “best” parts from both gimp models, trying to mend the worst flaws to an acceptable level. This led to the glorious kitbashing that this model eventually became! From the Intech kit I took the acceptable fuselage, including cockpit interior, air intake and landing gear, as well as the fin and the weapon pylons. The Trumpeter kit donated its thinner wings and the stabilizers, as well as the much better open exhaust nozzle (there’s an optional closed one, too; the Intech kit only offers an open nozzle, without ANY surface detail at all, it’s just a blank pipe!).

Beyond these basic ingredients, some more donors became necessary: All clear parts from both Intech and Trumpeter kit turned out to be rubbish for various reasons. The decision to build an F-16D two-seater was dictated by the fact that I had a leftover canopy from an Italeri F-16 kit in the donor bank – luckily it fitted well to the Intech kit’s body. Two crewmen from the spares box populate the cockpit and hide the rather basic interior, which was not improved at all. Furthermore, the ordnance came from external sources, too. The characteristic drop tanks with their cut-off tails were also leftover parts from the Italeri F-16, all AAMs come from a Hasegawa weapon set.

Some PSR was necessary to blend the parts from different kits together – thankfully, almost all F-16 kits are constructed in a similar fashion, even though there are small detail differences. In this case, the wings had to be slightly modified to fit onto the Intech fuselage. However, even those parts from the original kit(s) that are supposed to fit, e.g. the fin or the alternative cockpit opening frames for the optional single- and two-seater canopies, do hardly match at all. Horrible.

I rather focused on the model’s exterior, and a personal addition to improve the overall look of the otherwise rather basic/poor model, I added some small blade antennae that were totally missing on either model. Another extra detail are the small static dischargers on the trailing edges, created with thin, heated sprue material. Only small details, but they improve IMHO the model’s look considerably.

Painting and markings:

Until today, I never dared to apply decal camouflage to a model, but I expected that the flat/smooth F-16 surface would make this stunt relatively easy. This application method would also make painting the model easy, since only a single, uniform color had to be laid down from above and below.

To my surprise, the painting instructions of the Authentic Decals sheet for a number of Ukrainian Su-25 (which all carry the same standardized pixel camouflage) indicated RAL tones – a little surprising, but: why not? Since no other authentic color references were available, I cross-checked the paint suggestions with real life pictures of Su-24s and -25s in this striking paint scheme, and the indicated tones appear very plausible.

The problem: not every RAL tone is available as a model paint, so I had to make guesstimates. This eventually led to Modelmaster 2133 (Fulcrum Grey) as a light grey overall basis (suggested: RAL 7030 Achatgrau/Agate Grey, a tone with a brownish hue) from above and Humbrol 47 (Sea Blue Gloss) for a pale blue underside. The recommendation for the belly is RAL 7001 (Silbergrau/Silver Grey, very close to FS 36375), and this appears plausible, too, even though real-life pictures suggest a more bluish tone. But for a more dramatic look and some color contrast to the upper side’s all-grey I deliberately settled upon the Humbrol color, and this looks IMHO good.

The other suggested grey tones that make up the pixel patterns are RAL 7040 (Fenstergrau/Window Grey), RAL 7037 (Staubgrau/Dust Grey) and RAL 7043 (Verkehrsgrau B/Traffic Grey).

The cockpit interior was painted in medium grey (FS 36231, Humbrol 140), the air intake and the landing gear in white (Humbrol 22). The exhaust nozzle was painted externally with individual Metallizer mixes (with blue and gold added), while the inside was painted with Burnt Steel Metallizer towards the afterburner section while the ceramic nozzle petals were painted in a pale, almost white grey with darker lines, applied wet-in-wet. This looks pretty good – but does not withstand a closer inspection, just like the rest of this Franken-bashed F-16 thing.

Applying the digital camouflage pattern went better than expected. The decals turned out to be very thin and delicate, though, with almost no excessive clear film outside of the printed areas, so that application had to be executed swiftly and with lots of water to slide them into place. Nothing for modelers who are faint at heart! Because the single pixel clouds partly follow the Su-25 outlines, the decals had partly to be tailored to the rather different F-16 shape, and due to the different proportions I also had to improvise with the material at hand – fortunately the Su-25 sheet offered enough material to cover the F-16! Some small areas lacked decal material and had to be filled through painting, though, with replacement model paints for the aforementioned darker RAL greys, namely Humbrol 246 (RLM 75) and a 2:1 mix of Humbrol 125 and 67. The lightest grey on the prints turned out to be very close to the Fulcrum Grey, so there’s unfortunately very little contrast, and this only became clear after the decals had already dried. However, I left it that way, because lightening the Fulcrum Grey up further would have been a quite messy affair, ending in a rather dirty look that I wanted to avoid, and it had called for an almost white tone.

Another challenge became the weathering process, since I normally apply a black ink wash and some post-panel shading to the finished and painted model before I add the decals to a model. Fearing that the ink might creep under the decals’ clear sections, I left that step out completely. The delicate static dischargers were another complicating factor. So, I decided to finish the upper camouflage with the light grey base and the decals cammo first. This made trimming down excess decal material easier. After that had been roughly finished, the dischargers were added and the underside was painted blue. On top of that came the “normal” decals with national markings, codes and stencils. The latter were mostly taken from a vintage Microscale F-16 sheet, the tactical code came from a Begemot Ka-27 sheet. Since the bort number on the air intake was not well visible frame every angle, I added a white 77 to the fin, too. Thereafter I added some panel lines with the help of thinned black ink and a soft pencil. This way the model appears pretty clean, and I think that’s fine since many recent Ukrainian aircraft I know from pictures look well-tended. Finally, the model was sealed with matt acrylic varnish overall.

A simple F-16 in alternative markings – that’s what this model was supposed to be. I did not expect that the building phase would become such a challenge, and I’d sincerely recommend to any modeler who wants to build a “serious” F-16 in 1:72 to stay away from the Trumpeter and the Intech/Mister-/Mastercraft kits. They might be cheap, but that does not outweigh their flaws and building troubles.

Beyond these technical issues, I like the look of this “Ukrainized” Viper, the digital camouflage looks very special and works well on the aircraft. The light grey base could have been lighter, though. In fact, the F-16 now looks like an exaggerated U.S. Aggressor on first sight, but with the Ukrainian markings the whole thing looks pretty different and conclusive - a “what if” in the best sense. 😉

...caught myself in the mirror, while photographing a bunch of paper boat garlands at the recreation/relaxation room I've created for some friends...

...and suddenly this hit me, that in fact, I'm a sensitive decorator...who might be very firm when discussing styling and quality options, who though gets in real touch with her clients and cares a great deal about leaving them inhabiting not only a totally awesome and beautified space {often surpassing their expectations} but moslty living happily in their new space.

After having photographed two such different spaces yesterday and seen how content the people are {after some time that the work is completed} I have to say, I'm happy as any working girl could be!

Looking forward to new projects : ) ...and remember:

Visit and join me here! ~ blog ~ shop ~ facebook ~ twitter ~ pinterest ~

Plaza de Armas, Old San Juan

tactfully

Author's Note: The contents of this chapter include very sensitive subject matter and may be triggering to some individuals. Scenes of abuse of various forms are represented as not only for storytelling, but to raise awareness of what this behavior looks like. Abusive behavior in this story includes, but is not limited to: physical abuse, mental abuse, verbal abuse, gaslighting, manipulation, intentional triggering of another's PTSD, and trauma. In no way are these scenes intended to purposely trigger or harm anyone.

~~~

The following morning after Aiden's moonlit flight with Vincent, he'd woken up late just as Vincent was emerging from his quarters. His captain was already fully dressed and ready to run errands. As Vincent explained it to the yawning Aiden, now that he was going to the masquerade, there was much to be done! A short while later, Vincent departed in a determined but cheerful mood to get everything set in motion. And when he returned that evening he had an official invitation to the ball for Aiden in hand! He sat Aiden down and explained in greater detail what preparations would need to be done. While Vincent had informed him that there would be fittings, dancing and etiquette lessons, and even promenades for social practice, the days following were unexpectedly much busier for Aiden than he'd anticipated.

The first order of business was a visit to the tailor! The shop they went to belonged to a highly skilled older man who knew Vincent by sight and greeted the captain enthusiastically. As it turned out, this was where Vincent and the other men in his family frequented as regular customers! After Aiden's nervous last attempt to get himself to visit a shop like this, he was grateful to have Vincent there to guide him through the process. As soon as Vincent explained that they were here for a suit for Aiden for the upcoming ball, the tailor got straight to work! Vincent helped Aiden sort through different fabrics and finally settle on a nice dark teal and gold lining which, as Vincent put it, brought out the color in his eyes. The comment had made Aiden blush slightly; something Vincent noticed which made him feel a little pleased with himself.

When the topic of how much everything was going to cost came up, Aiden felt panic rearing up inside him. He knew it would be expensive but to actually spend the money? Aside from the tiny piece of Fulgora's Eye that he'd gotten for Pete, this was the most expensive purchase he'd ever made for himself! However, with a few quiet, carefully chosen words of reassurance from Vincent, Aiden remembered that he was, in fact, wealthy. He could afford this suit hundreds of times over and then some! With Vincent's encouragement, Aiden went ahead and made the down payment purchase for his suit! Once measurements had been taken some time later and they were free to go, they went next door to the cordwainer. There Aiden got measured again; this time for boots to go specifically for his ballroom attire! This time, Aiden didn't hesitate to pay for his boots which Vincent felt proud of him for.

The lessons Vincent promised began just two days later. While Vincent didn't really care much for all the niceties and politeness of upper class society, he was still a part of it and therefore educated thus. During these lessons, Aiden began to learn the basics of gentlemanly ballroom etiquette. He'd be learning how to dance very soon but first Aiden would need to learn how to properly walk, stand, and even how to talk. While Vincent stressed the importance of these lessons, most of the time the two men were just laughing and enjoying each other's company. Vincent was having such a grand time with his friend that he was often smiling and full of spirit. Vincent suggested Aiden put to practice what he'd learned while they were out and about. Aiden remembered that this was just a part of the facade; the mask that must be put on for society. So, that's what he did. Following Vincent's example, he began to learn. He would gladly play the part. Aiden knew deep down that Vincent liked Aiden just as he was now... but a big part of him wanted to fit into Vincent's world more. He wanted to show Vincent that he was capable of being a part of ALL aspects of his life; not just on the ship.

When it came time for Aiden to learn to dance, Vincent knew that Charlotte would be the most logical choice to be Aiden's dance partner. When the young lady learned to dance a few years ago, it had been Vincent, himself, who was her dance partner as she learned the art. He knew she was a lovely dancer for her age; a talented one, at that. She'd also proven herself to be a patient teacher. Besides all that, Aiden and she got along well and clearly there was chemistry between them. Vincent knew that this would be a perfect opportunity for the two of them to get to know each other and spend time together. There was every reason for him to allow them to practice together! Yet, Vincent knew without a doubt that Charlotte would be all over Aiden...which was why when Aiden arrived for his first day of dance lessons it was not Charlotte there to greet him alongside Vincent....it was Abigail!

Abigail was happy to join Vincent in teaching Aiden how to dance! Of course, she knew the real reason he was asking her even if he didn't want to admit it, and the alternative would have been Bernadette. While Bernie excelled in many other things, Abigail knew just how skilled her sister was on the dance floor....and something told her Aiden would prefer to keep his toes intact.

And so, practice began! Aiden discovered that he liked dancing and the chemistry between the three of them was very pleasant and enjoyable. Abigail was fond of Aiden already and the more she learned and saw of him, the more she found him a pleasure to be around. He was a fun student who made the task of teaching him an enjoyable experience. When the cousins demonstrated to Aiden the various popular dances that he'd see at the ball, the young man was in awe. They appeared to move flawlessly to the music coming out of the phonograph. As it turned out, Abigail had a small passion for dance, and Vincent, while he didn't like to show off, was quite skilled as well. Despite the intricate dances he was shown, Aiden was told he'd be learning the easiest of the dances first: the waltz.

The days passed and things were starting to come together quickly! Aiden's confidence with the waltz was starting to build. Soon, he was guiding Abigail with less mistakes and even felt brave enough to add in a small flourish in his step! Not only was his dancing skills improving, his suit for the masquerade was coming along nicely.

On the topic of his suit one afternoon, Vincent pointed out that dancing in full formal attire was different than practicing in comfortable clothes. It would be heavier and warmer than what they were doing now. He mused that Aiden should be more dressed up while practicing to get used to it; much the way Vincent dressed when out as a member of high society. It got Aiden thinking that maybe it was time he finally got something a little nicer to wear after all.

Normally, these things took time to make so when Aiden went back to the tailor's the next day, he was not expecting to be able to walk out with a brand new outfit in hand. The tailor happened to have a complete set on display that he sold to Aiden at a discounted price. Apparently, it had been made for another customer some time ago who had changed their mind at the very last minute. Amazingly, the entire ensemble fit Aiden like a glove! There were only a couple quick adjustments needed for the pants but that was it!

Finally Aiden stepped up to the mirror. He almost didn't recognize himself! The young man staring back at him looked older and more mature. There was a growing confidence which showed in how he stood tall and smiled with approval.

The next time Aiden was due to meet Abigail and Vincent marked two weeks until the masquerade! While it also meant Damien was officially back in town as well, Aiden had other things on his mind. This was the day he would be arriving dressed like a gentleman; not some commoner who worked aboard a ship.

Aiden was feeling nervous! His hands kept fidgeting and tugging at his fitted blue waistcoat as he stepped off the lift. Just ahead of him was the open door that invitingly led into Vincent's office. What would Vincent think? Would he approve of him? Aiden peeked into the room and took a cursory glance around to see who was all here. His eyes appreciatively settled on the slender yet curvy shape standing by one of the bookshelves beside the tea station.

It was Vincent, of course! He hadn't realized he had company yet. He was standing in front of a small mirror up on one of the bookshelves and was actually humming softly to himself. Intent upon his task, he deftly pinned the last strands of hair into his updo. It was a more effeminate style than Aiden had ever seen on him. It wasn't just his hair but also the way he was dressed that gave him such an androgynous appearance. He was a little more dressed up and the way his corset and trousers flattered and hugged his figure? There was just something different about him today. Whatever it was, Aiden found it attractive.

Just as Vincent finished with his hair and gave a satisfied smile at his appearance there was a soft knock at the door. Ah, that had to be Aiden. He was right on time! As he turned to greet Aiden, he saw Aiden's smile which bemused him. And while he'd never admit it aloud, it made him feel shy. His mind tried to reason why Aiden would be smiling at him as if...as if he were the loveliest creature in the world.

No, his mind reasoned, that couldn't be right! And as if to prove him right, Aiden suddenly began to grin. That's right...he must be amused by his appearance! However, he was completely unaware that, in truth, Aiden was actually grinning at the sight of Vincent's deepening blush that had blossomed across his cheeks at the sight of his friend staring at him...

But now, Vincent was feeling awkward and second-guessing his decision to dress up. He nibbled his lower lip and glanced off to the side. As he reached up with one hand and toyed with his bangs, he said just loud enough for Aiden to hear, "I know, I know. I look silly."

"What? No, you don't!" Aiden chuckled as he stepped into the room. "I think the whole look is very flattering on you."

"You really think so? It's not too much?"

"I really think so. You look great!"

Vincent saw that sweet, reassuring smile and suddenly he felt much better as he found himself suddenly smiling as well. Once upon a time, he would have not believed it so quickly, if at all. But Aiden had a way about him that made him feel safe to be himself. And it seemed that was turning into confidence that was taking hold more firmly in Vincent's life. And though Vincent didn't realize it, he was finally starting to come into himself and blossom; something those closest to him 'had' started to notice.

As it turned out, Abigail had come down with a small cold and wouldn't be joining them today...but Vincent didn't want to cancel Aiden's lesson. After all, Vincent knew how to be led in a dance just as well as he could lead! So, when he offered himself as Aiden's dance partner, he was pleased with Aiden's enthusiastic response.

Once Vincent turned the phonograph on, he turned to face his friend and saw Aiden offering out his hand towards him with a grin. It was much like he'd done the night he'd asked Vincent to join him on their moonlit flight. Vincent grinned back and placed his hand in Aiden's before allowing himself to be guided to the middle of the room.

Aiden slid his hand around Vincent's waist and stepped close, his gaze shifting down to gaze into Vincent's as Vincent's hand came to sit upon his upper arm and gently took his hand. Then after what felt like several quiet, wonderful minutes of suspended time (but was really only a couple of breaths), Aiden began to lead on the next beat of melody that was playing for them.

Aiden had proven by now that he had a pretty good handle on the waltz. So after a couple of dances together, Vincent decided how to show him the first steps of another type of dance he'd demonstrated the first day: the quadrille!

A couple of hours had passed and Aiden was finally ready to give leading a real try! So after a quick break, the men got back to it! It was about halfway through the first dance when Aiden first accidentally treaded on Vincent's toes and bumped into him. At first, Aiden was apologetic, but Vincent laughed it off.

And as they continued to dance, he told Aiden about a few collisions on the dance floor that he'd witnessed. Vincent was no longer keeping an eye on Aiden's dance moves because he was too preoccupied talking and laughing all while still dancing! As natural as can be, Aiden still led Vincent around the small space while listening and tossing in his own laughter and commentary. They were no longer dancing the quadrille, exactly, but instead just dancing for fun while they interacted. In fact, they were so engrossed with each other, their dance, and the music that they were unaware that they were no longer alone.

As seconds turned to nearly a minute, Damien's composure was starting to crack. So this was why Vincent couldn't spend time with him earlier today! Of course, it was because of fucking Aiden! What the bloody Hell was going on? Finally deciding to just get their attention before he completely lost himself, Damien forced another smile upon his face and knocked loudly on the door.

"Damien! Is it three o'clock already?!" Vincent exclaimed before quickly glancing towards the clock. With a small chuckle he added, "Oh, you're early!" He gently detached himself from Aiden's embrace so he could go turn off the music. And as he moved, he glanced out the window and was made aware that it was suddenly getting dark outside as if it were going to pour any moment. And indeed, there was the gentle sound of thunder in the distance.

"Well, you said to just come in when I got here so here I am!"

"I meant at three, but it's fine. It looks like it's going to rain anyways."

It wasn't fine, Vincent felt, but he moved onto the next topic as he joined Aiden and Damien in the center of the room. Vincent realized how nicely Damien was dressed and he complimented him, "Well, don't you look extra sharp today? What's the occasion?"

Damien beamed as Vincent praised his outfit. He'd dressed up just for him for this very reason! He'd even let his hair grow out which he thought gave him a more roguish appearance. He felt handsome and confident; especially now that he knew Vincent approved (just as he already knew he would)!

"Well, thank you! I think I appear rather dashing."

Vincent gave a nod of approval then smiled and gestured over at Aiden. "Aiden's gotten a new outfit, too. Well, two. He's been practicing his dancing for the ball! Didn't you see? He's doing great! He's only just started learning a couple of weeks ago!"

At Vincent's proud grin and praise, Aiden felt himself blush deeply and smile bashfully. He glanced towards Vincent who stood beside him and nudged Aiden's arm with a chuckle. But across the way, Damien wasn't as pleased.

"Wait, wait, wait. The ball?" Damien wondered aloud condescendingly. "Since when is Aiden coming to the ball?"

"Since I invited him!" Vincent retorted more defensively than he'd intended. Damien blinked in surprise and even Aiden felt a little surprised...though also a bit pleased. Mysteriously, a shade of red appeared on Vincent's cheeks as he cleared his throat. He'd invited Aiden there so that he'd not dread the event so much. And...and he wanted him there. Aiden always made things better when he was there!

Unaware that he was still blushing, he quickly glanced up at Aiden then looked back at Damien before explaining a little timidly, "I just thought it would be fun, you know? I wanted to have my best friends with me." And suddenly there was a weight on Vincent's shoulders as Aiden daringly slid his arm over them and leaned towards him with a handsome smile.

"And it's going to be absolutely fantastic. I'm looking forward to it. And...thanks again for teaching me how to dance. These past couple weeks have been...wonderful. You're wonderful."

"Well, gosh! I've been enjoying your company, too. Practice is just a good excuse to see you! It...it HAS been wonderful."

And as Vincent and Aiden teased the boundaries of flirting, the realization of how good they looked side by side was more obvious than ever! Damien suddenly realized that they were even dressed to match in similar colors! It made them look even more like a couple! And with how had Vincent turned to look up at Aiden and seemed to lean into his touch? It took everything in Damien not to punch Aiden in his cocky, smiling face!

'...These past couple of weeks...' Aiden had said. What else had happened during this past month while he was gone?! Maybe he should have come home sooner, after all.

"So, tell us about your trip!" Vincent exclaimed as he was suddenly approaching Damien and tugged him further into the room towards the armchairs. "Would you like some tea? I was just thinking about making some! Aiden?" With both his friends acknowledging his offer, Vincent left Damien to sit and started up the kettle. Meanwhile, Aiden went to lean against the desk as he watched and listened silently.

Damien took his seat and groaned softly as he settled in. His eyes remained focused on Vincent (ignoring Aiden's existence as much as possible) and responded enthusiastically, "It was a lot of fun! I saw lots of family and some old friends..."

Damien began to elaborate on his visit, to which Aiden found a bit dull. However, Vincent seemed to know who Damien was talking about and was much more invested in this conversation. Even as Vincent finished serving their teas, Damien was still talking. It was as Damien's tea finally cooled enough for him to drink some that Aiden finally had a chance to speak.

"After this cup, I think I am going to let you two finish catching up and head out, myself," Aiden informed them. "When you decide when you want to take Leon's Claw up in the air, let me know."

"Mm, that's right. You and I need to decide on that!" Damien replied with a pleased grin to which Vincent smiled and nodded before sipping contently at his tea. Good, Damien thought to himself. Aiden was leaving! As soon as Aiden was gone, he'd get to the bottom of all this.

Aiden finished his tea fairly quickly, and it didn't take long before he reluctantly bid Vincent and Damien farewell. He'd be seeing Vincent the day after tomorrow for sure but that already felt like too far away. And there was something in the way Vincent hesitantly gave Aiden an umbrella to borrow and how he looked at him with a touch of longing that convinced Aiden that Vincent may, in fact, be feeling the exact same way.

Damien watched silently from where he leaned against the desk, arms rising and folding across his chest as the door finally closed behind Aiden. He watched as Vincent turned to face him with a smile. However, Vincent's smile immediately faded as he caught sight of Damien's slight frown and how his brows creased with irritation.

"What's-?" Vincent started but was cut off by Damien's abrupt, "What the fuck is going on?" Vincent drew in a deep breath and defensively responded, "What are you talking about exactly?"

"You know what I mean, Vincent!"

Vincent's lips parted but no words came out. He was flabbergasted! Where was all this coming from?! He really had no idea what Damien was so upset over so quickly! Yet as seconds passed and Vincent couldn't come up with an answer, Damien finally huffed and took a step away and ran his fingers through his hair frustratedly. Though a moment later he took a deep breath and glanced over his shoulders. He let out another sigh and asked Vincent, "I'm your best friend right?"

"Of course you are!"

"You know you can tell me anything."

"I know that."

"So, then what has he done to you?"

"What are you talking about?!"

"Aiden!" Damien placed his hands on Vincent's shoulders and squeezed tightly. Vincent winced and felt a headache take immediate siege as Aiden was being blamed yet again. "Come on, Vincent! This isn't you! I told you: you look silly when you dress like this. What's with the hair?"

Vincent felt his confidence start to sink as he glanced off to the side towards his mirror. Earlier, he'd felt pride in his appearance. He found he liked dressing more androgynously sometimes for personal reasons. Secretly, honestly... Vincent liked pretty things and had always wanted to dress more like this. It wasn't that he wanted to do it all the time but just on those rare occasions...but thanks to Damien, he was starting to question himself again and already wanted to unpin his hair. But then he remembered how Aiden had told him that it was flattering on him and that he looked great!

Remembering that, Vincent shifted his gaze up to look at Damien and placed his hands atop of his and pulled them off before stating a little sharply, "I'm trying something new. It's MY decision, Damien. No one makes that for me. No. One."

Drawing his hands back as if struck, Damien's brow furrowed as if hurt as Vincent walked past him with a sigh. Vincent placed his hands on his prized orrery and stared down at the planets as they rotated around. It was a moment later when Damien's voice appeared right behind him in his ear in a way that sent uncomfortable shivers down his spine.

"You're not the same anymore," Damien murmured. "It's like you're becoming a different person. I just miss my best friend. Is that such a bad thing?"

"No. It's-"

Vincent had turned around and found himself practically sandwiched between the orrery and Damien who was standing very, very close. Vincent wet his lips nervously and glanced off to the side uncomfortably.

"It's not a bad thing. I get it," Vincent relented as he maneuvered away towards his desk. Now feeling much less confident about himself, Vincent folded his arms over his abdomen and hunched slightly. This whole conversation had knocked the wind out of his sails.

Sensing Vincent's drop in mood, Damien reached out to touch his shoulder and explained, "It's just...not you. That's all. But I suppose I can get used to it. I just like good old Vincent, you know? I like how things used to be when it's just us...like now! It's okay, though. So..." And with that, Damien walked past Vincent towards the chair and went to plop down and folded his arms across his chest as he demanded, "...so, what's been going on with you this past month? What brought you to giving 'dancing' lessons?"

Vincent took a deep breath and then let it out and forced a smile on his face. He may as well try to keep the mood light. However, he decided to tread a little more carefully as he shrugged and went to the mirror across the way. He began to unpin the pins in his hair as he explained, "It's not just me. Abby's been helping as his dance partner but she's got a cold so I just stepped in for today."

"Oh! Well why didn't you say SHE was his dance partner?"

And though Vincent's back was turned and he couldn't see it, he could hear and feel Damien's demeanor easing down and becoming less tense. Thank God! He replied, "Because I didn't think it mattered? Anyway, I invited him to come to the ball because I thought it would be fun to have him there. Besides, there will be people he knows and it's a good opportunity. Plus, I was bored! You took TWO extra weeks to come back!"

"Yeah, but it was worth it. At least I had fun! I'm back now. That's what matters and things can go back to as they should be! Tell you what, why don't I come help out with Aiden's lessons? It would be fun! It would be easier to practice with another couple and you and I can dance together! How's that sound? We can practice for the ball!"

Vincent unwound his hair and let it fall across his shoulders; his hair falling forward across his brow and he stared at himself unhappily. And as he did, Damien suddenly appeared behind him, blocking his light and placing his hands around Vincent's upper arms. Vincent glanced off to the side though he felt Damien looming over him and pressing right up against his back and making him shrink and feel very small. Damien's eyes pierced the side of his head and his fingers dug in just the tiniest bit into his arms as he asked, "Don't you think that's a grand idea?"

"I do!" Vincent quickly lied as he plastered a smile on his face and glanced up at him up over his shoulder. Though, honestly, he wanted to crawl and hide for a while. While Damien was right that Aiden could practice better with another couple present for the quadrille, he didn't want to put them together right now. It seemed 4 weeks apart hadn't helped matters at all. "But he's already gotten so good that he won't need much more practice, I think. But if we do, I'll definitely be letting you know first."

Quickly, Vincent turned in place and pushed his long hair over his shoulder, "I'm tired of all this ball talk! Let's decide when we want to go flying!" He hoped Damien would allow himself to be distracted with plans and leave the rest of it alone. He just wanted to enjoy the rest of the day. And thankfully it seemed he was in luck!

Damien grinned and went to take his seat again all while going on a tangent about how eager he was for that. For now, it was best to let Damien enjoy that while he, Vincent, came down from whatever the fuck that argument had been about.

Vincent still wasn't sure what the core of Damien's actual problem was. It always felt like he was running in circles and never directly clarifying what upset him so much. Sometimes, Vincent wondered if even Damien knew. But it was as they parted ways much later in the evening, hours after the whole incident had even happened...that Damien finally started to hint what was really wrong.

"Tell me that you're not going to fall for Aiden."

"That's preposterous! Ha! What in the Hell has you thinking I'm going to fall for Aiden?!"

Vincent actually laughed at the idea! He shook his head as he leaned against the door jamb and folded his arms over his chest. And, if Damien was being honest with himself, Vincent sure did look surprised by this idea. Damien was standing before him in the hallway, peering back at Vincent with slightly narrowed eyes. He didn't want to go until he got that promise.

"Just....promise me you won't!"

"Pfft. Now you're just being ridiculous! Aiden? And 'me?' We're just friends! And crewmates...like you and me. Nothing's going to change, okay? Besides, I am absolutely sure Aiden doesn't see me as anything like that. Don't be a worry wart! You'll see! As soon as this damned masquerade is over with and we're back in the air, everything will be back to normal as it should be."

Vincent smirked and pushed on Damien's shoulder to nudge him to go home. The sooner Damien was gone, the sooner he could lock up and depart, himself. Thankfully, they were heading in opposite directions so he could finally get some peace and quiet.

It took a long moment, but Damien finally gave a satisfied nod and chuckle before responding, "I'm not a worry wart! Just call me a concerned best friend. I care about you. You know that."

"I do know. Be off with you! Get some rest! I'll see you in two days. Five o'clock at Leon's Claw. I'll make sure to get everything arranged ahead of time."

"See you then!"

And as soon as Damien's back was turned, Vincent ducked back into his office and slumped back against the door. Why the Hell was Damien so worried? Sure, Damien was never a person who enjoyed change but who ever truly did? Usually, the two worked very well together and got on well enough. They just needed to work through these few rough patches!

And besides, he was certain that whatever had Damien paranoid would soon pass because sooner or later he'd see that there was only friendship between Aiden and Vincent. It was absurd to think otherwise!

Absolutely...absurd.

---

NEXT PART:

www.flickr.com/photos/153660805@N05/53826223464/in/datepo...

To select another chapter (or even start from the beginning), here's the album link:

www.flickr.com/photos/153660805@N05/albums/72157717075565127

***Please note this is a BOY LOVE (LGBTQ+) series. It is a slow burn and is rated YOUNG ADULT!***

Special thank you to my husband Vin (Be My Mannequin? Pose Store) for collaborating with me on this series and co-starring as The Captain!

DISCORD SERVER: That's right! The Captain and the Engineer has a Discord Server! If you would like to join and chat with other crewmates and see what's new and happening before it gets posted to Flickr, click the link!

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***NEW!!!!***

The Captain and the Engineer now has a FACEBOOK PAGE! Please come Like, Follow, and join the crew! Thank you so much for all your support!

FACEBOOK PAGE:

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This photo was taken by my 7 year-old son and finished first in the plants and scenery category of the 2007 Noxubee National Wildlife Refuge Photo Competition. This is a sensitive plant and the splash of red is from a flower petal that had fallen on it from a tree above.

He also won the "animals" category with this photo.

I had promised to take him on a youth photo walk at the refuge that morning, but I came down with strep throat earlier in the week, and decided not to take him that morning, especially since it was raining. However, he was so disappointed, that I finally relented and took him that afternoon anyway. I'm sure glad that I did!

This was taken with my Canon S2 IS at 1/60th F/8 with a Raynox DCR-250 macro adapter using the on-board flash and a modified version of Photophool's CCRRFD styrofoam bowl flash diffuser.

Venice.

Thought I'd do something nice and sensitive. I picked these flowers from my garden, they were all growing naturally so I decided to make an arrangement.

Also experimented with using colour curves in this. I think the colours are okay, but the colouring on my laptop isn't great so I'm not sure. Please tell me if it's not right!

Minolta MD 135mm f/2.8 (portrait lens used for landscape) on Panasonic Lumix GX85/GX80, freehand shot with in body stabilization, MFT

Edited Hubble Space Telescope image of the galaxy ESO 137-001, leaving a trail of dust and gas behind it as it moves through space.

Image source: www.nasa.gov/feature/goddard/2019/a-jellyfish-galaxy-swim...

Original caption: If you look at the galaxy ESO 137-001 in visible light, you can see why it’s considered an example of a “jellyfish” galaxy. Blue ribbons of young stars dangle from the galaxy’s disk like cosmic tentacles. If you look at the galaxy in X-ray light, however, you will find a giant tail of hot gas streaming behind the galaxy. After launch, NASA’s James Webb Space Telescope will study ESO 137-001 to learn how the gas is being removed from the galaxy, and why stars are forming within that gaseous tail.

The newly forming stars in the tail are mysterious because processes common in large groups of galaxies should make it difficult for new stars to emerge. Most galaxies live in groups — for example, the Milky Way is a member of the Local Group, which also contains galaxies like Andromeda and the Triangulum spiral. Some galaxies reside in much larger gatherings of hundreds or even thousands of galaxies known as a galaxy cluster. The “jellyfish” galaxy ESO 137-001 is part of a cluster called Abell 3627.

A galaxy cluster isn’t just galaxies surrounded by empty space. The realm between the galaxies is filled with hot, tenuous gas. For galaxies living in the cluster or a wandering galaxy that gets pulled in by the cluster’s gravity, that gas acts like a headwind. That wind can remove gas and dust from the hapless galaxy in a process known as “ram pressure stripping.”

As a result, ram pressure stripping can slow star formation in the affected galaxy. Galaxies need gas to form stars. Eventually, all galaxies run out of gas and star formation stops. Ram pressure stripping can hasten that end.

This is one reason why galaxies in clusters stop forming new stars sooner than their relatives outside of clusters. But, the mechanisms involved are still mysterious.

“Both gas and dust are getting stripped off, but how much and what happens to the stripped material and the galaxy itself are still open questions,” said Stacey Alberts of the University of Arizona, a co-investigator on the project.

A star formation mystery

ESO 137-001 is a spiral galaxy similar in size to the Milky Way, and slightly less massive. Its tail extends across 260,000 light-years of space, almost three times the galaxy’s width. Galactic tails like this are difficult to spot because they are so tenuous. Surprisingly, stars seem to be forming in this tail.

Webb will target sites of star formation at different points along the tail: close to the galaxy, in the middle, and near the end of the tail. Since material at the tail’s end was removed before material close to the galaxy, astronomers can learn how the stripping process changed over time and how that affected conditions to form new stars.

Researchers aren’t sure how stars are able to form at all within the tail since the stripping process should have heated the gas. “We think it’s hard to strip off a molecular cloud that’s already forming stars because it should be tightly bound to the galaxy by gravity. Which means either we’re wrong, or this gas got stripped off and heated up, but then had to cool again so that it could condense and form stars,” explained Alberts.

“Telling these two scenarios apart is one of the things we want to get at,” she added.

Mid-infrared completes the puzzle

The team will examine ESO 137-001 using Webb’s Mid-Infrared Instrument (MIRI). MIRI observes infrared light at wavelengths of 5 to 28 microns, a range known as the mid-infrared. MIRI’s observations will provide 50 times more spatial detail and 20 times better spectral detail than previous work by other infrared observatories.

MIRI is sensitive to light emitted from hydrogen molecules as well as chemical elements like sulfur and oxygen. MIRI also will detect more complex, sooty molecules of carbon and hydrogen known as polycyclic aromatic hydrocarbons (PAHs), which are signposts of star formation. In addition to learning about the composition of gas and dust within these star-forming regions, astronomers will measure the physical conditions of the gas like temperature and density.

The team will combine the new Webb observations with existing data in visible light, X-rays, and at longer far-infrared wavelengths to get a more complete picture of ESO 137-001 and its environment. “Each different wavelength gives you a piece of the puzzle,” said Alberts.

Ultimately, astronomers want to learn more about how stars came to form in the tail. They also want to understand how gas is being stripped from the galaxy, how much is being stripped, and how efficiently it’s being removed. This will provide clues to the eventual fate of ESO 137-001 and the question of whether ram pressure stripping will shut down star formation, leaving behind a dead relic filled with aging, red stars.

The observations described here will be taken as part of Webb’s Guaranteed Time Observation (GTO) program. The GTO program provides dedicated time to the scientists who have worked with NASA to craft the science and instrument capabilities of Webb throughout its development.

The James Webb Space Telescope will be the world's premier space science observatory when it launches in 2021. Webb will solve mysteries of our solar system, look beyond to distant worlds around other stars, and probe the mysterious structures and origins of our universe and our place in it. Webb is an international project led by NASA with its partners, ESA (European Space Agency) and the Canadian Space Agency.

This Earth Day, NASA celebrates a new perspective of life found on our planet, motivated by our search for life and habitable worlds in our solar system and beyond, a search in which Webb will be deeply instrumental. Check out the jellyfish-themed poster: go.nasa.gov/EarthPoster2019

For more information about Webb, visit: www.nasa.gov/webb

By Christine Pulliam

Space Telescope Science Institute, Baltimore, Md.