View allAll Photos Tagged Selenium
Learn Selenium testing and frameworks in detailed and most easiest way. Here we will target to clear all the concept of Testing such as selenium for Automation testing, Types of framework,Selenium live projects,Cucumber,TestNG, Junit and many more. Just Visit www.seleniumtesting.info/2019/07/Selenium-Resume.html
It's been awhile since I've uploaded an anything; been working with color film and cross processing lately. These negatives are from 2011 and printed in early 2012. The paper is Agfa Portiga-Rapid PRW123 (soft, chamois matte surface) c. 1960. Developed in Moersch SE5 Lith and toned in Selenium.
A partially Selenium toned Lith print of Stonebarrow, nr Charmouth, Dorset England. Lyme Regis is in the distance. Part of the Jurassic coast.
The meta data suggestes the shot was made on a Nikon D70. It was however made witha Bronica ETRS with a 50mm lens. The original negative was made on Ilford Delta 400, rated at 200 and processed in Pyro developer.
The lith print was then made and subsequently photographed with a Nikon D70 to 'digitise' it for inclusion on Flickr.
Schuykill River. Philadelphia, PA.
Olympus OM-1n 35mm film camera with a 50mm standard lens. Kodak TMAX 100 film.
Lith print using Fotospeed LD20 on Fomatone MG Classic fiber glossy. Toned in selenium.
First roll of Kodak Gold 200 through my Olympus Trip 35 to see how it performs. Also marks my return to film photography after an absence of 25 years.
The Olympus Trip 35 compact camera was introduced in 1967 and discontinued, after a lengthy production run, in 1984. The Trip name was a reference to its intended market – people who wanted a compact, functional camera for holidays. During the 1970s it was the subject of an advertising campaign that featured popular British photographer David Bailey. Over ten million units were sold.
The Trip 35 was a point and shoot model with a 40mm f2.8 lens, solar-powered selenium light meter, and just two shutter speeds. In 'A' mode, the camera operated as a Program automatic, choosing either 1/40th sec or 1/200th sec. The camera could also sync with flash, and had a range of aperture settings, from f2.8 to f22. In flash sync mode the shutter was set at 1/40. Apart from a simple four-position zone focus system, and an ISO setting from 25–400, the camera had no other photographic controls. The camera had a Prontor-Compur sync connector and a hot shoe. Its lens was a coated Zuiko 40mm f/2.8, with four elements in three groups.
The camera had an ISO range of "only" 25–400, but this was acceptable, as films faster than 400 were uncommon and not of high image quality. 25 speed allowed the use of Kodachrome, while 400 speed allowed use of Tri-X and similar fast materials under low light.
The four-element Tessar lens, still impressive today, gave high-quality images. If used with modern film emulsions, the results can be very good.
The use of a selenium photocell to select the shutter speeds and aperture let novices use the camera as a "point & shoot", with good results obtained most of the time. And no battery was needed to power the camera, an important consideration when travelling where batteries might not be available.
The lack of more than two shutter speeds was not a problem. At 1/200 and f:22 with 400-speed film, the camera could deliver correct exposure in full sunlight, while at 1/40 and f:2.8, correct exposure could be obtained under bright fluorescent light, without a flash.
or a client, prints from glass negatives taken in ostende circa 1920. Printed on Bergger Variable NB 30x40cm, split toned with Moersch MT3 + selenium.
Selenium toned version of an old negative on Adox Nuance paper. Its much better than using ilford multigrade :)
Exponometru cu fotocelule de selenium (functioneaza fara baterii) calibrat pentru standarde ASA si Din. Permite masurarea luminii pentru diafragme de la 1.4 la 22 si viteze de la 1/1000 la 15 secunde.
Dotat cu un filtru alb (detasabil) pentru masurarea luminii incidente.
Facut in URSS intre anii 1960-1977
L-am comparat cu exponometrul de la aparatul digital si inca da rezultate suficient de precise dupa atatia ani.
Experimented with a filter to give a sense of coldness to the shot. Not sure if it worked out as intended.
Fujica half frame, Fuji Velvia 50 X-processed ( RVP 135) Converted to BW and Selenium toned in Lightroom
This photograph was clicked in P@P Tamhini Ghat photo shoot. When I was doing a post processing decided to give this fern plant a different tone. So this is it - Selenium Tone - Selenium Fern
Further testing for my Leica M3 and Leicameter. The leicameter does work but it's a prone to being a stop out or so and probably a little further out in low light. Certainly better than guess work but I feel the need to bring a proper meter with me.
As for the M3? It's lovely. The shutter is buttery smooth even when it's half working, the finder is accurate and clear. Much nicer to use than my M6. Makes me wonder about an MP though, surely the finder just isn't as good as this?
I'm wondering about the lens. It is definitely back focussing compared to my other 50mm lenses when used on my M8 but I can't see it on the M3.
"Your M3 needs tweaking!" I hear you cry. I'm not so sure.
Shot on XP2
Developed at Jessops in an hour
Silverfast Scan Plustek 8100
Leica M3, CV Nokton F1.1 50
- Silver gelatin photography 8½x8½"
- Oriental Seagull FB paper 11x14"
- Selenium toned
- Printed from Fujifilm Neopan 100 Acros negative
- Taken by Rolleiflex TLR 3.5F / Carl Zeiss 75mm camera
Please press "L" for optimal viewing, thanks!
or a client, prints from glass negatives taken in ostende circa 1920. Printed on Bergger Variable NB 30x40cm, split toned with Moersch MT3 + selenium.
Reference FIle: FLA-160806-ND800E-555-BW_selenium
Infrared Underwater Photography
©2016 Fernando Lopez Arbarello - All Rights Reserved
Fine Art Photography by Fernando Lopez Arbarello
Sinar F2 / Dallmeyer 6"
EFKE PL100M / Ansco 17 1:1 8min
Durst L1200 / CLS 500 / Rodagon-G 210mm
Bergger Prestige Silver Supreme
Selenium toning