View allAll Photos Tagged Selenium
1st untoned Catechol and Meritol
2nd MT3 Vario (Thiourea) toner
3rd MT3 Vario followed by MT1 Selenium 1+20 2mins
Rolleiflex sl 66, Hp5, DDX 1+4
Ilford multigrade fb classic 1k 24x30cm/ 20x20cm
PQ universal
stop bath water
Alkaline Fixer
Selenium toner 1+9 2min
Sepia toner.
I would like to prepare a photo exhibition.
If you would like to help me with this project, you can write to me.
The silver print is looking for a new home. ;-)
Holga 120N, Tri-x in efd,
Polychrome prints on a later batch of cd-free Kentona,
on the right somewhat darker and toned:
MT1 Selenium followed by MT3 Vario Toner.
New version.:-)
Rolleiflex sl 66, Hp5, D76 1+1
Ilford multigrade fb classic 1k 24x30cm/ 20x20cm
PQ universal
stop bath water
Alkaline Fixer
Selenium toner 1+9 2min
Sepia toner.
I would like to prepare a photo exhibition.
If you would like to help me with this project, you can write to me.
The silver print is looking for a new home. ;-)
"someone painted the sky"
Rolleiflex sl 66,Kodak Trix 400, Xtol
Ilford multigrade fb classic 5k
Ilford Multigrade develop
24x30cm/ 20x20
stop bath water
Alkaline Fixer
selenium sepia split toning
Holga 120N, PXP @ISO400, in efd, Kallitype onto Hahnemühle Platinum Rag, Sodium acetate developer, ATS alkaline fixer, toner experiment with a new Selenium formulation
Rolleiflex sl 66, Hp5, D76 1+1
Ilford multigrade fb classic 1k 24x30cm/ 20x20cm
PQ universal
stop bath water
Alkaline Fixer
Selenium toner 1+9 2min
Sepia toner.
I would like to prepare a photo exhibition.
If you would like to help me with this project, you can write to me.
The silver print is looking for a new home. ;-)
Rolleiflex sl66, Trix400,d76
Ilford multigrade fb classic 1k
PQ universal
stop bath water
Alkaline Fixer
Selenium toner 1+19 2min
"river of life"
Rolleiflex sl 66, HP5, D76 1+1
Ilford multigrade fb classic 1k
PQ universal
stop bath water
Alkaline Fixer
Selenium-sepia duotone with dilute bleach bath
Training in the bay at Thessaloniki, Greece. Colour shot converted with PT Photo Editor into B&W - selenium tone.
Rolleiflex sl 66,delta 400, D76 1+1
Ilford multigrade fb classic 5k
Ilford Multigrade develop
24x30cm/ 20x20
stop bath water
Alkaline Fixer
Selenium toner 1+18 2min
Sepia toner 2min
Photograph 2008, printed 2012. Near Harbor Springs, Michigan. One little tree trying to thrive in a forest organised by humans.
From roaming around northern Michgan at one of Bill Schwab's annual Photostock events. He has sadly passed away, and I'm remembering how he inspired me to go out with a camera and try to make beautiful things with it, and how grateful I am to have received that gift from him.
Mamiya 645 1000S / 150mm Sekor / Green filter / Kodak Tri-X 400 / Pyrocat-MC / 13.5x18" silver gelatin print on 16x20" Ilford MGIV fiber glossy / replenished Ethol LPD / partial bleach back / Moersch MT3 / Harman Selenium
2013 photograph, printed 2013.
From roaming around northern Michgan at one of Bill Schwab's annual Photostock events. He has sadly, suddenly, and untimely passed away, and I'm remembering how he inspired me to go out with a camera and try to make beautiful things with it, and how grateful I am to have received that gift from him. He inspired and affected so many people, in positive ways, and in some small way I'd like to celebrate it.
Hasselblad 500C / 80mm Planar / Kodak TMax 100 / Rodinal / 8x8" silver gelatin print on 11x14" Ilford MGIV fibre matte / replenished Ethol LPD / Moersch MT3 / Harman Selenium split tone
After this developer combination, the mid-tones also increase significantly in density when toned with selenium!
For a combined toning with selenium and iron blue toner, the print must be lighter overall.
MT1 Selenium for the shadows 1+6 1:30 minutes, followed by a watering of at least 20 minutes.
MT7 Iron blue toner 5+5+10+5+500 45 seconds, also the already selenated shadows become cyan.
Lead acetate 2.5% 30 seconds shifts the colour towards blue, the selenium toning in the shades becomes visible again.
Nach dieser Entwicklerkombination legen auch die Mitteltöne deutlich an Dichte zu, wenn mit Selen getont wird!
Für eine kombinierte Tonung mit Selen und Eisenblautoner muß der Print insgesamt heller sein.
MT1 Selen für die Schatten 1+6 1:30 Minuten, gefolgt von einer Wasserung von mindestens 20 Minuten.
MT7 Eisenblautoner 5+5+10+5+500 45 Sekunden, auch die schon selenierten Schatten werden blaugrün.
Bleiacetat 2,5% 30 Sekunden verschiebt die Farbe Richtung Blau, die Selentonung in den Schatten wird wieder erkennbar.
APX100 35mm, Finol.
Kallitype onto COT320,
Rochelle salt developer.
Above untoned,
middle MT16 Kalli-Selenium toner 1+100 3 mins,
below Nelson Gold toner 2 mins at 43°C
Holga 120N, Rollei RPX100 in Tanol (N+2) 15 mins at 20°C,
kallitype onto Hahnemühle Platinum Rag,
experiment with a different Selenium toner setting
Rolleiflex sl 66, Delta 400, DDX
Ilford multigrade fb classic 5k
Ilford Multigrade develop
24x30cm/ 20x20
stop bath water
Alkaline Fixer
selenium sepia split toning
The loading facilities at Tunstead Works. A selenium toned monochrome image.
The loaded bogie box wagon train was just departing while the train of tankers seemed to be moving in to the loading area.
I appreciate the possibilities of two-tray development with the Polychrome kit. What I have not tried so far is toning such prints with cobalt/iron toner. What I wanted to achieve here were reddish trunks against bluish snow.
Paper Foma Retrobrom SP152 semi-matt.
1st developer SE5 Lith A+B+D+water 40+40+10+900ml 6,5 mins,
2nd developer after a short rinse Siena (Glycin) 30 ml + NH4Cl 10 ml + water 700 ml (no carbonate) 1 min.
The relatively soft gelatine of this paper was made more resistant by hardening for the subsequent tonings for safety reasons.
1st toner MT1 Selenium 1+10 only 1 min, just to affect the deep shadows.
2nd toner Cobalt, Parts 1 - 4 20+15+10+8ml water to 500ml 3 mins,
3rd toner MT7 Iron Blue, parts 1 - 4 4+2+4+3ml to 500ml water 2 mins, followed by Lead acetate toner 2 mins.
Holga, HP5 in Finol.
Printed onto Fomatone 131.
SE6 Blue 1+10 3 minutes.
For the last batches of Fomatone, I recommend hardening the gelatine before Selenium toning.
Hardener 1+5 1 minute after fixing (or instead the usual stop bath) washing time at least 7-10 minutes to remove the acid of the hardener.
Das im SE6 Blue entwickelte Silberbild setzt dem Selentoner einen stärkeren Widerstand entgegen, es dauert etwas länger, bis die Schatten einen rötlichen Farbton annehmen. Die Lichter werden noch später angegriffen als üblicherweise, was genutzt werden kann wenn eine Zweifarbigkeit erwünscht ist. Voraussetzung für einen Farbsplitt zwischen Schatten und Lichtern (ohne viel Aufwand) ist die Verwendung eines Warmtonpapiers (wie Forte oder Fomatone).
Mit Bromsilberpapieren sind ähnliche Ergebnisse nur mit einem erheblich höheren Aufwand möglich (tonen - bleichen - rückentwickeln).
Wie beim vorherigen Bild ist ein fetter Toner (MT1 1+10) vorteilhaft, denn es soll ja einen relativ schnellen Farbumschlag in den Schatten geben. Während der ersten Minute scheint relativ wenig zu passieren, der kritische Punkt wird nach zwei bis zweieinhalb Minuten erreicht. Bevor auch die Mitteltöne rötlich werden, muss die Tonung rasch unterbrochen werden.
The silver image developed in SE6 Blue offers greater resistance to selenium toner, so it takes a little longer for the shadows to take on a reddish hue. The highlights are affected even later than usual, which can be used to advantage if a two-tone effect is desired. The prerequisite for colour separation between shadows and highlights (without much effort) is the use of warmtone papers (such as Forte or Fomatone).
With bromide silver papers, similar results are only possible with considerably more effort (toning – bleaching – re-developing).
As with the previous image, a rich toner (MT1 1+10) is advantageous, as the aim is to achieve a relatively rapid colour change in the shadows. During the first minute, relatively little seems to happen, but the critical point is reached after two to two and a half minutes. Before the mid-tones also turn reddish, the toning must be stopped quickly.
Lithprint su Fomatone MG
1)Lith(SE5 Moersch)20+20+8+1500 H2O
2) 10 Omega+ 10 Catechol+ 1500 H20
3)toned Carbon (Moersch)
4)selenium 20+1000 H20
5)Carbon
6)grazie Antonio :-D
Rolleiflex sl 66, Delta 400, DDX 1+4
Ilford multigrade fb classic 1k 24x30cm/ 20x20cm
PQ universal
stop bath water
Alkaline Fixer
Selenium toner 1+9 2min.
Hasselblad 501CM, Planar 100 with extension tube, yellow filter, Plus-x @250 ASA in efd,
vanDyke on Hahnemühle Platinum Rag,
MT10 Gold toner 1:30 mins for the lights,
followed by MT17 Selenium toner for Kallitypes 1 min.
From my first test film with the Seagull 4A TLR.
I used this negative to try out a few new-to-me papers. None of them responded satisfactory so I ended up going with Fomaspeed again because I know what it looks like ;)
I recently ordered some new chemistry I'm excited to try out, I just thought that this negative wasn't so well suited for that. Matter of fact, I think this negative might work really well as a "boring regular" print on contrasty paper. I might have a try at that too.
Fomaspeed Variant 313 in Moersch Easy Lith 1+10
Briefly toned in selenium: Moersch MT 1 1+10
Seagull 4A + Ilford HP5+ (expired '09; EI 200 untested)
Rodinal 1+50; 11:00 @ 20 °C (untested)
Print scanned on a Heidelberg/Linotype-Hell Saphir Ultra II using Vuescan.
Eos 1n, EF 16-35.
Rollei RPX 100 in Rodinal 1:100.
.
Lithprint on Leonar Leigano with
Moersch Easy Lith . Selenium and gold toning.
Explored - Thank you !
Rolleiflex sl 66, Delta 400, DDX
Ilford multigrade fb classic 1k 24x30cm/ 20x20cm
PQ universal
stop bath water
Alkaline Fixer
Selenium toner 1+19 2min
I would like to prepare a photo exhibition.
If you would like to help me with this project, you can write to me.
The silver print is looking for a new home. ;-)
So plotty that you can see the ink ...
APX400 in Rodinal
2 tray lith (catechol NH4Cl) onto PRW138 + selenium
Another shot from Garry beach. Selenium toned because the colour original looked a bit flat and uninteresting.
Selenium toned van Dyke
Whitehouse Beacon II camera with flipped lens
46mm Ilford HP5+ (127 format)
Olema, California
Fomatone 131
From left to right:
Developer SE1 Sepia - untoned.
Prior to Selenium toning I strongly recommend hardening the gelatine of the last batches of this paper. Hardener 1+5 1 minute, followed by running water about 10 minutes.
MT1 Selenium 1+10 2:30 minutes and on the right hand side completely toned up to the highlights in 4 minutes.