original dream drawing by: Bill Rogers

LEICA IA transformé en IIf /zeiss sonnar 50 mm 1.5

rollei ortho 25/Rodinal

baryte foma 112/virage selenium

With a high amount of Lith D in the developer and a second developer with ammonium chloride the highlights turn red and the shadows take on a greenish tone with Fomatone papers. After a short selenium toning, the image tone becomes uniformly red.

Fomatone 131

SE5 Lith 4,5 mins followed by Lith G 4,5 mins

MT1 Selenium toner 1+20 3 mins.

Developer settings:

SE5 Lith A+B+D+water 40+40+50+900ml

Lith G: 800ml water + 10 Lith G + 20ml Ammonium chloride 20% + 2ml Lith D + 10ml Lith B

Untoned www.flickr.com/photos/wolfgang_moersch/50541399507/in/dat...

experiment in selenium print toning

Rolleiflex sl 66, Hp5, DDX 1+4

Ilford multigrade fb classic 1k 24x30cm/ 20x20cm

PQ universal

stop bath water

Alkaline Fixer

Selenium toner 1+9 2min

Sepia toner.

I would like to prepare a photo exhibition.

If you would like to help me with this project, you can write to me.

The silver print is looking for a new home. ;-)

Rolleiflex sl 66, Hp5, D76 1+1

Ilford multigrade fb classic 1k 24x30cm/ 20x20cm

PQ universal

stop bath water

Alkaline Fixer

Selenium toner 1+9 2min

Sepia toner.

I would like to prepare a photo exhibition.

If you would like to help me with this project, you can write to me.

The silver print is looking for a new home. ;-)

HP5 Rodinol

Ilford MGFB Grade 2 Moersch Eco 4812

Selenium

Rolleiflex sl 66, trix 400, d76

Ilford multigrade fb classic 5k mat

PQ universal

stop bath water

Alkaline Fixer

Selenium-sepia duotone with dilute bleach bath

Holga 120N, Tri-x in efd,

Polychrome prints on a later batch of cd-free Kentona,

on the right somewhat darker and toned:

MT1 Selenium followed by MT3 Vario Toner.

Rolleiflex sl66, Trix400,d76

Ilford multigrade fb classic 1k

PQ universal

stop bath water

Alkaline Fixer

Selenium toner 1+19 2min

New version.:-)

Rolleiflex sl 66, Hp5, D76 1+1

Ilford multigrade fb classic 1k 24x30cm/ 20x20cm

PQ universal

stop bath water

Alkaline Fixer

Selenium toner 1+9 2min

Sepia toner.

I would like to prepare a photo exhibition.

If you would like to help me with this project, you can write to me.

The silver print is looking for a new home. ;-)

1st untoned Catechol and Meritol

2nd MT3 Vario (Thiourea) toner

3rd MT3 Vario followed by MT1 Selenium 1+20 2mins

"someone painted the sky"

Rolleiflex sl 66,Kodak Trix 400, Xtol

Ilford multigrade fb classic 5k

Ilford Multigrade develop

24x30cm/ 20x20

stop bath water

Alkaline Fixer

selenium sepia split toning

"river of life"

Rolleiflex sl 66, HP5, D76 1+1

Ilford multigrade fb classic 1k

PQ universal

stop bath water

Alkaline Fixer

Selenium-sepia duotone with dilute bleach bath

Toning of Fomatone described here... remorseblog.blogspot.com/2023/04/film-from-digital-prints...

Woodland behind Eyam Youth Hostel.

Rolleiflex sl 66, Delta 400, DDX 1+4

Ilford multigrade fb classic 1k 24x30cm/ 20x20cm

PQ universal

stop bath water

Alkaline Fixer

Selenium toner 1+9 2min.

Holga 120N, PXP @ISO400, in efd, Kallitype onto Hahnemühle Platinum Rag, Sodium acetate developer, ATS alkaline fixer, toner experiment with a new Selenium formulation

Rolleiflex sl 66,delta 400, D76 1+1

Ilford multigrade fb classic 5k

Ilford Multigrade develop

24x30cm/ 20x20

stop bath water

Alkaline Fixer

Selenium toner 1+18 2min

Sepia toner 2min

Rolleiflex sl 66, Delta 400, DDX

Ilford multigrade fb classic 5k

Ilford Multigrade develop

24x30cm/ 20x20

stop bath water

Alkaline Fixer

selenium sepia split toning

After this developer combination, the mid-tones also increase significantly in density when toned with selenium!

For a combined toning with selenium and iron blue toner, the print must be lighter overall.

MT1 Selenium for the shadows 1+6 1:30 minutes, followed by a watering of at least 20 minutes.

MT7 Iron blue toner 5+5+10+5+500 45 seconds, also the already selenated shadows become cyan.

Lead acetate 2.5% 30 seconds shifts the colour towards blue, the selenium toning in the shades becomes visible again.

Nach dieser Entwicklerkombination legen auch die Mitteltöne deutlich an Dichte zu, wenn mit Selen getont wird!

Für eine kombinierte Tonung mit Selen und Eisenblautoner muß der Print insgesamt heller sein.

MT1 Selen für die Schatten 1+6 1:30 Minuten, gefolgt von einer Wasserung von mindestens 20 Minuten.

MT7 Eisenblautoner 5+5+10+5+500 45 Sekunden, auch die schon selenierten Schatten werden blaugrün.

Bleiacetat 2,5% 30 Sekunden verschiebt die Farbe Richtung Blau, die Selentonung in den Schatten wird wieder erkennbar.

I so look forward to Sliders Sundays. HSS everyone!

The loading facilities at Tunstead Works. A selenium toned monochrome image.

The loaded bogie box wagon train was just departing while the train of tankers seemed to be moving in to the loading area.

Training in the bay at Thessaloniki, Greece. Colour shot converted with PT Photo Editor into B&W - selenium tone.

Holga 120N, Rollei RPX100 in Tanol (N+2) 15 mins at 20°C,

kallitype onto Hahnemühle Platinum Rag,

experiment with a different Selenium toner setting

Hasselblad 501CM, Planar 100 with extension tube, yellow filter, Plus-x @250 ASA in efd,

vanDyke on Hahnemühle Platinum Rag,

MT10 Gold toner 1:30 mins for the lights,

followed by MT17 Selenium toner for Kallitypes 1 min.

APX100 35mm, Finol.

Kallitype onto COT320,

Rochelle salt developer.

Above untoned,

middle MT16 Kalli-Selenium toner 1+100 3 mins,

below Nelson Gold toner 2 mins at 43°C

Holga.

Printed as a VanDyke, toned in Selenium, on St. Armand printmaking paper.

Polychrome print onto Portriga PRK118 + selenium (1+9, 1min)

So plotty that you can see the ink ...

APX400 in Rodinal

2 tray lith (catechol NH4Cl) onto PRW138 + selenium

I appreciate the possibilities of two-tray development with the Polychrome kit. What I have not tried so far is toning such prints with cobalt/iron toner. What I wanted to achieve here were reddish trunks against bluish snow.

Paper Foma Retrobrom SP152 semi-matt.

1st developer SE5 Lith A+B+D+water 40+40+10+900ml 6,5 mins,

2nd developer after a short rinse Siena (Glycin) 30 ml + NH4Cl 10 ml + water 700 ml (no carbonate) 1 min.

The relatively soft gelatine of this paper was made more resistant by hardening for the subsequent tonings for safety reasons.

1st toner MT1 Selenium 1+10 only 1 min, just to affect the deep shadows.

2nd toner Cobalt, Parts 1 - 4 20+15+10+8ml water to 500ml 3 mins,

3rd toner MT7 Iron Blue, parts 1 - 4 4+2+4+3ml to 500ml water 2 mins, followed by Lead acetate toner 2 mins.

From my first test film with the Seagull 4A TLR.

I used this negative to try out a few new-to-me papers. None of them responded satisfactory so I ended up going with Fomaspeed again because I know what it looks like ;)

I recently ordered some new chemistry I'm excited to try out, I just thought that this negative wasn't so well suited for that. Matter of fact, I think this negative might work really well as a "boring regular" print on contrasty paper. I might have a try at that too.

Fomaspeed Variant 313 in Moersch Easy Lith 1+10

Briefly toned in selenium: Moersch MT 1 1+10

Seagull 4A + Ilford HP5+ (expired '09; EI 200 untested)

Rodinal 1+50; 11:00 @ 20 °C (untested)

Print scanned on a Heidelberg/Linotype-Hell Saphir Ultra II using Vuescan.

Infrared 720 black and white (selenium)

Chapel Common in the South Downs National Park, England

hand colored selenium toned print

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Lithprint su Fomatone MG

1)Lith(SE5 Moersch)20+20+8+1500 H2O

2) 10 Omega+ 10 Catechol+ 1500 H20

3)toned Carbon (Moersch)

4)selenium 20+1000 H20

5)Carbon

6)grazie Antonio :-D

Eos 1n, EF 16-35.

Rollei RPX 100 in Rodinal 1:100.

.

Lithprint on Leonar Leigano with

Moersch Easy Lith . Selenium and gold toning.

Explored - Thank you !

Another shot from Garry beach. Selenium toned because the colour original looked a bit flat and uninteresting.

A darkroom print.

Printed on Ilford MGFB warmtone and toned in selenium.

Rolleiflex sl 66, Delta 400, DDX 1+4

Ilford multigrade fb classic 1k 24x30cm/ 20x20cm

PQ universal

stop bath water

Alkaline Fixer

Selenium toner 1+9 2min.

Sepia toner

Hasselblad 501cm Planar 80mm,

Delta 3200 @ISO1000.

Lithprint 25x25cm on Select VC (PW14)

1st tray: SE5 Lith A,b,d,water 60+60+60+2000ml 8 minutes,

2nd tray: water 1600ml + Pyrocatechol and Lith B each 40ml + NH4Cl 20% 10ml 2:30 minutes.

MT1 Selenium toner 1+10 2:30 minutes.

SE5(Moersch) 1)30+30+4+4+1500H2O

2)4 ammonium chloride+1500 H2O

3)selenium toned

Fomatone 532-II in Lith and Pyrocatechol.

Left MT1 Selenium toner 1+20 3 minutes.

Right MT1 Selenium followed by MT10 Gold (11th print in 450ml) 4 minutes.

Trees and undergrowth coated during a Spring morning snowstorm. Selenium toned.

Selenium toned van Dyke

Whitehouse Beacon II camera with flipped lens

46mm Ilford HP5+ (127 format)

Olema, California

Rolleiflex sl 66, delta 400, D76 1+1

Ilford multigrade fb classic 1k 24x30cm/ 20x20cm

PQ universal

stop bath water

Alkaline Fixer

Selenium toner 1+9 2min

Sepia toner.

I would like to prepare a photo exhibition.

If you would like to help me with this project, you can write to me.

The silver print is looking for a new home. ;-)