View allAll Photos Tagged Selenium
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
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Karlos 6x6 pinhole with Kodak Tri-X 400 developed in Pyrocat-HD.
Printed on Agfa Portriga 118
Two trays lith development
Selenium toned
Selenium toned version of an earlier upload.
Canon EOS 5D Mark II, EF24-105mm f/4L IS USM @ 60mm 20 seconds f13 ISO 400. Tripod
Thanks to Chad for pointing out this made Explore on 25th November. Highest position so far was 78 on 28th November
Van Dyke, Selenium toned, on St. Armand cotton etching paper. (Some residual stain with this paper, still working on it).
Photograph taken with an OM-4 with the eviscerated lens.
Rescued from an antique dealer. Selenium cell meter has succumbed to time and the auto function does not work. Sad.
New series: Cromer
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Sepia and Selenium split-toned print. G3 Lodima in Ansco 130. Previous posted as straight print: www.flickr.com/photos/carwyn2/18278116432/in/dateposted-p...
This Olympus Trip 35 is one of the bunch of old compact analogue cameras I bought yesterday at a recycle shop. Not to collect and not to shoot with (most probably don't even work), but to make macros of. Funny thing about this camera is that it doesn't need batteries to operate because it is solar-powered!!!
The Trip 35 was a 35mm compact camera, introduced in 1967 and discontinued, after a lengthy production run, in 1984. The Trip name was a reference to its intended market — people who wanted a compact, functional camera for holidays. Over ten million units were sold.
The Trip 35 was a point and shoot model, with a solar-powered selenium light meter, and just two shutter speeds. In 'A' mode, the camera operated as an automatic Program, choosing either 1/40th sec or 1/200th sec. The camera could also sync with flash, and had a range of aperture settings, from f2.8 to f22. In flash sync mode the shutter was set at 1/40. Apart from a simple four-position zone focus system, and an ISO setting from 25–400, the camera had no other photographic controls. The camera had a PC sync connector and a hot shoe. Its lens was a coated Zuiko 40mm f/2.8, with four elements in three groups.
Explore Highest #35 + Frontpage on June 1, 2010.
#1 Nikon D80 Interestingness on June 5, 2010.
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Shen Hao 4x10, 210mm Fujinon W. Ilford FP4+ in Pyrocat HD. Scan from sepia and selenium split-toned contact print on G3 Lodima.
Rolleiflex sl 66,delta 400, D76 1+1
Ilford multigrade fb classic 5k
Ilford Multigrade develop
24x30cm/ 20x20
stop bath water
Alkaline Fixer
Split toning selenium sepia
Sanjay Gandhi National Park, Maharashtra, India
Intrepid 8x10, Nikkor W 300mm f/5.6, Ilford Delta 100, developed in Adox FX-39 II 1+9 for 6:15 at 21 degrees, printed on Adox Lupex silver chloride paper in Ansco 130 1+1, toned in Selenium 1+19 for 5:00 at 21 degrees, and in Nelson Gold for 20:00 at 40 degrees
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Reference FIle: FLA-160806-ND800E-531-BW_selenium
Infrared Underwater Photography
©2016 Fernando Lopez Arbarello - All Rights Reserved
Fine Art Photography by Fernando Lopez Arbarello
Kallitype (32x21cm) - Nikon f100 - HP5@320 - HC-110 - Enlarged negative / Reverse developed on lith film - Hahnemühle platine paper - Fumed silica treatment - Sodium Citrate developer - Citric acid clearing bath - Selenium 1:50 (MT16-Moersch) - ATS fixing.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Hürther Berg, Holga 120N, Delta400 @800 in Finol,
Select Shedlight (Forte) 27x27cm,
Easy Lith FT Special 1+20 7:30 minutes followed by Catechol new 10ml + Lith B 10ml + NH4Cl 5ml + 1 litre water 3 minutes.
MT1 Selenium 1+20 2 minutes for reddish shades.
Rolleiflex sl 66,delta 400, D76 1+1
Ilford multigrade fb classic 5k
Ilford Multigrade develop
24x30cm/ 20x20
stop bath water
Alkaline Fixer
Selenium toner 1+18 2min
Sepia toner 2min
Part 8 of the series on long exposures simply called Exposed
Just a series on long exposure daytime shots.
This time no water but the sky exposed.
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Technical info:
10 stops ND filter
Polarization Filter - 2 stops
f/22
ISO100
120s (2 min) exposure
Software:
Lightroom 2.0
PS CS3 - Silver Efex Pro - Orange Filter - Selenium toning
December 10, 2016
Super Ikonta C, Tessar 105mm f/3.5
Fomapan 100 in Caffenol
Lith print Jan 22, 2017 on Fomatone 132 in Moersch SE5 30+30+10/1000ml
Selenium toned
It's cold, gray, and wet outside these days, a good time to stay in and play with the lith printing.
Warwickshire.
Leica M6 35mm Color Skopar
HP5 Print on ilford MGWT dev in Multigrade Dev Selenium tone.
This is my son's great grandmother/my husband's grandmother at age 94 (this year, 2015). She is a lovely, intelligent, strong and humorous woman. Normally, she hates to have her picture taken, but this time, she smiled at the camera :)
technical info:
Leica M6TTL, collapsible Summicron 2/50mm
TriX @250, developed in Spur HRX
Print on Foma 132 in Moersch ECO 4812 (a match made in heaven, I tell you!), toned in Selenium (Moersch MT1)
film developer test
Rollei ATP 120 in flattec at 16 ASA
Planar 150mm wit extension tube, daylight at the kitchen table, exposed for 3 seconds
printed onto Adox Variotone
toning MT1 Selenium 1+10 10mins, followed by MT4 Siena (polysulfide toner) 1+40 1 min
I love toned dark room prints! So much to learn here. The real thing is much more subtle than the scan, but never mind.
Selenium toning 1:25; Bleach 1:50; Amaloco T40 toning 1+9, no "C component" added (used for variable brown toning).
Please take a look at my most interesting photos Or take a look at my entire portfolio
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Holga with Kodak Tri-X 400 developed in Pyrocat-HD.
Printed on Oriental New Seagull G2
Two trays lith development
Selenium toned
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Hasselblad 500 C/M with Kodak Tri-X 400 developed in Pyrocat-HD.
Printed on Ilford WT
Two trays development:
Catechol+FB
SE1 Sepia
MT3 / Selenium
silver gelatin print
watercolor paper coated with Rollei Black Magic liquid emulsion
sepia & selenium toned
View On Black or Extra Large (contacts only)
Part 9 of the series on long exposures simply called Exposed
Just a series on long exposure daytime shots.
There were 2 birds sitting on each of the 2 posts. Despite the 12 stops in total and the very small aperture of f/25 I had to reduce the exposure to 60 seconds, the sun was just shining too bright on the even brighter water.
Technical info:
10 stops ND filter
Polarization Filter - 2 stops
f/25
ISO100
60s (1 min) exposure
Software:
Lightroom 2.0
PS CS3 - Silver Efex Pro - Green Filter - Selenium toning
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Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Final print .
Ilford multigrade fb classic 5k mat
PQ universal
stop bath water
Alkaline Fixer
Selenium-sepia duotone with dilute bleach bath
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Another photo taken on a pre-Christmas foggy day - this time once the 'sun' was definitely down.
Post-processed with Lightroom - I used a selenium split-toning preset and then fiddled with the highlights/shadows split. This looks much cooler than the full-colour pic.
In a series of portraits of strangers I meet walking around making a short portrait session on the spot with what's available. Here Svea is (yes she have a little scar on her cheek) shot with a 7'' Petzval stopped down to about f8 using a homemade Waterhouse stop. The petzval is mounted on a Graflex Speed Graphic loaded with Ilford HP5+ 4x5 sheet film shot at iso800 and then the negative is toned in selenium to pop with some extra contrast. Home developed in Kodak Xtol 1+1. The negative is digitized with my DSLR and have curves adjustments for tones and dust removal.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
In a series of portraits of strangers I meet walking around making a short portrait session on the spot with what's available. Here Yuliia is shot with a 7'' Petzval mounted on a Graflex Speed Graphic loaded with Ilford HP5+ 4x5 sheet film shot at iso800 and then the negative is toned in selenium to pop with some extra contrast. Home developed in Kodak Xtol 1+1. The negative is digitized with my DSLR and have curves adjustments for tones and dust removal.
Leica M6, 50mm, Kodak Tx 400
Printed: BERGGER Variable Contrast Semi-Matte, 24x30cm - Selenium toning
This really should be seen Large On Black if you don't want to miss the details...
Part 2 of a new series on day time long exposures called Time Lapse
Time-lapse is a cinematography technique whereby each film frame is captured at a rate much slower than it will be played back.
Although this photo has nothing to do with cinematography the idea behind this has some similarities, and I just thought it was a nice title for a new series.
In this new series the emphasis will be more on architectural shots and combining this with long exposures.
The bridge on this photo is the St. Servaasbridge in Maastricht in Holland and is considered to be the oldest bridge in Holland in the oldest city (0 AD) in Holland. The bridge was built in the 13th century after the original much older Roman bridge collapsed.
I did a long exposure of this shot because I wanted to create a dynamic and dramatic feel. Architectural objects are very often cold, emotionless and even boring. That can be changed by choosing a dramatic angle - very often a low and wide angle - and/or by using the elements at play in your favor. The long exposure on the sky is meant to add the necessary emotion and drama.
Dutch description:
DIt is de bekende St. Servaasbrug in Maastricht en is gebouwd in de 13e eeuw nadat de oudere en originele Romeinse brug in elkaar is gestort.
Ik heb een long-exposure van deze brug gedaan omdat ik een dynamisch en dramatisch effect aan de foto wilde geven. Architectonische objecten zijn vaak koud en emotieloos en soms zelfs saai. Door echter de hoek en het perspectief te veranderen of de elementen die jou ter beschikking staan in jouw voordeel te benutten kan dat anders worden. De long exposure op de lucht is hier bedoeld om de nodige emotie en drama aan de foto toe te voegen.
Technical info:
10 stops ND filter
Polarization Filter - 2 stops
f/22
ISO100
240s (4 min) exposure
Software:
Lightroom 2.0
PS CS3 - Silver Efex Pro - No Filter - Selenium toning
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Båstnäs Car Cemetery, July 2016.
Kallitype on Hahnemühle Platinum Rag 8x10" Feb 18, 2018.
Mamiya 645 ProTL with Mamiya-Sekor 45mm/f2.8 and Hoya R72 filter.
Rollei IR 400 developed in FX-39 and scanned with Epson V850.
Digital internegative.
Developed in Sodium Citrate with 3ml/l of Potassium Dichromate 2%.
Cleared in Citric Acid 3%, fixed in Moersch ATS Alkaline fixer 1+20 (60 s) and rinsed in HCA 1%.
Post fix toning in Adox Selenium 1:200, 5 min.