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Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Silver gelatin prints available on request
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Canon EOS 50E (Elan Iie)
Canon EF 50mm 1.8
Agfa APX 100
Rodinal 1:100
Stand development
Scan from print
Lith print:
Rollei Superlith (170) aprox. 15 min.
Paper: Adox Fine Print Variotone Premium (Matt)
Toned with selenium
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Silver gelatin prints available on request
FP4+ by Biometar 80mm and Kiev60.
Printed on Adox Varioprint FB, F8 44seconds. Yes indeed, 3 stops slower than Rollei Vintage. Also a bit more detailed.
Selenium toning 1:25; slight bleach Amaloco (T40A)1:50 and Amaloco variable brown toning (T40B) 1+9, no additive.
Please take a look at my most interesting photos Or take a look at my entire portfolio
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Silver gelatin prints available on request
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Previously known as 'curious leaves'.
Dark room print on FB paper, slight toning with selenium and sepia.
Negative shot by 6x6 Dacora I with Ennagon 75mm/f3.5, aperture fully open and focus at 1 meter.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Silver gelatin prints available on request.
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Zeiss Super Ikonta IV with Kodak Tri-X 400 developed in PMK.
Pictorico OHP digital negative
Contact printed on Foma 542 II
Developed in Catechol+FB / Sepia
Toned in Selenium
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Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Silver gelatin prints available on request.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
New version.
Rolleiflex sl 66, Hp5, D76 1+1
Ilford multigrade fb classic 1k 24x30cm/ 20x20cm
PQ universal
stop bath water
Alkaline Fixer
Selenium toner 1+9 2min
Sepia toner.
I would like to prepare a photo exhibition.
If you would like to help me with this project, you can write to me.
The silver print is looking for a new home. ;-)
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Silver gelatin prints available on request
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
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Kodak Brownie Cresta II with Kodak Tri-X 400 developed in Ilfotec DD-X.
Printed on Forte Fortezo
Two trays lith:
SE5/D/E - G/NH4Cl/Catechol
Selenium toned
Holga 120N, Efke IR 820 (filter 715nm) in eco film developer
Print negative 20x22 cm on Wephota FO5
Vandyke on Arches Platine
Toning: MT3 Vario Schwefeltoner followed by MT1 Selenium toner
MT3 bleach 1+100 15 secs, thiourea toner setting A (bright yellow) 45 secs
MT1 Selenium 1+200 45 secs
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Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Same print as previously uploaded a while a go, but I recently toned to completion in Selenium 1+19. I was surprised to see such a large impact on the tone.
An experiment being possible thanks to Solarixx's kindness. She allowed her Flickr's friends to process one of her pics. I love such crossing creativity. Original shot here : www.flickr.com/photos/solarixx/3449884104/
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Prints available here: www.kityoung.co.uk/marshland-2020
Kallitype (30x24cm) - Olympus XA - TriX@400 - Thornton two bath developer - Enlarged negative / Reverse developed on lith film - Hahnemühle platine paper - Fumed silica treatment - Sodium Citrate developer - Citric acid clearing bath - Short Selenium 1:100 (MT16-Moersch) followed by long citric acid gold toning - ATS fixing.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Silver gelatin prints available on request.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Part 1 of a new series on day time long exposures called Time Lapse
Time-lapse is a cinematography technique whereby each film frame is captured at a rate much slower than it will be played back.
Although this photo has nothing to do with cinematography the idea behind this has some similarities, and I just thought it was a nice title for a new series.
In this new series the emphasis will be more on architectural shots and combining this with long exposures. Usually I would take a shot like this from a different angle, very often standing much closer to the architectural object that I want to capture to create a dramatic and dynamic feel.
But when I saw the cloud formation I decided to step back a few metres. Although I didn't know beforehand what the actual result would be, I was quite pleased with the final result.
Technical info:
10 stops ND filter
Polarization Filter - 2 stops
f/22
ISO100
181s (3 min) exposure
Software:
Lightroom 2.0
PS CS3 - Silver Efex Pro - Yellow Filter - Selenium toning
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Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper