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Scripture by Quote Catalog.
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Railroad bridge covered in graffiti bible verses. Great Miami River just at Rice Park, Miamisburg, Ohio. I suppose the artist worked holding onto the pipe that runs along the bridge, based on the increasing angle of the lettering from top to bottom. #dayton #ohio #bibleverse #railroad #bridges #graffiti #monochrome #bw via Instagram ift.tt/2sLuz3X
Outstanding Instagram marketing here t.co/s9Mx9zP8Qo t.co/bS4AJszVd6 #SaturdayMorning #BTSLoveYourselfTour But the Lord Ex-Trump World Tower #MoistenAFilm #ESCCongress Ireland #TropicalStormLane Scripture Elon Musk #socialmedia #SEO #marketing #DigitalMarketing t.co/HXjPcWJNzq twitter.com/SmmJasminet/status/1033313393317306369)
Arbroath High School Scripture Union members from January, 1992. The group was organised by Mrs Mary Stephen.
When I was searching for an ebay name 8 years back I was inspired by this passage of scripture. It's Matthew 19-21. I coined treasureup from this and it stuck. It's a constant reminder to keep an eternal perspective on my life.
my youngest needed a new bag for church.
on this side of the bag i added my 'boutique label' applique with her name.
measurements to make this bag on my blog.
blogged:
This Gospels manuscript was written in 937 of the Armenian era [1488 CE] in the province of Ekełeac' by the priest Łazar at the monastery of Surb Awgsend (St. Auxentius). Though the fifteenth-century manuscript was not a terribly costly production (for example, the nimbuses around the evangelists' heads are painted in yellow or orange rather than gold), it later came to be housed in a magnificent binding with large silver plaques showing the Presentation of the christ child at the temple on the front and the Ascension on the back. This silver binding, which is attributable to the seventeenth or early eighteenth century, was likely produced in Kayseri (Turkey). The manuscript's fifteenth-century evangelist portraits show signs of Mongolian artistic influence, stemming from the time when Mongols had conquered the province. For a manuscript of similar style, see the Gospels in Jerusalem, no. 298, copied by Maghak’ia in 1497. The Walters Silver Gospels was used over a long period of time by a succession of owners. Information about its history is given in colophons and ownership inscriptions on the codex's final folios. For example, one note indicates that the book was rebound in 1626, and offered to the church of Surb Astuacacin (Holy Theotokos) in memory of Caruk, Kirakos, and Girigor (fol. 280r). The last date given is the Armenian year 1161 (1712 CE), which may be when the manuscript was rebound.
This Gospels manuscript was written in 937 of the Armenian era [1488 CE] in the province of Ekełeac' by the priest Łazar at the monastery of Surb Awgsend (St. Auxentius). Though the fifteenth-century manuscript was not a terribly costly production (for example, the nimbuses around the evangelists' heads are painted in yellow or orange rather than gold), it later came to be housed in a magnificent binding with large silver plaques showing the Presentation of the christ child at the temple on the front and the Ascension on the back. This silver binding, which is attributable to the seventeenth or early eighteenth century, was likely produced in Kayseri (Turkey). The manuscript's fifteenth-century evangelist portraits show signs of Mongolian artistic influence, stemming from the time when Mongols had conquered the province. For a manuscript of similar style, see the Gospels in Jerusalem, no. 298, copied by Maghak’ia in 1497. The Walters Silver Gospels was used over a long period of time by a succession of owners. Information about its history is given in colophons and ownership inscriptions on the codex's final folios. For example, one note indicates that the book was rebound in 1626, and offered to the church of Surb Astuacacin (Holy Theotokos) in memory of Caruk, Kirakos, and Girigor (fol. 280r). The last date given is the Armenian year 1161 (1712 CE), which may be when the manuscript was rebound.
To explore fully digitized manuscripts with a virtual page-turning application, please visit Walters Ex Libris.
This manuscript was made in 1262 by T’oros Roslin, an extremely prominent illuminator, who extended the range of manuscript illuminations by introducing a whole cycle of images into the gospels rather than, as was traditional, only including the portraits of the evangelists. This particular manuscript was created at the scriptorium of Hromkla, which became the leading artistic center of Armenian Cilicia under the rule of catholicos Constantine I (1221-1267). As an extensive colophon starting on fol. 406v explains, T’oros created this manuscript under commission from the nephew of Constantine, a priest also named T’oros. It is one of seven known manuscripts bearing T’oros Roslin’s signature, and it is the most sumptuous of them all, with 15 miniatures and 67 smaller illustrations. The style of the images suggests that T’oros had several assistants helping with the illustrations, though the overall quality remains extremely high. The manuscript was long cherished within the Armenian church. Even in the seventeenth century, its illumination served as a model for Armenian scribes, particularly Bargham and his son Mik’ayel; see Jersualem, Armenian Patriarchate, no. 3438 and Washington DC, Freer Gallery, ms. 36.15; in the latter manuscript, Mik’ayel explicitly refers to “the excellent scribe T’oros, surnamed Roslin.”
To explore fully digitized manuscripts with a virtual page-turning application, please visit Walters Ex Libris.
First ever band shoot with my friends In Scripture.
I'm pretty pleased with this shot for my first ever time using strobes and shooting a band properly so keep an eye out for more!
Strobist: 2 YN460 II's - white shoot through umbrellas Camera left & right.
I had a fill light behind them but it wouldn't fire all night :(
Thanks to the band and of course Sam & Andrew for helping hold the light stands ;)
Canon 30D
F7.1
1/125 sec.
Iso 125 @ 10mm
"But now Christ has been raised from the dead, the first fruits of those who have fallen asleep. For since through a man came death, also through a man came the resurrection of the dead. For just as in Adam all die, so also in Christ all will be made alive. But each in his own group: Christ the first fruits, then those who are Christ’s at his coming, then the end, when he hands over the kingdom to God the Father, when he has abolished all rule and all authority and power. For it is necessary for him to reign until he has put all his enemies under his feet. The last enemy to be abolished is death." 1 Cor 15