View allAll Photos Tagged Script,
Poem Script is a mixed collection of interpretations conjuring a late nineteenth century American pen script style. Though not an actual Italian letterform, this style was called "Italian Alphabet" stemming from an old penman's term for an alphabet where the stress or shades are opposite their normal placement. The American variant followed from the late eighteenth century British hand also confusingly called "Italian Hand," which itself evolved from some seventeenth century French batarde scripts.
It showcases the phenomenal control and mastery of hand skills required to create such ornamental and lively letters centuries ago. Producing the shaded strokes in reversed positions such as this required holding the pen in a position horizontal to the baseline, or the letterforms would have to be written backwards or by rotating the paper at peculiar and extreme angles to achieve the effect.
Exotic, elaborate and very attractive, Poem Script contains plenty of variations on each letter and comes with hundreds of calligraphic ornaments.
Poem Script received a Certificate of Excellence at the Type Directors Club NY.
We celebrate this release with 2 wonderful specimens.
A Video Specimen directed by Santiago Idelson and a Photo-novel Specimen (8,82mb PDF) photographed by Sergio Recabarren
We hope you enjoy this release as much as we did!
here's a greasemonkey script that restores the glorious yesterday of a yahoo-less flickr banner.
===EDIT FIXED AGAIN=== Aug 24, 2o1o
HERE IS ANOTHER LINK THE OLD ONE DIED :(
======EDIT FIXED===== Nov 1, 2009
OK there was a problem with hosting, the script is now hosted on my website PLESAE UNINSTALL THE SCRIPT AND REINSTALL USING THE LINK BELOW AGAIN, THANKS.
====== EDIT =====
Size is now fixed, so it is smaller & more natural than what you see on the AFTER
New logo type I have been working on. Will probably make a few Tshirts with this on I think...
This was created using a script typeface I have, along with some tweaking and customisation using Illustrator.
Nikon D810 HDR Photos Scripts Pier Sunset San Diego / La Jolla Dr. Elliot McGucken Fine Art Photography!
New blog celebrating my philosophy of photography with tips, insights, and tutorials!
Ask me any questions! :)
Nikon D810Wide Angle Zoom Lens Photos of Scripts Pier Sunset! Dr. Elliot McGucken Fine Art Landscape & Nature Photography for Los Angeles Gallery Show !
Will be busy printing and framing in nice large, matted formats and frames and museum glass! Five of these photos will be printed on 40" x 60" floating wall mounted metal sheets! I think I know which--will share photos of the photos hanging on the walls!
And I am mounting some on plexiglass/acryllic--front mounting them! Some I am printing on lossy fuji-crystal archival paper too, and then front mounting 40"x60" versions to plexiglass--will send photos!
The secret to HDR photography is that you want people to say, "Woe dude--that's unreal!" And not, "Dude--that's not real!" "Unreal" is the word they use when they're trying to figure out the photo--what makes it cool--is it a photo? Is it painted? How'd it come to be--how'd you bend the light that way? "That's not real," is what they say if you have the saturation/HDR/ etc. turned up too high. :)
Some (almost) final edits for my Los Angeles Gallery Show! Printing them on metallic paper at 13" x 19" and mounting and framing them on a 4mm 18x24 white mat and 2" dark wood frame. Also printing some 40" x 70" which is over three feet by five feet! Wish you all could come (and hang out with the goddesses)!
Let me know your favs.!
New Instagram!
Videos!
I booked a major photography show at a major LA gallery in December! Will also be giving some lectures on the story--the Hero's Odyssey Mythology--behind the photography!
Follow me on facebook!
www.facebook.com/elliot.mcgucken
Preparing for some gallery shows this fall to celebrate 300,000,000 views! Printing a few dozen photographs in ~ 30"x40" formats and mounting/framing. Here are some close-to-final edits. HDR photography 7 exposures shot at 1EV and combined in photomatix: 36 megapixel Nikon D8010 with the awesome Nikon 14-24mm f/2.8G ED AF-S Nikkor Wide Angle Zoom Lens. 45SURF Hero's Odyssey Mythology Photography!
Epic Scenic HDR Landscapes Shot with Nikon D810: Hero's Odyssey Mythology Photography!
Three-Seven exposures @ 1EV finished in photomatix.
Enjoy the Hero's Odyssey Mythology Photography, and all the best on a hero's odyssey of your own making!
High Dynamic Range (HDR) photos rock in capturing the full dynamic range of the scene!
All the best on your epic hero's odyssey from Johnny Ranger McCoy!
New blog celebrating my philosophy of photography with tips, insights, and tutorials!
Nikon D810 Sunrise Photos of Toroweap (Tuweep) Overlook Grand Canyon Arizona! Dr. Elliot McGucken Fine Art Landscape & Nature Photography for Los Angeles Gallery Show !
LEGAL DISCLAIMER: I Do Not Condone Any Acts Of Vandalism Nor Do I Participate In Such Criminal Activity. I Am Simply An Observant and Take Photos Of This Graffiti You Have Come Across. ALSO I Will Not Condone Any Usage Of My Photos To Support Any Legal Matter Involving These Acts Of Vandalism Therefore YOU ARE NOT WELCOME TO VIEW OR TAKE THIS MATERIAL For ANY Purpose...
Greedo: "Of course Han shot first. It was in the script. The whole Mos Eisley cantina sequence introduced Han as a shady character that Luke (or the viewer) couldn't be sure was trustworthy. A "scoundrel", like Leia called him in that next movie. Sure, Han evolved into a good guy, but that intro made his character development more interesting."
Hanako: "So why did they change the film later?"
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Star Wars Red Carpet Event begins here and continues here.
Watertown detector went off later than expected so didn’t have enough time to fully set up. Still a decent shot of CP 7016 leading CP 281 at Reeseville, WI
There's a Pelikan M800 and a Sheaffer Sagaris in there somewhere. The Pelikan is as you'd expect, the Shaeffer is only so-so.
DSC_4508
French postcard by Sonis, no. C. 709. Photo: TM and Bad Bird Productions Inc., 1996. Brandon Lee in The Crow (Alex Proyas, 1994).
American actor and martial arts artist Brandon Lee (1965-1993) was more than the son of his famous father. His last film The Crow (1994), will be forever remembered in years to come for his acting talent. During the shooting of the film, Brandon died by an accidental gunshot wound from a faulty prop revolver. In 2000, he returned to the screen in a little Swedish film.
Brandon Bruce Lee was born in Oakland, California, the USA in 1965 to Martial Arts idol and film star Bruce Lee and Linda Lee Cadwell, an American of Swedish heritage. He was born on Chinese New Year's eve, the last day of the dragon. Brandon had a sister, Shannon Lee. Brandon was born with blond hair. As he aged, his hair color changed to brown. By the time he was able to walk, he was already involved in learning about martial arts from his father. In 1970-1971, the family moved to Hong Kong, and at the age of 8, Brandon was fluent in Cantonese. After Bruce Lee's untimely death in 1973, Brandon, his mother, and his sister moved to Los Angeles. He attended Boston's Art-Oriented Emerson College in Massachusetts and studied Martial Arts and drama, like his father. In 1983, he was expelled from school because of misbehaviour but received his diploma at Miraleste High School. Having chosen an acting career, Lee took his work seriously. He studied at the Strasberg Academy, with Eric Morris in New York and in Los Angeles, and in Lynette Katselas' class in Los Angeles. His first professional job as an actor came at age twenty when casting director Lynn Stalmaster asked him to read for a CBS television film, Kung Fu: The Movie (Richard Lang, 1986) with David Carradine. It was a spin-off of the 1970s television series Kung Fu (1972-1975). Lee's first role in a feature film was Long zai jiang hu/Legacy of Rage (Ronny Yu, 1986), Lee's first and only Hong Kong film and spoken in Cantonese. Dee Reid at IMDb: "Brandon Lee is in fine form here (despite never hearing his natural speaking voice), though the film itself - written and directed by Hong Kong action veteran Ronny Yu (who would later gain fame in the West with the American horror films Bride of Chucky and Freddy vs. Jason, and the martial arts epic Fearless with Jet Li) - is somewhat of a mixed bag; it's more or less a standard action film, with lots of stuff about gangsters, drugs, and John Woo-style gun-play. " Shortly after, on television, Lee played a lead in the pilot Kung Fu: The Next Generation (Tony Wharmby, 1987), and guest-starred in an episode of the television series Ohara (1988) with Pat Morita. He also starred in the B-film Laser Mission (BJ Davis, 1989) with Ernest Borgnine. In Hollywood, Brandon Lee co-starred with Dolph Lundgren in the buddy cop action film Showdown in Little Tokyo (Mark L. Lester, 1991). They play two L.A. cops with opposing views on what is the best way to uphold the law have to work together to bring down the Yakuza while trying to protect a beautiful woman (Tia Carrere). Next, he was in Rapid Fire (Dwight H. Little, 1992) with Powers Boothe. Lee also did the fight choreography. While some critics liked the film, most felt the script was too simple, however, almost all described Lee to be charismatic, in a slick Hollywood action film. Dee Reid at IMDb: "it was a showcase for his fighting talents. Rapid Fire is decent, certainly not perfect, but very fun to watch nonetheless." Lee turned down the offer to play his father in Dragon: The Bruce Lee Story (Rob Cohen, 1993). The role was later given to Jason Scott Lee.
In 1992, Brandon Lee landed his breakthrough role as Eric Draven in Alex Proyas' The Crow (1994), based on the comic book of the same name, which would be his final and best film. He died while filming at the age of 28, of what is to be believed, a brain hemorrhage on the set. The film crew shot a scene in which it was decided to use a gun without consent from the weapons coordinator, who had been sent home early that night. Michael Massee, the actor portraying Funboy, was required to fire a .44 magnum revolver loaded with blanks at Lee. The revolver had been inspected days earlier for a previously filmed scene in which it was not fired but needed to be seen loaded. Dummy rounds are used for this, which have a bullet, a spent primer, but no powder. One of the dummy rounds had a bullet, a live primer, and no powder. When test-fired, the primer propelled the bullet into the barrel, where it stopped. The gun was then rechecked, but no anomalies were found because the primer was now spent and the barrel was not inspected. Then, when filming the fateful scene days later, the same gun was used with blanks. Blanks are fully charged rounds with no bullets, but there was a bullet in the barrel. The blank round propelled it into Lee's abdomen just as if he had been shot with a live .44 magnum round. Michael Massee spent a year, devastated by what happened, deciding whether or not to return to acting. The crew only noticed when Lee was slow getting up. The doctors worked desperately for five hours, but it was no use. The bullet had lodged itself in Mr. Lee's lower spine. He was pronounced dead at 1:04 P.M. the next day. He was supposed to marry Eliza Hutton on 17 April 1993. His body was flown to Seattle to be buried beside his father in Lake View Cemetery. With the blessing of Lee's family and very few scenes to shoot, the film was completed by re-writing the script, using early CGI technology and stunt doubles. Wikipedia: "Released a year after, the film is known to present Lee's dramatic abilities, in which he had less of a chance to show in his previous films. It was a commercial success and now considered a cult classic. Upon release, the film received great critical acclaim and made $50 million at the box office and was also a success overseas. Many saw parallels between Lee and his father comparing their careers as action film leading men who passed young, prior to the release of their breakthrough film, with the difference that his father demonstrated high martial arts skills, while Lee showed a strong dramatic performance." In 2000, a new film with Lee was released, the Swedish production Sex, lögner & videovåld/Sex, Lies and Video Violence (Richard Holm, 2000). In 1992 Brandon Lee came to Sweden to promote Rapid Fire (1992). His host, director Richard Holm, asked Lee to make a cameo appearance in this film, and he gladly agreed. The film was shot over an extended period between 1990 to 1993, but for different reasons delayed over and over again in post-production. Finally released in 2000, seven years after Lee's death, the film was dedicated to him, in the last line in the end credits.
Sources: Caryn Liles (IMDb), Dee Reid (IMDb), Wikipedia, and IMDb.
And, please check out our blog European Film Star Postcards.