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Love [ME] Tender film festival screening June 7, 07 in Coimbra, Portugal
One of my short films Love [ME] Tender will be part of the Transnatura Videolab 07 exhibition. The screening will be taking place June 7 (see full list below). The event will run from May 18 to June 16, in the Botanical Garden (Coimbra). Sessions begin at 9.30pm.
love [me] tender, a film by mary bogdan
full length
Transnatura Videolab 2007, Image-Body, Botanical Garden Coimbra, Portugal, May18-June16, 07.
“IMAGE-BODY”
(Curated by Videolab) Organization: Paulo Amaral (Botanical Garden) and Videolab
Being one of the most interesting artistic themes of the last decades, the human body is basically for artists the same a piece of wood, stone or clay was to our ancestors. That is to say that art is turning it into an object susceptible of expressing symbols, meanings. In every day living we stumble in images of the body in the tv, cinema, marketing, and it is probable that this abundance reveals that we are all as a race interested in our bodies. Long centuries have passed since the imposition of the dualism matter spirit, body/soul. From Plato to Descartes, the image of the body as a dangerous machine full of adversities would come to be printed in the collective imaginary of the western man. The globalized societies of the 21st see the body as a tool that we will be able to use to wake in others their attention. In this sense, to talk about the body is to talk about the need of projecting an image – all the bodies wish to transmit an image that is unmistakable theirs’. From inn of all the males, body is now becoming not only what allows an individual to define his own identity but also the vehicle to achieve pleasure. Anyway, we should not forget that the human body has been used througtout the centuries as something similar to an artistic surface, or screen if you prefer, upon which humankind revealed its most deepest thoughts – something that we can still nowadays understand when we look at primitive tribes in Africa and Australia, and see the way in which they decorate their bodies with several degrees of significance. For them, the body is part of a wide ritual that connects them to god, to tradition, to the social community. Could it be that artists are trying to recapture that ritual importance of our material bodies? And should we say that they are leading the process of liberating human beings from the long traditional antagonism body/soul? An event dealing with the “ Image-body “ subjet would not be complete without the inclusion of a selection of works specifically dealing with videodance. Videodance can be understood as a dialogue between dance and video, giving birth to an artistic work where this two languages merge. It is clearly a form of artistic expression that exists in the video and for the video, setting itself up as the materialization of a thought that integrates in simultaneous the ideas of the choreographer and of the video producer. Thus being, videodance is a hybrid work, that does not allow the distinction between the video and the choreography.
O Transnatura Videolab 2007 prossegue a sua programação com 4 novas propostas para os próximos dias 6, 7, 8 e 9 de Junho.
As sessões terão lugar no Jardim Botânico da Universidade de Coimbra, pelas 21H30.
(6 de Junho) - "IMAGEM-PENSAMENTO"
"Zizek" de Astra Taylor – apresentação por Jacinto Godinho
(7 de Junho) - "IMAGEM CORPO" | "Corpo Transmutado"
(intro) "Loud A nd Clear" | DIETMAR KRUMREY (EUA)
"Ornamental" | ANNA CHIARETTA LAVATELLI (EUA)
"Words as Adornments" | NATHANIEL WOJTALIK (EUA)
"Love [Me] Tender" | MARY BOGDAN (Canadá)
"Kip Masker" | MARIA PETSCHNIG (Áustria)
"Entitled As" | ARZU OZKAL TELHAN (TURQUIA)
"Mother's Milk" | AMELIA WINGER-BEARSKIN (EUA)
"Packaged Goods" | LEAH MEYERHOFF (EUA)
"Gender Bender Hallo" | ALISON WILLIAMS (África do Sul)
"Nothingness" | ARZU OZKAL TELHAN (Turquia)
(8 de Junho) - "IMAGEM-PENSAMENTO"
"La Société du spectacle" de Guy Debord – apresentação por José Pinto
(9 de Junho) "IMAGEM-PENSAMENTO"
"Deleuze – C(h)i pensa il cinema?" Curso em Vincennes – apresentação por José Gil
Para consultar programação completa aceder a:
Próximas sessões:
(15 de Junho) "Foucault par lui-même" de Philippe Calderon e François Ewald – apresentação por Fernando Cascais
(16 de Junho) "Cremaster 3" de Matthew Barney – apresentação por José A. Bragança de Miranda
buy one of my prints from the Love [ME] Tender series
click here
Mammography that will help you to find a breast cancer for women's when they don't have any symptoms. www.medicalimagingofgrapevine.com/services.html
This is a view of the ice rink at Bryant Park with the buildings surrounding and the reflection of the reception crowd at the Spencer Tunick screening of positively+naked.
Members of the public watching a film outdoor as a part of Edinburgh International Film Festival in St Andrew Square. Edinburgh on 22/08/22
Pic: Pako Mera
Sonam Kapoor, Aayushman Khurana & Jaey Gajera at Yash Raj Films Studio for the Special Screening of Bewakoofiyaan.
More Detail's on Blog : jaeygajera.tumblr.com/
#Bewakoofiyaan #YashRajFilms #NupurAsthana #AdityaChopra #HabibFaisal #AyushmannKhurrana #SonamKapoor #RishiKapoor #RaghuDixit #Bollywood #Bewakoofs #Mumbai — at Yash Raj Studios , Mumbai
ID number: 084928
Photographer: Unknown
Place: Kairi, Queensland
Members of the Mobile Cinema Unit prepare the film prior to a pre-release screening of “The Rats of Tobruk”.
Rights Info: No known copyright restrictions.
This photograph is from the Australian War Memorial's collection www.awm.gov.au
Persistent URL: www.awm.gov.au/collection/084928/
Cancer screening camp
Please feel free to visit www.flickr.com/photos/trinitycarefoundation/albums to know about healthcare projects implemented by Trinity Care Foundation. trinitycarefoundation.org/
To partner or associate for Corporate Social Responsibility (CSR), Write to – support@trinitycarefoundation.org
A free screening of CRSHD, a feature film by Emily Cohn '17, was shown at the Apollo theater in Oberlin followed by a Q&A session with Cohn and cast members. The film premiered at the Tribeca Film Festival in April.
Photo by Michael Hartman
Dental Screening india
Please feel free to visit www.flickr.com/photos/trinitycarefoundation/albums to know about healthcare projects implemented by Trinity Care Foundation. trinitycarefoundation.org/
To partner or associate for Corporate Social Responsibility (CSR), Write to – support@trinitycarefoundation.org
Mingle Media TV and Red Carpet Report host Ine Iversen were invited to cover the premiere screening of Amazon Studios' First Original Hour-Long Drama Series, Bosch, at Hollywood’s Cinerama Dome and stay for the screening and after party.
All ten episodes will be available to stream on Friday, February 13 only on Amazon Prime Instant Video in the US, UK and Germany.
Get the Story from the Red Carpet Report Team, follow us on Twitter and Facebook at:
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About Amazon Studios’ Bosch
Based on Michael Connelly’s internationally best-selling Harry Bosch book series with nearly 50 million copies sold,Bosch follows relentless LAPD homicide detective Harry Bosch as he pursues the killer of a 13-year-old boy while standing trial in federal court on accusations that he murdered a suspected killer in cold blood. Primarily based on elements from Connelly’s books City of Bones (2002), The Concrete Blonde (1994) and Echo Park (2006), Bosch’s investigation takes on a life and death urgency when a killer who has confessed to the boy’s murder escapes custody and begins a murderous rampage across Los Angeles. He and the killer are locked in a cat and mouse game, with the killer taunting Bosch as the investigation turns deeply personal. The case unearths Bosch’s buried past as well as entangling his ex-wife and 14-year-old daughter. The season takes the viewer through back streets and neighborhoods of Los Angeles rarely seen on-screen.
www.amazon.com/Chapter-One-Tis-the-Season/dp/B00I3MMLHC
About Amazon Studios
Amazon Studios launched in 2010 as a new way to develop feature films and episodic series—one that’s open to great ideas from creators and audiences around the world. Last year Amazon Studios launched its first two prime time series, Alpha House and Betas, and recently debuted its first three children’s series, the Annecy International Animated Film Festival Award-winning Tumble Leaf from Bix Pix Entertainment, as well as Creative Galaxy from Angela Santomero, the creator of Blue’s Clues, and Annedroids, from Emmy nominated Sinking Ship Entertainment. Amazon Original Series are available exclusively to Prime members through Prime Instant Video. For more info, visit www.amazonstudios.com
For more of Mingle Media TV’s Red Carpet Report coverage, please visit our website and follow us on Twitter and Facebook here:
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Follow our host Ine on Twitter at twitter.com/IneBackIversen
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November 7, 2018 at 7:00pmtil 9:00pm at George Orwell Pub
A curated series of national and international artists’ shorts reflecting the festival theme of Lifespans including future of visions of AR, the start of a revolution, and the future of dance.
Featuring Gina Czarnecki, Jeremy Bailey, Floris Kaayk, Francois Knoetze, Mike Pelletier, Benny Nemerofsky Ramsay, Liat Berdugo and Emily Martinez, Keiichi Matsuda, Bex Ilsley, Mary Maggic Tsang.
Full screening notes:
Gina Czarnecki, Infected (2001) 8 mins.
Infected is a film about the nature of the physical body in the context of future technological possibilities, seen through dance and digitally manipulated imagery. The new bio-engineered body is still an sexual, organic, stark, brutal, pounding system. It is beautiful, repulsive, indulgent, curious, emotional, un/controlled, breeding, changing… Is this a futuristic vision of the human body infiltrated and changed, ‘infected’ by biotechnology? Or is the reverse happening? Is the human body, the warm-blooded body of sinews and emotions, corrupting the ‘pure light’ of technology? Infected features Scottish dance artist, Iona Kewney, and a specially commissioned score by Fennesz.
Floris Kaayk, The Order Electrus (2005) 7 mins. 35 sec.
The Order Electrus is a fictional documentary which shows Floris Kaayk’s imaginary world of industrialised nature, situated in a derelict area of the Ruhr in Germany. Due to overcapacity in production systems, many factories in Germany were forced to close down. Over the course of many years these derelict industrial areas became a breeding ground for an electrical insects species, also called the Order Electrus. These insects evolved through the merging of nature and technology.
Mike Pelletier, Still Life (2017) 4 mins. 7 sec.
“This animation combines my interest of contemporary technological forms with the more classical form of still life painting. What attracts me to still life paintings is how the paintings can study the form of their subject but also reveal much about how they are made. The quality and materiality of paint exist on equal footing with the study of light, color and form. I took inspiration from the term “still life” itself, by focusing on the idea of stillness. I also took inspiration from how the term is expressed in French as “Nature Morte,” which can be literally translated to dead nature. In this animation the stillness, unnaturalness and deadness of these virtual objects becomes the focus of the piece.”
Liat Berdugo and Emily Martinez, Making You (2016) 7 mins. 32 sec.
“Anxious to Make is the collaborative practice of Liat Berdugo and Emily Martinez, two commissioning bodies. Our focus is on the so-called “sharing economy” and the contemporary artists “anxiety to make” in the accelerationist, neoliberal economic landscape. While Anxious to Make’s physical existence takes many shifting forms, it often manifests as a series of video commissions, downloads, online generators, workshops, net art interventions, and sweepstakes. Anxious to Make believes in absurdist extremes as way to examine contemporary realities. Our work has appeared recently in The Wrong Biennale, Transmediale (Berlin, DE), Yerba Buena Center for the Arts, MoMA PS1, V2_ Institute for the Unstable Media, WRO Media Art Biennale and The Luminary (St. Louis, MO).”
Keiichi Matsuda, Hyper-Reality (2016) 6 mins. 15 sec.
Our physical and virtual realities are becoming increasingly intertwined. Technologies such as VR, augmented reality, wearables, and the internet of things are pointing to a world where technology will envelop every aspect of our lives. It will be the glue between every interaction and experience, offering amazing possibilities, while also controlling the way we understand the world. Hyper-Reality attempts to explore this exciting but dangerous trajectory. It was crowdfunded, and shot on location in Medellín, Colombia, and presents a provocative and kaleidoscopic new vision of the future, where physical and virtual realities have merged, and the city is saturated in media. It is the latest work in an ongoing research-by-design project by Keiichi Matsuda.
Francois Knoetze, Core Dump (2018) 11 mins. 45 sec.
Core Dump explores the place of screens in global and localised politics and history, looking specifically at the contradiction of Silicon Valley’s techno-utopianism and its impact on the low-tech manufacturing bases of Africa. The project comprises a series of performances, projection-mapping video installations, and interviews that draw from audiovisual archives, early African cinema and the daily life of the cities of Dakar and Kinshasa. These two cities represent both the origin points of mineral extraction for materials used in the production of technology, and the end points at which certain African countries become dumping grounds for electronic waste from Europe and the USA which is then often repaired, re-purposed and reused. In contrast to the spectacle of technological singularity and the Western myth of progress, Core Dump considers the connections, disruptions and contradictions inherent in these ideas, through conflicting designations of value and waste.
Bex Ilsley, Codex (2016) 3 mins. 30 sec.
Bex Ilsley is an artist based in Coventry. Her practice explores the nature of body and personality in virtual, physical, and psychological spaces. Fantasy, performativity, objecthood and paradox are used as a lens through which to examine the authenticity of these structures. Codex was filmed in April 2016 in Grand Rapids, Michigan, USA, on The Moon, a multidisciplinary arts space. It was produced In collaboration with Los Angeles based videographer Bokeh Monster and INTERSPACE, a student arts organisation from Kendall College of Art and Design. The film is a re-interpretation of a specific illustration from Luigi Serafini’s 1981 book Codex Seraphinianus, updated as a music video for the social media age. Music: King Gizzard & The Lizard Wizard – ‘Work This Time’
Jeremy Bailey, Transhuman Dance Recital (2007) 6 mins. 29 sec.
“From this point forward I dedicate myself to finding better ways for humans to dance.” – Famous New Media Artist Jeremy Bailey
Mary Maggic Tsang, Egstrogen Farms (2015) 1 min.
Egstrogen Farms is a tactical media project that addresses the domestication of women’s reproductive abilities by the biotech industry, including hormonal therapies in the assisted reproductive technology (ART) sector. Presented as a fictional company, a parodic diversion of exchanges between species, Egstrogen Farms markets genetically modified eggs that produce a “cocktail of gonadotropins” to allow women to ovulate as frequently as chickens do. Inspired by the work of collectives such as subRosa or Critical Art Ensemble, Egstrogen Farms delivers a critique on the current commercialization of reproduction and expands the symbol of the egg as a therapeutic, nutritional and reproductive matrix.
Benny Nemerofsky Ramsay, A Short History of My Art Practice (2016) 15 mins. 17 sec.
In answer to the question, what is it that you do? – perennially asked of contemporary artists – Nemerofsky summarises fifteen years of professional practice in fifteen minutes, describing and re-embodying key artworks in his sound- and video-centric work.
Image Credit: Kathryn Rattray Photography
A reception and screening of the film ‘Drawn to War’, a documentary about the life of British artist Eric Ravilious, whose artwork often drew inspiration from his wartime surroundings. Roger Readwin provided brief remarks
and introduced Dame Diane Lees.
The immersive multi-media exhibition at the ArtScience Museum, Marina Bay Sands during SingPop! 60 Years of Singapore Pop Culture.