View allAll Photos Tagged SYMBOLIZE
There are certainly countless motifs that can be used to symbolize the new beginning of a year. A sunrise outside in nature (in this case on the Hoher Schneeberg in the Elbe Sandstone Mountains) is my favorite.
In both cases we are on a path that leads us into a new phase of life. A path that is only known to us to a certain extent and where a big surprise (or challenge) can be waiting for us around the next bend.
Now you could object that a day is just a day and in comparison a year must be much more significant. I would like to show you why I don't quite see it that way.
On the one hand, this assessment is based on our standards, which are based on a human life. If we look at it from the perspective of the lifespan of the universe, a year is just as insignificant as a day (basically the effects of neither are noticeable).
On the other hand, a single day, a single decision is enough to fundamentally change our own world in every conceivable direction.
So what if we didn't wait for a specific date every year to realize where we want to go, but could use every single day of the year to do so?
Our creative possibilities would increase many times over and we would have so much more room for directional corrections. We could learn, try things out and gain experience without having to ask the fundamental question every time.
With this in mind, I wish you all a good start and an exciting and fulfilling journey.
Because today is the first day of the rest of all of our lives.
Es gibt ganz sicher unzählige Motive, mit denen man den Neubeginn eines Jahres symbolisieren kann. Ein Sonnenaufgang draußen in der Natur (in diesem Fall auf dem Hohen Schneeberg im Elbsandsteingebirge) ist mein Favorit.
In beiden Fällen befinden wir uns auf einem Weg, der uns in einen neuen Lebensabschnitt führt. Ein Weg, der uns nur bis zu einem gewissen Grad bekannt ist und auf dem hinter der nächste Kurve eine große Überraschung (oder auch Herausforderung) auf uns warten kann.
Jetzt könntet Ihr einwenden, dass ein Tag ja nur ein Tag ist und im Vergleich dazu ein Jahr doch viel bedeutender sein muss. Ich möchte Euch aufzeigen, warum ich das nicht ganz so sehe.
Zum einen fusst diese Einschätzung auf unsere auf ein Menschenleben ausgerichteten Masstäbe. Betrachten wir das ganze aus Sicht der Lebensspanne des Universums ist ein Jahr genau so unbedeutetend wie ein Tag (im Grunde sind die Auswirkungen beider nicht spürbar).
Andererseits genügt ein einziger Tag, eine einzige Entscheidung um unsere eigene Welt grundlegend zu verändern und das in jede nur denkbare Richtung.
Wie wäre es also, wenn wir nicht jedes Jahr auf ein spezielles Datum warten würden um uns bewusst zu machen, wohin wir gehen wollen, sondern dafür jeden einzelnen Tag des Jahres nutzen könnten?
Unsere gestalterischen Möglichkeiten würden um ein vielfaches steigen und wir hätten so viel mehr Raum für Richtungskorrekturen. Wir könnten lernen, probieren und Erfahrungen sammeln ohne jedes Mal die Grundsatzfrage stellen zu müssen.
In diesem Sinne wünsche ich Euch allen einen guten Start und eine spannende sowie erfüllende Reise.
Denn heute ist der erste Tag vom Rest unser aller Leben.
more of this on my website at: www.shoot-to-catch.de
Traditionally Armenians dye Easter hard-boiled red eggs by using the skin of red onions, and then draw bright gold crosses over the coloured eggs symbolizing, the red blood of Christ, of life and fertility. Just like other Christian Orthodox faithfuls, Armenians also have their traditions surrounding this festivity. Cracking eggs which take place before Easter lunch. The breaking begins when each guest plays, holding one egg tightly in their right hand and hitting the tip of the one next to them with the tip of the egg, saying : “Krisdos haryav i merelots" meaning: “Christ is risen from the dead!” and the others answer, “Orhnyal e harutyun’ Krisdosi” meaning: “Blessed is the Resurrection of Christ!” the diners proceed in this way, making the eggs collide between all the guests while the last one, breaks on his forehead. A custom that would like to recall in a popular interpretation a particular moment of the mystery of the resurrection: As written in the Gospels, since it was Saturday, the disciples were unable to adequately embalm the body of the crucified Christ, so that early on Sunday morning, the women went to the tomb hoping to complete the burial, but were surprised to see that the stone in front of the tomb had been broken. When they entered the tomb, they saw the empty shroud and the angel of the Lord told them: Jesus is not there. He is risen! On Easter Sunday, that breaking of eggs is not only a tradition but also a treasure chest of symbols: the shell recalls resurrection, while the white symbolizes the burial shroud and after removing the latter reveals the yolk, which is the gift of the golden joy of hope and life!
Boyacá's bridge. Monument and puente built in place of the battle, re-fitting the original puente.
Monument to Simon Bolivar, puente de Boyacá, Colombia.
The Boyacá Bridge is one of the most important battlefields in contemporary Colombian history. And on August 7, 1819 and contrary to all possibilities, Simón Bolívar's armies defeated the Spanish troops released by General José María Barreiro, sealing Colombia's independence,
Several monuments were erected at the battlefield site. The central point is the Bolivar Monument, an 18-meter-high sculpture topped by the statue of the Colombian hero and accompanied by five angels symbolizing the so-called Bolivarian countries liberated by Bolivar: Venezuela, Colombia, Ecuador, Peru and Bolivia. Near the place, an eternal flame burns in honor of Bolivar.
The Puente de Boyacá, which gives its name to the battlefield and which Bolivar's troops crossed to fight the Spanish, is just a simple, small bridge that was rebuilt in 1939.
The battlefield is on the main road from Yunja to Bogota, 15 km south of Tunja.
Peace Pagoda, also known as the Japanese Peace Pagoda or Shanti Stupa, located in Darjeeling
It houses four gold-polished statues of Buddha.
The site is a beacon of calm and a testament to the pursuit of peac
The Sphere Within Sphere, also known as Sfera con Sfera, is a series of sculptures created by Italian sculptor Arnaldo Pomodoro depicting an enormous metal sphere with a cracked surface revealing an intricate interior with another cracked sphere inside.
Arnaldo Pomodoro says that the inner ball represents the Earth and outer ball represents Christianity. The design of the internal layers which look like the gears or cogwheels of a complex machine symbolizes the fragility and complexity of the world.
This sphere is at Trinity College in Dublin Ireland but it can be found at other prime location around the world. Originally created for the Vatican Church in the 1960s, also at the Headquarters of the UN in New York, The Christian Theological Seminary in Indianapolis, USA, The Tehran Museum of Contemporary Art, the Columbus Museum of Art in Columbus and the Tel Aviv University in Israel, to name a few.
„The Bishop’s Gate” and „ The New Gate” are the names under which the 4th gate of the Alba Iulia Citadel was known in the past. The monument has the shape of a vaulted corridor that pierces the wall between two of the citadel’s bastions: the Trinitarians and Saint Michael, and it is placed on the western end of the main road that crosses the citadel. It is the only richly decorated gate from the three on the western side of the fortification.
The opening of the gate is limited by two statues technically named „atlants”, representing two mature bearded men, wrapped in cloaks that partially cover their nakedness. The median quoin of the gate’s arch presents a mask symbolizing Wrath. The triangular spaces with a curved long side, placed above the access way, are decorated with masks, quivers, shields, swords, spears, halberds, musical instruments.
A flag displays the monogram of the Vienna emperor under whose rule the citadel was built, Charles 6th, that is to say two opposite „C” letters, the initials of „ Carolus Caesar” and the Roman number „VI”. On the left part by the gate opening, above a helmet, a fantastic animal can be seen, some sort of a gryphon, with the body of a lion, snake tail and eagle wings. In the central part of the monument we can see the symbol of Austria – the double-headed eagle. The raptor bird has imperial crowns on its heads. In the past, the Gate had a practical role: it ensured the exit of the soldier towards the training field. The gate, a valuable monument of baroque art in Transylvania, was given back to the touristic circuit in 2007.
Signposts symbolize choices, direction, or guidance on life's path. Faced with choices...
Two signposts create a balanced yet detached composition brimming with philosophical reflection...
Photographed by Liu -wanching in Taiwan, Republic of China, 2014
🌸
路標象徵著選擇、方向或人生道路的指引，面對選擇......
兩個路標，形成一種平衡而又疏離的構圖，充滿哲思感.....
劉浣青 2014年攝於中華民國台灣
Clouds symbolize the veils that shroud God.
- Honore de Balzac
This beautiful hawk was sitting in the top of a tree when I first saw him. My lens was not long enough to get a good capture so I was about to leave when he decided to put on a beautiful show for me.
Own image 1948
The Zuni beaver fetish symbolizes th power of working and attaining a sense of achievement as a builder. It also symbolizes family. Carved from brown jasper with turquoise eyes. artist unknown.
Focus stack (11 images). Shot with two off-camera strobes (Godox AD200/Godox XPro II L). Flash A placed behind velum screen, modified with MagMod MagSphere and blue filter to provide background. Flash B mounted on overhead boom, bare bulg, bounced off 32 inch white umbrella, slightly in front of subject.
The three fetishes are approximately 20-22mm in length. Field of view is 69mm wide x 35mm high.
The blooming of cherry blossoms (sakura) at Shinto shrines, such as Fushimi Inari Taisha, is far more than spring decor—it embodies core Shinto ideals. Their fleeting bloom symbolizes mono no aware, a Japanese aesthetic concept (influenced by Buddhism but embraced in Shinto practices) that finds beauty in impermanence. This transience reminds us that nothing in life is eternal, yet its temporary nature holds profound value. In the brief life of each flower lies a lesson: to cherish the present and honor beauty that exists only in fleeting moments.
Spring’s cherry blossoms also mirror Shinto themes of renewal. As the season marks new beginnings, the blooms align metaphorically with purification rituals (harae) that cleanse the old to welcome the new. While Shinto purification formally uses water, salt, or paper streamers (shide), the sakura’s cyclical rebirth echoes this spiritual refreshment, reflecting nature’s endless cycle of death and regeneration.
In Shinto, cherry trees are not worshipped like shinboku (sacred trees such as cedars or cypresses, which house kami or spirits). Yet their blossoms, with their ethereal beauty, evoke the belief that kami dwell in all nature. Though not objects of direct veneration, sakura act as bridges between the human and divine. During hanami (flower viewing), their fragile splendor invites quiet reflection, gratitude, and awe for the interconnectedness of life.
Hanami, then, transcends mere aesthetic celebration. It becomes a meditative practice—an acknowledgment of life’s fragility and a tribute to nature’s wisdom. In their short-lived glory, cherry blossoms teach us to embrace impermanence, respect the natural world, and recognize the sacred in every season.
Scientific Classification:
Kingdom: Plantae
Clades: Tracheophytes, Angiosperms, Eudicots, Rosids
Order: Rosales
Family: Rosaceae
Genus: Prunus
Subgenus: Cerasus
Fushimi Inari Taisha, Fushimi-ku, Kyoto, Japan
Not the most detailed shot, but still I chose this one to end this series of American Avocets for two reasons. First I think the flying away symbolizes the end, and secondly it is a stepping stone to the next set of shots I will post that were taken the same evening under some really great light.
Earlier when I saw that the light may be nice, I quickly headed to Elk Island in hopes of getting a particular shot that I had imagined. The image that I was going to try to get would have been a backlit shot looking into the sun in order to get a silhouette type shot with rim lighting accentuating an outline of their graceful curves. Not asking for too much, eh? Well it never happened. The beach still had many visitors and there were only two Avocets, both of which were packing it in for the night and flew away upon my arrival near the beach allowing me only a couple of quick unprepared shots, this being the best of them. I hung around a short while thinking they may return, but they didn't, likely leaving to join the rest of their friends who were no where in sight.
Not the magical image I had imagined, but all in all I am still quite happy with it, plus the outing furnished me with a bunch of other shots that I am thrilled with. So often the case, plan for one thing and come home with something completely different.
What do white flowers symbolize?
They generally symbolize pure and heavenly feelings, peace, humility, appreciation, innocence, and sincerity. Giving white flowers symbolically brings lightness and brightness to the recipient's life.
Que symbolisent les fleurs blanches?
Elles symbolisent généralement des sentiments purs et célestes, la paix, l'humilité, la reconnaissance, l'innocence et la sincérité. Offrir des fleurs blanches apporte symboliquement légèreté et éclat à la vie de celui qui les reçoit.
Cosa simboleggiano i fiori bianchi?
Sono generalmente simbolo di sentimenti puri e celesti, di pace, umiltà, apprezzamento, innocenza e sincerità. Regalare dei fiori bianchi significa simbolicamente portare leggerezza e luminosità nella vita di chi li riceve.
These flowers symbolize beauty, charm, and grace. Secondly, they represent spring, new life, new beginning, or birth. The plumeria stands for both, creation and recreation. It also stands for paragon or flawlessness.
Thank you all for your faves and comments, which make me want to continue my modest contribution to sharing with all of you❤️
Daffodils are said to symbolize friendship but also new beginnings. They are one of the first signs of Spring and are also strongly associated with Easter because of this reason. In China, the daffodil symbolizes good fortune and they are the official Chinese New Year symbol.
Asters symbolize
Patience
Love of Variety
Elegance
Daintiness
Afterthought (or the wish things happened differently)
I wanted to know more so I did a little research and found this lovely little tidbit!
"According to Greek mythology, when the god Jupiter decided to flood the earth to destroy the warring men, the goddess Astraea was so upset she asked to be turned into a star. Her wish was granted, but when the flood waters receded she wept for the loss of lives. As her tears turned to stardust and fell to earth, the beautiful aster flower sprung forth."
Cherry blossoms (sakura) embody profound and often contrasting meanings. Primarily, they symbolize the fleeting nature of life, as their vibrant beauty peaks briefly before the petals fall and wither. This ephemeral quality also ties them to themes of both life and death: they herald spring’s renewal yet serve as a reminder of mortality.
In Japanese culture, cherry blossoms are deeply symbolic, appearing in art, literature, and film. Historically, they mirrored the short but intense lives of samurai, who adhered to bushido (a code of honor, discipline, and fearlessness). Fallen petals were likened to warriors’ sacrifices. During WWII, kamikaze pilots painted sakura on their planes to represent dying “like falling blossoms” for the emperor.
Rooted in folk beliefs, sakura were once tied to agricultural fertility. The term sakura may derive from sa (rice paddy deity) and kura (a deity’s seat). People believed mountain spirits, later revered as rice gods, dwelled in cherry trees. This led to spring pilgrimages to worship them.
The tradition of Hanami (flower viewing) originated as rituals to pray for bountiful harvests, with offerings made beneath blooming trees. Today, it is a festive spring gathering where people picnic, sing, and celebrate under sakura.
Scientific Classification:
Kingdom: Plantae
Clades: Tracheophytes, Angiosperms, Eudicots, Rosids
Order: Rosales
Family: Rosaceae
Genus: Prunus
Subgenus: Cerasus
Iidabashi, Chiyoda, Tokyo, Japan
This photo was taken during my first days in Japan, coinciding with the peak of spring blooming — a serendipitous welcome to the country’s iconic season.
This card symbolizes leadership, power, and authority. It's the fourth card in the Major Arcana, a set of important cards in tarot readings. The Emperor often represents a mature figure seated on a throne or a soldier holding a shield and sword. This card signifies responsibility, courage, and intelligence.
Autumn possesses the most beautiful, vibrant and rich colors of the year. From the fiery oranges and reds of the maple and oak trees to the dark greens of the conifers, there's just something special about the colors of autumn that makes them stand out above all the rest.
This [HDesign] Leaves (Chest Tattoo) literally takes the beauty of this season to heart symbolizing it with its beautiful maple-leafed heart shaped wreath. This new [HDesign] Leaves (Chest Tattoo) comes available in 60%, 70%, 80%, and 90% variant graduations.
To complement these Autumn colors, I am wearing [Miamai] Silvana Look Eyeshadow, Liner, and Lips (Evox). I finished my cosmetics with [Pink&Love] Oh My Autumn Lashes EvoX.
You can find all of these items at the SWANK November Sales Event.
Taxi to SWANK November Sales Event:
A tengu mask in Japanese culture symbolizes protection, wisdom, and a connection to mountain spirits, but also the duality of good and evil, arrogance and cunning. It is used in rituals, dances, and theaters such as Noh and Kabuki to represent the multifaceted nature of the mythological creature, the tengu, which is half human, half bird and often possesses a long red nose and wings.
photo rights reserved by B℮n
Few cities in the world capture the imagination as much as Bangkok. Ornate palaces that host royal processions, Buddhist temples that witness monks chanting ancient temples, canals that lead to a maze of water markets, night bazaars that never sleep - have long proved a powerful magnet for travelers. The Marble Temple, also called Wat Benchamabophit, is a Buddhist temple in Bangkok, Thailand. Built of white marble, it is one of the most modern temples in Bangkok. It is also known as the Marble Temple because of the large amount of white marble used in its construction. The temple was built in the late 19th century and is a good example of later Thai architecture. The temple is also unique in that it is a mixture of Thai and European styles. It also contains many beautiful statues of Buddhist gods and saints. The Marble Temple is one of the few temples in Bangkok that is not run by the government. It is managed by a group of monks who live and work there. The temple also has a beautiful garden with many exotic plants and trees. There is also a beautiful large gong in the temple where visitors can strike for good luck. The stained glass window in the Marble Temple in Bangkok is a beautiful example of the Thai art of stained glass. Visitors often come to the temple to meditate or offer prayers. There is also a small museum in the temple where visitors can learn about the history and cultural values of the temple.
The Marble Temple in Bangkok contains several statues of Buddhas, including a beautiful large statue of Luangpho To, the main Buddha in the temple. In the main wihan - prayer room you can find the stained glass window. This window in the Marble Temple in Bangkok is a beautiful example of the Thai art of stained glass. The window is part of the temple, which was built in 1899 in a European neo-classical style. The stained glass window is incorporated into the facade of the temple and can be seen from the courtyard. The window is made of clear glass and contains beautiful colorful images of Buddhist figures and symbols. These images represent Buddhist teachings and symbolize the spiritual journey of man. The window is one of many artworks in the temple that reflect Thailand's rich cultural heritage. he stained glass window is a must-see for visitors interested in Thai culture and art. The temple is also an important spiritual center for the local people and is often visited by worshipers who pray and meditate.
De Marble Temple, ook wel Wat Benchamabophit genoemd, is een boeddhistische tempel in Bangkok, Thailand. Het is gebouwd van wit marmer en is een van de meest moderne tempels in Bangkok. Het is ook bekend als de Marmeren Tempel vanwege de grote hoeveelheid wit marmer die is gebruikt in de bouw. De tempel is gebouwd in de late 19e eeuw en is een goed voorbeeld van de latere Thaise architectuur. De tempel is ook uniek omdat het een mengeling is van Thaise en Europese stijlen. Het bevat ook vele prachtige beelden van boeddhistische goden en heiligen.
De Marble Temple is een van de weinige tempels in Bangkok die niet wordt beheerd door de overheid. Het wordt beheerd door een groep monniken die er wonen en werken. De tempel heeft ook een prachtige tuin met vele exotische planten en bomen. Er is ook een prachtige grote gong in de tempel waar bezoekers kunnen slaan voor geluk. Bezoekers komen vaak naar de tempel om te mediteren of om gebeden te doen. Er is ook een klein museum in de tempel waar bezoekers kunnen leren over de geschiedenis en de culturele waarden van de tempel. De Marble Temple bevat verschillende beelden van boeddha's, waaronder een prachtige grote beeld van Luangpho To, de hoofdboeddha in de tempel. in de belangrijkste wihan - gebedsruimte van de tempel is een prachtig glas-in-lood raam. Dit raamwerk n de Marble Temple in Bangkok is een prachtig voorbeeld van de Thaise kunst van glas-in-lood. Het raam is een onderdeel van de tempel, die in 1899 werd gebouwd in een Europese neo-classicistische stijl. Het glas-in-lood raam is opgenomen in de gevel van de tempel en is te zien vanaf de binnenplaats. Het raam is gemaakt van helder glas en bevat prachtige kleurrijke afbeeldingen van boeddhistische figuren en symbolen. Deze afbeeldingen vertegenwoordigen de boeddhistische leer en symboliseren de spirituele reis van de mens. Het raam is een van de vele kunstwerken in de tempel die de rijke culturele erfenis van Thailand weerspiegelen.
Het glas-in-lood raam is een must-see voor bezoekers die geïnteresseerd zijn in de Thaise cultuur en kunst. De tempel is ook een belangrijk spiritueel centrum voor de lokale bevolking en wordt vaak bezocht door gelovigen die bidden en mediteren.
Let's slowly move on to the photos from my trip to Thailand that I'm particularly proud of and particularly happy about.
Here you can see the Odeon circle with the Chinese gate in the middle. Built in 1999 by the city's Chinese residents in honor of King Bhumibol's 72nd birthday, this gate symbolizes the entrance to Bangkok's Chinatown. The tower in the background belongs to the Buddhist temple "Wat Trai Mit Witthayaram Worawihan".
On both sides there is the inscription "Gate of Commemorates the 6th Cycle Anniversary of his majesty the King's Birthday" in Chinese and Thai.
Fortunately, there is a parking garage right next to this traffic circle, from the top floor of which this perspective is possible (if you made it to the top without a circulatory collapse).
I would have liked to experiment a little longer with different exposure times. But the parking garage attendant, who had let me in after paying a small donation, was already standing behind me at this point, waiting for me to disappear again.
But nonetheless, I love this photo the way it turned out.
Kommen wir langsam zu den Fotos meiner Reise nach Thailand, auf die ich besonders stolz und über die ich besonders glücklich bin.
Hier seht Ihr den Odeon Kreis mit dem chinesischen Tor in der Mitte. Dieses Tor wurde 1999 von den chinesischen Bewohnern der Stadt zu Ehren des 72. Geburtstages von König Bhumibol erbaut und symbolisiert den Eingang nach Chinatown von Bangkok. Der Turm im Hintergrund gehört zu dem Buddhistischen Tempel "Wat Trai Mit Witthayaram Worawihan".
Auf beiden Seiten findet sich die Inschrift "Tor zur Erinnerung an den 6. Jahrestag des Geburtstags seiner Majestät des Königs“ in Chinesisch und in Thai.
Glücklicherweise gibt es direkt neben diesem Kresverkehr ein Parkhaus von dessen oberster Etage (wenn man es ohne Kreislaufzusammenbruch bis nach oben geschafft hat) diese Perspektive möglich ist.
Ich hätte hier gern noch etwas länger mit verschiedenen Belichtungszeiten herum experimentiert. Doch der Parkhauswächter, der mich gegen de Zahlung einer kleinen Spende, hereingelassen hatte, stand zu diesem Zeitpunkt schon hinter mir und wartete darauf, dass ich wieder verschwinde.
Doch nichtsdestotrotz liebe ich dieses Foto auch so, wie es geworden ist.
more of this on my website at: httpo://www.shoot-to-catch.de
MR SL ♛ Ireland chose to represent Dracula, one of the best known evil characters in movies and literature. The colour red, symbolizing blood, a vital fluid for all vampires, is shown throughout his styling from the monogamous brooch from Finesmith, the skeleton bracelet from Noche and notably the Noble Tailcoat from Contraption. As a nocturnal creature, MR SL ♛ Ireland has added the Spine fragments from Cerberus Crossing and the Real Evil Striker Rings and Claws to his ensemble. To complete Dracula, MR SL ♛ Ireland is wearing the QutWorld, Visage and Orion Salvadori makeup with the Something Wicked hair from Exile.
Props
Silent Stone Graveyard-Tomb
The Looking Glass-Enchanted Gazebo-arches
Death Row Designs-Bloodcroft Castle-Chandelier
Death Row Designs Bloodcroft Castle- Side Table
Rune Magic-Gothic Candles Altar
MedievalFantasy- Vampire floor Candelabra Candles Holder
Pose-Markski_flirt_P3_Pose
Style Card
Contraption- Deck Crew Johpurs w/boots
Contraption-Noble’s Tailcoat
Exile-Something Wicked Hair
Accessories- Real Evil-Striker Rings and Claws
- Finesmith-Monogamous Brooch
- Noche-Skeleton Hand Bracelet
- CerberusXing-Spine Fragments
Swallow-SnowQueen Gems
Make Up- Visage-Makeup Set Vampire
-OutWorld-Wampire Fangs
-Orion Salvadori-Make Tattoo Halloween
The overlay of circles symbolizes the strong bonds that connect generations of Norwegian emigrants to America to their roots and to their family members who stayed behind. The flames represent energy and search for the new as they dissolve into the vast emptiness of the sky.
The acorn, symbolizing potential and growth, stands isolated amidst the encroaching void, reflecting the futility of hope in a world overridden by decay. The blurred silhouette in the background amplifies the sense of detachment, underscoring the haunting reality of existence where dreams wither before they can bloom. This poignant piece starkly contrasts the fragility of life against the relentless march of entropy.
AI creation
A being with tentacles on its face, elegantly dressed, symbolizes the fusion of the strange and the sophisticated. Its presence stands out not only for its unusual appearance but also for its harmony with its surroundings: a melting chair reflects the fluidity of time, while a temple of crocodiles, imposing and mysterious, suggests a space where the ancient and the surreal coexist in perfect symmetry, challenging our perception of what is elegant and possible.
The style card and credits here
In collaboration with:
VILE / [Vile] - Destiny Bowl Chair @ new release and weekend offers.
MAZZARO / [Mazzaro] Elvis Set @ New item in Equal10
BESPOKE / BeSpoke - StarSpawn Cthulhu - set v1.0 - @ Disturbed Event, January 2025
KOKOS / RINGS- INFERNO-LEGACY @in main store
THE BEARDED GUY / Reptile Temple Backdrop PBR - The Bearded Guy @ in main store
To me, it certainly adds pizzazz to this Tori Richard storefront on busy Kalakaua Ave in Waikiki. Love the colour.
Design classic and symbol of the "dolce vita", the Vespa turns 70 on April 23, [2016] and Italy's most celebrated scooter is buzzing along nicely after tripling sales in the last decade. It was in Florence that the wasp-shaped two-wheeler was born, Enrico Piaggio having registered the patent in the Tuscan capital on April 23, 1946. Seventy years later, more than 18 million models have been sold. [...].
www.news18.com/news/auto/70-years-of-vespa-all-the-vespas...
A yellow striped Phalaenopsis ("moth") orchid blooming in my San Diego garden. Yellow orchids symbolize friendships and new beginning.
Flagged Red Spruce symbolize Dolly Sods and can be found in the bald meadows and along the Allegheny Front. The trees are characterized by the stunted growth on one side. At Dolly Sods, this is due to the harsh north-westerly prevailing winds.
#GOLDsChromatica
'Welcome to the World of Healing - Chromatica'
🍓"The beginning of the album 'Chromatica' symbolizes for me the beginning of my journey to healing. It goes right into this grave string arrangement, where you feel this pending doom that is what happens if I face all the things that scare me. That string arrangement is setting the stage for a more cinematic experience with this world that is how I make sense of things." ~Lady Gaga
~Attire:
Normandy - TURBO Bodysuit & Leg Cables
~Shoes:
Normandy - Glow Getas
~Hair:
Blupr/nt - "OYA" Curly Dreads
~Accessories:
CURELESS[+] Pygmalion's Bride Goddess Halo
Creatica - Animated Cell Shader Aura
Zibska - llona Headpiece, Collar & Orbits
Purple tulips symbolize royalty, luxury, and high regard. They are often associated with nobility, wealth, and elegance. Purple is also seen as a bold and admiring color, making it a statement gift.
Urban Bonds. A bicycle symbolizes the yearning for freedom and movement, yet its chain serves an anchor, tethering it—and us—to urban life. It embodies a delicate balance aspiration and constraint.
Cherry blossoms, known as sakura, symbolize the fleeting nature of life. They are stunning in full bloom but only last a few weeks before falling and withering away. This duality represents both life and death, beauty and violence. As spring brings new life, the blooming sakura exudes vitality, yet their short lifespan reminds us of life's transience.
Sakura is a prominent symbol in Japanese culture, appearing in art, film, poetry, and literature. Historically, they represented the brief, colorful lives of samurai, who lived by a strict moral code called bushido. Fallen cherry blossoms symbolized the end of a samurai's life.
During World War II, kamikaze pilots adorned their planes with sakura, symbolizing a beautiful, honorable death for the emperor. In Japanese folk religions, cherry blossom trees were associated with agricultural fertility, believed to be the dwelling places of deities who transformed into rice paddy gods.
The Hanami ritual celebrates the transient beauty of cherry blossoms. Known as "flower viewing," it involves gazing at the flowers, a practice that dates back to ancient times when farmers prayed and made offerings under the trees for a bountiful harvest. Today, Hanami is a beloved annual event where families and friends gather for picnics and parties under the cherry blossoms, enjoying food, drinks, and each other's company.
Scientific classification:
Kingdom:Plantae
Clade:Tracheophytes
Clade:Angiosperms
Clade:Eudicots
Clade:Rosids
Order:Rosales
Family:Rosaceae
Genus:Prunus
Subgenus:Prunus subg. Cerasus
Fushimi Inari Taisha, Fushimi-ku, Kyoto, Japan
A big thanks to everyone for your kind words about my exhibition. I appreciate your support of my work!!
Have a great weekend everyone!!
A note on the title: The koru is the Māori name given to the newborn, unfurling fern frond and symbolizes new life, growth, strength and peace. It is an integral symbol in Māori carving and tattoos. I had intended doing a dictionary entry for this but liked it better without the words.
May this giant leap symbolizes our progress in this "Happy New Year". A male Blackbuck (Antilope cervicapra) was moving fast with a majestic leap while crossing a path in its habitat. It was the perfect timing, highlighting the majestic streamline body of the antelope stretched beautifully in the action against a delightful smooth bokeh. Though the shot taken during a low light evening action, the composition have the charm to impress any Nature lover. Pics was taken from Tal Chhapar Sanctuary in Rajasthan, India.
The baptistery is an octagonal building that symbolizes the eighth day (octava dies), the time of Christ's Ascension. It symbolized eternal life, which is given by baptism. The style of the church served as a prototype for Leone Battista Alberti's construction of other Romanesque churches in Tuscany. The exterior is decorated with statues by Andrea Sansovino, Giovan Francesco Rustici and Vincenzo Danti.
The lotus flower symbolizes spiritual enlightenment, purity, self-regeneration, and rebirth. Its emergence from murky waters into beauty and glory has been seen as a metaphor for human life, in which difficult times can be overcome with resilience and dedication.
Thank you in advance, for any likes or comments. I appreciate your support.
Peace and light.
Geschichte
Das Denkmal gesehen von ei-nem Fens-ter des Arbeits-zimmers des Kai-sers
Das Monumentaldenkmal für den ersten österreichischen Kaiser Franz I. und letzten des Heiligen Römischen Reiches (Kaiser Franz II.) wurde auf Veranlassung von Kaiser Ferdinand I. von dem Bildhauer Pompeo Marchesi geschaffen. Die Grundsteinlegung fand am Jahrestag der Völkerschlacht bei Leipzig 1842 statt und die Enthüllung am 16. Juni 1846.[1]
Beschreibung
Es stellt den Kaiser auf einem achteckigen Pfeiler in antiker Gewandung dar. An den Seitenfronten des Pfeilers sind bronzene Reliefs angebracht, die die Tätigkeiten des Volkes darstellen. Flankiert wird der Pfeiler von vier Kolossalstatuen, die den Glauben, die Stärke, den Frieden und die Gerechtigkeit symbolisieren.
Story
The monument seen from a window of the Emperor's study
The monumental monument to the first Austrian Emperor Franz I and the last of the Holy Roman Empire (Emperor Franz II) was created by the sculptor Pompeo Marchesi at the request of Emperor Ferdinand I. The foundation stone was laid on the anniversary of the Battle of Leipzig in 1842 and the unveiling on June 16, 1846.[1]
Description
It depicts the emperor on an octagonal pillar in ancient garb. On the side faces of the pillar are bronze reliefs depicting the activities of the people. The pillar is flanked by four colossal statues symbolizing faith, strength, peace and justice.
Yesterday was the first Advent. And then I realized that the Christmas season ist just around the corner again. A time that should actually be marked by contemplation and love. Unfortunately, this period is often rather hectic and stressful.
So I thought to myself, there is still a little time. Let's treat ourselves to some lightness in the coming week.
This little dove's tail, as it seems to float weightlessly from flower to flower, is meant to symbolize that and carry it to you.
And maybe together we can manage to preserve a bit of this feeling over the Christmas season.
Gestern war der erste Advent. Und da wurde mir bewusst, dass wieder einmal die Weihnachtszeit vor der Tür steht. Eine Zeit, die eigentlich im Zeichen von Besinnlichkeit und Liebe stehen sollte. Doch bedauerlicherweise ist dieser Zeitraum oft eher hektisch und stressig.
Also dachte ich mir, es ist ja noch ein wenig Zeit. Gönnen wir uns doch in der komenden Woche etwas Leichtigkeit.
Dieses Taubenschwänzchen, wie es scheinbar schwerelos von Blüte zu Blüte schwebt, soll diese symbolisieren und zu Euch tragen.
Und vielleicht gelingt es uns ja gemeinsam ein bisschen was von diesem Gefühl über die Weihnachtszeit zu bewahren.
more of this on my website at: www.shoot-to-catch.de
You know where this is, you've seen it before. This shot is used in all the promotional material for Japan. After seeing it so many times, I'd argue this shot symbolizes Japan (on a photographic level at least). Hence my title choice, which is one of the primary nicknames for the country. It's truly unbelievable that this island nation has THE longest history in the world, one of the most respectable cultures, managed to preserve it's strength through centuries of self isolation, has some of the most beautiful landscapes in both urban and natural backgrounds. And on a personal note, the strive for perfectionism in Japan is inspiring to no end. And Shinto is one of the better religions I've had the privilege to research. Japan is a near perfect country.
This shot however, is not. I'm actually a little embarrassed to release it in this state. So why is it here at all? The conditions for getting this shot, I would not allow myself to walk away from this one. Up before dawn to get "the rising sun", the road up to Arakurayama was closed. I'm no hiker, so walking up all those flights of stairs might have been one of the most grueling and physically demanding things I've had to do in this country (even Fushimi wasn't as tiring as this).
On top of that, I made the massive mistake to shoot this with a slow shutter, even with a tripod there were many problems. Every angle I got here had a problem of random blurs of light. I had to balance out the clarity and the noise reducer in editing, and certain pieces are still out of proportion. This is still the best angle I got here and this is as good as this image is going to get. I was actually a little worried it would look like an AI image when I was finally done with it. My associate said I was overexaggerating and that it was fine so I uploaded it anyway. But I will gladly hit this location again in the future, I must never lose the strive for perfection, at all of these places and angles.
Otherwise known as Rainbow Flags, They symbolize the community of human sexuality and gender by using a rainbow flag as their symbol ,These and many more were seen around Hull City Centre to celebrate the Hull Pride Event ..
Symbolizing both benevolence and malevolence, the fox is sometimes identified with the messenger of the kami Inari in Japanese mythology.
Statues of foxes are found in great numbers both inside and outside shrines dedicated to the rice and fertility god.
At the Toyokawa Inari Betsuin Temple in Tokyo, we saw hundreds of these kitsune fox statues bedecked in their bright red bibs (a sign of their divinity) with some holding a scroll in their mouth, symbolizing their roles as messengers of the gods. They were surrounded by complimentary red and white flags, Inari's traditional colours.
Built in 1828, many of its structures are Shinto, but this is a Buddhist temple of the Sōtō Zen sect.
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photo rights reserved by Ben
The stone sculptures in Sno, a small village in the Kazbegi region of Georgia, are part of a remarkable art project in the Caucasus. These sculptures consist of impressive stone artworks depicting giant faces, often with a melancholic or mysterious expression. They were created by local artist Merab Piranishvili, who is renowned for his unique ability to bring faces and emotions to life in natural stone. Working primarily with local stones, he carves expressive facial features that tell stories about life, the soul, and the deep connection with nature. The sculptures symbolize the ancient wisdom of the mountain dwellers and the spirit of the past. The faces sometimes appear sad or contemplative, reflecting both the challenges and the beauty of life in the Caucasus. Fully integrated into the surrounding landscape, the sculptures stand among the mountains, hills, and rugged grasslands, blending seamlessly with their natural environment. This is what makes Piranishvili’s work so unique: he respects the natural shapes of the stones and subtly adds human characteristics without compromising their raw, natural beauty. Piranishvili often works directly in the field, selecting local stones and carving them with a hammer and chisel. He carefully considers the natural form of each stone, adapting his designs to create a result that looks organic and harmonizes with the surrounding environment.
Sno is located near the breathtaking Stepantsminda area and the imposing Mount Kazbegi. The stone sculptures are a hidden gem in this region, attracting an increasing number of art enthusiasts and travelers. The site exudes a serene, almost meditative atmosphere—perfect for those seeking something unique off the beaten path. If you ever find yourself near Kazbegi, these sculptures are well worth a visit. They offer a truly unique experience where art and nature come together in perfect harmony.
De stenen sculpturen in Sno, een klein dorpje in de Kazbegi-regio van Georgië, maken deel uit van een bijzonder kunstproject in de Kaukasus. De sculpturen bestaan uit indrukwekkende stenen kunstwerken van gigantische gezichten, die vaak een melancholische of mysterieuze uitstraling hebben. Ze zijn gecreëerd door de lokale kunstenaar Merab Piranishvili, die bekendstaat om zijn unieke vaardigheid om gezichten en emoties tot leven te brengen in natuursteen. Hij werkt voornamelijk met lokale stenen en geeft ze expressieve gezichtsuitdrukkingen die verhalen vertellen over het leven, de ziel en de diepe verbondenheid met de natuur. De sculpturen symboliseren de oude wijsheid van de bergbewoners en de geest van het verleden. De gezichten tonen soms een droevige of reflectieve uitdrukking, wat de uitdagingen én de schoonheid van het leven in de Kaukasus weerspiegelt. De beelden zijn volledig geïntegreerd in het omringende landschap: ze staan tussen de bergen, heuvels en het ruige grasland, waardoor ze naadloos opgaan in hun natuurlijke omgeving. Dit maakt het werk van Piranishvili zo uniek: hij respecteert de oorspronkelijke vormen van de stenen en voegt subtiel menselijke kenmerken toe, zonder hun ruwe, natuurlijke schoonheid aan te tasten. Sno ligt vlakbij het adembenemende berggebied Stepantsminda en de imposante Kazbegi-berg. De stenen sculpturen zijn een verborgen juweel in deze regio en trekken steeds meer kunstliefhebbers en reizigers aan. De plek straalt een rustige, bijna meditatieve sfeer uit, ideaal voor wie op zoek is naar iets unieks buiten de gebaande paden. Piranishvili werkt meestal direct in het veld, waarbij hij natuursteen uit de regio selecteert en met hamer en beitel bewerkt. Hij houdt rekening met de oorspronkelijke vormen van de steen en past zijn ontwerpen hierop aan, zodat het eindresultaat natuurlijk oogt en harmonieert met de omgeving. Als je ooit in de buurt van Kazbegi bent, mag je deze sculpturen zeker niet missen. Ze bieden een bijzondere ervaring waarin kunst en natuur op een unieke manier samensmelten!