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Logo of the China-made Peugeot 505.

 

广州标致 - Guǎngzhōu Biāozhì

Shot in the same spot as the previous photo. This is why I paid the ridiculous idiot-tax for the Eximus 22mm.

 

Had an 0.5x wide converter for digicams lying around that I'd picked up dirt-cheap from a closing-down sale at this dodgy camera joint in Sydney. Works out OK on the Eximus, better than the dodgy fisheye accessories they sell for them. And if you can tolerate the horrendously distorted edges, it's 11mm (about 7.5mm for you cropped DSLR people) in a pocket camera.

"Concentration"

SX2

Yanis Irsuti

N°170

1st

  

The location that just keeps on giving.

 

Want to use this image? See my pimp.

Super-phallic pic, just for Mike.

SX2

Jean-Baptiste Marrone

N°973

For the Melburnians here: check out how far away the Flower Drum sign looks to be.

Shooting a lot of black and white lately. Maybe it's got something to do with the weather.

RA: 04h 03m 18.00s, Dec: +36° 25′ 18.0″

 

The California Nebula (NGC 1499/Sh2-220) is an emission nebula located in the constellation Perseus, lying at a distance of about 1,000 light years from Earth. It was discovered by E. E. Barnard in 1884.

 

OTA: 135 mm f/3.5 Samyang Lens

(iTelescope T80, Entre Encinas y Estrellas, Spain)

Camera: ZWO ASI-1600MM-Pro

Mount: Paramount MyT

Guiding: ZWO 30 F/4 guidescope with Loadstar SX2

 

Total integration time: 6 hr 15 min

 

25 x 300 sec SII (bin x1) mapped to RED channel

30 x 300 sec Ha (bin x1) mapped to GREEN channel

20 x 300 sec OIII (bin x1) mapped to BLUE channel

 

Data acquisition: 28/09/2023 - 10/10/2023 (iTelescope)

 

Calibration: iTelescope

Alignment & stacking: PixInsight

Post-processing: Photoshop

Have a look at the sign on the wall in the bottom-left corner - the distortion from this lens+converter combo has completely obliterated its details.

Yeah, it's a boring and architecturally lazy glass box, but it's pretty good at catching the sun.

Another cheap 120 camera making its debut here - this one's an Agfa Isola I. It's a bit like a plasticky version of the Bencini - red window, telescoping lens, very limited aperture and shutter speed options. It's got a built-in yellow filter, flash sync and cable release sockets, which is pretty handy.

 

This photo's come out pretty soft. Have to do some more testing before I put it down to the lens, as this was shot on a crappy tripod on a balcony with people moving around. Makes a nice change from excessively crispy night skylines anyway.

Ever get the feeling that the ground below you isn't quite level?

Idaho Football Stadium Nearing Completion

 

Production Date: 1971

Source Type: Artist Rendering

Printer, Publisher, Photographer: Associated Press Wirephoto (#eg61545/uiho/1971)

Postmark: Not Applicable

Collection: Steven R. Shook

Remark: This view looks southeast toward Paradise Ridge. The following description is provided with this artist rendering of the new University of Idaho football stadium:

 

(SX2)MOSCOW, Idaho, June 11 -- NEW VANDAL HOME -- Construction is rapidly nearing completion for the new University of Idaho football stadium. It is being readied for the Vandal's season opener Sept. 11 against Boise State. The structure includes 18,000 bench-type seats on a concrete foundation, a press box and concession stands. Next fall's games will be played on the present grass turf. Officials say they plan to add artificial turf and cover the stadium at a later date. AP WIREPHOTO/eg61545/uiho/1971.

 

The stadium was indeed covered with a roof and named the Kibbie Dome. Construction of the all wood truss dome took place in ten months starting in 1974, with completion taking place before the fall football season in 1975. In 1976, the American Society of Civil Engineers bestowed their Structural Engineering Achievement Award to the builders of the Kibbie Dome.

 

Copyright 2016. Some rights reserved. The associated text may not be reproduced or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without prior written permission of Steven R. Shook.

The grain, scratches and framing are real. The warm tones were a scanning software stuff-up that looked better unfixed.

So much easier than when I used to do this shot from the middle of the street with a tripod...

When the air gets thick as this

You can cut it with a straw

 

-- Robbie Fulks

One of these days I'm sure I'll get bored of taking wide-angle building upskirts in this spot.

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