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Must be about time for something less morbid to go up here...

1º lugar na classificatória da SX2.

Curitiba - PR.

 

Piloto: Leandro Silva

 

Foto de Pamela Machado para FCM - Federação Catarinense de Motociclismo.

Another beautiful winter day that most of us waste by yearning for summer.

Me with Steph. I look so tired.... I had a really bad tiring week, totally exausted from lack of sleep, last week at work, stress from various things, visa issues etc........

Nope, this has not been photoshoped.

Yeah, that spot again...

OK, so I've learnt my new word for the day...

Still haven't gotten around to putting a second roll through the Isola.

SX2. jace Owen (USA) Kawasaki Bud Racing

#SXPARIS2018 #supercross2018 #SX1 #NikonD4 Suivez moi sur Facebook

Screenshot from Assetto Corsa

More dredging of the archives...

Old shot from that roll of Coles Reliance 400 where everything came out green. Have tried to subdue the colours a bit here.

SX2 - FINALE - #773 THOMAS DO – FRANCE – SUZUKI JPM #supercrossdeparis #sxp #race #racing #paris #france #2019 #novembre #parisladefensearena #parisladefense #picoftheday #lifestyle #top #showtime #rider #letsgo #letsplay #king #kingofparis #showtime #show #fire #monstergirls #monsterenergy #race #riders #fmx #sxparis2019 #NikonD5

Messing about with Paul's Sigma 12-24mm. Dang, it's wide - so wide it's a challenge to compose with. Heaps of fun though, and unlike a lot of cripppled modern lenses, it's got an aperture ring (yay!), which means it works on the old ME Super that Hamish sold to me.

Better get this sucker before it goes to seed. Too bad, my camera does not have a weed killer mode. I can just set it to that mode, click, zap! Maybe the next generation SX2 will. Have a happy weekend everyone!

 

This flower of the weed was shot with my Canon PowerShot SX1 IS with the Raynox DCR-250 lens attached.

 

For my other shots taken with the Raynox DCR-250 lens, click here.

 

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Home - Pacific Beach, CA (2019)

Another one using Verm's Sigma 12-24. Think I may need to get one for myself, but the current model looks to be a castrated version with no aperture ring. Anybody know anywhere that sells the old model?

So I bought one of those overpriced Eximus Wide & Slim crappycams. It's pretty much a Vivitar Ultra Wide & Slim (I've seen it described as a clone of the viv, but since Vivitar don't manufacture stuff themselves I reckon the people distributing these just bought a bunch from the same supplier that Vivitar did, rather than re-engineering a piece of plasticky crap).

 

In terms of build and image quality, it's about as good as, or slightly worse than, plenty of other crappycams that I've paid 2 or 3 bucks for. But it does have that 22mm lens. And you can't get the Vivitar UWS cheaply these days anyway.

 

I didn't add the green cast. Since I've gotten similar colours in the same spot with the Holga 135BC and different film, I'm thinking it's something to do with the light in this location hitting a plastic lens. Either that or crappy profiles on the scanner.

"Concentration"

SX2

Yanis Irsuti

N°170

1st

  

Yay for film photos! Come and see a whole exhibition full of them!

A few metres west of the usual spot.

More 12mm insanity...

Another shot from the spot that keeps on giving.

RA: 04h 03m 18.00s, Dec: +36° 25′ 18.0″

 

The California Nebula (NGC 1499/Sh2-220) is an emission nebula located in the constellation Perseus, lying at a distance of about 1,000 light years from Earth. It was discovered by E. E. Barnard in 1884.

 

OTA: 135 mm f/3.5 Samyang Lens

(iTelescope T80, Entre Encinas y Estrellas, Spain)

Camera: ZWO ASI-1600MM-Pro

Mount: Paramount MyT

Guiding: ZWO 30 F/4 guidescope with Loadstar SX2

 

Total integration time: 6 hr 15 min

 

25 x 300 sec SII (bin x1) mapped to RED channel

30 x 300 sec Ha (bin x1) mapped to GREEN channel

20 x 300 sec OIII (bin x1) mapped to BLUE channel

 

Data acquisition: 28/09/2023 - 10/10/2023 (iTelescope)

 

Calibration: iTelescope

Alignment & stacking: PixInsight

Post-processing: Photoshop

Still have two rolls left from the batch of CR400 that gave me the green pics. Wondering whether to shoot them in a proper camera or a crappycam, or both.

 

Want to use this photo? See my pimp.

Logo of the China-made Peugeot 505.

 

广州标致 - Guǎngzhōu Biāozhì

Shot in the same spot as the previous photo. This is why I paid the ridiculous idiot-tax for the Eximus 22mm.

 

Had an 0.5x wide converter for digicams lying around that I'd picked up dirt-cheap from a closing-down sale at this dodgy camera joint in Sydney. Works out OK on the Eximus, better than the dodgy fisheye accessories they sell for them. And if you can tolerate the horrendously distorted edges, it's 11mm (about 7.5mm for you cropped DSLR people) in a pocket camera.

The location that just keeps on giving.

 

Want to use this image? See my pimp.

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