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Stand I built IRL and then rendered in Studio last night - for a SHIP I've been working on for years.
I didn't own a C stand or steel stand of equivalent strength, but I did have a medium strong aluminium stand that reaches 10 feet and rated at 6 Kg capacity. I've used DH's / Reuben Krabbe's mod to create a DIY levelling leg and I wanted to try out Sandbags & Tie Downs.
On grass or comparable surfaces, this combo won hands down. I've used a large parasol holder screw for grass. Two Sand bags were nowhere near as effective at resisting a toppling moment. Obviously keep the tie down close to the main column and fully within the triangular footprint. The weight of the modifier would go on the opposite side.
On a hard surface? Sling all your bags together, I bungy them on a foldable sack cart, suspended from the same bungy above, just off the ground, (in fact one wheel goes just the other side of one cross-brace) and close to the main column.
This stand wasn't up to holding a Kupo Steel Baby boom/Rovelight Jinbei 600v, so it's kept for medium to lightweight duties and heavier duties are shared between an Aluminium MSE 'Light (Wt) Heavy (Duty) triple riser' stand (387490) (modded with leveling leg) and a MSE Digital Baby stand (387032) with its own leveling leg and castors available when indoors.
Petit apercu de mon stand Dark Stars à la Chibi japan Expo !
Samedi matin, avec un peu moins de stock !
A Norman chapel stands on the steep hillside above Chadlington. On a cold day in March the wind drives snow across the churchyard and rattles resilient patches of snowdrops. How many snows has this simple building seen, how many travellers have sought shelter from a howling storm, having climbed the steep hill from the River Evenlode below. Standing among the yew trees, on the bone-rich ground, the view from the churchyard is ancient, little altered by the passing years. At the end of a narrow lane All Saints has a few cottages for company, it is hard to tell whether these humble buildings are survivors of a larger village or have always stood isolated among the fields. It is easier to imagine the numberless generations of locals summoned here by bells to celebrate the passing ceremonies of Christian calendar.
The exterior of All Saints is austere, a simple two-cell Norman chapel extended to the south in the 15th century with a Georgian east window added during a major early restoration. The church consists of nave, chancel, an east belfry and 19th century south porch although outer and inner doors appear much earlier in date. Step inside and you are confronted by the Middle Ages in all it's symbolic complexity and the belief that the intervention of saints can influence our daily lives. A palimpsest, medieval saints overwritten with later biblical texts cover large areas of the nave walls, giving a faded impression of the elaborate decorative schemes that were common to all our pre-Reformation churches. A round-headed lancet survives in the north wall of the nave. The small 13th century chancel arch of two pointed chamfered orders is off-centre due to the nave being extended to the south. The south wall has two Perpendicular windows, a doorway and a piscina to the east, all of a similar date. A large squint to the south of the chancel arch connects nave and sanctuary. The west wall of the nave has a Tudor window and a blocked Georgian opening which may once have been one main doors of the church. An atmosphere of antiquity is emphasised by the 18th century pulpit, reading desk and box pews which tower over the east end of the nave. Opposite the door is a Norman tub font which has seen over 900 years of service. If you look through the Georgian east window of the chancel the tower of Spelsbury church can be seen in the distance, the chancel was rebuilt in the 18th century re-using a Decorated window in the south wall.
The real rarity of All Saints is the fortunate survival of several passages of medieval decoration preserved from destruction under a layer of whitewash. The earliest decoration surviving surrounds the 13th century round-headed north nave window, red lines mimic the pattern of stonework and small red floral motifs have been added to the window splay.
To the left of the blocked north door is a representation of St Frideswide, an 8th century princess who became a nun, choosing the church over a royal suitor, who was blinded when he attempted to force her into marriage. She became patron saint of Oxford and although her shrine was destroyed in the Reformation she is believed to be buried in Christ Church, Oxford.
To the right of the door is the figure of an archbishop, which might be St Edmund of Abingdon or a rare survival of an image of St Thomas a Becket, a particular target for iconoclasts due to his defiance of royal authority. The image shows the archbishop teaching a child to read.
To the west of the round-headed window is a fragmentary 14th century priest thought to be a depiction of St Leonard, patron saint of Eynsham Abbey, who owned the patronage of Shorthampton.
Over the chancel arch the remains of a Doom have been obscured by a Royal Coat of Arms. The Last Judgement, with the just ascending to heaven while sinners are thrown into the mouth of hell, is a common subject for the chancel arch, after the Reformation every church had to display the Royal Arms.
The squint was inserted in the 15th century to enable those in the widened southern portion of the nave to be able to witness the elevation of the host, during the celebration of the Mass. "The Legend of the Clay Birds" is depicted inside the squint, the Virgin Mary holds the Christ child and St John, although St.John might be holding a Goldfinch. The legend derives from the apocryphal Infancy Gospel of St Thomas which describes the Christ child making clay birds which he then brings to life.
To the right of this is "the Agony in the Garden" but there are two layers of paint which makes the imagery difficult to read.
The left reveal of the easterly south window of the nave has a small mid-15th century figure in an elaborate green dress. This is St Sitha, also known as Zita of Lucca, the patron saint of maids and domestic servants, often depicted holding a set of keys and said to help supplicants in finding items they have lost.
Between this window and the south door is a panel which shows St Loy or the "Legend of St Eligius", patron saint of blacksmiths and metalworkers, depicted shoeing a horse. A 7th century goldsmith famous for the building of churches.
Biblical texts replaced images of saints in the reign of Eward VI who ordered their destruction in 1548. The Creed appears on a large panel over the door and the west wall has a cartouche containing King Solomon's prayer. Also on the west wall is a disembodied wing probably the remains of "George and the Dragon" though possibly the Archangel Michael. There are also many small fragments of wall painting including foliate decoration round the chancel arch.
All in all a wonderful voyage through time. Shorthampton is a few miles from Chipping Norton about 40 minutes from Stratford-upon-Avon
In November I had a stand at the Craft Fair. With help from my Dad, I built the stand.
We think it looked good, what do you think?
Prints available on my etsy page:
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Yup, she's trying to kill me already.
She can also somehow get herself from her back to sitting up. I'm not exactly sure how since I've never seen her roll from back to belly. Twice just today i left her on her back only to return to her sitting up. The first time I was convinced AC helped her, the second she was all alone in the living room. She usually does it in desperation when I leave her somewhere.
Falls Stand Down Event - 2013; Marcia Drumm, Acting Regional Administrator, OSHA, Region 7; St. Mary's Health Center Construction Site, Jefferson City, MO; September 3, 2013;
Modular exhibition stand systems from 200m2 Exhibitions, the UK leader in modular display systems. Adapt your exhibition stand for every show with ease! Find out more at 200m2.co.uk/modular-exhibition-stands/
El sábado 12 de marzo volvimos a llevar nuestra campaña "Ponte en Su Lugar" a la calle Fuencarral de Madrid.
En tablets reproducimos un vídeo con investigaciones de Igualdad Animal que muestra lo que la industria cárnica oculta al público.
Una vez la respuesta ante esta iniciativa fue muy buena, y cientos de personas mostraron su interés en ayudar a los animales.
Fotografía: Fátima Sanz para Igualdad Animal
It took me years to perfect my toe stands. I an now do them without worrying I'm going to hurt myself. Yipee!
On a remote stand at Bangkok Suvarnabhumi Airport in a late cloudy afternoon after the flight from CNX. This was captured on Thai Airways A333 registered as HS-TEH. Those buses are going to take us to the terminal.
Stands and expositions for the 106th International Labour Conference, Palais des Nations, Geneva.
Stands et expositions présents lors de la 106e Conférence Internationale du Travail, Palais des Nations, Genève.
Puestos y exhibiciónes durante la Conferencia Internacional del Trabajo, 106.a reunión.
Photo © Crozet / Pouteau
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