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SML Pro Blog: Bug Labs = Mindstorms for Super-Geeks

 

BUG is a collection of easy-to-use, open source hardware modules, each capable of producing one or more Web services. These modules snap together physically and the services connect together logically to enable users to easily build, program and share innovative devices and applications. With BUG, we don't define the final products - you do.

Bug Labs: Products

 

Technical Specifications

+ ARM1136JF-S-based microprocessor

+ 1 USB 2.0 HS host interface/4 hub port connections

+ 1 USB OTG HS interface

+ 4 UART serial links

+ 4 channel SPI interface

+ I2C (400 kbits) interface/4 channels

+ I2S interface/2 channels

+ Smart LCD interface

+ Camera sensor interface

+ Micro memory card interface

+ MPEG4 hardware encoding/decoding

+ Hardware graphic acceleration

+ 10/100 Ethernet MAC

+ 802.11b/g

+ Base unit LCD module interface

+ Base unit onboard memory (FLASH/DDR SDRAM)

+ JTAG/ICE support

+ Serial debug port

+ Power system

+ AC operation

+ Battery operation/up to 4 external batteries

+ Fast battery charging/simultaneous of internal and external batteries

+ Smart power management support

+ Battery-backed real-time clock

+ Audio out via onboard piezo speaker

 

Pretty cool. Check it out!

 

SML Thank You

I would like to thank Alex Rainert (Google / SML Wiki) for sending this over :)

  

This is the facade of the Water Cube (水立方) looking from the inside to the outside. The outer wall is based on the Weaire–Phelan structure, a structure devised from the natural pattern of bubbles in soap lather. Each bubble has its own unique shape—no single shape is alike. Ground was broken on December 24, 2003, and the Center was completed and handed over for use on January 28, 2008.

 

The total construction cost was ¥940 million yuan / $ 140 million USD / € 94 million EUR. Architects responsible for the work include PTW Architects, CSCEC, CCDI, and Arup.

 

Photographed with the Canon EOS 6D + Canon EF 24-70mm f/2.8L USM.

 

# More Information

+ en.wikipedia.org/wiki/Beijing_National_Aquatics_Center

 

水立方北京國家游泳中心 The Water Cube, Beijing National Aquatics Center / 中國北京體育建築之形 Sports architecture forms in Beijing, China / SML.20140502.6D.31821.P1.BW

Designed by C.Y. Lee & partners and constructed primarily by KTRT Joint Venture, the Taipei 101 (台北101), is a landmark skyscraper located in Xinyi District, Taipei. When construction was completed in 2004, it was the world’s tallest until the opening of the Burj Khalifa in Dubai in 2010.

 

The tower comprises 101 floors above ground and 5 underground. It was architecturally created as a symbol of the evolution and technology and Asian tradition. It has an architectural height of 509 m (1,669.9 ft) and its top flooris at 439 m (1,440.3 ft).

 

Photographed with the Canon EOS 6D + Canon EF 24-70 f/2.8L USM. Processed in Lightroom 5.

 

www.taipei-101.com.tw/index_en.htm

en.wikipedia.org/wiki/Taipei_101

 

台北101 Taipei 101 / 台灣台北 Taipei, Taiwan / SML.20140211.6D.30707.L1

/ #台灣 #臺灣 #Taiwan #台北 #Taipei #SMLTravel #旅遊 #旅游 #Travel #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLProjects

/ #建筑 #建築 #architecture #形 #forms #SMLForms

Artworks which are character-driven is an unusual thread seen in Asian contemporary artworks. In Japanese pop art, Yoshitomo Nara has his innocent girls and lonesome puppies. In Indonesia, artist Samsul Arifin created a whole series of work surrounding a kapok-stuffed doll with goggly plastic eyes—Goni.

 

The sculpture in the foreground is titled “Musafir Artist”, where Goni is seen riding a camel-like figure while carrying a bag of artist supplies with him on a journey out. In the back, a painting (triptych) titled “Petualang Ilmu di Negeri Unta” (Knowledge of the adventurous camel? Google Translate).

 

To the gallerists whom I talked to, Goni is seen as the artist’s own avatar, and through this avatar the artist is writing his own autobiography in the works of his art.

 

Samsul Arifin was born in 1979. I was as surprised as you to find someone younger than me with works at Art Basel. Indonesia is truly full of surprises. You see why I am planning for a visit soon?

 

Crazyisgood. SML Love.

 

Samsul Arifin (b. 1979 Indonesia)

Musafir Artist #1

2013

Resin, leather, jute, steel, wood

240 x 210 x 60 cm

 

Samsul Arifin (b. 1979 Indonesia)

Petualang Ilmu di Negeri Unta

2013

acrylic on canvas

300 x 600 cm (triptych)

 

# Samsul Arifin

b. March 5, 1979 in Malang, Indonesia

 

# Nadi Gallery

Based in Jakarta, Nadi Gallery is an art gallery founded by Biantoro Santoso, a young collector of Indonesian art. The Indonesian word nadi means "aorta", "artery", "vein" that evokes the idea of signaling pulsation. Without pulsation, the aorta soon looses its significance for life. As the name indicates, the Gallery's principal programs of exhibitions have been aspiring to present the pulses of recent developments in contemporary art in Indonesia.

 

Jl. Kembang Indah III Blok G3 no. 4-5 Puri Indah

Jakarta 11610

Indonesia

www.nadigallery.com/

 

# SML Data

+ Date: 2013-05-23T16:35:22+0800

+ Dimensions: 5215 x 3477

+ Exposure: 1/30 sec at f/4.0

+ Focal Length: 20 mm

+ ISO: 100

+ Flash: Did not fire

+ Camera: Canon EOS 6D

+ Lens: Canon EF 17-40mm f/4L USM

+ GPS: 22°16'58" N 114°10'22" E

+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)

+ Workflow: Lightroom 4

+ Serial: SML.20130523.6D.13970

+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013

 

# Media Licensing

Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited

 

“Mixed Media Sculpture by Samsul Arifin (b.1979): Musafir Artist #1, 2013 (“Goni”: Resin, leather, jute, steel, wood)” / Nadi Gallery / Art Basel Hong Kong 2013 / SML.20130523.6D.13970

/ #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #Crazyisgood #SMLProjects

/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #ABHK #SamsulArifin #NadiGallery #Indonesia #Goni

 

www.flickr.com/photos/seeminglee/8909814961/

 

Kam Tai Court (錦泰苑) is a HOS court in Ma On Shan, built on the reclaimed land along Tide Cove shoreline, near MTR Tai Shui Hang Station. It has totally 12 blocks completed in 2000.

 

Sometimes in rendering photographs like these I am a bit undecided if I should push their contrasts and vibrance. The photograph was taken on a cloudy day, so it lacks color details. I also never really liked this shade of teal/green. They “feel” like public toilets to me. I can’t quite explain why.

 

From afar it would seem that the dark green was painted to echo with the greens of the mountain next to it (馬鞍山 Ma On Shan) but as Heidi Klum likes to say in Project Runway, matchie-matchie is no style at all. I tend to agree with that philosophy.

 

# SML Data

+ Date: 2013-02-26 13:46:49 GMT+0800

+ Dimensions: 3308 x 4961

+ Exposure: 1/400 sec at 4/5.6

+ Focal Length: 280 mm

+ ISO: 100

+ Camera: Canon EOS 7D

+ Lens: Canon EF 70-200mm f/4L USM + Canon EF 1.4x Extender III

+ GPS: 22°25'14" N 114°13'26" E

+ Location: 中國香港馬鞍山海濱長廊 中国香港马鞍山海滨长廊 Ma On Shan Promenade, Hong Kong, China

+ Subject: 中國香港馬鞍山錦泰苑 中国香港马鞍山锦泰苑 Kam Tai Court, Ma On Shan, Hong Kong, China

+ Workflow: Photoshop CS6, Lightroom 4

+ Serial: SML.20130226.7D.24728.P1.L1

+ Series: 形 Forms

 

“17777” / 香港公共屋邨建築之形 Hong Kong Public Housing Architecture Forms / SML.20130226.7D.24728.P1.L1

/ #形 #Forms #SMLForms #CCBY #SMLPhotography #SMLUniverse #SMLProjects

/ #中國 #中国 #China #香港 #HongKong #馬鞍山 #MaOnShan #建築 #建筑 #Architecture #城市 #Urban #攝影 #摄影 #photography #公共 #Public #屋邨 #Housing

李占洋 Li Zhanyang’s sculpture gives a glimpse of what it is like to live in China. Born in Changchun, Jilin Province in 1969, he has been drawn to crowds since he was a child. So when he moved to a big city like Beijing in his late twenties, he found himself spending hours in bars, gambling dens, railway stations (pictured), brothels and bus stops. Afterwards he would go home and sculpt the scenes he has observed from memory.

 

When I visited cities in mainland China, I am also in awe with the amount of people everywhere, all minding their own business. In that regard, Li Zhanyang’s sculptural interpretation is a true reflection of the modern China.

 

This work is like a holographic 3D video still from a capture. And it was funny to me as it features three gigantic signage types which can be seen across all railway stations in China:

 

1. “第三候車大厅” (Train waiting area no. 3). The often obnoxiously huge characters which designate the name of the location usually placed on the facade of Chinese architectures.

 

2. “严禁也携带易燃易爆有毒等危险品进站上車” (Do not bring flammable, combustible, toxic or other dangerous objects into the station nor alight the trains). Official warning signs plastered everywhere at the station.

 

3. “嘉陵摩托” (Jialing Motors). Advertising everywhere there is space.

 

In this artwork, there are the Chinese Literation Army attempting to the keep the crowd in line, the bourgeois making space. Sea of people everywhere. Advertising everywhere. Modern China is full of chaos. And this artwork captures that reality honestly and magically.

 

Li Zhanyang

Railway Station

2004-2006

Bronze, Ed. 2/4

198.2 x 42.5 x 98.5 cm / 78 x 16 3/4 x 38 3/4 in

Signed, dated and numbered recto lower left: Li Zhanyang 2004 2/4

 

李占洋

火車站

2004-2006

青銅, Ed. 2/4

198.2 x 42.5 x 98.5 cm / 78 x 16 3/4 x 38 3/4 in

簽名, 日期和編號於作品正面左下: Li Zhanyang 2004 2/4

 

# Li Zhanyang (b.1969)

Born in Changchun, Jilin Province, China.

Lives and works in Beijing and Chongqing, China.

 

# References

+ www.lizhanyang.com/

+ www.whiterabbitcollection.org/artists/li-zhanyang/

+ www.galerieursmeile.com/artists/artists/li-zhanyang/

 

# Galerie Karsten Greve

www.galerie-karsten-greve.com

 

Drususgasse 1-5

50667 Cologne

Germany

 

5, rue Debelleyme

75003 Paris

France

 

# SML Data

+ Date: 2013-05-23T16:10:06+0800

+ Dimensions: 4622 x 2344

+ Exposure: 1/40 sec at f/8.0

+ Focal Length: 23 mm

+ ISO: 800

+ Flash: Did not fire

+ Camera: Canon EOS 6D

+ Lens: Canon EF 17-40mm f/4L USM

+ GPS: 22°16'58" N 114°10'22" E

+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)

+ Workflow: Lightroom 4

+ Serial: SML.20130523.6D.13894

+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013

 

# Media Licensing

Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited

 

“Sculpture by Li Zhanyang 李占洋: Railway Station (火車站), 2004-2006. (青銅 Bronze, Ed. 2/4)” / Galerie Karsten Greve AG St. Mortiz / Art Basel Hong Kong 2013 / SML.20130523.6D.13894

/ #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #Crazyisgood #SMLProjects

/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #ABHK #LiZhanyang #李占洋 #GalerieKarstenGreve #Sculpture #Bronze #crowd

 

www.flickr.com/photos/seeminglee/8823373668/

Someone on Facebook asked to see a color version of an HDR photo previously processed in BW [1]. This is not the same capture but it was photographed at about the same time.

 

The HDR was merged inside Photomatix Pro, which sometimes do a decent job but sometimes create these weird color cast that was difficult to manage. So I might try using Photoshop to do the HDR conversion later.

 

But here you see why I did not process this in color, as mainly the hills in the back has a blue cast from the air whereas the color information does not really help. In the front, the sky is reddish whereas further away they are yellowish. Processing in black and white is almost a cop-out but when color information is not helping I generally prefer working on photographs in black and white — because it is the cloud forms which should be the star here, not the blue sky and awkward color-casts in the mountains.

 

…in my opinion.

 

# Notes

1. “風和日麗白雲錦 Cloudscape on a sunny day” / 寧 Serenity HDR / SML.20130509.6D.05650_1_2.HDR.BW: www.flickr.com/photos/seeminglee/8721922705/

 

# SML Data

+ Date: 2013-05-09T13:28:43+0800

+ Dimensions: 3506 x 5259

+ Exposures: 1/640, 1/4000, 1/80 sec at f/11

+ Focal Length: 17 mm

+ ISO: 100

+ Camera: Canon EOS 6D

+ Lens: Canon EF 17-40mm f/4L USM

+ Accessories: Canon TC-80N3, Manfrotto tripod

+ GPS: 22°25'22" N 114°13'29" E

+ Location: 香港馬鞍山海濱長廊 Ma On Shan Promenade, Hong Kong

+ Subject: 香港中文大學 Chinese University of Hong Kong (CUHK) + 吐露港 Tolo Harbour

+ Workflow: Photomatix Pro 4.2.5b, Photoshop CS6, Lightroom 4

+ Serial: SML.20130509.6D.05631_2_3.HDR.P1.L1

+ Series: 寧 Serenity, 高動態範圍攝影 HDR Photography

 

# Media Licensing

Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited

 

“白雲如綿 陽光乍現 Moments of sunshine amongst puffy clouds” / 寧 Serenity HDR / SML.20130509.6D.05631_2_3.HDR.P1.L1

/ #寧 #Serenity #SMLSerenity #HDR #SMLHDR #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLProjects

/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #山水 #landscape #雲 #Cloud #Cloudscape #自然 #Nature #CUHK #lensflare #sky

Copper and iron vats (銅鐵缸) were part of the fire-fighting equipment in the palace. They were filled with water to be used to douse fires. From October to February every year, the vats were covered with quilts to prevent water freezing, and on very cold days they would be heated by charcoal fires.

 

The oldest vats were cast during the Hongzhi reign period (1488-1505) of the Ming Dynasty. Each of the Ming Dynasty vats has two simple iron rings. The Qing Dynasty vats (pictured) have two beast-shaped bronze rings, a big belly and a small mouth.

 

The Palace has a total of 308 copper and iron vats of various sizes. Of them, 18 are copper vats inlaid with gold, which are located on both sides of the Hall of Supreme Harmony (太和殿 Tai He Dian), the Hall of Preserved Harmony (保和殿 Bao He Dian) and the Gate of Heavenly Purity (乾清門 Qian Qing Men).

 

Photographed near the Hall of Supreme Harmony with the the Canon EOS 6D + Canon EF 24-70 f/2.8L USM.

 

銅鐵缸 Copper and iron vats / 中國北京故宫 Forbidden City, Beijing, China / SML.20140430.6D.31431.P1

Rhythm and proportions. Found typography.

 

I think that I found Rainbow Teddy’s long lost cousin in the window. :)

 

# SML Data

+ Date: 2013-02-19 13:45:16 GMT+0800

+ Dimensions: 3384 x 5076

+ Exposure: 1/1000 sec at f/5.6

+ Focal Length: 137 mm

+ ISO: 100

+ Flash: Did not fire

+ Camera: Canon EOS 7D

+ Lens: Canon EF 70-200mm f/4L USM + Canon EF 1.4x Extender III

+ GPS: 22°25'5" N 114°13'39" E

+ Location: 中國香港馬鞍山恆安邨恆日樓 中国香港马鞍山恒安村恒日楼 Heng Yat House, Heng On Estate, Ma On Shan, Hong Kong, China

+ Serial: SML.20130219.7D.23244

+ Workflow: Lightroom 4

+ Series: 形 Forms

 

“E” 香港公共屋邨建築之形 Hong Kong Public Housing Architecture Forms / SML.20130219.7D.23244.CR2

/ #形 #Forms #SMLForms #CCBY #SMLPhotography #SMLUniverse #SMLProjects

/ #中國 #中国 #China #香港 #HongKong #馬鞍山 #MaOnShan #建築 #建筑 #Architecture #城市 #Urban #攝影 #摄影 #photography #公共 #Public #屋邨 #Housing

Detail of the three levels of marble stone base of the Hall of Supreme Harmony (太和殿). If you look closely, you will see that the there is a little hole for water outlet on each of the bases. This shows that these architectures are not just beautiful, but also very functional.

 

Photographed with the Canon EOS 7D + Canon EF 100-400mm f/4.5-5.6L IS USM.

 

# More Information

+ en.wikipedia.org/wiki/Hall_of_Supreme_Harmony

 

太和殿 Hall of Supreme Harmony / 中國北京紫禁城 Forbidden City, Beijing, China / SML.20140430.7D.51973.P1

This shows how fishermen in Hong Kong sun-dry their seafood. The fresh catches are placed on trays supported by beams and left in open-air right near the fishing boats—talk about convenience. The shells from the shellfish are then immediately discarded right at the beach (foreground). After that, it’s just a matter of time and patience.

 

The foggy cityscape in the background is not Hong Kong but Shenzhen. Lau Fau Shan (流浮山) is located at the very northwest corner of Hong Kong, so you would be able to peer China from this distance.

 

曬海味 Drying seafoods under the afternoon sun / 中國飲食文化 Chinese Food Culture / SML.20131118.6D.30250.P1

With the growth of cities, many people from Chinese villages also moved to the urban area hoping for a better life. But as you can see, life is hard and jobs are not necessarily readily available for everyone.

 

Pictured is a woman kneeling down and begging for change in a dire yet sincere manner, and a man working hard to collect trash into a cart wheel.

 

艱苦的生活 Hard life / 中國北京南鑼鼓巷 Nanluoguxiang, Beijing, China / SML.20140503.6D.31995.P1.SQ.BW

Similar to an earlier shot, this is about seeing differences among similar things—“same but not equal”.

 

Pullman Quay Grand Sydney Harbour, 61 Macquarie Street, East Circular Quay, Sydney NSW 2000, Australia. Photographed with the Canon EOS 6D + Canon EF 100-400mm f/4.5-5.6L IS USM far across the Sydney Harbour.

 

Blue + White / Hotel architecture forms in Sydney, Australia / SML.20140315.6D.30931.P1

It was raining all day when I visited Chang Bai Mountain (長白山). It was also very cold and I ended up shivering the entire time. I ended up not taking my tripod with me mostly because of the weight, so I turned to time-lapse stacks for long exposures again.

 

Photographed with the Canon EOS 6D + Canon EF 24-70 f/2.8L USM. 8-second LE via median stack of 11.

 

河水 River / 中國東北長白山 Chang Bai Mountain, Dongbei, China / SML.20140726.6D.33208-SML.20140726.6D.33218-St.BW

Yellow tree leaves wiggle ever so slightly against the stark blue facade of the Sydney Business School, signalling the coming of spring.

 

Photographed with the Canon EOS 6D + Canon EF 24-70 f/2.8L near Circular Quay Station, Sydney, Australia.

 

Nature vs Manmade: Yellow vs Blue / Forms in Sydney, Australia / SML.20140314.6D.30843

Woodcut spots from Damien Hirst. This series need no introduction. Each print is an abstract representation of a biochemical compound, expressed as a spot color from circular wood cuts.

 

It is hard for me to talk about Damien Hirst. On the one hand, I see a gifted and very talented artist who produces brilliant works. On the other, an artist-turned-factory who has become so commercialized that he would need to come up with all kinds of methods to pump up works to please the high demands for his work.

 

Andy Warhol likes to say that “making money is art, and working is art and good business is the best art.” But I tend to have a problem with art created purely to make money. Mondrian’s early works are brilliant and full of ideas, but the Mondrian after he has becoming the darling of his times left little to be desired.

 

These “limited edition prints” is probably the worse of this trend—making quick bucks in the art market, each asking approximately four-thousand pounds on today’s market. I have no doubt that these works are key to supporting the artist’s livelihood and thus allows him to be the richest living artist in Britain.

 

Art to me is pure magic, but in these works I see nothing but a money-making machine disguised as something fine but has no soul except the greed within.

 

Damien Hirst

Thr-ser (1-inch woodcut spot)

2012

Woodcut

55 editions

Hand signed and numbered

 

A series of woodcut printed on 410 gsm Somerset White textured paper. Signed by the artist on the front and numbered on the reverse in an edition of 55.

 

# Damien Hirst

 

Damien Steven Hirst (born 7 June 1965) is an English artist, entrepreneur and art collector. He is the most prominent member of the group known as the Young British Artists (or YBAs), who dominated the art scene in Britain during the 1990s. He is internationally renowned, and is reportedly Britain's richest living artist, with his wealth valued at £215m in the 2010 Sunday Times Rich List. During the 1990s his career was closely linked with the collector Charles Saatchi, but increasing frictions came to a head in 2003 and the relationship ended.

 

en.wikipedia.org/wiki/Damien_Hirst

 

# Paragon Press

www.paragonpress.co.uk/

6 Wetherby Gardens

London SW5 0JN

United Kingdom

 

# SML Data

+ Date: 2013-05-23T14:35:35+0800

+ Dimensions: 2776 x 2776

+ Exposure: 1/6400 sec at f/2.0

+ Focal Length: 22 mm

+ ISO: 100

+ Camera: Canon EOS M

+ Lens: Canon EF-M 22mm f/2 STM

+ GPS: 22°16'59" N 114°10'22" E

+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)

+ Workflow: Lightroom 4

+ Serial: SML.20130523.EOSM.04002.SQ

+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013

 

# Media Licensing

Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited

 

“Limited Edition Prints by Damien Hirst: Thr-ser, 2012 (1-inch woodcut spot)” / Paragon Press / Art Basel Hong Kong 2013 / SML.20130523.EOSM.04002.SQ

/ #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #Crazyisgood #SMLProjects

/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #ABHK #DamienHirst #ParagonPress #woodcut #prints #spot #colorist #abstract

 

www.flickr.com/photos/seeminglee/8864290568/

It is no secret that I love typography in paintings, and every now and then I would come across some really bizarre work.

 

Harland Miller is both a writer and artist. His debut novel titled “Slow Down Arthur Stick to Thirty” was published in 2000 to critical acclaim. But he is best known for his giant canvases of Penguin Book covers.

 

I can’t help but to find him similar to Ed Ruscha in America, who also paint large type on his work. This painting seen at Art Basel Hong Kong recently is not his best, I think — but on his personal web site at www.harlandmiller.com/ there are quite a bit of fantastic WTF irony which are witty and sweet — definitely worthy of a visit.

 

In his own words: “Painting is the worst medium to express narrative, but perhaps the best to hit a nerve.”

 

Harland Miller

I’ll Never Forget What I Can’t Remember

2013

Oil on canvas

252 x 156 cm

 

# Harland Miller

b. 1964 York, England

lives in London, England

en.wikipedia.org/wiki/Harland_Miller

 

# Ingleby Gallery

15 Calton Road

Edinburgh EH8 8DL

United Kingdom

www.inglebygallery.com/

 

# SML Data

+ Date: 2013-05-23T14:08:12+0800

+ Dimensions: 2834 x 4587

+ Exposure: 1/125 sec at f/2.0

+ Focal Length: 22 mm

+ ISO: 100

+ Camera: Canon EOS M

+ Lens: Canon EF-M 22mm f/2 STM

+ GPS: 22°16'59" N 114°10'22" E

+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)

+ Workflow: Lightroom 4

+ Serial: SML.20130523.EOSM.03961

+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013

 

# Media Licensing

Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited

 

“Painting by Harland Miller (b. 1964 UK): I’ll Never Forget What I Can’t Remember, 2013 (Oil on canvas)” / Ingleby Gallery / Art Basel Hong Kong 2013 / SML.20130523.EOSM.03961

/ #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #SMLTypography #Crazyisgood #SMLProjects

/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #ABHK #HarlandMiller #typography #painting #InglebyGallery #UK #oiloncanvas

 

www.flickr.com/photos/seeminglee/8950110634/

It has been said that contemporary art is an acquired taste, and it matters not whether you like it or hate it. Good art invites a dialog—hating it is still a successful piece as long as you care enough to form an opinion. Bad art, on the other hand, invites no dialog at all—indifference is not an opinion.

 

Titled “Garbage Buddha,” this mixed media installation by Tibetan artist Tsherin Sherpa appears to be a commentary on Buddhist religion. The artist spent years studying buddhist philosophy under the tutelage of various Buddhist Masters in Nepal. The intention of the artist though is unknown.

 

It is a dimension variable installation — true that. If I have this on view at my home no one will be able to tell a difference between my work space and the art work for sure.

 

Crazyisgood.

 

Tsherin Sherpa (b. 1968 Tibet)

Garbage Buddha

2013

Mixed media

Dimension variable

Main section 127 x 152.cm

50 x 50 in

 

# Tsherin Sherpa

Born in 1968, lives and works in California, USA

+ 1991-1996: Buddhist Philosophy under the tutelage of various Buddhist Masters, Nepal

+ 1988-1989: Computer Science and Mandarin, Taipei, Taiwan

+ 1983-1988: Traditional Tibetan Painting apprenticeship with Master Urgen Dorje Sherpa (father)

 

tsherinsherpa.com/

 

# Rossi & Rossi

www.rossirossi.com/

 

16 Clifford Street

London W1S 3RG

United Kingdom

 

Yally Industrial Building, Unit 3C, 6 Yip Fat Street

Hong Kong, Wong Chuk Hang

China

 

# SML Data

+ Date: 2013-05-23T17:51:30+0800

+ Dimensions: 3171 x 4756

+ Exposure: 1/30 sec at f/8.0

+ Focal Length: 17 mm

+ ISO: 800

+ Camera: Canon EOS 6D

+ Lens: Canon EF 17-40 f/4L USM

+ GPS: 22°16'59" N 114°10'22" E

+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)

+ Workflow: Lightroom 4

+ Serial: SML.20130523.6D.14143

+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013

 

# Media Licensing

Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited

 

Mixed media installation by Tsherin Sherpa (b. 1968 Tibet): Garbage Buddha, 2013 / Rossi & Rossi / Art Basel Hong Kong 2013 / SML.20130523.6D.14143

/ #ABHK #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #SMLProjects #Crazyisgood

/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #TsherinSherpa #RossiRossi #garbage #WTF #LOL #mixedmedia #installation

The long escalator ride up from MTR (Hong Kong’s underground metro) station level to ground level.

 

I always wonder if the subway in Hong Kong is longer than most places in the world because the escalator ride is quite long. I have never timed nor measured it but it definitely feels at least three times longer than most subway station in New York.

 

So as usual, to kill time, I do photography. And these extreme perspective shots are really ideal for the full frame 6D + wide angle lens.

 

# SML Data

+ Date: 2013-04-13T18:44:31.00+0800

+ Dimensions: 5472 x 3678

+ Exposure: 1/40 sec at f/4.0

+ Focal Length: 17 mm

+ ISO: 320

+ Camera: Canon EOS 6D

+ Lens: Canon EF 17-40 f/4L USM

+ GPS: 22°17'16" N 114°11'35" E (approximate, GPS data not available underground)

+ Location: 中國香港炮台山地鐵站 Fortress Hill MTR Station, Hong Kong, China

+ Workflow: Photomatix Pro 4.2.5b Tonemap, Lightroom 4,

+ Serial: SML.20130413.6D.00481.TM

+ Series: 人流 Human Logistics

 

# Media Licensing

Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited

 

“炮台山地鐵站電梯 Fortress Hill MTR Station Escalator” / 香港人流 Hong Kong Human Logistics / SML.20130413.6D.00481.TM

/ #人流 #HumanLogistics #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLProjects

/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #Photography #城市 #Urban #地鐵 #MTR #Metro #電梯 #Escalator #人 #People

  

Daytime Biohack on the left: what remains in the beer-mug-as-coffee-mug, which is always filled with coffee and milk tea.

 

Nighttime Biohack on the right: 100mg Seroquel which puts me to sleep.

 

Together they work like clockwork and runs through my system daily and is what keeps me going everyday.

 

# SML Data

+ Date: 2013-02-25 13:36:47 GMT+0800

+ Dimensions: 4662 x 3108

+ Exposure: 1/30 sec at f/2.0

+ Focal Length: 22mm

+ ISO: 2000

+ Flash: Did not fire

+ Camera: Canon EOS M

+ Lens: Canon EF-M 22mm f/2 STM

+ GPS: 22°25'9" N 114°13'26" E

+ Location: SML Universe HKG

+ Serial: SML.20130225.EOSM.02426.P1.L1

+ Workflow: Photoshop CS6, Lightroom 4

+ Series: Biohacks

 

“日與夜 Day and Night” / Biohacks / SML.20130225.EOSM.02426.P1.L1

/ #Biohacks #CCBY #Crazyisgood #SMLPhotography #SMLUniverse #SMLProjects

/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #藥 #药 #medication #pills #Seroquel #咖啡 #coffee #日 #Day #夜 #Night

This green fence surrounding the soccer pitch has my name written all over it. I see it, because I am not normal. You don’t, because maybe you are human.

 

Also you from this you can see why I had to use a long lens. It is close to impossible to use a wide angle lens to photograph people playing sports inside because there are no elevated platforms surrounding these fields, and so the only way to photograph what is happening inside is through these frames with extremely tight openings.

 

# SML Translate:

+ 日: sun.

+ 月: moon.

+ 明: Putting the sun and the moon together is very bright. And that’s what this character means. It means bright, clear, and understanding. It is pronounced as “ming,” and is the second character of my first name—which is why I said that this green fence has my name written all over it.

 

# SML Data

+ Date: 2013-02-22 16:57:46 GMT+0800

+ Dimensions: 5184 x 3456

+ Exposure: 1/320 sec at f/5.6

+ Focal Length: 180 mm

+ ISO: 100

+ Flash: Did not fire

+ Camera: Canon EOS 7D

+ Lens: Canon EF 70-200mm f/4L USM + Canon EF 1.4x Extender III

+ GPS: 22°25'11" N 114°13'41" E

+ Location: 中國香港馬鞍山遊樂場人造草地足球場 中国香港马鞍山游乐场人造草地足球场 Artificial Turf Soccer Pitch, Ma On Shan Recreation Ground, Ma On Shan, Hong Kong, China

+ Serial: SML.20130222.7D.24350.P1.L1

+ Workflow: Photoshop CS6, Lightroom 4

+ Series: 形 Forms, 體育 Sports

  

“日月日月日月明” / 香港體育建築之形 Hong Kong Sports Architecture Forms / SML.20130222.7D.24350.P1.L1

/ #形 #Form #SMLForms #體育 #Sports #CCBY #SMLPhotography #SMLUniverse #SMLProjects

/ #中國 #中国 #China #香港 #HongKong #馬鞍山 #MaOnShan #建築 #建筑 #Architecture #城市 #Urban #攝影 #摄影 #photography #欄 #fence #綠 #green

An unexpected sighting in Taipei is the placement of Buddhist temples in the city. Unlike other places where temples are usually somewhat spatially separated, here the temples appear to be surrounded by city life. It is is possible that there is limited space and thus buildings must be built adjacent to them. But it is still rather interesting to me.

 

In the photo, the orange building on the right is a Buddhist temple. A residential building to its right, with a banner on its facade for the city local legislative election. And a bus top filled with people waiting to be transported afar on a misty rainy day.

 

Photographed with the Canon EOS 6D + Canon EF 17-40 f/4L USM. Processed in Lightroom.

 

山城佛寺 Buddhist temple at a mountainous city / 台灣 Taiwan / SML.20140210.6D.30679

/ #台灣 #臺灣 #Taiwan #台北 #Taipei #SMLTravel #旅遊 #旅游 #Travel #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLProjects

/ #Buddhist #temple #orange #mountain #rain #mist

“This collection is inspired by global riot initiated by teenagers, local political and social issues. Traces of it can be seen from the pattern on fabrics, details on accessories to the vibe of the final outfits as a whole. This collection is also one of the so many ways to celebrate the waking up of youngsters from ignorance, self-egos and work their ways out against the corrupted social value, ideology and bureaucracy, of which their actions are always regarded as a form of social disturbance. on top of that, it allows me to express my own personal perspective.”—Rhyox Wan, designer

 

"…and we live off of the unsettling soul”

 

# WAN Wai Kit, Rhyox

…and we live off of the unsettling soul

 

# Sponsors

+ Fang Brothers Knitting Ltd.

+ UPW

+ Winning Textile Co., Ltd.

+ Awesome Mojito Handmade Leather Products

+ Long Tai Hong (Holding) Limited

The Great Wall of China (長城) is a series of fortifications made of stone, brick, tamped earth, wood, and other materials, generally built along an east-to-west line across the historical northern borders of China in part to protect the Chinese Empire or its prototypical states against intrusions by various nomadic groups or military incursions by various warlike peoples or forces. Several walls were being built as early as the 7th century BC; these, later joined together and made bigger and stronger, are now collectively referred to as the Great Wall.

 

Juyong Pass (居庸關 Jūyōng Guān) is one of the three greatest mountain passes of the Great Wall of China. The other two are Jiayuguan (嘉峪關) and Shanhaiguan (榆關). Juyongguan Pass has two ‘sub-passes,’ one at the valley‘s south and the other at the north. The southern one is called "Nan (pass)" and the northern is called “Badaling” (八達嶺).

 

This is the first time I have been to Juyong Guan. Personally I prefer the view at Badaling better, though Juyong Guan is considered the more important point of interest for tourism.

 

Photographed with the Canon EOS 6D + Canon EF 24-70 f/2.8L USM.

 

# More Information

+ en.wikipedia.org/wiki/Juyong_Pass

+ en.wikipedia.org/wiki/Great_Wall_of_China

 

居庸關長城 Juyong Pass, Great Wall / 中國北京 Beijing, China / SML.20140501.6D.31562.P1.BW

The view from Ocean terminal looking towards Hong Kong Island.

 

www.flickr.com/photos/seeminglee/8559021391/sizes/o/ (8261 x 2483 original)

 

From left to right:

+ The Star Ferry (Chinese: 天星小輪), or The "Star" Ferry Company, is a passenger ferry service operator and tourist attraction in Hong Kong. Its principal routes carry passengers across Victoria Harbour, between Hong Kong Island and Kowloon. It was founded in 1888 as the Kowloon Ferry Company, adopting its present name in 1898. en.wikipedia.org/wiki/Star_Ferry

+ The International Finance Centre (IFC, Chinese: 國際金融中心) is an integrated commercial development on the waterfront of Hong Kong's Central District. en.wikipedia.org/wiki/International_Finance_Centre

+ Ocean Terminal (Chinese: 海運大廈) is a cruise terminal and shopping centre located on Canton Road in Tsim Sha Tsui, Hong Kong. en.wikipedia.org/wiki/Ocean_Terminal,_Hong_Kong

+ The International Commerce Centre (Chinese: 環球貿易廣場) (abbr. ICC Tower) is a 118-storey, 484 m (1,588 ft) skyscraper completed in 2010 in West Kowloon, Hong Kong. It is a part of the Union Square project built on top of Kowloon Station. en.wikipedia.org/wiki/International_Commerce_Centre

 

Stitched together with 11 full res RAW of EOS M with the 17-40 f/4L

 

# SML Data

+ Date: 2013-03-15 15:15:06 GMT+0800

+ Dimensions: 8261 x 2483

+ Exposure: 1/400 sec at f/8.0

+ Focal Length: 17 mm

+ ISO: 100

+ Camera: Canon EOS M

+ Lens: Canon EF 17-40 f/4L USM

+ Panorama FOV: 178 degree horizontal, 71.2 degree vertical

+ Panoramic Projection: Cylindrical

+ GPS: 22°17'41" N 114°10'7" E

+ Location: 中國香港尖沙咀梳士巴利道海運大廈 中国香港尖沙咀梳士巴利道海运大厦 Oean Terminal, Salisbury Road, Tsim Sha Tsui, Hong Kong, China

+ Serial: SML.20130315.EOSM.03388-SML.20130315.EOSM.03398-Pano-Cylindrical-178x71.2

+ Workflow: Hugin 2012, Lightroom 4

+ Series: 全景攝影 Panoramic Photography

 

“海運大廈 + 維多利亞港 Ocean Terminal + Victoria Harbour” / 香港全景攝影 Hong Kong Panoramic Photography / SML.20130315.EOSM.03388-SML.20130315.EOSM.03398-Pano-Cylindrical-178x71.2

/ #商場 #ShoppingMalls #全景 #Pano #SMLPano #CCBY #SMLPhotography #SMLUniverse #SMLProjects

/ #中國 #中国 #China #香港 #HongKong #尖沙咀 #TsimShaTsui #攝影 #摄影 #photography #城市 #Urban #建築 #建筑 #Architecture

The Mid-Autumn Festival (中秋節) is a significant cultural celebration in Chinese culture. It occurs on the 15th day of the 8th month of the lunar calendar, typically falling in September or October.

 

The festival coincides with the autumn harvest season, making the full moon a symbol of abundance and gratitude for nature’s blessings.

 

In the west, this moon is also known as the Super Harvest Moon, when the moon is at its closest point to Earth, making it appear larger and brighter than usual — about 14% larger and 30% brighter than a typical full moon.

 

Canon EOS R8

Canon EF 100-400mm f/4.5-5.6L IS USM

Canon EF-EOS R Mount Adapter

Mid-Autumn Festival, Hong Kong

2024-09-18 (midnight on Sept 17)

 

Mid-Autumn Moon 中秋月 Super Harvest Moon / SML.20240918.R8.09262.E1.SQ

What’s so awesome about a black and white image of a US fighter jet? Nothing—except when you realised that it was a charcoal drawing and not a photo. Seriously.

 

Robert Longo (born 1953-01-07 in Brooklyn, NY) is an American painter and sculptor. Even when I was standing right next to the drawing I could not tell that it was a drawing.

 

Those of you who have worked with charcoal knows that being able to achieve hyperrealist drawings such as this is no small feast.

 

Crazyisgood!

 

Robert Longo

Untitled (F-15 Eagle), 2012

Charcoal on mounted paper

165.1 x 274.3 cm

65 x 108 in

RLO 1317

 

# Robert Longo

en.wikipedia.org/wiki/Robert_Longo

www.robertlongo.com/

 

# Galerie Thaddaeus Ropac

ropac.net/

 

7, rue Debelleyme

75003 Paris

France

 

69 avenue du Général Leclerc

93500 Paris-Pantin

France

 

Mirabellplatz 2

5020 Salzburg

Austria

 

# SML Data

+ Date: 2013-05-23T18:29:01+0800

+ Dimensions: 4753 x 2925

+ Exposure: 1/40 sec at f/4.0

+ Focal Length: 24 mm

+ ISO: 125

+ Camera: Canon EOS 6D

+ Lens: Canon EF 17-40 f/4L USM

+ GPS: 22°16'59" N 114°10'22" E

+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)

+ Workflow: Lightroom 4

+ Serial: SML.20130523.6D.14234

+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013

 

# Media Licensing

Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited

 

Hyperrealist drawing by Robert Longo: Untitled (F-15 Eagle), 2012 (Charcoal on mounted paper) / Galerie Thaddaeus Ropac / Art Basel Hong Kong 2013 / SML.20130523.6D.14234

/ #ABHK #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #SMLProjects #Crazyisgood

/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #RobertLongo #GalerieThaddaeusRopac #Ropac #charcoal #drawing #WTF #crazy #US

A three-legged pot hung from the ceiling is heated by the piles of wood in the large fire pit.

 

Photographed with the Canon EOS 6D + Canon EF 24-70mm f/2.8L USM in Sanya, Hainan, China.

 

煮食 Cooking / 黎苗少數民族文化 Culture of the Li and Miao minorities / 中國海南三亞 Sanya, Hainan, China / SML.20140506.6D.32025.P1.BW

Closed to the 碧霞祠 Azure Clouds Temple on the other side of the 玉皇頂 Jade Emperor Peak is a “Guest House” (aka hotel) which is enclosed in radio satellites. The very traditional architecture of the tower suggests that it was probably originally built as a watch tower in ancient times. But in modern days it is now filled with satellite dishes, likely for intelligence use as well as radio broadcast use.

 

I did not have the time to check out the facilities, but I think that if and when I decide to revisit Mount Tai for some more photography, this would be my only lodging option.

 

“电台宾馆” (電台賓館 Radio Station Guest House) / 山東省泰山 Mount Tai, Shandong Province 山东省泰山 / 中國旅遊 中国旅游 China Tourism / SML.20121011.7D.09596.ChinaTourism.CN.Qingdao.Shandong.MountTai

Contrast makes for interesting compositions.

 

In colors: orange vs blue. In materials: reflective vs matte surfaces. In age: old vs new. In size: large vs small. In forms: curves vs lines. In proportion: majority vs minority. In brightness: dark vs light.

 

When all the elements are there they sing to my eyes. Everyday found art in the urban landscape is a living poetry waiting for the eyes to explore.

 

The thing which applies to photography also applies to design. The visual art language is the same for food—food tastes best when it hits all the taste buds: sweet, sour, salty, heat. Visual pleasures work best when it hits all the visual notes: hues, colors, brightness, proportion, size.

 

# SML Data

+ Date: 2013-01-11 12:33:56 GMT+0800

+ Dimensions: 3456 x 5184

+ Exposure: 1/250 sec at f/5.6

+ Focal Length: 183 mm

+ ISO: 160

+ Flash: Did not fire

+ Camera: Canon EOS 7D

+ Lens: Canon EF 70-200mm f/4L USM + EF 1.4x Extender III

+ GPS: 22°16'43" N 114°10'24" E

+ Location: 中國香港灣仔謝斐道香海大廈附近 中国香港湾仔谢斐道香海大厦附近 Near the Heung Hoi Mansion at Jaffe Road in Wan Chai, Hong Kong SAR, China

+ Serial: SML.20130211.7D.22547.P1

+ Workflow: Lightroom 4, Photoshop CS6

+ Series: 形 Forms

 

“對比 Contrast” / 城市建築之形 Urban Architecture Forms / SML.20130211.7D.22547.P1

/ #形 #Forms #SMLForms #抽象 #abstract #SMLAbstracts #CCBY #SMLPhotography #SMLUniverse #SMLProjects #SMLOpinions

/ #中國 #中国 #China #香港 #HongKong #灣仔 #Wanchai #建築 #建筑 #architecture #攝影 #摄影 #photography #對比 #Contrast #opinions

In March 2014, I went to the Sydney to attend a wedding. After four months, I finally have the time to process those photographs. These are what I saw…

 

Pictured is the top of the Sydney Harbour Bridge with the Australian flag high on top. The bridge is a steel through arch bridge across Sydney Harbour that carries rail, vehicular, bicycle and pedestrian traffic between the Sydney central business district (CBD) and the North Shore.

 

Photographed with the 6D + 100-400.

 

# More Information

+ en.wikipedia.org/wiki/Sydney_Harbour_Bridge

 

Flags of Australia + Sydney Harbour Bridge / Sydney, Australia / SML.20140315.6D.30923.P1

Some captures are prime candidates for black and white—and this is one of those instances, and it will probably eventually also processed as such.

 

But there is something interesting about that little bit of color—the very fainted yellow from the sun contrast with the blue gray clouds.

 

The bird is technically both over and under exposed, and there is nothing I could do about it. Following things flying in air is a lot harder than I first imagined. Hopefully I can get better at this—maybe use spot metering next time. But again, when it is in black and white, the hard white / black is much less distracting. There is something magical about B+W that can often turn fail into win!

 

# SML Data

+ Date: 2013-05-09T13:42:12+0800

+ Dimensions: 5184 x 3456

+ Exposure: 1/640 sec at f/11

+ Focal Length: 400 mm

+ ISO: 160

+ Flash: Did not fire

+ Camera: Canon EOS 7D

+ Lens: Canon EF 100-400mm f/4.5-5.6L IS USM

+ GPS: 22°25'22" N 114°13'29" E

+ Location: 香港馬鞍山海濱長廊 Ma On Shan Promenade, Hong Kong

+ Subject: 香港吐露港 Tolo Harbour, Hong Kong

+ Workflow: Photoshop CS6, Lightroom 4

+ Serial: SML.20130509.7D.41593.P1.L1

+ Series: 自然 Nature, 鳥 Birds

 

# Media Licensing

Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited

 

“亞洲水鳥藍空獨航 Asian Waterbird in Flight” / 自然 Nature / SML.20130509.7D.41593.P1.L1

/ #自然 #Nature #鳥 #Birds #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLProjects

/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #城市 #Urban #亞洲水鳥 #AsianWaterbird #水鳥 #waterbird #雲 #Cloud #Cloudscape #天 #空 #Sky

Photographing birds was not as easy as I originally expected. Pictured is a wild eagle flying into the sea to catch a fish swimming near the surface. Seriously.

 

# SML Data

+ Date: 2013-05-02T15:05:12+0800

+ Dimensions: 2948 x 2948

+ Exposure: 1/500 sec at f/7.1

+ Focal Length: 360 mm

+ ISO: 800

+ Flash: Did not fire

+ Camera: Canon EOS 7D

+ Lens: Canon EF 100-400mm f/4.5-5.6L IS USM

+ GPS: 22°25'9" N 114°13'27" E

+ Location: SML Universe HKG

+ Location: 香港吐露港 Tolo Harbour, Hong Kong

+ Workflow: Lightroom 4

+ Serial: SML.20130502.7D.40945.SQ

+ Series: 自然 Nature

 

# Media Licensing

Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited

 

“痛下殺手 In for the kill” / 自然 Nature / SML.20130502.7D.40945.SQ

/ #自然 #Nature #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLProjects

/ #中國 #中国 #China #香港 #HongKong #鳥 #Birds #馬鞍山 #MaOnShan #水 #Water #鷹 #Eagle #海 #Sea

This highly recognisable building requires no introduction. It is of course the Bird’s Nest in Beijing. Officially known as the National Stadium, it was designed for use throughout the 2008 Summer Olympics and Paralympics.

 

I have wanted to photograph this architecture since its inception, and am happy to finally have seen it. The architecture was designed by Herzog & de Meuron. It is both a visual as well as structural marvel.

 

Photographed with the Canon EOS 6D + Canon EF 24-70mm f/2.8L USM.

 

# More Information

+ en.wikipedia.org/wiki/Beijing_National_Stadium

 

鸟巢 Bird’s Nest (National Stadium) / 中國北京體育建築之形 Sports architecture forms in Beijing, China / SML.20140502.6D.31732.P1.BW

This capture has most of the elements that I look for in this series. God rays: check. Wild patterns on the water surface: check. Tiny boats on the water surface which references that of Chinese traditional paintings: check. Puffy clouds on the distant: check. The only thing it lacks is some more dramatic clouds on the top. But still, what are the chances? I shall meditate on this to will it to happen…

 

# SML Data

+ Date: 2013-08-25T17:58:43+0800

+ Dimensions: 5038 x 3358

+ Exposure: 1/250 sec at f/11

+ Focal Length: 17 mm

+ ISO: 100

+ Camera: Canon EOS 6D

+ Lens: Canon EF 17-40 f/4L USM

+ GPS: 22°25'10" N 114°13'26" E

+ Location: SML Universe HKG

+ Workflow: Lightroom 5

+ Serial: SML.20130825.6D.26876.BW

+ Series: 寧 Serenity

 

# Media Licensing

Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited

 

風暴雲光 God rays during the storm / 寧 Serenity / SML.20130825.6D.26876.BW

/ #寧 #Serenity #SMLSerenity #HDR #SMLHDR #黑白 #BW #SMLBW #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLProjects

/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #山水 #landscape #自然 #Nature #cloudscape #clouds #storm #godrays

 

www.flickr.com/photos/seeminglee/9688106256/

www.flickr.com/photos/seeminglee/9688106256/sizes/o/ (5038 x 3358)

Galería Leandro Navarro in Madrid, Spain gave a solo show to Picasso during Art Basel Hong Kong 2013.

 

Titled “Les Trois Baigneuses” or “The three bathers” in English, this painting was drawn on September 15, 1932 while Picasso is having his summer vacations in the South of France—at Boisgeloup.

 

Picasso is one of my favorite artists of all times. As a creator, his work is always changing and fresh, independent of gallery demands. His lines are brief, which shows decisiveness and maturity of a painter.

 

Pablo Picasso

Les Trois Baigneuses

Signed and dated lower right Picasso

Boisgeloup 15 Septembre 1932

Oil on canvas

10 5/8 x 16 1/8 in

27 x 41 cm

Painted 1932-09-15

 

# Description by the Gallery

In 1932, inspired by his summer vacations in the South of France, Picasso executed a number of paintings of figures on a beach. This work is most closely related to two similar sized compositions, both titled Baigneuses, painted during the same period (Zervos, vol.8, nos. 61 and 62). The first (no. 61) was painted one week earlier on September the 6th and was also dean with a dense line and darkly coloured passages in the background. That work appears to contain four figures in a mostly triangular grouping. The present work contains three figures and the added element of the dressing huts in the right background. The final work (no. 62) painted on the 28th of November shows the figures more clearly delineated and the whole composition is far more sophisticated. While the last work most clearly shows the figures as play, this and the earlier painting both have an element of foreboding as the lower figure relates to the image of the drowned woman which appears in other beach scenes. With this association in mind, the scene shifts between exuberant play and a moment of highly charged distress.

 

# Provenance

Paris Galleries, New York

Richard A. Loeb, New Jersey

Constance W. Stafford

Private collection, California

 

# Exhibited

Stuttgart, Staastgalerie, Picasso - Betende, 18 June - 16 Ocrober 2005, no. 72, p. 111 (Illustrated in colour)

 

# Bibliography

The Picasso Project, ed. Picasso’s Paintings, Watercolors, Drawings and Sculpture: Surrealism, 1930-36, San Francisco 1996, no. 32-128, p. 136 (Illustrated)

 

This work is accompanied by a certificate of authenticity signed by Maya Widmeiser Picasso and dated Paris, 22 January 2007.

 

# Galería Leandro Navarro

Amor de Dios, 1

28014 Madrid

Spain

www.leandro-navarro.com/

 

# SML Data

+ Date: 2013-05-23T16:39:31+0800

+ Dimensions: 3895 x 2508

+ Exposure: 1/30 sec at f/4.0

+ Focal Length: 360 mm

+ ISO: 160

+ Camera: Canon EOS 6D

+ Lens: Canon EF 17-40 f/4L USM

+ GPS: 22°16'59" N 114°10'22" E

+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)

+ Workflow: Lightroom 4

+ Serial: SML.20130523.6D.13976

+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013

 

# Media Licensing

Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited

 

“Painting by Pablo Picasso: Les Trois Baigneuses (Signed and dated lower right Picasso, Boisgeloup 15 Septembre 1932, Oil on canvas)” / Galería Leandro Navarro / Art Basel Hong Kong 2013 / SML.20130523.6D.13976

/ #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #SMLProjects

/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #ABHK #PabloPicasso #Picasso #GaleriaLeandroNavarro #paintings #oiloncanvas #masters #FR #ES

 

www.flickr.com/photos/seeminglee/9016539194/

A pair of birds hanging out on the roof at the Forbidden City.

 

Photographed with the Canon EOS 7D + Canon EF 100-400mm f/4.5-5.6L IS USM

 

Love birds / 中國北京故宫 Forbidden City, Beijing, China / SML.20140430.7D.51995.P1

A city never sleeps because inside which lives humans which never stops going somewhere. This time-lapse video shows the pulse of a city through the rush hour traffic in Central in Hong Kong one gloomy evening.

  

For the soundtrack I had wanted something repetitive and Philip Glass came to mind. I had originally written something but thought that the video works best with something by Glass. To avoid licensing issues (mostly because I publish everything via CCBY), I found a MIDI file performed by Bertrand Robion on the web [1] and mixed it with some piano samples.

  

# Notes

1. www.glasspages.org/audio.html

  

# SML Data

+ Date: 2013-07-17 (recorded) 2013-07-20 (processed)

+ Camera: Canon EOS 6D

+ Lens: Canon EF 17-40 f/4L USM

+ Accessories: Canon TC-80N3, Manfrotto tripod, Manfrotto head

+ Workflow: Lightroom 5, LRTimelapse 2, After Effects CC, Ableton Live Suite 8

+ Video: 1920x1080 (1080p), 24fps, Progressive

+ Location: 香港中環 Central, Hong Kong

+ Photographer: See-ming Lee 李思明 / SML Photography

+ Soundtrack: Philip Glass: Metamorphosis 1 by Bertrand Robion (solo piano) mixed by SML Music

+ Media Production: SML Universe

+ License: Creative Commons Attribution 3.0 Unported (CCBY)

+ Copyright: 2013 See-ming Lee 李思明 / SML Universe Limited

+ Series: 人流 Human Logistics

+ Serial: SML.20130717.6D.20604-SML.20130717.6D.21490-TL

  

# Media Licensing

Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Music / SML Universe Limited

  

香港中環 Hong Kong Central / 人流 Human Logistics 延時攝影 Time Lapse Photography / SML.20130717.6D.20604-SML.20130717.6D.21490-TL

/ #人流 #HumanLogistics #CreativeCommons #CCBY #SMLPhotography #SMLMusic #SMLUniverse #SMLProjects

/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #延時 #TimeLapse #PhilipGlass #BertrandRobion #piano #中環 #Central #Urban #city #people

As Hong Kong’s only university offering degrees in fashion design, the Institute of Textiles & Clothing (紡織及製衣學系, ITC) of the Hong Kong Polytechnic University (香港理工大學, PolyU) organizes a fashion show for their best and brightest students from their graduating class each year.

 

This year, 24 students from the Bachelor of Arts (Honours) Scheme in Fashion and Textiles or the Higher Diploma Scheme in Fashion and Textile Studies were showcased, each showing 6 looks on the runway.

 

The event was held on June 26th, 2013 at the Hong Kong Convention and Exhibition Centre (香港會議展覽中心, HKCEC).

 

Pictured is a panorama of the stage at the afternoon show before it started. It is handheld, so you will see imperfect seams everywhere, but it should hopefully illustrate the crowd and stage nicely. Stitched together using 13 captures with the 6D and 24-70 f/2.8L.

 

# SML Data

+ Date: 2013-06-23T15:51:46+0800

+ Dimensions: 27530 x 12161

+ Exposure: 1/30 sec at f/2.8

+ Focal Length: 24 mm

+ ISO: 1600

+ Flash: Did not fire

+ Camera: Canon EOS 6D

+ Lens: Canon EF 24-70 f/2.8L USM

+ Panorama FOV: 143 degree horizontal, 70 degree vertical

+ Panoramic Projection: Spherical

+ GPS: 22°16'59" N 114°10'22" E

+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)

+ Workflow: Autopano Giga 3, Lightroom 4

+ Serial: SML.20130626.6D.16729-SML.20130626.6D.16741-Pano.i13.143x70

+ Series: PolyU Fashion Show 2013, 新聞攝影 Photojournalism, 全景攝影 Panoramic Photography

 

# Media Licensing

Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited

 

天橋走秀全景 Catwalk Runway Panorama / PolyU Fashion Show 2013 / SML.20130626.6D.16729-SML.20130626.6D.16741-Pano.i13.143x70

/ #PolyUFashionShow2013 #Photojournalism #全景 #Pano #Panorama #SMLPano #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLProjects

/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #理工大學 #PolyU #時裝 #fashion #設計 #design #events #people

In May 2008, just months before the Beijing Olympics, a devastating earthquake struck Sichuan Province, killing hundreds of thousands of people. Chinese artist 陳秋林 Chen Qiulin’s 漂浮Floating series responds directly to that catastrophe, adding a distinctly personal tenor to an event many only learned about through the media.

 

These floating human figures, sculpted in papier-mâché made primarily with paper scavenged from the detritus of the disaster, have the rough surfaces of industrial materials. At first glance, their texture, heft, and mass resemble that of concrete structures—a reference to the recent industrialization of the artist’s homeland.

 

Yet as the forms sway gently in space, suspended by nearly invisible pieces of fishing line, their apparent heaviness gives way to an essential weightlessness. The sculptures’ movements likewise suggest multiple possible readings, alternately evoking the graceful postures of dance and traumatic visions of bodies falling in space. Personal history drives Chen’s practice, but in creating such plays between opposites, she asks viewers to bring their own histories to their encounters with her work.

 

(retrieved from gallery description with some edits, 1)

 

陳秋林 Chen Qiulin

漂浮 Floating No. 1, 2008-2009

Edition 3

Sculpture, Wastepaper Pulp

172 x 89 x 60 cm

 

# Notes

1. www.artbaselhongkong-online.com/index.php5?id=1411158&...

 

# Chen Qiulin 陈秋林 (陳秋林)

Chen Qiulin (b. 1975) is an emerging artist who is deeply concerned with the impact of urbanization in China. Her practice includes performance, photography, video, installation and most recently sculpture. She combines personal history with themes of demolition, migration, and transformation to express the reality for "ordinary people" living in China today. Born in Hubei Province, Chen Qiulin graduated from the Printmaking Department at the Sichuan Academy of Fine Arts and currently divides her time between Chengdu and Beijing.

 

www.chartcontemporary.com/artist_chen_qiulin.html

 

# A Thousand Plateaus Art Space 千高原艺术空间 (千高原藝術空間)

87 Fangqin Street

Chengdu 610041

China

 

www.1000plateaus.org/

 

# SML Data

+ Date: 2013-05-23T15:42:20+0800

+ Dimensions: 5316 x 3544

+ Exposure: 1/40 sec at f/8

+ Focal Length: 30 mm

+ ISO: 800

+ Camera: Canon EOS 6D

+ Lens: Canon EF 17-40 f/4L USM

+ GPS: 22°16'59" N 114°10'22" E

+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)

+ Workflow: Lightroom 4

+ Serial: SML.20130523.6D.13846

+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013

 

# Media Licensing

Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited

 

“Sculpture by Chen Qiulin 陈秋林 (陳秋林 b. 1975 China): Floating 漂浮 No. 1, 2008-2009 (Wastepaper Pulp)” / A Thousand Plateaus Art Space 千高原艺术空间 (千高原藝術空間) / Art Basel Hong Kong 2013 / SML.20130523.6D.13846

/ #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #SMLProjects

/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #ABHK #陈秋林 #陳秋林 #ChenQiulin #1000plateaus #千高原艺术空间 #千高原 #sculpture #papiermache

 

www.flickr.com/photos/seeminglee/8933516366/

 

The Rotunda annex of the National Library of Finland, completed in 1906, is a six-story structure with bookshelves placed around an open central space. Gazing up or down in the Rotunda offers stunning views of the library’s interior architecture

 

The National Library of Finland (Kansalliskirjasto) serves as the foremost research library in the country and is a vital institution for preserving Finnish cultural heritage. Located in Helsinki, near the iconic Senaatintori square, it is both a repository of knowledge and a cultural hub.

 

I visited this place in August during my week in Helsinki, per recommendation by Alexander. I only had a 24-105 with me during the visit and was unable to capture its beauty in a single shot, so I have stitched together 14 captures to make a vertical pano.

 

- Canon EOS R8

- Canon RF 24-107 f/4L IS USM

- Unioninkatu 36, 00170 Helsinki, Finland

- Architect: Carl Ludvig Engel

 

National Library of Finland, Helsinki / SML.20240813.R8.08556-08569-Pano

With its signature blue jogging lane and wonderful sea breeze, the Ma On Shan Promenade was one of the nicest thing available in my neighborhood. It looks great up on top peering from the 27th floor down [1], and is relaxing just to walk around or do some landscape photography, as can be seen in my serenity photo series [2].

 

Completed in three phases between 2009 and 2010, the whole stretch of the promenade is 3.2km long and covers an area of 5.2 hectares. Besides jogging trails, it has children’s playgrounds, elderly fitness corners as well as fitness stations.

 

It is also a great place to photograph Pat Sin Leng (the long stretch of mountains in the back) as well as Tolo Harbour, as can be seen on my stream as well.

 

# References

1. GovHK: Leisure and Cultural Services Department: Ma On Shan Promenade: www.lcsd.gov.hk/parks/mospd/en/index.php

 

# Notes

1. “晨光慢跑 Morning Jog” / 體育之形 Sports Forms / SML.20130418.6D.00964: www.flickr.com/photos/seeminglee/8685039597/

2. 寧 Serenity / SML Projects: www.flickr.com/photos/seeminglee/sets/72157631563218620/

 

# SML Data

+ Date: 2013-05-09T13:46:23+0800

+ Dimensions: 5049 x 3366

+ Exposure: 1/1250 sec at f/4.0

+ Focal Length: 17mm

+ ISO: 100

+ Flash: Did not fire

+ Camera: Canon EOS 6D

+ Lens: Canon EF 17-40mm f/4L USM

+ GPS: 22°25'22" N 114°13'29" E

+ Location: 香港馬鞍山海濱長廊 Ma On Shan Promenade, Hong Kong

+ Workflow: Lightroom 4

+ Serial: SML.20130509.6D.05668

+ Series: 建築 Architecture, 體育 Sports

 

# Media Licensing

Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited

 

“馬鞍山海濱長廊緩跑徑 Ma On Shan Promenade Jogging Trail” / 香港康樂建築 Hong Kong Leisure Architecture / SML.20130509.6D.05668

/ #建築 #建筑 #Architecture #體育 #体育 #Sports #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLProjects

/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #城市 #Urban #馬鞍山 #MaOnShan #海濱長廊 #Promenade #緩跑 #jogging

 

# SML Thank You

+ Cathay Pacific: discovery.cathaypacific.com/cpa/en/hong-kong/walk/seaside...

Chinese artist 朱金石 Zhu Jinshi’s abstract paintings are incredible—mostly as they resemble more as sculptures than paintings. Born in Beijing in 1954, the artist is known to apply his oil paint with spatulas and shovels.

 

“Thickness … visually guides you to change your worldview,” he said. “It can be used as a point of breakthrough.”

 

This head-on view does not really showcase the brilliance of this work, so I have also photographed another one from the side so you can see how the oil paints leave the canvas and protrude a great few inches from the surface.

 

Zhu Jinshi was born in Beijing, China in 1954, where he currently lives and works.

 

Zhu Jinshi 朱金石

Great White Shark No. 1, 2012

Oil on canvas

70 7/8 x 63 inches

180 x 160 cm

 

# Zhu Jinshi 朱金石 (b. 1954 Beijing, China)

www.blumandpoe.com/exhibitions/zhu-jinshi

 

# Blum & Poe

2727 S. La Cienega Boulevard

Los Angeles, CA 90034

USA

 

www.blumandpoe.com/

 

# SML Data

+ Date: 2013-05-23T16:15:53+0800

+ Dimensions: 2656 x 2961

+ Exposure: 1/40 sec at f/9.0

+ Focal Length: 20 mm

+ ISO: 400

+ Camera: Canon EOS 6D

+ Lens: Canon EF 17-40 f/4L USM

+ GPS: 22°16'59" N 114°10'22" E

+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)

+ Workflow: Lightroom 4

+ Serial: SML.20130523.6D.13919

+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013

 

# Media Licensing

Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited

 

“Painting by 朱金石 Zhu Jinshi: Great White Shark No. 1, 2012 (oil on canvas)” / Blum & Poe / Art Basel Hong Kong 2013 / SML.20130523.6D.13919

/ #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #SMLProjects

/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #ABHK #朱金石 #ZhuJinshi #Blumandpoe #paintings #oil #abstract #Shark #Beijing

 

www.flickr.com/photos/seeminglee/8876417085/

  

Round 3: The lines becomes curve for this one.

 

The building on the left is Exchange Square. The one on the right is still Jardine House. With its circular windows, Jardine House has an interesting facade which makes it beautiful to photograph. In many ways, when I first saw the Maritime Hotel in New York, the first thing I was reminded of is how much better Jardine House looks comparatively speaking.

 

This photo might look better in black and white—so it will be processed as such later—if I have learned anything looking at the Flickr stream of Thomas Hawk, it is that interleaving photographs from different places and series generally look better than streaming the same kind of photos continuously. Diversity makes life interesting…

 

# SML Data

+ Date: 2013-03-26T18:02:31.40+0800

+ Dimensions: 3069 x 4589

+ Exposure: 1/100 sec at f/2.8

+ ISO: 1250

+ Flash: Did not fire

+ Camera: Canon EOS 7D

+ Lens: Canon EF 24-70mm f/2.8L USM

+ GPS: 22°17'1" N 114°9'30" E

+ Altitude: 122.0 m

+ Location: 中國香港中環交易廣場 Exchange Square, Central, Hong Kong, China

+ Subject: 中國香港中環交易廣場和怡和大廈 Exchange Square and Chater House, Central, Hong Kong, China

+ Serial: SML.20130326.7D.36607

+ Workflow: Lightroom 4

+ Series: 建築 Architecture, 形 Forms

 

# Media Licensing

Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited

 

“曲線與圓點: 交易廣場與怡和大廈 Curves vs Dots: Exchange Square vs Jardine House” / 香港金融建築之形 Hong Kong Financial Architecture Forms / SML.20130326.7D.36607

/ #建築 #建筑 #Architecture #形 #Forms #SMLForms #CCBY #SMLPhotography #SMLUniverse #SMLProjects

/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #城市 #Urban #中環 #Central #Office #lines #circles

I just started watching Fringe season 5 [1], which was just concluded. I generally prefer to do season-long marathons over watching things weekly. Pacing is better for me this way.

 

What I used to do is chain-smoke while watching TV. But I can’t do it in Hong Kong so I started eating pistachios instead. One bag of pistachios span approximately 3 40min episodes. A bit fattening I think.

 

For those of you who commented that I should quit smoking, I think that I will pick getting skinny with a potentially shorter lifespan over getting fat and thus minimizing chance to get suitable mates.

 

Besides, SML Family has a history of long life anyway. Everybody who has passed away in the previous generations are over 90yo. I would much rather rip the benefits of smoking over living til I am over 100.

 

# Notes

1. Fringe is an American science fiction television series created by J. J. Abrams, Alex Kurtzman, and Roberto Orci. en.wikipedia.org/wiki/Fringe_(TV_series)

 

# SML Workflow

Photographed with the iPad 3 at SML Universe HKG, processed in Snapseed.

 

“過道開心開心果 Fringe + OD’ing on pistachios” #biohacks #food #tv / SML.20130201.IP3.08258.SQ

/ Biohacks #SMLOpinions #CCBY #SMLPhotography #SMLUniverse #SMLLifeLog #SMLProjects #Crazyisgood

/ #OD #overdose #Fringe #US #television #media #opinions #life #pistachio food TV #fat #SMLFamily #crazy #snacks #hongkong #china #香港 #中國 #中国 IP3 SQ

# 黃嘉麗 WONG Ka Lai, Kali

Monsters Family

kalai.w1990@gmail.com

+852 6849 7416

 

# Sponsor

+ China Union (Cashmere) International Group Limited

 

# Media Licensing

Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited

 

黃嘉麗 WONG Ka Lai, Kali: Monsters Family: Look 5 / PolyU Fashion Show 2013 / SML.20130626.6D.17004

/ #PolyUFashionShow2013 #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #Crazyisgood

/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #理工大學 #PolyU #fashion #design #people #WongKaLai #KaliWong #黃嘉麗 #MonstersFamily #womens #women #models #cashmere

Photo by request. Chinese men playing basketball at night. Panorama stitched using 18 7D RAW handheld capture. Thus seams are not perfect and people are seen with their body chopped off, some even have body doubles. But what was requested is depicted. You can always crop out what you want to have a perfect photo. This beats posting 18 boring image on my stream.

 

# SML Data

+ Date: 2013-03-17 21:30:10 GMT+0800

+ Dimensions: 19388 x 3289

+ Exposure: 1/30 - 1/80 sec at f/4.5

+ Focal Length: 40 mm

+ ISO: 2000 - 3200

+ Flash: Did not fire

+ Camera: Canon EOS 7D

+ Lens: Canon EF 17-40mm f/4L USM

+ Panorama FOV: 196 degree horizontal, 36.9 degree vertical

+ Panoramic Projection: Cylindrical

+ GPS: 22°16'37" N 114°10'21" E

+ Location: 中國香港灣仔莊士敦道111號修頓遊樂場 Southorn Playground, 111 Johnston Road, Wan Chai, Hong Kong, China

+ Serial: SML.20130317.7D.35490-SML.20130317.7D.35510-Pano.Cylindrical.196x36.9

+ Workflow: Hugin 2012, Lightroom 4

+ Series: 體育 Sports, 男 Men, 全景攝影 Panoramic Photography

 

“夜間籃球 Nighttime Basketball” / 香港體育全景攝影 Hong Kong Sports Panoramic Photography / SML.20130317.7D.35490-SML.20130317.7D.35510-Pano.Cylindrical.196x36.9

/ #體育 #Sports #男 #Men #SMLMen #全景 #Pano #SMLPano #CCBY #SMLPhotography #SMLUniverse #SMLProjects

/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #城市 #Urban #街 #Street #灣仔 #Wanchai

A collage of forms which create a nice “swoop” in the form of the letter “J“ at the back alley of 港威大道 Gateway Boulevard, the back alley which connects every single shopping mall complex at 廣東道 Canton Road including the 港威大廈 Gateway Tower, 海港城 Harbour City, 海洋中心 Ocean Centre and 海運大廈 in Tsim Sha Shui, Hong Kong.

 

# SML Data

+ Date: 2013-02-27 16:01:46 GMT+0800

+ Dimensions: 3050 x 4575

+ Exposure: 1/400 sec at f/4.0

+ Focal Length: 40 mm

+ ISO: 100

+ Flash: Did not fire

+ Camera: Canon EOS M

+ Lens: Canon EF 17-40mm f/4L USM

+ GPS: 22°17'58" N 114°10'3" E

+ Location: 中國香港尖沙咀港威大道 中国香港尖沙咀港威大道 Gateway Boulevard, Tsim Sha Tsui, Hong Kong, China

+ Serial: SML.20130227.EOSM.02681.P1.L1

+ Workflow: Photoshop CS6, Lightroom 4

+ Series: 形 Forms, 人流 Human Logistics

 

“JJ” / 人流建築之形 Human Logistics Architecture Forms / SML.20130227.EOSM.02681.P1.L1

/ #人流 #HumanLogistics #形 #Forms #SMLForms #CCBY #SMLPhotography #SMLUniverse #SMLProjects

/ #中國 #中国 #China #香港 #HongKong #尖沙咀 #TsimShaTsui #建築 #建筑 Architecture #攝影 #摄影 #photography #城市 #Urban #街 #Street

When does street art end and fine art begins? It is hard to make that distinction anymore, and the pieces seen at ABHK certainly reflects the trend.

 

For over 40 years, two artists in the UK collaborated under the name “Gilbert & George,” which is comprised of Gilbert Proesch (b. 1943-09-17 in San Martin de Tor, Italy) and George Passmore (b. 1942-01-08 in Plymouth, UK).

 

This mixed media painting titled “Jacksie” were done in 2008, when both artists are well in their 60s, but there is no shortage of WTF in their work—which has elements similar to that of graffiti seen on the streets of London except that they are shown in well known galleries.

 

It is awesome to find a partner in crime—life long marriage in art. Sweet.

 

Gilbert & George

Jacksie, 2008

Mixed Media

254 x 453 cm

100 x 178.35 in

 

# Gilbert & George

en.wikipedia.org/wiki/Gilbert_%26_George

 

# Galerie Thaddaeus Ropac

ropac.net/

 

7, rue Debelleyme

75003 Paris

France

 

69 avenue du Général Leclerc

93500 Paris-Pantin

France

 

Mirabellplatz 2

5020 Salzburg

Austria

 

# SML Data

+ Date: 2013-05-23T18:28:34+0800

+ Dimensions: 5068 x 2805

+ Exposure: 1/30 sec at f/4.0

+ Focal Length: 31 mm

+ ISO: 100

+ Camera: Canon EOS 6D

+ Lens: Canon EF 17-40 f/4L USM

+ GPS: 22°16'59" N 114°10'22" E

+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)

+ Workflow: Lightroom 4

+ Serial: SML.20130523.6D.14232

+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013

 

# Media Licensing

Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited

 

Gilbert & George: Jacksie, 2008 (Mixed Media) / Galerie Thaddaeus Ropac / Art Basel Hong Kong 2013 / SML.20130523.6D.14232

/ #ABHK #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #SMLProjects #Crazyisgood

/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #GilbertGeorge #UK #GalerieThaddaeusRopac #Ropac #mixedmedia #WTF #LOL

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