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Tools matter. James Cospito's (Flickr) weapon of choice for his Moleskine sketches: the Rotring rapidograph, for its ability to draw very fine lines as well as its archival quality.
Photographed at the Brooklyn Art Project HQ (Flickr Group) during the Dumbo Art Festival 2009.
See also James Cospito's Subway Drawings (Flickr Set) and James Cospito talks about his NYC Subway series (Flickr HD video)
13th annual D.U.M.B.O. Art Under the Bridge Festival® (Sept 25 to Sept 27, 2009)
www.dumboartfestival.org/press_release.html
The three-day multi-site neighborhood-wide event is a one-of-a-kind art happening: where serendipity meets the haphazard and where the unpredictable, spontaneous and downright weird thrive. The now teenage D.U.M.B.O. Art Under the Bridge Festival® presents touchable, accessible, and interactive art, on a scale that makes it the nation's largest urban forum for experimental art.
Art Under the Bridge is an opportunity for young artists to use any medium imaginable to create temporary projects on-the-spot everywhere and anywhere, completely transforming the Dumbo section of Brooklyn, New York, into a vibrant platform for self-expression. In addition to the 80+ projects throughout the historical post-industrial waterfront span, visitors can tour local artists' studios or check out the indoor video_dumbo, a non-stop program of cutting-edge video art from New York City and around the world.
The Dumbo Arts Center (DAC) has been the exclusive producer of the D.U.M.B.O Art Under the Bridge Festival® since 1997. DAC is a big impact, small non-profit, that in addition to its year-round gallery exhibitions, is committed to preserving Dumbo as a site in New York City where emerging visual artists can experiment in the public domain, while having unprecedented freedom and access to normally off-limit locations.
Related SML
+ SML Flickr Collections: Events
+ SML Flickr Sets: Dumbo Arts Center: Art Under the Bridge Festival 2009
# LIU Chun Ki
Dasein
lck_25@yahoo.com.hk
+852 5132 7223
# Sponsors
+ Hale Textile Ltd.
+ Novetex Textiles Limited
+ Winning Textile Co. Ltd
+ Long Tai Hong (Holding) Limited
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
LIU Chun Ki: Dasein: Collection / PolyU Fashion Show 2013 / SML.20130626.6D.16975
/ #PolyUFashionShow2013 #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLMen #Crazyisgood
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #理工大學 #PolyU #fashion #design #people #LIUChunKi #Dasein #womens #women #models
Floating Dreams Dress by Diana Eng
+++
Fairytale Fashion Show
2010-02-24
7pm - 9pm
Eyebeam
Diana Eng presented the Fairytale Fashion Collection in a technology fashion show on Wed., February 24, 7PM, at Eyebeam. Models hit the runway while an orchestra of circuit bending DJ’s create music from hacked video game consoles.
The Fairytale Fashion Collection uses technology to create magical clothing in real life. Electronics, mechanical engineering, and mathematics are used to create clothing with blooming flowers, changing colors and transforming shapes. Research and development for the Fairytale Fashion collection are shared online at FairytaleFashion.org as an educational tool that teaches about science, math, and technology through fashion. Fairytale Fashion was created with the support of Eyebeam Art and Technology Center, the leading not-for-profit art and technology center in the United States.
Diana Eng is a fashion designer who specializes in technology, math, and science. Her designs range from inflatable clothing to fashions inspired by mechanical engineering. She is a designer from Bravo’s Emmy nominated TV show, Project Runway season 2 and author of Fashion Geek: Clothes, Accessories, Tech. Diana is cofounder of NYC Resistor hacker group. Diana is currently a resident artist at Eyebeam.
Windsurfing (滑浪風帆) is an important sport in Hong Kong—mainly because the only athlete to ever win an Olympic medal representing Hong Kong is a woman named 李麗珊 [1] Lee Lai-Shan [2].
Last year some friends from Sydney asked if I ever see people surf at the harbor outside my window, and I said probably not. And as usual, I stand corrected. I spotted four this afternoon. Super sweet.
Nice minimalistic geometric forms cast against the very complex forms of the waves. I especially like the impressionistic reflection on the water. I think that I will likely process this into a black and white in the future because it is screaming for it.
# SML Data
+ Date: 2013-02-23 14:55:51 GMT+0800
+ Dimensions: 5184 x 3456
+ Exposure: 1/500 sec at f/9.0
+ Focal Length: 280 mm
+ ISO: 160
+ Flash: Did not fire
+ Camera: Canon EOS 7D
+ Lens: Canon EF 70-200mm f/4L USM + Canon EF 1.4x Extender III
+ GPS: 22°25'9" N 114°13'19" E
+ Location: SML Universe HKG
+ Serial: SML.20130223.7D.24672.P1.L1
+ Workflow: Photoshop CS6, Lightroom 4
+ Series: 體育 Sports, 形 Forms, 寧 Serenity
# Notes
1. 李麗珊，BBS，MBE，MH（1970年9月5日－），暱稱珊珊[1]，生於香港，為長洲原居民，香港著名滑浪風帆運動員[2]。她為香港取得歷史性首面奧運會獎牌兼首面金牌（滑浪風帆），因而被香港傳媒冠以「風之后」的美譽。 zh.wikipedia.org/zh-hk/李麗珊
2. Lee Lai-shan MBE BBS (Chinese: 李麗珊) (born in Cheung Chau, Hong Kong, 5 September 1970) is a former world champion and Olympic gold medal-winning professional windsurfer from Hong Kong. She is the only athlete to win an Olympic medal representing Hong Kong, not as part of China. Since 1997, Hong Kong has been stipulated to append the word "China" after its name in all Olympic events. en.wikipedia.org/wiki/Lee_Lai_Shan
“滑浪風帆 Windsurfing” / 香港體育之形 Hong Kong Sports Forms / SML.20130223.7D.24672.P1.L1
/ #體育 #Sports #形 #Forms #SMLForms #寧 #Serenity #SMLSerenity #CCBY #SMLPhotography #SMLUniverse
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #自然 #Nature #滑浪風帆 #Windsurfing #水 #water
I didn’t think that it was possible to fit two cameras inside the Lowepro Fastpack 200. I was wrong.
Pictured: Canon EOS 7D + Canon EF 70-200 mm f/4L USM + Canon EOS M + Canon EF 17-40 f/4L USM. Increasingly I am loving these f/4L lenses.
Although image quality is unbeatable with the f/2.8’s, it is no fun lugging deadweight when I travel. Comparatively speaking, the EF 100 f/2.8 Macro (not pictured) has both supreme image quality while being relatively light, thus making it ideal for travel use as well.
This bag is awesome. Highly recommended. As all the lenses and cameras, of course.
Taken with the iPad 3, processed in Snapseed.
“Big Daddy + Mini Me”
/ Lowepro Fastpack 200 + Canon EOS 7D + Canon EF 70-200 mm f/4L USM + Canon EOS M + Canon EF 17-40 f/4L USM
/ SML.20130204.IP3.08435
/ #Geekporn #Crazyisgood #CCBY #SMLPhotography #SMLUniverse #SMLOpinions #SMLLove #SMLRec
/ #geeks #nerds #photography #tools #opinions #recommended #crazy #awesome #good #love #reviews #CanonEOSM #Canon7D #Canon1740f4L #Canon70200f4L #Lowepro #Fastpack200 #cameras #bags #hongkong #china
Located on the shore of Tolo Harbour northwest of Ma On Shan in the New Territories in Hong Kong, there lies a place called Wu Kai Sha (Chinese: 烏溪沙) which is familiar to many locals. It is famous for a campsite—the Wu Kai Sha Youth Village of YMCA, which is often used by Christians in Hong Kong as a place for retreat. Shown here is the beach which lies directly adjacent to the campsite, which is located at the end of the Ma On Shan Promenade.
Because the ND filters I have add such a strange vignette, I also shot some photos at the beach without it. Here the vignette is natural to the 17-40, and I really want to find some graduated ND filter soon in Hong Kong but I do not know where to get them near by. Simply put there is no equivalent of B&H in this part of the world.
# SML Translate: 藍天靜水岸邊沙
+ 藍: blue.
+ 天: sky.
+ 靜: quiet.
+ 水: water.
+ 岸: shore.
+ 邊: side.
+ 沙: sand.
+ 藍天靜水岸邊沙: the sands by the shore under the blue sky and tranquil waters.
# SML Data
+ Date: 2013-06-16T15:04:16+0800
+ Dimensions: 5190 x 3460
+ Exposure: 1/1000 sec at f/4.0
+ Focal Length: 17 mm
+ ISO: 100
+ Flash: Did not fire
+ Camera: Canon EOS 6D
+ Lens: Canon EF 17-40mm f/4L USM
+ GPS: 22°25'40" N 114°14'2" E
+ Location: 中國香港馬鞍山烏溪沙 Wu Kai Sha, Ma On Sham, Hong Kong, China
+ Serial: SML.20130416.6D.00697
+ Workflow: Lightroom 4
+ Series: 寧 Serenity
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“藍天靜水岸邊沙” / 香港烏溪沙之寧 Hong Kong Wu Kai Sha Serenity / SML.20130416.6D.00697
/ #寧 #Serenity #SMLSerenity #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #烏溪沙 #WuKaiSha #自然 #Nature #山水 #Landscape #Seascape #Beach #Shore #Sea #Pier
Most of my friends who work in finance work in this building or the IFC next door—whereas I usually come here to dine in many of the restaurants downstairs.
The Exchange Square (Chinese: 交易廣場) is a building complex located in Central, Hong Kong. It houses offices and the Hong Kong Stock Exchange [1].
It is also one of my favorite architectures in Hong Kong—featuring a beautiful striped facade accented by curves and lines.
Unlike IFC (also pictured: the skyscraper going upwards to the clouds to the left) which besides being super tall but otherwise have rather dull character, this cluster of buildings designed by Palmer & Turner and completed in 1985 (Phase 1 + 2) 1988 (Phase 3) is a feast to look at. Like many of the architectures in Central, its entrance is located not on the ground floor but the pedestrian footbridge level.
On the fourth floor is 翠玉軒 The Square, one of my favorite Chinese restaurants in Hong Kong. I was told that the view up there is spectacular also—but I am not a banker so I won’t know for sure. But one of these days I will try to make it up there to see what the fuss is all about. Stay tuned…
# SML Data
+ Date: 2013-03-26T18:04:04.85+0800
+ Dimensions: 5184 x 3456
+ Exposure: 1/50 sec at f/2.8
+ Focal Length: 28 mm
+ ISO: 500
+ Flash: Did not fire
+ Camera: Canon EOS 7D
+ Lens: Canon EF 24-70mm f/2.8L USM
+ GPS: 22°17'1" N 114°9'29" E
+ Altitude: 150 m (I am beginning to think that the altitude reading on the Canon GP-E2 cannot really be trusted)
+ Serial: SML.20130326.7D.36611.BW
+ Series: 建築 Architecture, 形 Forms, 黑白 Black and White
# Notes
1. Wikipedia: Exchange Square (Hong Kong): EN: en.wikipedia.org/wiki/Exchange_Square_(Hong_Kong)
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“交易廣場 Exchange Square” / 香港中環金融建築之形 Hong Kong Central Financial Architecture Forms / SML.20130326.7D.36611.BW
/ #建築 #建筑 #Architecture #形 #Forms #SMLForms #黑白 #BW #SMLBW #CCBY #SMLPhotography #SMLUniverse #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #中環 #Central #攝影 #摄影 #photography #城市 #Urban #金融 #Finance
Situated adjacent to The Chinese University of Hong Kong (CUHK) Water Sports Centre (Chinese: 香港中文大學水上運動中心), there is a ferry pier which provides regular ferry service to remote areas including Tap Mun and Ping Chau in the northeast New Territories [1, 2].
Pictured is a 15-second long exposure of the pier at night shot across the harbour from Ma On Shan. As with most super telephoto photos, I was quite surprised to see the details. For example, there is no way for me to see that someone is on the pier from so far away, and yet there he is, sitting by the pier. He appears to be fishing while a woman look on on the side.
Photographed with the 100-400 f/4.5-5.6L + 1.4x Extender, which effectively created a 560mm f/8L lens. With the exception of the Canon EOS 1D lineup, none of the other cameras can auto-focus at this size so it is manual focus. This also means that it is probably not going to be possible for me to use this combo for sports photography.
# Notes
1. Wikipedia: EN: Ma Liu Shui: en.wikipedia.org/wiki/Ma_Liu_Shui
2. Wikipedia: ZH: 馬料水: zh.wikipedia.org/wiki/馬料水
# SML Data
+ Date: 2013-04-18T00:43:11+0800
+ Dimensions: 5341 x 3560
+ Exposure: 15.0 sec at f/10
+ Focal Length: 560 mm
+ ISO: 100
+ Flash: Did not fire
+ Camera: Canon EOS 6D
+ Lens: Canon EF 100-400mm f/4.5-5.6L IS USM + Canon EF 1.4x Extender III
+ Accessories: Canon TC-80N3 Remote, Manfrotto tripod
+ GPS: 22°25'22" N 114°13'8" E
+ Location: SML Universe HKG
+ Subject: 中國香港馬料水渡輪碼頭 Ma Liu Shui Ferry Pier, Hong Kong, China
+ Workflow: Lightroom 4
+ Serial: SML.20130418.6D.00932
+ Series: 寧 Serenity, 長時間曝光 Long Exposure
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“馬料水渡輪碼頭 Ma Liu Shui Ferry Pier” / 香港夜之寧 Hong Kong Night Serenity (15-sec LE) / SML.20130418.6D.00932
/ #寧 #serenity #SMLSerenity #LongExposure #LE #SMLLE #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #山水 #Landscape #夜 #Night #城市 #Urban #碼頭 #Pier
As we walked by the shore, small boats carrying lumps of fallen branches sail by. Workers were lifting the fallen branches as well as trash from the lake. The hard work of these workers has certainly paid off. The water of the Houhai Lake is as pristine as it could possibly be.
Photographed with the Canon EOS 6D + Canon EF 24-70mm f/2.8L USM.
潔湖工人 Lake cleaning crew / 中國北京後海 Houhai Lake, Beijing, China / SML.20140503.6D.31957.P2.BW
Someone on Flickr commented that an earlier shot of the plane + Aqua Luna Junk would look far better if I crop out the wing bits [1]. But of course they have no way in knowing that I in fact already have a shot which is even better.
For each capture that I make, I make a quick decision at the moment of capture on what it is that I wish to say. For the previous shot, it was about the wings of the plane vs the wing form of the HKCEC, so the contrast of forms is there.
For this shot, it is about the contrast of forms: the straight red sails of the boat vs the curves of the planes accented with reds.
To achieve maximum resolution which I seek, I try to assert an editorial eye at the moment of capture at different zoom length rather to resort to cropping after the fact.
# SML Data
+ Date: 2013-04-18T17:37:32+0800
+ Dimensions: 5472 x 3648
+ Exposure: 1/320 sec at f/7.1
+ Focal Length: 400 mm
+ ISO: 2000
+ Flash: Did not fire
+ Camera: Canon EOS 6D
+ Lens: Canon EF 100-400mm f/4.5-5.6L IS USM
+ GPS: 22°17'41" N 114°10'1" E
+ Location: 中國香港九龍尖沙咀海港城 Harbour City, Tsim Sha Tsui, Kowloon, Hong Kong, China
+ Subject: USMC AV-8B Harrier, USS Peleliu (LHA-5), United States Navy + Aqua Luna Junk
+ Workflow: Lightroom 4
+ Serial: SML.20130418.6D.01581
+ Series: Photojournalism, 形 Forms
# Notes
1. “Aqua Luna Junk + USMC AV-8B Harrier” / USS Peleliu (LHA-5) in Hong Kong / SML.20130418.6D.01570: www.flickr.com/photos/seeminglee/8664252713/
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“紅與紅形之別 Contrast of Forms: Red vs Red” / Aqua Luna Junk vs USMC AV-8B Harrier / USS Peleliu (LHA-5) in Hong Kong / SML.20130418.6D.01698
/ #Photojournalism #形 #Forms #SMLForms #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #USS #Peleliu #LHA5 #USMC #planes #AquaLuna #紅 #Red #ships
Saul Becker
Shore
46x86in | oil on linen on panel
www.saulbecker.com/paint-draw09.html
Horton & Liu
Slow Photography Sep 17 - Oct 11, 2009
Sunday LES, 237 Eldridge Street, New York, NY 10002
www.sundaynyc.com +1 212 253 0700
The phrase, "slow photography," might conjure images of large format cameras or glass plate techniques; even the idea of loading film may seem slow considering the efficient speed in which photographic images are created today. However, another connotation may not allude to a technology so much as it does a sensibility — an approach to understanding particular roles that photographs can play, a methodical and drawn out way to produce paintings. The three artists in Slow Photography use photography as a starting point, taking exorbitant amounts of time to produce ostensible "photos": paintings that appear to translate a photographic record, yet are something else entirely.
Lauren Warner's paintings of geyser eruptions revel in nature as a spectacle amusement park, coyly satisfying consumers’ desires for precise moments of ecstasy and picture perfect action shots. Warner's "greatest hits" of Old Faithful are a reminder that nature, in all its glory, can be consumed in ways similar to a sporting event, a spectacle to gaze upon. Lauren Warner (b. 1977, Cincinnati, OH) lives and works in Brooklyn, NY. Her works were seen most recently in the prestigious Traveling Scholars exhibition at the Museum of Fine Arts, Boston, MA, where she received a grant to research and document the geysers of Yellowstone National Park.
Daniel Rich's painstaking working process starts with photographs primarily plucked from magazines, newspapers and other media outlets. The artist's exacting methods of enlarging, cropping, cutting, masking and color-coding offers an altered vantage point to understanding media imagery. To replicate a photograph in such a manner would not have the same impact without Rich's particular and disciplined approach and manipulations. Daniel Rich (b. 1977, Ulm, Germany) lives and works in Brooklyn, NY. In addition to SUNDAY, his work has been featured at Perry Rubenstein and Elizabeth Dee galleries, New York, NY, as well as the Maramotti Collection, Reggio Emilia, Italy. Rich’s second solo show at SUNDAY is scheduled for April 2010.
Saul Becker's paintings might seem "natural" in that they appear to depict an actual space, however, they are in fact a seamless combination of photographs from disparate landscapes. These photos, along with impressions from the artist's memory, create his measured, deliberate and lonely paintings. Becker has an acute disquiet that portrays the landscape as eerily strong and resilient, but never heroic. The photographic vantage point often acts as a subtle overseer, a reminder that the camera has forever distorted how anyone sees nature. Saul Becker (b. 1975, Tacoma, WA) lives and works in Brooklyn, NY. In addition to Horton & Co. and SUNDAY, his work has been featured in solo projects at Artists Space and Volta NY. His work has been discussed in The New York Times, The New Yorker, and NY Arts Magazine, among others. His work is in the collection of Wellington Management, Boston, MA, as well as the Progressive Art Collection, Cleveland, OH.
hortonliu.com/exhibition/61/pr
Related SML
Sometimes people asked me when I decide to process photographs in color vs black-and-white. It is easy. When things do not work as well in color, I develop them as black and white. Push as you will, but some photographs just won’t work as well in color.
This is one such example, the black and white version to follow. But here you see it is very foggy. You might say that it has a very blue cast—but it is not the cast. The natural laws of physics and the way air absorbs colors dictates that things in the far would appear bluish. The color information here is almost a distraction. But I am posting this here so you can compare after the fact.
Like I said, I am a nice guy. This is stitched together using seven 7D RAW captures mounted on a tripod at my living room window—a dangerous act with the camera exposed in the air, yes, but well worth it I think.
# SML Data
+ Date: 2013-03-20 18:25:13 GMT+0800
+ Dimensions: 9444 x 3350
+ Exposure: 1/60 - 1/125 sec at f/2.8
+ Focal Length: 67 mm
+ ISO: 400
+ Flash: Did not fire
+ Camera: Canon EOS 7D
+ Lens: Canon EF 24-70mm f/2.8L USM
+ Panorama FOV: 50 degree horizontal, 37.1 degree vertical
+ Panoramic Projection: Rectilinear
+ GPS: 23°43'27" N 111°17'43" E
+ Location: SML Universe HKG
+ Subject: 中國香港八仙嶺和吐露港 Tolo Harbour + Pat Sin Leng, Hong Kong, China
+ Serial: SML.20130320.7D.35728-SML.20130320.7D.35734-Pano.Rectilinear.50x37.1
+ Workflow: Hugin 2012, Lightroom 4
+ Series: 寧 Serenity, 自然 Nature, 山水 Landscape, 全景攝影 Panoramic Photography
“雲內有山 山中有雲 Mountains inside clouds, Clouds inside mountains” / 寧 Serenity / SML.20130320.7D.35728-SML.20130320.7D.35734-Pano.Rectilinear.50x37.1
/ #寧 #Serenity #SMLSerenity #自然 #Nature #全景 #SMLPano #山水 #Landscape #CCBY #SMLPhotography #SMLUniverse #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #城市 #Urban
Lara Grant, part of the circuit bending orchestra for Diana Eng's Fairytale Fashion Show held at Eyebeam NYC. Through various hacks and circuit bending techniques, Lara's sewing machine trigger signals that is then fed onto laptops running MAX/MSP to produce the final soundtrack for the runway. Other team members of the orchestra are Peter Kirn and Matt Ganucheau.
Lara and Sarah are a sisterly team with interests in physical computing, electronic textiles, controller design and signal processing.
Lara has a background in fashion and textile design and is currently studying at NYU's Interactive Telecommunications Program. Sarah has a background in visual arts, programming and sound design. She is also an alumni of NYU ITP.
+++
Fairytale Fashion Show
2010-02-24
7pm - 9pm
Eyebeam
Diana Eng presented the Fairytale Fashion Collection in a technology fashion show on Wed., February 24, 7PM, at Eyebeam. Models hit the runway while an orchestra of circuit bending DJ’s create music from hacked video game consoles.
The Fairytale Fashion Collection uses technology to create magical clothing in real life. Electronics, mechanical engineering, and mathematics are used to create clothing with blooming flowers, changing colors and transforming shapes. Research and development for the Fairytale Fashion collection are shared online at FairytaleFashion.org as an educational tool that teaches about science, math, and technology through fashion. Fairytale Fashion was created with the support of Eyebeam Art and Technology Center, the leading not-for-profit art and technology center in the United States.
Diana Eng is a fashion designer who specializes in technology, math, and science. Her designs range from inflatable clothing to fashions inspired by mechanical engineering. She is a designer from Bravo’s Emmy nominated TV show, Project Runway season 2 and author of Fashion Geek: Clothes, Accessories, Tech. Diana is cofounder of NYC Resistor hacker group. Diana is currently a resident artist at Eyebeam.
What is often rather unclear when photographing in near total darkness is the white point to develop in.
But since most image sensors are configured with 2G 1R and 1B, yellow (R+G) and green (G+G) are pretty good to work with. Here processed using green as layer. It could work just as well in black and white but I prefer the intensity of the warmth from the yellow glow so I pick it slightly towards lime.
Image sensors’ typical config: (where BG/GR together makes one single pixel)
BG BG BG
GR GR GR
This is why blue and reds are normally noisy but the greens in hardware is actually twice as much resolution. At least this is how I see it.
Photographed with Canon EOS M + Canon EF 17-40 f/4L USM mounted on tripod; manual focus + manual exposure.
# SML Data
+ Series: 寧 Serenity
+ Date: 2013-01-23 20:32:10 GMT+0800
+ Camera: Canon EOS M
+ Lens: Canon EF 17-40 f/4L
+ Exposure: 15.0 sec at f/8.0
+ Focal Length: 40 mm
+ ISO: 100
+ Flash: Did not fire
+ Dimensions: 3440 x 5160
+ GPS: 22°24'58" N 114°12'49" E
+ Serial: SML.20130123.EOSM.01585.P1
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“綠之寧 Green Serenity” / 寧 Serenity / SML.20130123.EOSM.01585.P1
www.flickr.com/photos/seeminglee/8538184863/sizes/o/ (full res 17721 x 3402)
I took my tripod down to the Ma On Shan Promenade today to do a 360 degree pano. I don’t yet have a pano head so the tiling closest to the lens cannot really be tiled correctly. But here again you see why this place is magical.
On the left hand side you see the Tolo Harbour, with Science Park to the left. And on the right, first in the middle is the Horizon Hotel, followed by some private development properties, the mountain seen nested between all the buildings is Ma On Shan, and to the far right is public housing development—different pricing, same view.
Also pictured in the middle are some crazy Hong Kong people using the fences to hang dry clothes in public. Seriously WTF. So you see what I posted earlier in my stream is not a singular example!
# SML Data
+ Date: 2013-03-08T13:49:40 GMT+0800
+ Dimensions: 17721 x 3402
+ Exposure: 1/640 - 1/2000 sec at f/4.0
+ Focal Length: 17 mm
+ ISO: 100
+ Flash: Did not fire
+ Camera: Canon EOS 7D
+ Lens: Canon EF 17-40mm f/4L USM
+ Panorama FOV: 360 degree horizontal, 62.8 degree vertical
+ Panoramic Projection: Cylindrical
+ GPS: 22°25'31" N 114°13'34" E
+ Altitude: -10.4 m
+ Location: 中國香港新界馬鞍山海濱長廊 中国香港新界马鞍山海滨长廊 Ma On Shan Promenade, New Territories, Hong Kong, China
+ Serial: SML.20130308.7D.27330-SML.20130308.7D.27356-Pano.Cylindrical.360x62.8
+ Workflow: Hugin 2012, Lightroom 4
+ Series: 全景攝影 Panoramic Photography, 寧 Serenity
“馬鞍山海濱長廊 Ma On Shan Promenade” / 香港360度全景之寧 Hong Kong 360-degree Serenity Panorama / SML.20130308.7D.27330-SML.20130308.7D.27356-Pano.Cylindrical.360x62.8
/ #寧 #Serenity #SMLSerenity #全景 #Pano #SMLPano #CCBY #SMLPhotography #SMLUniverse #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #山水 #landscape #城市 #Urban #街 #Street
What continues to amaze me about Chinese landscape is that they really look like Chinese paintings. I used to think that the Chinese paintings look the way they do because it‘s a stylistic interpretation. It turns out that I was wrong—they really do look like that.
中國山東省泰安市泰山
中国山东省泰安市泰山
Taishan Mountain, Tai'an City, Shandong Province, China
More photographs shot for personal stock use. The annoying bits is that whoever designed this area decided that it is great to plant some weird plants right outside, so it looks like that it has pubes or something…
# SML Data
+ Date: 2013-02-21 14:32:36 GMT+0800
+ Dimensions: 5143 x 3429
+ Exposure: 1/1000 sec at f/5.6
+ Focal Length: 280 mm
+ ISO: 100
+ Flash: Did not fire
+ Camera: Canon EOS 7D
+ Lens: Canon EF 70-200mm f/4L USM + Canon EF 1.4x Extender III
+ GPS: 22°25'11" N 114°13'37" E
+ Location: + 中國香港馬鞍山遊樂場籃球場 中国香港马鞍山游乐场篮球场 Basketball Courts, Ma On Shan Recreation Ground, Ma On Shan, Hong Kong, China
+ Workflow: Lightroom 4
+ Serial: SML.20130221.7D.24070.P1.L1
+ Series: 形 Forms, 體育 Sports
“籃球架 Basketball Hoop” / 體育之形 Sports Forms / SML.20130221.7D.24070.P1.L1
/ #形 #Forms #SMLForms #體育 #Sports #CCBY #SMLPhotography #SMLUniverse #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #馬鞍山 #MaOnShan #城市 #Urban #攝影 #摄影 #photography #籃球 #Basketball #架 #Hoop
Rainbow Teddy (RT) went to Toysrus today to look for Bert + Ernie but he could not find them. Instead, he found Stitch, which SML originally discovered on @Ortelpa’s Instagram feed [1]. The weird thing is, it is in blue, and SML thought that Stitch is in pink.
Stitch: We come in all different sizes and colors. What you saw on Ortelpa’s Instagram is my cousin.
SML: Oh I see.
Stitch: But let me talk to you later, for now I want to play with RT’s toy.
SML: But it was my…
RT: This EOS M is mine—just because I let you borrow my tiny camera does not mean that it is yours, SML. (to Stitch) so where were we, right? You see? This cam is made for our fluffy hands. It is sweet, is it now?
Stitch: Totally! Totally! I am so glad that you found me at Toysrus today. I was bored to tears in there. There is nothing to play with over there—except creepy people hugging and throwing me back to the shelf. Life is awesome here with you, RT.
RT: I am so glad that I found you also—my new BFF: Best Friend Forever!
# SML Data
+ Date: 2013-03-27T16:30:39.00+0800
+ Dimensions: 5184 x 3456
+ Exposure: 1/80 sec at f/2.8
+ Focal Length: 50 mm
+ ISO: 160
+ Flash: Did not fire
+ Camera: Canon EOS 7D
+ Lens: Canon EF 24-70 f/2.8L USM
+ GPS: 22°25'10" N 114°13'25" E
+ Location: SML Universe HKG
+ Serial: SML.20130327.7D.37009
+ Workflow: Lightroom 4
+ Series: 彩熊 Rainbow Teddy, Toy Story
# Notes
1. instagram.com/p/W3zlR_zTJW/
“Rainbow Teddy shows BFF Stitch how to use the Canon EOS M” / Rainbow Teddy / SML.20130327.7D.37009
/ #彩熊 #RainbowTeddy #Stitch #ToyStory #Crazyisgood #CCBY #LifeCelebratesDiversity #SMLPhotography #SMLUniverse
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Canon #EOSM #CanonEOSM #gay #bear #Teddy #LOL #WTF #friends #BFF #geekporn #Manfrotto
www.newmindspace.com/photograph.php
See SML Pro Blog: Newmindspace NYC: People Photographing People Photographing People about the event as well as photos and videos.
Edward Del Rosario
Untitled (Twins), 2010
18 x 14 inches
Oil on linen over board
+++
Born 1970, St. Louis, Missouri. Lives and works in Brooklyn, New York.
Solo Exhibitions
+ 2004 Paintings & Drawings, Richard Heller Gallery, Santa Monica, California
+ 1998 Casi, Market House Gallery, RISD, Providence, Rhode Island
Selected Bibliography
+ Tabios, Eileen. “Edward del Rosario Invites You To His Interior” Sidereality 2.4 Oct.-Dec. 2003
+ “Sneak Preview” The Providence Journal Bulletin, 22 May 1998
Education
+ M.F.A Painting/Printmaking 1998 Rhode Island School of Design, Providence, Rhode Island
+ B.F.A. Painting 1993 University of Kansas, Lawrence, Kansas
+ Heriot-Watt University, Edinburgh, Scotland
+ American University, Washington, D.C.
Awards
+ Special Editions Fellowship, Lower East Side Printshop, New York City, New York, 2005
+ T.F. Collie Scholarship, Rhode Island School of Design, 1997-1998
+ Award of Excellence, Rhode Island School of Design, 1996-1998
www.richardhellergallery.com/dynamic/artist_bio.asp?Artis...
+++
The Armory Show is the United States’ leading art fair devoted to the most important artworks of the 20th and 21st centuries. In its twelve years, the fair has become an international institution. Every March, artists, galleries, collectors, critics and curators from all over the world make New York their destination during Armory Arts Week.
The Armory Show 2010 also features The Armory Show – Modern, specializing in modern and secondary market material on Pier 92. Pier 94 continues to be a venue to premiere new works by living artists. With one ticket, visitors to The Armory Show on March 4–7, 2010 have access to the latest developments in the art world, and to the masterpieces which heralded them.
Piers 92 and 94 on 55th Street and 12th Avenue, NYC
March 4-7, 2010
A sailor in “crackerjack” white uniform salutes to crew members boarding the ship while another enlisted sailor chats with another sailor named Callen in “Navy Working Uniform”—a camouflage which is digitally printed in multiple colors. According to Wikipedia, this should be the Navy Type III MARPAT [1].
The Crackerjacks—so nicknamed because of the Navy-uniformed figure that adorns the Cracker Jack snack box—are my all-time favorite uniforms worn by military units. Most probably because they feature bell-bottom cuts—a cut of pants which is closed to impossible for me to buy anywhere and I used to custom tailor them for myself—as many of my friends in New York knows.
It is for this same reason why I love the clothes designed by Jean-Paul Gaultier [2], a fashion designer based in France who has had a long history of designing outfits which bears many naval uniform influences.
# Notes
1. Wikipedia: EN: Uniforms of the United States Navy: en.wikipedia.org/wiki/Uniforms_of_the_United_States_Navy
2. Wikipedia: EN: Jean-Paul Gaultier: en.wikipedia.org/wiki/Jean_Paul_Gaultier
# SML Data
+ Date: 2013-04-18T17:41:37+0800
+ Dimensions: 3364 x 5046
+ Exposure: 1/100 sec at f/7.1
+ Focal Length: 400 mm
+ ISO: 12800
+ Flash: Did not fire
+ Camera: Canon EOS 6D
+ Lens: Canon EF 100-400mm f/4.5-5.6L IS USM
+ GPS: 22°17'41" N 114°10'0" E
+ Location: 中國香港九龍尖沙咀海港城 Harbour City, Tsim Sha Tsui, Kowloon, Hong Kong, China
+ Subject: US Navy personnels, USS Peleliu (LHA-5), United States Navy
+ Workflow: Lightroom 4
+ Serial: SML.20130418.6D.01639
+ Series: Photojournalism, 男 Men
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“美國海軍制服 US Navy Uniforms” / USS Peleliu (LHA-5) in Hong Kong / SML.20130418.6D.01639
/ #Photojournalism #男 #Men #SMLMen #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #USS #Peleliu #LHA5 #military #US #Navy #people #salute #camouflage
The simplest thing are most beautiful. This is the reflection of the sunset at 城門河 Shing Mun River, a river in Shatin, Hong Kong.
en.wikipedia.org/wiki/Shing_Mun_River
# SML Data
+ Date: 2013-03-06 17:46:55 GMT+0800
+ Dimensions: 3210 x 4891
+ Exposure: 1/500 sec at f/5.6
+ Focal Length: 280 mm
+ ISO: 125
+ Flash: Did not fire
+ Camera: Canon EOS 7D
+ Lens: Canon EF 70-200mm f/4L USM + Canon EF 1.4x Extender III
+ GPS: 22°22'46" N 114°11'28" E
+ Location: 中國香港新界沙田城門河 中国香港新界沙田城门河 Shing Mun River, Shatin, NT, Hong Kong, China
+ Serial: SML.20130306.7D.27064
+ Workflow: Lightroom 4
+ Series: 寧 Serenity
“日落金輝 Golden Sunset” / 寧 Serenity / SML.20130306.7D.27064
/ #寧 #Serenity #SMLSerenity #CCBY #SMLPhotography #SMLUniverse #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #山水 #landscape #日落 #Sunset #水 #Water
This is a close up of what those plants planted around the basketball courts look like. It is a form a palm trees, with a purple “neck”—it is a bit bizarre. It is actually kind of beautiful at this distant, but it is still blocking my view of the basketball hoops….
# SML Data
+ Date: 2013-02-22 16:48:45 GMT+0800
+ Dimensions: 3456 x 5184
+ Exposure: 1/320 sec at f/5.6
+ Focal Length: 246 mm
+ ISO: 640
+ Flash: Did not fire
+ Camera: Canon EOS 7D
+ Lens: Canon EF 70-200mm f/4L USM + Canon EF 1.4x Extender III
+ GPS: 22°25'11" N 114°13'38" E
+ Location: + 中國香港馬鞍山遊樂場籃球場 中国香港马鞍山游乐场篮球场 Basketball Courts, Ma On Shan Recreation Ground, Ma On Shan, Hong Kong, China
+ Workflow: Lightroom 4
+ Serial: SML.20130222.7D.24255
+ Series: 自然 Nature, 形 Forms
“\\\V///” / 自然之形 Nature Forms / SML.20130222.7D.24255
/ #自然 #Nature #形 #Forms #SMLForms #CCBY #SMLPhotography #SMLUniverse #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #馬鞍山 #MaOnShan #攝影 #摄影 #photography #植物 #Plants #樹 #树 #trees
Seriously. I don’t really understand why people in Hong Kong do that. In case you have no idea wtf is going on here, socks are attached to the clothes hanger and being hung dry on the street. And we are not talking about hidden alleys shielded from the street. This is hung right at the entrance to the Heng On MTR station. And they don’t come in numbers. Just two pairs. In the middle of no where.
Crazy good or not? You decide.
# SML Translate: 街邊晾衫
+ 街: street.
+ 邊: peripheral, at the edge.
+ 晾: hang dry.
+ 衫: clothes.
# SML Workflow
Photographed handheld with Canon 7D + EF 70-200 f/4L + EF 1.4x. Processed in Lightroom 4.
# SML Data
+ Date: 2013-02-08 10:38:43 GMT+0800
+ Dimensions: 5184 x 3456
+ Exposure: 1/500 sec at f/5.6
+ Focal Length: 280 mm
+ ISO: 2600
+ Flash: Did not fire
+ Camera: Canon EOS 7D
+ Lens: Canon EF 70-200mm f/4L USM + EF 1.4x Extender III
+ GPS: 22°25'8" N 114°13'34" E
+ Location: On the street between the backdoor gate from Vista Paradiso going into Heng On MtR Station in Ma On Shan, Hong Kong China.
中國香港馬鞍山聽濤雅苑後門和恆安地鐵站之間的街上。
中国香港马鞍山听涛雅苑后门和恒安地铁站之间的街上。
+ Serial: SML.20130208.7D.21356
+ Series: Crazyisgood
“街邊晾衫” / HK WTF Crazy good or not / SML.20130208.7D.21356
/ #只在香港 #OnlyInHK #CCBY #SMLPublicMedia #SMLPhotography #Crazyisgood #SMLProjects
/ #香港 #HongKong #中國 #中国 #China #街 #street #攝影 #摄影 #photography #襪 #袜 #socks #humans #WTF #LOL #crazy
More aerial goodness from way high up using a telephoto lens, mostly thanks to the awesome combination of the 70-200 f/4L + 1.4x Extender. If I buy the 70-200 f/2.8L then I will consider getting the 2x Extender but the 70-200 f/2.8L is a bit pricey for me right now—not to mention how heavy it is to go anywhere. If it is too heavy for me than it is unlikely that I would use it so although it is a nice to have, it is certainly not on my to buy list.
# SML Data
+ Date: 2013-02-07 12:03:01 GMT+0800
+ Dimensions: 3338 x 5006
+ Exposure: 1/400 sec at f/5.6
+ Focal Length: 280 mm
+ ISO: 100
+ Flash: Did not fire
+ Camera: Canon EOS 7D
+ Lens: Canon EF 70-200mm f/4L USM + Canon EF 1.4x Extender III
+ GPS: 22°25'9" N 114°13'27" E
+ Location: 中國香港馬鞍山海濱長廊 中国香港马鞍山海滨长廊 Ma On Shan Promenade, Hong Kong, China
+ Serial: SML.20130207.7D.21313.P1
+ Workflow: Photoshop CS6, Lightroom 4
+ Series: 形 Forms, 人流 Human Logistics
“有輪可遊 Have Wheels, Can Travel” / 人流之形 Human Logistics Forms / SML.20130207.7D.21313.P1
/ #人流 #HumanLogistics #形 #SMLForms #CCBY #SMLPhotography #SMLUniverse #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #馬鞍山 #MaOnShan #人 #people #街 #Street #城市 #Urban #攝影 #摄影 #photography
Although I do not know the intention of the artist, it appears to be a conversation between video game characters. Good for nerds?
Sadamasa Motonaga (元永定正; Motonaga Sadamasa) is an artist Japanese born in 1922 in Mie Prefecture (三重県 Mie-ken). He is a founding member of the avant-garde movement 具体 Gutai.
The Gutai group (具体； means "Embodiment") is the first radical, post-war group in Japan. It was founded in Osaka, Japan, 1954, in response to the reactionary artistic context of the time.
元永定正 Sadamasa Motonaga
White Circle with Cross Stripes
2004
Acrylic on canvas
51 3/16 x 35 13/16 inches
130 x 91 cm
# 元永定正 Sadamasa Motonaga
1922-2011
fr.wikipedia.org/wiki/Sadamasa_Motonaga
mccaffreyfineart.com/artists/sadamasa-motonaga/
# McCaffrey Fine Art
23 East 67th Street
New York, NY 10065
USA
# SML Data
+ Date: 2013-05-23T16:06:12+0800
+ Dimensions: 2819 x 3820
+ Exposure: 1/30 sec at f/4.0
+ Focal Length: 40 mm
+ ISO: 100
+ Flash: Did not fire
+ Camera: Canon EOS 6D
+ Lens: Canon EF 17-40mm f/4L USM
+ GPS: 22°16'58" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.6D.13881
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“Painting by 元永定正 Sadamasa Motonaga (1922-2011 Japan): White Circle with Cross Stripes, 2004 (Acrylic on canvas)” / McCaffrey Fine Art / Art Basel Hong Kong 2013 / SML.20130523.6D.13881
/ #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #ABHK #元永定正 #SadamasaMotonaga #McCaffreyFineArt #painting #acrylic #具体 #Gutai
The best time to photograph the basketball courts appear to be at night—because the urban landscape disappears and all you see it the court.
This is a handheld captured stitched using 17 RAW captures. Again, the seams are not perfect, but trust that I will go back with a tripod one of these days.
# SML Data
+ Date: 2013-03-17 22:25:15
+ Dimensions: 10631 x 3283
+ Exposure: 1/25 - 1/30 sec at f/4.0
+ Focal Length: 17 mm
+ ISO: 500 - 640
+ Flash: Did not fire
+ Camera: Canon EOS 7D
+ Lens: Canon EF 17-40mm f/4L USM
+ Panorama FOV: 236 degree horizontal, 77.5 degree vertical
+ Panoramic Projection: Cylindrical
+ GPS: 22°25'12" N 114°13'39" E
+ Altitude: 18.0 m
+ Location: + 中國香港馬鞍山遊樂場籃球場 中国香港马鞍山游乐场篮球场 Basketball Courts, Ma On Shan Recreation Ground, Ma On Shan, Hong Kong, China
+ Workflow: Hugin 2012, Lightroom 4
+ Serial: SML.20130317.7D.35632-SML.20130317.7D.35648-Pano.Cylindrical.236x77.5
+ Series: 形 Forms, 體育 Sports, 全景攝影 Panoramic Photography
“\θ/ 狗臉籃球場 Dog-faced basketball court” / 香港體育建築全景之形 Hong Kong Sports Architecture Panoramic Forms /
SML.20130317.7D.35632-SML.20130317.7D.35648-Pano.Cylindrical.236x77.5
/ #建築 #建筑 #Architecture #形 #Forms #SMLForms #體育 #体育 #Sports #全景 #Pano #SMLPano #CCBY #SMLPhotography #SMLUniverse #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #城市 #Urban #夜 #Night #籃球 Basketball
www.flickr.com/photos/seeminglee/8567192333/
www.flickr.com/photos/seeminglee/8567192333/sizes/o/ (10631 x 3283)
This is a time lapse with 1-minute intervals which spans a 24-hour period of The Chinese University of Hong Kong (香港中文大學 CUHK) from the vantage point of SML Universe HKG. A total of 1427 frames full res RAW files were captured to make this 1 minute long video. You can see that objects on water really do move quite a bit, and there are always some bizarre patterns on the water surface. It really is quite incredible.
I photographed this using fullres RAW because I intended to get enough footage for a 4K cinema release years from now. But HDD storage space is starting to become an issue, so I might shoot in fullres JPEG in the future because exporting all these RAW files for JPEG stills was somewhat time consuing as well.
Soundtrack is my own rendition of Bach Counter Fugue No.1 scored with Organ + Harpsichord.
+ Date: 2013-03-12 18:14:01 to 2013-03-13 18:00:01 (1-minute intervals) GMT+0800
+ Camera: Canon EOS 7D
+ Lens: Canon EF 24-70 f/2.8L USM
+ Video: H264 MP4, 1920x1080 (1080p), 24fps, Progressive
+ Audio: AAC, 320 kbps, 48 kHz, Stereo
+ Length: 59 sec
+ Color: Color
+ Location: SML Universe Limited, Hong Kong, China
+ Subject: 香港中文大學 Chinese University of Hong Kong (CUHK) + 吐露港 Tolo Harbour
+ Photographer: See-ming Lee 李思明, SML Photography
+ Soundtrack: SML Music: Bach Counter Fugue No.1
+ Media Production: SML Universe
+ License: Creative Commons Attribution 3.0 Unported (CCBY)
+ Copyright: 2013 See-ming Lee 李思明, SML Universe Limited
+ Series: 寧 Serenity, 延時攝影 Time Lapse Photography
+ Serial: SML.20130312.7D.31822-SML.20130313.7D.33248-Timelapse.001
# SML 1080p Simulcast
+ SML Flickr: www.flickr.com/photos/seeminglee/8555883879/
+ SML Vimeo: vimeo.com/61783380
+ SML Universe YouTube: youtu.be/IwfJcfk6cTM
“中文大學一天變 CUHK in a day” / 寧 Serenity 延時攝影 Time Lapse Photography / SML.20130312.7D.31822-SML.20130313.7D.33248-Timelapse.001
/ #寧 #Serenity #SMLSerenity #延時 #TimeLapse #CCBY #SMLPhotography #SMLUniverse #SMLMusic #SMLVideography #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #山水 #landscape #城市 #Urban #中文大學 #CUHK #大學 #University
www.rabbitholestudio.com/gallery/
Underground
The Fall 2009 Emerging Artists Show
September 25 - October 28, 2009
Opening Reception
Friday September 25, 2009, 5-9pm
On view: Mon-Fri 1-6p and by Appointment
RABBITHOLESTUDIO is pleased to present Underground: the Fall 2009 Emerging Artists Show, featuring the work of 16 new talents across a diverse range of painting, drawing, photography and mixed media. Explored are the layers beneath the physical and non-physical surface, the porous, unpredictable home of ontological curiosity, dark visions and fragments of the unconscious.
+ Louise Barry
+ Lindsay Chandler
+ Carrie Christian
+ Lindsay Comstock
+ Heather Culp
+ Amanda Dandeneau
+ Michael Dickey
+ Samantha French
+ Jae Kyung Kim
+ Caroline McAuliffe
+ Rachel Meuler
+ Jungmin Park
+ R Wayne Reynolds
+ Yunfan Sun
+ Margaret Inga Wiatrowski
+ Joshua Zucker-Pluda
Two runners run side by side at the “You Can Shine 馬拉松新丁育成訓練計劃,” a weekly meetup intended for new comers to get familiarise with marathon runs (aka 長跑 long run in Chinese). It takes place every Thursday at the Ma On Shan Sports Ground at 7pm [1]. A lot of these runners wear shirts with 香港長跑網 longrun.hk logos, a community online for people who enjoy marathons [2].
Taken with the 6D + 100-400 at 12800 ISO — my new walk around setup at night. Processed as BW because grains are more forgiving then color noise for some reasons…
# Notes
1. Facebook: You Can Shine 馬拉松新丁育成訓練計劃: www.facebook.com/YouCanShineMaLaSongXinDingYuChengXunLian...
2. 香港長跑網: www.longrun.hk/
# SML Data
+ Date: 2013-05-02T20:30:45+0800
+ Dimensions: 5472 x 3648
+ Exposure: 1/250 sec at f/5.6
+ Focal Length: 400 mm
+ ISO: 12800
+ Flash: Did not fire
+ Camera: Canon EOS 6D
+ Lens: Canon EF 100-400mm f/4.5-5.6L IS USM
+ GPS: 22°25'15" N 114°13'38" E
+ Location: 中國香港馬鞍山恆康街1號馬鞍山運動場 中国香港马鞍山恒康街1号马鞍山运动场 Ma On Shan Sports Ground, 1 Hang Hong Road, Ma On Shan, Hong Kong, China
+ Workflow: Lightroom 4
+ Serial: SML.20130502.6D.03782.BW
+ Series: 體育 Sports, 男 Men
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“長跑 Long Run (Marathon)” / 香港體育 Hong Kong Sports / SML.20130502.6D.03782.BW
/ #體育 #Sports #男 #Men #SMLMen #黑白 #BW #SMLBW #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #馬鞍山 #MaOnShan #人 #people #攝影 #摄影 #photography #跑 #Run #長跑 #Marathon
The National Stadium (国家体育场), a.k.a Bird’s Nest (鸟巢), is a stadium at Olympic Green in Chaoyang, Beijing, China. The National Stadium, covering an area of 204,000 square meters with 91,000 capacity, broke ground in December 2003, officially started construction in March 2004, and was completed in June 2008.
Taken in May 2014.
Camera: Canon EOS 6D
Lens: Canon EF 24-70 f/2.8L USM
Exposure: 70mm, 1/60 sec, f/8, ISO 125
Date: 2014-05-02 14:39:22 UTC+8
Process: 2024-05-02 23:24:19 UTC+8
Series: Forms, Architecture
GPS Altitude: 52.5 m Above Sea Level
GPS Date/Time: 2014-05-02 06:39:10Z
GPS Latitude: 39 deg 59' 29.89" N
GPS Longitude: 116 deg 23' 11.80" E
Copyright 2014, 2024 See-ming Lee / SML Photography / SML Universe Limited.
Choreography of Lines in Red and White 紅白線舞 / Bird’s Nest, Beijing National Stadium, China. 鳥巢, 中國北京國家體育場 / SML.20140502.6D.31814
In Renaissance oil paintings there were often these magical cloudscape which seems out of this world, and yet nature presented itself as such outside my window yesterday. Stunning and majestic.
8 captures with the 6D + 24-70 handheld.
# SML Data
+ Date: 2013-08-27T18:41:29+0800
+ Dimensions: 8644 x 3897
+ Exposure: 1/80 sec at f/11
+ Focal Length: 70 mm
+ ISO: 320
+ Flash: Did not fire
+ Camera: Canon EOS 6D
+ Lens: Canon EF 24-70 f/2.8L USM
+ Panorama FOV: 58 degree horizontal, 38 degree vertical
+ Panoramic Projection: Spherical
+ GPS: 22°25'10" N 114°13'25" E
+ Location: SML Universe HKG
+ Workflow: Autopango Giga 3, Lightroom 5
+ Serial: SML.20130827.6D.26923-SML.20130827.6D.26930-Pano.i8.58x38
+ Series: 寧 Serenity, 全景攝影 Panoramic Photography
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
黃昏雲霞 Sunset Cloudscape / 寧 Serenity / SML.20130827.6D.26923-SML.20130827.6D.26930-Pano.i8.58x38
/ #寧 #Serenity #全景 #Pano #Panorama #SMLPano #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #nature #馬鞍山 #MaOnShan #clouds #cloudscape #sunset
The night was calm and quiet, until I heard music which sounded like ice cream trucks coming and going everywhere. At first I thought that it was weird — why would they come at this hour? Apparently, those were garbage trucks! In Taiwan, they are equipped with speakers that play music to alert citizens to take out their trash. It was truly bizarre.
I had no tripod with me so I shot this two-image “pano” handheld at ISO 8000.
Photographed with the Canon EOS 6D + Canon EF 24-70 f/2.8L. Processed in Lightroom 5 + Photoshop CC 2014 + Autopano Giga 3.
en.wikipedia.org/wiki/Tamsui_District
淡水夜全景 Tamsui Panorama at Night / 台灣台北 Taipei, Taiwan / SML.20140212.6D.30717-SML.20140212.6D.30718-Pano.i2.C.L.P1.BW
/ #台灣 #臺灣 #Taiwan #台北 #Taipei #SMLTravel #旅遊 #旅游 #Travel #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLProjects
/ #淡水 #Tamsui #黑白 #BW #SMLBW #Pano #SMLPano
Situated around the parks are multitudes of these bird observation decks, which are essentially wooden huts fitted with telescopes and openings for photographers to fit their lenses and cameras. Spotted in the packs are 1Ds and 400mm f/2.8’s. These people mean serious business here.
I have done multi-strobes in the studio before [1], but mostly by moving my hands because I can see the results better in my head. But recently I saw a hyperrealist painting by 李永斌 Li Yongbin at Art Basel Hong Kong 2013 [1], which depicts an artist’s face in multiple stages. I thought that it was interesting, so I created a series of self-portraits by moving my head around. Here is one such result.
Interestingly, the imperfect black canvas actually created a somewhat painterly effect which I liked — sometimes imperfection has its purpose, I guess?
Manual exposed at ISO 400, 104mm, f/7.1, 1.0 sec — when multi is at 10Hz you are effectively seeing 10 exposures of me in a single capture.
# Technical Info
+ Canon 580EX mounted on 6D set to manual 1/128 power and strobe at 1Hz.
+ Canon 430EX with umbrella on left hand side to slave and multi strobe with the 580EX.
+ Canon EOS 6D with EF 70-200 f/4L interval shooting with the Canon TC-80N3 remote.
# Notes
1. SML Flickr Tags: Multistrobe: flickr.com/photos/seeminglee/tags/multistrobe
2. “Painting by 李永斌 Li Yongbin: 臉 Face, 2006 (Acrylic on canvas)” / 程昕東国际当代艺术空间 Xin Dong Cheng Gallery / Art Basel Hong Kong 2013 / SML.20130523.6D.13841: www.flickr.com/photos/seeminglee/8878283339/
# SML Data
+ Date: 2013-07-23T17:25:13+0800
+ Dimensions: 5472 x 3648
+ Exposure: 1.0 sec at f/7.1
+ Focal Length: 104 mm
+ ISO: 400
+ Flash: Canon 580EX + Canon 430EX
+ Camera: Canon EOS 6D
+ Lens: Canon EF 70-200 f/4L USM
+ Accessories: Canon 580EX (hotshoe) + Canon 430EX (umbrella) + Canon TC-80N3 + Manfrotto tripods
+ GPS: 22°25'10" N 114°13'26" E
+ Location: SML Universe HKG
+ Workflow: Lightroom 5
+ Serial: SML.20130723.6D.21600.L1
+ Series: SML Me, SML Labs
Copyright See-ming Lee 李思明 / SML Photography / SML Universe Limited
See also video interview with the artist (Flickr HD video).
Deadly Sins
A new collectible, slated to set the mark as an icon for the 22nd Century - collect all Seven Deadly Sins. Due out by December in an exclusive limited edition set.
Pure Products USA | Ligorano/Reese Collaboration in Art
Towards a Surreal Politik…
In 1992, we began Pure Products of America as a series of multiple editions focusing on the impact of marketing on politics. Over the past 17 years, the series has expanded and now includes 14 pieces running the gamut from snow globes to underwear (our underwear was the first to pack a political message), to happy meals.
Each object is signed and numbered in various sized editions. When we introduce Pure Products, we send some of them as gifts to government officials. Presidents Obama, Bush, and Clinton, members of the Supreme Court and various Senators and Congressional representatives have all received a pure product at one time or another.
Pure Products also function as discreet elements in installations. The installations The Bible Belt, Pillars of the Clean Order, and Steel Nipples incorporated them in sculptural settings with video and other media. In 2001, we expanded on this idea with the inauguration of an online retail website as part of the project.
Each piece is grounded within a framework that satirizes political values and, often, lampoons morality. Some pure products, like Line Up and Contract with America underwear, became media sensations, reported in the press, on television and radio. The commentary surrounding the artwork is a mixture of absurdity and culture jamming, amplifying how much the media interprets and misinterprets contemporary art and blurs the connections between art, activism and commerce.
ligoranoreese.net/pure-products-usa
Bio
NORA LIGORANO and MARSHALL REESE have collaborated together as Ligorano/Reese since the early 80’s. They use collaboration to blend diverse talents into a singular voice and vision. In the process of creating their work, their individual contributions cross and criss-cross between each other from brainstorming to realizing and making the art on location or in the studio.
They use unusual materials and industrial processes to make their limited edition multiples, videos, sculptures and installations, moving easily from dish towels, underwear, and snow globes, to electronic art and computer controlled interactive installations.
They take and manipulate images, audio and text from old media: print, television, radio and combine that with the new: internet and mobile telecommunications. Their pursuit is an ongoing investigation into the impact of technology on culture and the associations and meanings that the media brings to images, language and speech in politics.
They have an interest with using open forms to involve community interaction, like their drawing contests, Crater Bay Area for the 01 Festival in San Jose and Crater New York at Location1. Installations that combine sculpture with public participation in drawing, within the context of a contest that is also streamed on the internet and in Second Life. Their ice sculptures, “Main Street Meltdown” and “The State of Things” share that same sense of open possibility, fusing natural processes of erosion and decay as flexible durations and markers to determine the experience of the work.
Many of their sculptures and installations reinterpret and reexamine older forms of technology - using objects that signify truth, authority and manifest cultural historicity. Ligorano/Reese use mirrors, clocks, metronomes and medieval codex bindings and combine them with video screens. They have invented micro-projection systems to display films on the head of a pin or the counterweight of a metronome.
Since 2004, they’ve investigated portraiture as a construct of social representation. Line Up (2004-5), their series of portraits of Bush administration officials in mug shot, acknowledges that the mug shot is the preeminent form of portraiture now that more people are incarcerated in the U.S. than any other country in the world. In December, 2007, the exhibition of these photos at the New York Public Library caused a firestorm of controversy with heavy rotation on FoxNews, DrudgeReport’s homepage and many, many other publications.
In 2001, they launched www.pureproductsusa.com, the online retail website for their infamous political art series the Pure Products of America. Since 1992, Ligorano/Reese have made 11 multiples in signed editions of 3 to 100. They are best selling editions at Printed Matter, artbook@ps1 and the New Museum store and have prompted, at least on one occasion, the RNC to threaten them with copyright infringement.
For more information see “The Joy of Collaborating: recipes for time-based art.”
Eyebeam Open Studios: Fall 2009
eyebeam.org/events/open-studios-fall-2009
Eyebeam is pleased to host Open Studios for its 2009 Senior Fellows, Resident Artists, and Student Residents at Eyebeam’s state-of-the-art design, research, and fabrication studio; showcasing video performance, wearable technologies, code and humor, party technology, and sustainablity design.
///////////////
Eyebeam is the leading not-for-profit art and technology center in the United States.
Founded in 1996 and incorporated in 1997, Eyebeam was conceived as a non-profit art and technology center dedicated to exposing broad and diverse audiences to new technologies and media arts, while simultaneously establishing and demonstrating new media as a significant genre of cultural production.
Since then, Eyebeam has supported more than 130 fellowships and residencies for artists and creative technologists; we've run an active education program for youth, artists' professional development and community outreach; and have mounted an extensive series of public programs, over recent years approximately 4 exhibitions and 40 workshops, performances and events annually.
Today, Eyebeam offers residencies and fellowships for artists and technologists working in a wide range of media. At any given time, there are up to 20 resident artists and fellows onsite at Eyebeam's 15,000-square foot Chelsea offices and Labs, developing new projects and creating work for open dissemination through online, primarily open-source, publication as well as a robust calendar of public programming that includes free exhibitions, lectures and panels, participatory workshops, live performances and educational series.
I enjoy works which have multiple levels of reading — the macro view vs the micro views. For these kinds of captures, however, I have wished that I would have the tools which have a high enough resolution (detail) for both views to register.
From afar (or if you view the photo as a thumbnail), you should see some very abstract lines. There are horizontal lines running from top to bottom, large strokes which are left behind by ships. From left to right, there are curves which is a reflection of the water current, ever so slightly.
But as you look closer, you would see that there are some tiny lines which go across the the frame. There is a tiny figure on the lower left, which is in fact a person windsurfing on the surface. There is in fact another person windsurfing at the far end of the sea also.
At the macro level, you will see the reflected sun as molten silver, which is another level of reading.
The figures in this photographs are participants of an otherwise abstract image. If the windsurfers are the focus, I would have photographed him directly with a long lens, which you can in an earlier capture shot at 400mm [1].
Life action shots cannot really be tiled easily, so as much as I would have loved to shoot the whole image with a 400mm, it could not possibly register as a single continuous image. Maybe if I have an array of 400mm + cameras? Or maybe a large format can do. 20 years later when I have that budget, perhaps. For now, just this bit.
# Notes
1. 滑浪風帆 Windsurfing / 香港水上運動 Hong Kong Water Sports / SML.20130526.7D.42169: www.flickr.com/photos/seeminglee/9107548809/
# SML Data
+ Date: 2013-05-26T16:29:26+0800
+ Dimensions: 5472 x 3648
+ Exposure: 1/800 sec at f/9.0
+ Focal Length: 70 mm
+ ISO: 100
+ Camera: Canon EOS 6D
+ Lens: Canon EF 24-70 f/2.8L USM
+ GPS: 22°25'10" N 114°13'33" E
+ Location: SML Universe HKG
+ Workflow: Lightroom 5, Photoshop CC
+ Serial: SML.20130526.6D.15016.P1.BW
+ Series: 寧 Serenity, 自然 Nature, 抽象 Abstract, 形 Forms
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
水 Water / 自然抽象之形 Nature Abstract Forms / 寧 Serenity / SML.20130526.6D.15016.P1.BW
/ #寧 #Serenity #SMLSerenity #自然 #Nature #抽象 #Abstract #形 #Forms #SMLForms #黑白 #BW #SMLBW #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #山水 #Seascape #windsurfing #sports
www.flickr.com/photos/seeminglee/9709341714/
www.flickr.com/photos/seeminglee/9709341714/sizes/o/ (5472 x 3648)
Two Solo Exhibitions
Exhibition dates: September 26 - November 8, 2009
Artists’ reception: Saturday, September 26, 5-8pm
Smack Mellon is pleased to present Ellen Driscoll’s installation FASTFORWARDFOSSIL: Part 2 and Fernando Souto’s photographic series The End of the Trail. The two concurrent solo exhibitions compress layers of time to explore industries and lifestyles that go beyond geographic borders. Composed of thousands of discarded plastic bottles collected by Ellen Driscoll, FASTFORWARDFOSSIL: Part 2 takes a critical look at the environmental and human damage inflicted by the oil and water industries in the last two centuries on regions as diverse as Nigeria and the United States. During extended trips to cattle ranches in the American West, Australia, and Uruguay, Fernando Souto photographed the fading culture of ranchers, creating black-and-white environmental portraits in the tradition of iconic photographers such as Walker Evans and Robert Frank. Both Driscoll and Souto are intimately tied to their craft—painstakingly cutting up salvaged bottles and printing large-scale silver gelatin photographs—asserting a tactile personal connection in their work.
Ellen Driscoll
FASTFORWARDFOSSIL: Part 2
“This installation is a continuation of a multi-year series which explores the dynamics of resource harvesting and consumption. This part of the series focuses on oil and water. Rising at 5:30 AM, I harvest #2 plastic bottles from the recycling bags put out for collection on the streets of Brooklyn. For one hour, one day at a time, I immerse myself in the tidal wave of plastic that engulfs us by collecting as many bottles as I can carry. The sculptural installation for Smack Mellon comprises 2600 bottles transformed into a 28 foot landscape. Constructed solely of harvested #2 plastic, the sculpture collapses three centuries into a ghostly translucent visual fugue in which a nineteenth century trestle bridge plays host to an eighteenth century water-powered mill which spills a twenty-first century flood from its structure. The flow contains North American, Middle Eastern, and African landmasses (sites of oil harvesting and their consumer destination) buoyed by a sea of plastic water molecules. The piece looks back to eighteenth century American industry powered by water, and forward to the oil refineries of the Niger Delta, site of prolonged guerilla warfare against oil corporations and the source of over fifty percent of crude oil for the United States—the oil that produces the plastic within which our privatized water is currently bought and sold.
The wall drawings in the exhibition are based on a close study of the inner workings of an oil refinery. By using huge shifts of scale between the macro and the micro, they depict a dystopic future based on rampant oil consumption. An oil rig shares the horizon with ocean fires and garbage scows, mega shopping malls are abandoned to spontaneous communities of slums, and a refugee camp is inundated by the waters of a melting glacier. The worlds in the drawings are drained of color, but filled with the flux and spillage of a potentially chaotic future.”
Ellen Driscoll is a sculptor whose work includes FASTFORWARDFOSSIL: Part 1 at Frederieke Taylor Gallery, Revenant and Phantom Limb for Nippon Ginko, Hiroshima, Japan, The Loophole of Retreat at the Whitney Museum, Phillip Morris, As Above, So Below for Grand Central Terminal (a suite of 20 mosaic and glass images for the tunnels at 45th, 47th, and 48th Streets), Catching the Drift, a restroom for the Smith College Museum of Art, and Wingspun for the International Arrivals Terminal at Raleigh-Durham airport. Ms. Driscoll has been awarded fellowships from the Guggenheim Foundation, the National Endowment for the Arts, the Bunting Institute at Harvard University, the New York Foundation for the Arts, the Massachusetts Council on the Arts, the LEF Foundation, and Anonymous Was a Woman. Her work is included in major public and private collections including the Metropolitan Museum of Art and the Whitney Museum of Art. She is a Professor of Sculpture at Rhode Island School of Design.
Smack Mellon
92 Plymouth Street @ Washington
Brooklyn, NY 11201
Gallery hours are Wednesday-Sunday, 12-6pm.
Related SML
+ SML Flickr Collections: Events
+ SML Flickr Sets: Dumbo Arts Center: Art Under the Bridge Festival 2009
Chinese guardian lions, traditionally known in Chinese simply as Shi (獅, literally “lion”), are a common representation of the lion in pre-modern China. Statues of guardian lions have traditionally stood in front of important Chinese architectures, and were believed to have powerful mythic protective benefits.
The lions are usually depicted in pairs. When used as statuory, the pair would consist of a male resting his paw upon an embroidered ball (in imperial contexts, representing supremacy over the world) and a female restraining a playful cub that is on its back (representing nurture).
Pictured is one of the bronze guardian lions outside the Gate of Supreme Harmony (太和門), the second major gate encountered when entering the Forbidden City from the south.
Photographed at the Forbidden City in Beijing, China with the Canon EOS 6D + Canon EF 24-70 f/2.8L USM.
# More Information
+ en.wikipedia.org/wiki/Chinese_guardian_lions
+ en.wikipedia.org/wiki/Gate_of_Supreme_Harmony
太和門青銅獅 Bronze guardian lion at the Gate of Supreme Harmony / 中國北京紫禁城 Forbidden City, Beijing, China / SML.20140430.6D.31382.P1.BW
The signage is split into two halves. On the left side of the panel shows where the train is at while the train is stopped (with a flashing bounding box), and when it's in motion, it displays the next stop. The name of the next 10 stops, in yellow, are displayed to the right of 'you are here sign post'. Each station name is accompanied with designation in green which shows the additional lines you can do an interchange. A red handicapped icon designate whether there it is a station equipped with accessibility access.
At the end of the right half of the panel shows the last stop of the train, and the LED displays loops through the rest of the stop in multiple of 10s, so you can get a glance of all the stops while keeping the display small enough so as not requiring an extra large panel for the longer lines.
See SML Pro Blog: New York City Subway LED Signage for complete description, photos and videos.
When you are driving, it is hard to see the speed limits. But traffic signs in Hong Kong are often placed on the ground. They are vertically scaled to match the eyesight of the driver.
These speed limits signage are seen on 西沙路 Sai Sha Road in 馬鞍山 Ma On Shan, a road in Hong Kong, which links together from Sai Kung District to Sha Tin District in the New Territories.
en.wikipedia.org/wiki/Sai_Sha_Road
# SML Data
+ Date: 2013-03-03 14:12:47.16 GMT+0800
+ Dimensions: 3456 x 5184
+ Exposure: 1/640 sec at f/5.6
+ Focal Length: 280 mm
+ ISO: 100
+ Flash: Did not fire
+ Camera: Canon EOS 7D
+ Lens: Canon EF 70-200mm f/4L USM + Canon EF 1.4x Extender III
+ GPS: 22°25'15" N 114°13'36" E
+ Altitude: 17.3 m
+ Serial: SML.20130303.7D.24958
+ Workflow: Lightroom 4
+ Series: 人流 Human Logistics, 形 Forms
“50 / 50 / Maybe” / 人流指示之形 Human Logistics Signage Forms / SML.20130303.7D.24958
/ #人流 #HumanLogistics #形 #Forms #SMLForms #CCBY #SMLPhotography #SMLUniverse #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #城市 #Urban #街 #Street #指示 #Signage
I am usually not a big fan of these typographic lightbulb installations. However, the installation seen here at the Museum of Contemporary Art Australia works well with its environment, and establishes a bit of interaction with the bystanders.
“You imagine what you desire” is the title of the 19th Biennale of Sydney which was on view from March 21st til June 9th. I had a brief visit when they were still putting the show up and the works were quite good. I even saw some of these pieces shown there at Art Basel Hong Kong 2014 (to be posted).
Photographed with the Canon EOS 6D + Canon EF 24-70 f/2.8L at Museum of Contemporary Art Australia (MCA), 140 George St, The Rocks NSW 2000, Australia.
You imagine what you desire (art installation) / Museum of Contemporary Art Australia (MCA), Sydney, Australia / SML.20140314.6D.30836.P1
I bought the 100-400 to photograph birds. Most of the time is waiting for them to do something interesting. Some people go fishing. I stand around all afternoon waiting for the birds to go fishing.
It’s harder than you think. Occasionally, I get lucky.
- Camera: Canon EOS 7D
- Lens: Canon EF 100-400mm f/4.5-5.6L IS USM
- Exposure: 400mm, 1/640 sec, f/8, ISO 320
- GPS: 22°23'25" N 114°12'3" E
- Location: Shing Mun River, Shatin, Hong Kong
- Date: 2013-08-09
Copyright 2013, 2024 See-ming Lee / SML Photography / SML Universe Limited
Caught Fish. Little Egret in Flight. Shing Mun River, Shatin, Hong Kong / SML.20130809.7D.49397
Water hoses connecting fish tanks and the like are tied up and hung dried after a day of work. Not a whole lot can be said for these utilitarian items. I just like the lines and forms they have created with the surroundings.
Photographed at the fish market in Lau Fau Shan, Hong Kong (香港流浮山魚市場).
Isolated being after a day’s work / 香港流浮山魚市場之形 Fish Market’s Forms / SML.20131118.7D.51347
# 錢騁新 CHIN Chun-San, Francesca
Time Sculptor
francesca_chin@hotmail.com
+852 6220 5377
# Sponsors
+ Fenix Group Ltd.
+ UPW
+ Winning Textile Co., Ltd
+ Long Tai Hong (Holding) Limited
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
錢騁新 CHIN Chun-San, Francesca: Time Sculptor: Look 2 / PolyU Fashion Show 2013 / SML.20130626.6D.17069
/ #PolyUFashionShow2013 #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #Crazyisgood
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #理工大學 #PolyU #fashion #design #people #錢騁新 #ChinChunSan #FrancescaChin #TimeSculptor #WTF #models #womens #women
Do artists adapt their language to suit the audience that they intended? Some apparently do. This is a large scale installation by Jaume Plensa, an Catalan Spanish artist and sculptor. Using stainless steel to string along latin alphabets to form human forms is a motif dominant in his sculpture works [1], but this might be the first instance of them in Asian characters.
Unlike latin characters which can form all kinds of different meanings just by the jumbling of a limited character set, seen here are a collages of selected scripts. Perhaps most bizarre though is that it features characters from both the Japanese Kanji to Japanese Kana, some simplified Chinese characters. I cannot read Japanese so I do not know if they say anything specific, But there are some recognisable characters, such as 時 (time), 建 (architecture), 男 (Men), 界 (world, division), 案 (document, project), 力 (strength).
Only the artist himself would know what all these mean to him, but being able to relate more succinctly to the works (which often feel alien to me because they reference cultures in another world) is very welcoming indeed.
Jaume Plensa (b. 1955)
Islands, 2012
Stainless steel and stone
Overall dimensions (as installed) 10.4 x 21 ft (3.2 x 6.4 m)
Comprised of 18 elements of varying sizes, including 3 figurative elements each approximately 41 x 34 x 20 inches (105 x 88 x 52 cm)
沙瑪•帕蘭沙 (生於 1955)
島嶼, 2012
不銹鋼及石頭
總體積 (安置後) 10.4 x 21 英尺 (3.2 x 6.4 米)
共18個不同體積之組元 包括3個比瑜性組元
每個約 41 x 34 x 20 寸 (105 x 88 x 52 厘米)
# Notes
1. Jaume Plensa: Sculptures: jaumeplensa.com/web/index.php/works-and-projects/sculptur...
# Jaume Plensa
Jaume Plensa (Spanish, b.1955) is one of the world's foremost sculptors working in the public space, with over 30 projects spanning the globe in such cities as Chicago, Dubai, London, Liverpool, Nice, Tokyo, Toronto, and Vancouver.
Over the past 25 years, the artist has produced a rich body of work in the studio and the public realm. By combining conventional sculptural materials (glass, steel, bronze, aluminum) with more unconventional media (water, light, sound, video), and frequently incorporating text, Plensa creates hybrid works of intricate energy and psychology. From his delicately textured, intimate works on paper—like his 2005-06 series of ethnographic portraits that resemble worn, 19th century photographs—to monumental outdoor sculptures like Nomade (2007) and a range of cityscape-altering public projects like the Crown Fountain in Chicago (2000-05), Plensa's work takes many forms.
Plensa's work is invested in evoking emotion and stimulating intellectual engagement. By posing conceptual dualities in his work (inside/outside, front/back, light/dark), Plensa seeks to connect with his viewers on an intuitive level. Often, the viewer participation, or the object/viewer relationship, is what completes Plensa's work.
The winner of many national and international awards, Jaume Plensa has had solo exhibitions at the Yorkshire Sculpture Park, West Bretton, UK; Nasher Sculpture Center, Dallas; Institut Valencia d'Art Modern, Spain; the Musée Picasso, Antibes, France; the Arts Club of Chicago; Frederik Meijer Gardens and Sculpture Park, Grand Rapids, Michigan; Museo Reina Sofia, Madrid and Galerie National du Jeu de Paume, Paris among many others. He lives and works in Barcelona
www.richardgraygallery.com/artists/jaume-plensa/
+ Jaume Plensa (Catalan pronunciation: [ˈʒawmə ˈpɫɛnsə]) (b. 1955 in Barcelona, Spain) is a Catalan Spanish artist and sculptor. en.wikipedia.org/wiki/Jaume_Plensa
# Richard Gray Gallery
Founded in 1963. Specializing in contemporary art and European and American modern master paintings, drawings, and sculpture.
1018 Madison Avenue, 4th Floor
New York, NY 10075
USA
# SML Data
+ Date: 2013-05-23T16:00:37+0800
+ Dimensions: 3648 x 5472
+ Exposure: 1/30 sec at f/8.0
+ Focal Length: 174 mm
+ ISO: 4000
+ Flash: Did not fire
+ Camera: Canon EOS 6D
+ Lens: Canon EF 17-40mm f/4L USM
+ GPS: 22°16'58" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.6D.13867
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“Installation by Jaume Plensa (b. 1955): Islands, 2012. (stainless steel and stone)” / Richard Gray Gallery / Art Basel Hong Kong 2013 / SML.20130523.6D.13867
/ #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #Crazyisgood #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #ABHK #JaumePlensa #RichardGrayGallery #sculpture #installation #mixedmedia #typography
# Vincent Lam (LAM Chong Yu)
Tonatiuh
lamchongyu@gmail.com
+852 6331 6191
# Sponsors
+ Pine Hover Ltd.
+ Winning Textile Co. Ltd.
+ UPW
+ Jetco Zipper
+ Long Tai Hong (Holding) Limited
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
Vincent Lam (LAM Chong Yu): Tonatiuh: Look 1 / PolyU Fashion Show 2013 / SML.20130626.6D.16856