View allAll Photos Tagged SHARED_SPACE
Formerly an NBC affiliate, then independent, then My TV Network, now sharing space with ABC7 along the embarcadero at 900 Front St, San Fancisco.
This is the little shelter that we stopped at on our snow shoeing trip. We all "shared" the "space" and had lunch.
STS110-E-5595 (14 April 2002) --- Astronauts Steven L. Smith (left) and Rex J. Walheim (partially obscured by Atlantis' robotic arm), share space walk duties during STS-110's third session of extravehicular activity (EVA). Smith and Walheim rewired the robotic arm on the International Space Station and released locking bolts on the first space railcar during their 6-hour, 27-minute spacewalk.
New spring flowers and grass shoots share space with last year's leaves and Yucca blooms. The peak in the distance is Saddle Rock, namesake to a popular nearby vineyard.
Photo taken at Rocky Oaks Park in the Santa Monica Mountains National Recreation Area (Malibu, CA).
The monarchs gather each fall at the Peninsula Point State Park in Stonington (Upper Peninsula of Michigan). They wait there along the shores of Lake Michigan for a north wind or favorable flying conditions. When the time is right, they fly en masse over Lake Michigan and continue on their long journey to Mexico.
A morning at the yard taking jumping photos for my daughter who wants to try and sell her project horse.
I thought the theme 'shared space' was very apt for a horse and rider. The horse and rider need to be in sync to be successful.
It was a beautifully sunny day - and I struggled with the light at points. I was using the 70--200 which presented it's own challenges - even though the arena is quite large. I was trying to push myself to use manual - but I'm not fast enough to make changes to allow for the changing light as they move round the arena.
I can say I'm very glad that I don't have to use film to experiment as it would probably bankrupt me with the amount of images I took to get just a few that I am happy with.
I'd really like to take less pictures and be happier with them though.
3 dogs with one having new born puppies and a stray cat with a kitten sharing space in a 300sq.m. House and Lot with a Flower Garden
A pair of UP Heritage Units share space with home road units at KCS Knoche Yard in the service track. These are the first UP Heritage Units to make an appearance at this facility. They came into town on UP Train PCBKC3 06 with 2 passenger cars needing work done at Mid-America Car, a KCS-served facility.
Locomotives: UP 1995, KCS 4585
5-8-14
Kansas City, MO
Place Jamaa El Fna 04/07/2023 17h42
Not regulated shared space at Place Jemaa El Fna. And it almost always goes well.
Place Jemaa el-Fna
Jemaa el-Fnaa (Arabic: ساحة جامع الفناء ) also Jemaa el-Fna, Djema el-Fna or Djemaa el-Fnaa) is a square and market place in Marrakesh's medina quarter (old city). It remains the main square of Marrakesh, used by locals and tourists.
The origin of its name is unclear: jamaa means "congregation" or "mosque" in Arabic, probably referring to a destroyed mosque on the site. Fnaʼ or fanâʼ can mean "death/extinction" or "a courtyard, space in front of a building". "finâʼ in Arabic commonly means "open area"; a straight translation would be "the gathering/congregation area". Other meanings could be "The assembly of death," or "The Mosque at the End of the World". Another explanation is that it refers to a mosque with a distinctive courtyard or square in front of it. A third translation is "assembly of the dead", referring to public executions on the plaza around 1050 CE.
During the day it is predominantly occupied by orange juice stalls, water sellers with traditional leather water-bags and brass cups, youths with chained Barbary apes and snake charmers despite the protected status of these species under Moroccan law.
As the day progresses, the entertainment on offer changes: the snake charmers depart, and late in the day the square becomes more crowded, with Chleuh dancing-boys (it would be against custom for girls to provide such entertainment), story-tellers (telling their tales in Berber or Arabic, to an audience of locals), magicians, and peddlers of traditional medicines. As darkness falls, the square fills with dozens of food-stalls as the number of people on the square peaks.
The square is edged along one side by the Marrakesh souk, a traditional North African market catering both for the common daily needs of the locals, and for the tourist trade. On other sides are hotels and gardens and café terraces, and narrow streets lead into the alleys of the medina quarter.
More than the hobbyists’ pursuit, maker communities are disrupting manufacturing. Shared spaces offer a new amalgam of craft, industry and technology, where both tools and knowledge are pooled. July's Friday Late invited visitors to resist mass production and uncover how hacked machines and open source design are changing the way we make and live.
Photo Credit: Gabriel Bertogg
PEANUTBUTTERVIBES.COM
Prototype day
The Churches Conservation Trust is trying out a new concept to bring St Laurence’s church on St Benedict Street, Norwich into re-use. It is a called The Common Room. Working in collaboration with The Churches Conservation Trust, 00:/ and Social Spaces are introducing the idea to the local community by bringing it to life for a day,
And we would love you to be part of it…
What is The Common Room?
The Common Room could transform St Laurence’s church into a new type of shared space, made and shaped collectively by the community, and run on the principles of collaboration, connection and resourcefulness. Working through a co-operative membership model you could have access to the space, to meet people, experiment with ideas and start new projects for a small regular membership cost.
More than a coffee shop, restaurant, gallery or theatre alone - more than a traditional community centre, club house or office. You might pop in to make yourself a cup of tea have a chat and read your emails. Bring a dish and share a meal with others. Learn how to fix your bike, or the toaster. Or try and build your next big invention.
The idea of the Common Room is that it could be a social engine room for developing your ideas and projects.
What happens here would be up to you.
thecommonroom.so/
gogonihon.com/en/akihabara-guesthouse-furnished-accommoda... - We are happy to present another fantastic guest house. This time in Akihabara, Tokyo!
You will be staying with Japanese and other foreigners (50%/50%), so you will have a great opportunity to study more about Japanese language and culture, you will be able to speak and practice Japanese right away and you will have the opportunity to make friends from all over the world.
Both private rooms and shared rooms are available. The tenants in this share house are 50% Japanese and 50% foreigner so
Big and confortable shared spaces such as a spacious living rooms, a large kitchen, 2 shower rooms and 2 toilets
Come to live and study in Japan with the help of Go! Go! Nihon. We will help you all the way with personal service and paperwork. Visit us now at gogonihon.com
Aiutiamo chi vuole vivere e studiare in Giappone. Visita gogonihon.com
Vi hjälper dig till att bo och studera i Japan. Besök oss nu på gogonihon.com
Originally the Colosseum theatre, dance hall and café in the 1920's, later a cinema and now used by Coventry University.
Punks descend on Blackpool again for Rebellion 2018.
Blackpool Transport bus 312 "PJ03 TFN" moves slowly around the shared space of St John's Square.
Panasonic TZ9 camera, 2nd August 2018.
Haren. Shared space rotonde. Deze foto is beschikbaar gesteld door het kenniscentrum voor fietsbeleid: www.fietsberaad.nl. This photograph has been made available by the centre of expertise on bicycle policy: www.bicyclecouncil.org. [DSC01343_fb]
More than the hobbyists’ pursuit, maker communities are disrupting manufacturing. Shared spaces offer a new amalgam of craft, industry and technology, where both tools and knowledge are pooled. July's Friday Late invited visitors to resist mass production and uncover how hacked machines and open source design are changing the way we make and live.
Photo Credit: Gabriel Bertogg
PEANUTBUTTERVIBES.COM
More than the hobbyists’ pursuit, maker communities are disrupting manufacturing. Shared spaces offer a new amalgam of craft, industry and technology, where both tools and knowledge are pooled. July's Friday Late invited visitors to resist mass production and uncover how hacked machines and open source design are changing the way we make and live.
Photo Credit: Gabriel Bertogg
PEANUTBUTTERVIBES.COM
She's a big love.. and when the new pups come along, she's a big grump, letting everyone know just what and who belongs to her (which happens to be everything!).
Tege...
Sky & Tege sharing space
Fonte official FB Pallbearer page:
Pallbearer’s third album, Heartless, is an inspired collection of monumental rock music. The band offers a complex sonic architecture that weaves together the spacious exploratory elements of classic prog, the raw anthemics of 90’s alt-rock, and stretches of black-lit proto-metal. Lyrics about mortality, life, and love are set to sharp melodies and pristine three-part harmonies. Vocalist and guitarist Brett Campbell has always been a strong, assured singer, and on Heartless, his work’s especially stunning. This may in part be due to the immediacy of the lyrics. Written by Campbell and bassist/secondary vocalist Joseph D Rowland, the words have moved from the metaphysical to something more grounded. As the group explains: “Instead of staring into to the void—both above and within—Heartless concentrates its power on a grim reality. Our lives, our homes and our world are all plumbing the depths of utter darkness, as we seek to find any shred of hope we can."
Pallbearer emerged from Little Rock, Arkansas in 2012 with a stunning debut full-length, Sorrow and Extinction. The record, which played like a seamless 49-minute doom movement, melded pitch-perfect vintage sounds with a triumphant modern sensibility that made songs about death and loss feel joyfully ecstatic. Pallbearer possessed what many other newer metal groups didn't: perfect guitar tone, classic hooks, and a singer who could actually sing.
For their 2014 followup, Foundations of Burden, the band worked with legendary Bay Area producer Billy Anderson (Sleep, Swans, Neurosis) for an expansive album that was musically tighter and especially adventurous. Armed with a more technical drummer, Mark Lierly, Foundations feels like it was built for larger shared spaces—you could imagine these songs ringing off the walls of a stadium. It was a hint of things to come. While the debut earned the band a Best New Music nod from Pitchfork and rightly landed the band on year-end lists at places like SPIN and NPR, along with the usual metal publications, Foundations of Burden charted on the Billboard Top 100 and earned the band album of the year from Decibel and spots on year-end lists for NPR and Rolling Stone.
Returning to where it all began, the quartet recorded their third full-length, Heartless on their own in Arkansas, and it’s grander in scope, showcasing a natural progression that melds higher technicality and more ambitious structures with their most immediate hooks to date. The collection, which follows the 3-song Fear & Fury EP from earlier this year, was captured entirely on analog tape at Fellowship Hall Sound in Little Rock this past summer and then mixed by Joe Barresi (Queens of the Stone Age, Tool, Melvins, Soundgarden).
From the gloriously complex, sky-lit opener “I Saw the End” to the earth-shaking (and heartbreaking) 13-minute closer “A Plea for Understanding,” the entire group puts forth the full realization of their vision: More than a doom band, Pallbearer is a rock group with a singular songwriting talent and emotional capacity. Heartless finds the group putting forth their strongest individual efforts to date: Campbell and Rowland, along with guitarist/vocalist Devin Holt and drummer Mark Lierly, turn in peak marathon performances. Both Campbell and Rowland also handle synthesizers alongside their normal duties, and there are plenty of gently strummed acoustic guitars amid the crunchy electric ones, adding a moody, ethereal spareness to the towering metal. The almost 12-minute “Dancing in Madness” opens with dark post-rock ambience and moves toward emotional blues before exploding into a sludgy psychedelic anthem. A number of the seven songs feature a humid rock swagger.
By fusing their widest musical palette to date, Pallbearer make the kind of heavy rock (the heavy moments are *heavy*) that will appeal to diehards, but could also find the group crossing over into newer territories and fanbases. After having helped revitalize doom metal, it almost feels like they’ve gone and set their sights on rock and roll itself. Which doesn’t seem at all impossible on the back of a record like Heartless.
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Haren. Rijksstraatweg. Shared space inrichting hoofdweg met fietsers. Deze foto is beschikbaar gesteld door het kenniscentrum voor fietsbeleid: www.fietsberaad.nl. This photograph has been made available by the centre of expertise on bicycle policy: www.bicyclecouncil.org. [DSC01397_fb]