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If you're part of a crew, nobody ever tells you that they're going to kill you, doesn't happen that way. There weren't any arguments or curses like in the movies. See, your murders come with smiles, they come as your friends, the people who've cared for you all of your life. And they always seem to come at a time that you're at your weakest and most in need of their help.
Henry Hill - The Good Fellas by Martin Scorsese
This photo, from a previous summer, has been bumped up slightly with processing. After uploading hundreds of bee photos, they all begin to look alike...and a bit ho hum. Most important thing here, I think, is to have a photo that catches one's eye.
I tried to think of a way to hint at when this was taken, without just saying it. It occurred to me that I could mention the movie that won the Oscar that year. Turns out that that doesn't help much, since no one saw any of these movies anyway. Here is a list of the best picture nominees:
The Artist – Thomas Langmann, producerdouble-dagger
The Descendants – Jim Burke, Jim Taylor, and Alexander Payne, producers
Extremely Loud & Incredibly Close – Scott Rudin, producer
The Help – Brunson Green, Chris Columbus, and Michael Barnathan, producers
Hugo – Graham King and Martin Scorsese, producers
Midnight in Paris – Letty Aronson and Stephen Tenenbaum, producers
Moneyball – Michael De Luca, Rachael Horovitz, and Brad Pitt, producers
The Tree of Life – Dede Gardner, Sarah Green, Grant Hill, and Bill Pohlad, producers
War Horse – Steven Spielberg and Kathleen Kennedy, producers
Late afternoon winter - sun breaks through the cloud. Pink banners advertising Scorsese film festival at Federation Square.
Several weeks ago I watched Martin Scorsese's The Color of Money, in which Whitaker has a small role in.
Nikon F55. Fujifilm Superia Extra 400 35mm C41 film.
I just recently finished reading this book, & watched Luchino Visconti's film adaptation.
I was worried when starting the book it'd be difficult for me to get into (Crime & Punishment, for example, was a bit of a difficult read for me. I admired it very much though), but I thought The Leopard was an easy book to get through & a wonderful read.
I'm glad I read it first, because I got to know the characters more when I watched Visconti's film, which I also thought was brilliant.
I was prompted to see it because I've read several times its one of Martin Scorsese's favourite films. I happened to see the book in a bookstore so I thought I'd read it before seeing the film.
April 29 is Daniel Day-Lewis's birthday, & this is a macro shot of a still photo from Gangs of New York in a Scorsese book I bought while I was in London recently.
GONY is my favourite Day-Lewis film & performance.
me:.... and it's in those moments of complete and utter despair,... that i feel most alive.
her: you're fucked up.
me: i shall miss this banter....
her: i have to go pee.
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ps: this is Sotome, Nagasaki, Japan,... where Silence by Endo Shusaku is set. Scorsese's adaptation comes out next year.
Questa statua ha una storia molto particolare: proviene infatti dal set del film “Kundun” di Martin Scorsese, che racconta la vita di Sua Santità il XIV Dalai Lama dall’infanzia fino all’esilio in India. Nel 1996 lo scenografo premio Oscar Dante Ferretti la realizza come parte della ricostruzione del Palazzo del Potala e, una volta terminate le riprese, la statua rimane negli Atlas Studio a Ouarzazate, in Marocco.
Nel 1999 l’artista Sonia Deotto viene incaricata di progettare e realizzare un’installazione artistica che avrebbe fatto da cornice alla visita del Dalai Lama in Italia a celebrazione del decimo anniversario dell’assegnazione del Premio Nobel per la Pace; decide di contattare il direttore del Centro Cinematografico del Re del Marocco per ottenere in prestito la statua e – con sua grande sorpresa – la riceve in dono.Grazie a un team di professionisti, il trasporto avviene via terra fino a Casablanca, poi via mare sino a Genova e finalmente a Milano, dove la statua è posta al centro dello spazio espositivo dell’evento “Tibet – Arte e Spiritualità” (presentato nel libro omonimo di Skira editore, Milano 1999). In seguito la statua di Cenresig viene custodita in alcuni magazzini e, da ultimo, nel deposito di un’azienda di famiglia di Beba Stoppani, discepola di Ghesce Ciampa Ghiatso, mentre si esplorano varie possibilità per un suo collocamento appropriato. Nel giugno 2012 la statua viene donata all’Istituto Lama Tzong Khapa da Sonia Deotto, fondatrice altresì del Movimento per la Pace “OraWorldMandala”
This statue has a very particular story: it comes from the set of the film “Kundun” by Martin Scorsese, which tells the story of the life of His Holiness the XIV Dalai Lama from his childhood to his exile in India. In 1996, the Oscar-winning set designer Dante Ferretti created it as part of the reconstruction of the Potala Palace and, once filming was finished, the statue remained in the Atlas Studio in Ouarzazate, Morocco.
In 1999, the artist Sonia Deotto was commissioned to design and create an artistic installation that would have served as the backdrop for the Dalai Lama’s visit to Italy to celebrate the tenth anniversary of the awarding of the Nobel Peace Prize; decides to contact the director of the King of Morocco Film Center to borrow the statue and – to his great surprise – receives it as a gift. Thanks to a team of professionals, the transport takes place by land to Casablanca, then by sea to Genoa and finally to Milan, where the statue is placed at the center of the exhibition space of the event “Tibet – Art and Spirituality” (presented in the book of the same name by Skira Editore, Milan 1999). Subsequently, the statue of Chenrezig is kept in some warehouses and, finally, in the warehouse of a family business of Beba Stoppani, disciple of Geshe Jampa Ghiatso, while various possibilities for its appropriate placement are explored. In June 2012, the statue is donated to the Lama Tzong Khapa Institute by Sonia Deotto, also founder of the Peace Movement “OraWorldMandala”
Robert De Niro was being interviewed at the Director's Guild of America in Hollywood, about the new Martin Scorsese film, "The Irishman", in which he plays the title role. I took this shot during the Q and A, after the screening.
On Explore! December 27, 2007! #274
Thank you very much to all of you my dear Flickr friends for your so kind comments!
My wild river reflection!
Eric Clapton… Groaning The Blues… a fine version of this Otis Rush classic from an abandoned documentary 'Nothin' But The Blues' by Martin Scorsese!!!
Fashion by designer Charles James installed in the Frank Lloyd Wright Room by director Martin Scorsese at the Met Museum for the "In America: An Anthology of Fashion" exhibit
Stallone fans have been blasting him over Stallone's frustrations over the Rocky rights, but he has been involved in getting some important movies into being made, such as several Scorsese films.
Nikon F55. Fujifilm Superia Extra 400 35mm C41 film.
Here is my tenth build for my Iron Builder round against Letranger Absurde.
The special part is that bloodyhell "pithfork".
Based on a scene from Scorsese's "Taxi Driver". One of my favorate movie. :D
Screenshot: 4.bp.blogspot.com/-SSiWAoKQZgk/T7k811i7HII/AAAAAAAAA-w/W1...
The "Star of America" Constellation on display at McConnell AFB in Wichita way back in 1995. This "Connie" has the distinction of being the very first Constellation to ever be fully restored to flying condition. I discovered that this plane was featured in the A & E channel's show "First Flights" that was narrated by Neil Armstrong. It also made appearances in three Hollywood movies. . ."Voyager" in 1992. . .Interior shots were used in "Ace Ventura-When Nature Calls" in 1995. . .And it also appeared in a favorite film of mine, "The Aviator", directed by Martin Scorsese and starring Leonardo DiCaprio as Howard Hughes. There is some engine maintenance that is still ongoing with the "Star of America", but the goal is to have this beauty back on the air show circuit soon.
Year: 1995
Film: Kodachrome 25
Camera: Nikon Nikkormat EL
Lens: Nikkor 105mm 2.5
The Martin Scorsese film No Direction Home about the life of Bob Dylan has a promotional shot of Dylan standing in front of the Aust ferry terminal in May 1966, not long before it closed for good.
Please read the link:)
Italia, Lazio, Bracciano, Autunno 2019
Bracciano è una piccola città nella regione italiana del Lazio, nei pressi di Roma. La città è famosa per il suo lago di origine vulcanica (Lago di Bracciano) e per un castello medievale particolarmente ben conservato, il Castello Orsini Odescalchi. Fu costruito nel 15 ° secolo, e combina le funzioni di una struttura militare di difesa e una residenza civile, dei feudatari del periodo, gli Orsini e Borgia, entrambe famiglie papali. E’ uno dei più grandi e meglio conservati castelli in Italia, e ha ospitato diversi matrimoni di alto profilo come il "matrimonio del secolo" tra il Tyrone Power e Linda Christian nel 1949 e quello tra Martin Scorsese e Isabella Rossellini. La leggenda vuole che il castello sia infestato dal fantasma di una duchessa De Medici. Isabella de' Medici fu strangolata dall’anziano marito Paolo Giordano I Orsini, dopo che questi seppe della sua lunga serie di amanti. Il racconto raccapricciante aggiunge, inoltre, che prima di andare incontro a morte prematura, Isabella aveva l'abitudine di punire gli amanti ritenuti incapaci conducendoli verso un corridoio buio e spingendoli in una botola rivestita di aculei.
Bracciano is a small town in the Italian region of Lazio, near Rome. The town is famous for its volcanic lake (Lago di Bracciano) and for a particularly well-preserved medieval castle Castello Orsini-Odescalchi. It was built in the 15th century, and combines the functions of a military defence structure and a civilian residence of the feudal lords of the period, the Orsini and Borgia, both papal families. As one of the largest and best-maintained castles in Italy, and it has hosted several high-profile weddings like the “wedding of the century” between Tyrone Power and Linda Christian in 1949 and the one between Martin Scorsese and Isabella Rossellini. Legend has it that the castle is haunted by the ghost of a De Medici duchess. Isabella dei Medici was strangled by her much older husband Paolo Giordano i Orsini after he learned that she had had a succession of lovers. The gruesome tale also holds that before she met her untimely death Isabella had a habit of punishing unsatisfactory lovers by leading them through a dark passageway and pushing them into a pit lined with spikes.
Walking through Soho I saw this gentleman sitting outside a cafe and immediately knew that I want to take his photo. I told him that I collect street portraits and asked if he'd be willing to let me photograph him. He agreed and we spoke for a little while and I took a couple of photos as he spoke. Roy seemed lonely and pleased to have someone to talk to. As I took this photo he told me of his times abroad whilst serving in the armed forces.
All rights reserved - copyright © Stefano Scarselli
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STANDING MOVIE SET OF IMPERIAL ROME IN CINECITTA' STUDIOS
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CINECITTA' è un complesso di teatri di posa di eccellenza e rilievo internazionale situato lungo la via Tuscolana nella periferia orientale di Roma e attivo dal 1937.
Di proprietà di Cinecittà Luce S.p.A. e in gestione dal 1997 a Cinecittà Studios S.p.A., Cinecittà costituisce il vertice dell'industria cinematografica italiana ma è utilizzata anche per produzioni estere e televisive.
A Cinecittà sono stati girati più di 3000 film, 90 dei quali hanno ricevuto una candidatura all'Oscar, 47 dei quali hanno vinto la prestigiosa statuetta. Celebri registi, nazionali e internazionali, vi hanno lavorato: da Federico Fellini a Francis Ford Coppola, da Luchino Visconti a Martin Scorsese.
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CINECITTA' (Italian for Cinema City) is a large film studio in Rome that is considered the hub of Italian cinema.
The studios were founded in 1937 by Benito Mussolini and his head of cinema Luigi Freddi for propaganda purposes, under the slogan "Il cinema è l'arma più forte" (Cinema is the most powerful weapon). The studios were bombed by the Western Allies during World War II. In the 1950s, Cinecittà was the filming location for several large American film productions like Ben-Hur, and then became the studio most closely associated with Federico Fellini.
After a period of near-bankruptcy in the 1980s, Cinecittà was privatized by the Italian government.
On August 9, 2007, a fire destroyed about 3000 m² (32,000 sq. ft.) of the Cinecittà lot and surroundings. The historic part that houses the sets of classics such as Ben-Hur were not damaged, however a good portion of the original sets from the HBO/BBC series Rome were destroyed.
Made some final figs for 2019. Includes - Young and Old Martin Scorsese, The Mandalorian and Mad Max, Chris Cornell and Oliver Tree, Professor Pyg and Punisher, Middle Easterns, Rebel Troops, Falcon as CA and Sprite Eric Andre, and my highly accurate sigfig alongside De Niro from the Irishman. Happy Holidays y’all
I you are older than, lets say, 36/37/38 years old, you probably know what this is. The Ferrari Testarossa was driven by Crockett (Don Johnson) in Miami Vice. He was driving a white one (which can also be seen in Martin Scorsese's flick Wolf of Wall Street).
Chris Harris': Le Pain.
www.youtube.com/watch?v=ZLNJ_RLWlmI
Is it my favourite car? If I could pick a Ferrari, it would be a Testarossa for sure. I would love a NSX (90s model) or a S2000 but I don't really have a favourite car. I just love driving. I'll drive anything.
You have all kinds of car enthousiast: you got the kind that just loves to own a certain model, you got the washer who likes their car to be clean · always. You got the mechanic that just wants to work on cars. You got the racer that wants to take it out on the track. Then you got that guy that knows all specs of all cars: how much torque, horsepower it has and it's dimensions and all the history behind it. Me: I just like to drive cars and see special ones at museums and car shows.
Italia, Lazio, Bracciano, Autunno 2016
Bracciano è una piccola città nella regione italiana del Lazio, nei pressi di Roma. La città è famosa per il suo lago di origine vulcanica (Lago di Bracciano) e per un castello medievale particolarmente ben conservato, il Castello Orsini Odescalchi. Fu costruito nel 15 ° secolo, e combina le funzioni di una struttura militare di difesa e una residenza civile, dei feudatari del periodo, gli Orsini e Borgia, entrambe famiglie papali. E’ uno dei più grandi e meglio conservati castelli in Italia, e ha ospitato diversi matrimoni di alto profilo come il "matrimonio del secolo" tra il Tyrone Power e Linda Christian nel 1949 e quello tra Martin Scorsese e Isabella Rossellini. La leggenda vuole che il castello sia infestato dal fantasma di una duchessa De Medici. Isabella de' Medici fu strangolata dall’anziano marito Paolo Giordano I Orsini, dopo che questi seppe della sua lunga serie di amanti. Il racconto raccapricciante aggiunge, inoltre, che prima di andare incontro a morte prematura, Isabella aveva l'abitudine di punire gli amanti ritenuti incapaci conducendoli verso un corridoio buio e spingendoli in una botola rivestita di aculei.
Bracciano is a small town in the Italian region of Lazio, near Rome. The town is famous for its volcanic lake (Lago di Bracciano) and for a particularly well-preserved medieval castle Castello Orsini-Odescalchi. It was built in the 15th century, and combines the functions of a military defence structure and a civilian residence of the feudal lords of the period, the Orsini and Borgia, both papal families. As one of the largest and best-maintained castles in Italy, and it has hosted several high-profile weddings like the “wedding of the century” between Tyrone Power and Linda Christian in 1949 and the one between Martin Scorsese and Isabella Rossellini. Legend has it that the castle is haunted by the ghost of a De Medici duchess. Isabella dei Medici was strangled by her much older husband Paolo Giordano i Orsini after he learned that she had had a succession of lovers. The gruesome tale also holds that before she met her untimely death Isabella had a habit of punishing unsatisfactory lovers by leading them through a dark passageway and pushing them into a pit lined with spikes.
On one of the walls of one of the buildings at CineCitta are a lot of images from films made there, one of which was Gangs of New York directed by Martin Scorsese.
I love Gangs Of New York. I think it is far greater than its reputation.
I love the world Scorsese recreates, & the rich history he explores. All these gangs & criminal activies, the corruption make these huge sets all feel lived in & alive.
The revenge story, I think is far more nuanced & complex than something like Gladiator, which is paper thin cliche stuff we've seen dozens of times (it is an enjoyable film, but all the same things internet "experts" rag Avatar for can be applied to Gladiator), & Amsterdam's inner conflict about being loyal to his father & his feelings for Bill The Butcher is fascinating to me.
Leo & Cameron get a lot of unfair flack for not having thick Irish accents, but their characters are not Irish immigrants. They are Irish Americans. It is hinted by dialogue that Amsterdam lost his accent in the asylum at Hell's Gate (the young Amsterdam at the beginning doesn't have a thick Irish accent either), & during Jenny's dialogue about how she came close to the Butcher, it is probable that she was either very very young as a child when she came to America, or was born to Irish parents that moved to America. They are both fine in their roles.
Everyone gets so focused on Daniel Day-Lewis's amazing performance as Bill The Butcher that people think Leo & Cameron are supposed to have thick accents as well.
I think the film is vastly misunderstood, & the erroneous "bad accents" issue is one of them.
As amazing as Daniel Day-Lewis is, there are still so much things to admire in the film.
Dante Ferretti's large scale sets built at CineCitta Studios in Rome look & feel lived in. There are so many details that add to that (like the wagon dispensing a treatment for cholera), & Michael Ballhaus's cinematography is simply beautiful.
The browns & the yellowish colour tint really make it feel the period, & the textures of details help add to the immersion (like all these closeups of bill posters & newspapers).
I think people misunderstand the point of the ending with the end battle being disrupted by the response to the draft riots.
Scorsese was exploring how these characters are stuck in their own world & rivalry, while the rest of the city, & America, were progressing. The changes New York was going through caught up into this area where Bill The Butcher & Amsterdam were feuding in, & when the cannon fire ends the battle before it could begin, it didn't matter which side they were on, nor did their feud matter.
Amsterdam's desire to avenge his father's death, & Bill's desire to take out his nemesis's son didn't matter. New York was changing whether they liked it or not.
That is one of the key reasons for Bill's final line in the film (which was a paraphrasing of what the real person that inspired his character said on his death bed).
The ending montage of New York's skyline changing over the decades, as the graves of Bill The Butcher & Priest Vallon decay & eventually disappear is one of the most moving endings in a Scorsese film.
Something else I find moving about the ending is while the graves of Bill The Butcher & Priest Vallon just decay, I think about some of these other characters throughout the film (like McGloin, Shang, Johnny, Happy Jack etc), who probably didn't get graves like Bill or Vallon, & they are also forgotten to time.
Gangs of New York is my fourth favourite Scorsese behind Goodfellas, Raging Bull & Taxi Driver.
I am in the minority, but The Departed & The Wolf of Wall Street, while very good, I don't think are among his best, which they usually considered to be.
I think Gangs of New York is vastly greater than those films, but I think even a "weaker" Scorsese film like New York New York are still fairly decent.
Scorsese is one of the most consistent directors. Gangs of New York was also the first of three of his films to get 10 Oscar nominations & lose in every category, with The Irishman & Killers of the Flower Moon also losing in all 10 nominations.
Nikon D7000.
The Nobel Prize in Literature 2016: Bob Dylan
The Nobel Prize in Literature for 2016 is awarded to Bob Dylan "for having created new poetic expressions within the great American song tradition".
Photo taken at the Bob Dylan Exhibition "Mood Swings", Halcyon Gallery, New Bond Street, December 2013. I think the original photo was credited to His Bobness himself.
From the Svenska Akademien / The Swedish Academy:
Bio-bibliographical Notes:
Bob Dylan was born on May 24, 1941 in Duluth, Minnesota. He grew up in a Jewish middle-class family in the city of Hibbing. As a teenager he played in various bands and with time his interest in music deepened, with a particular passion for American folk music and blues. One of his idols was the folk singer Woody Guthrie. He was also influenced by the early authors of the Beat Generation, as well as by modernist poets.
Dylan moved to New York in 1961 and began to perform in clubs and cafés in Greenwich Village. He met the record producer John Hammond with whom he signed a contract for his debut album, called Bob Dylan (1962). In the following years he recorded a number of albums which have had a tremendous impact on popular music: Bringing It All Back Home and Highway 61 Revisited in 1965, Blonde On Blonde in 1966 and Blood On The Tracks in 1975. His productivity continued in the following decades, resulting in masterpieces like Oh Mercy (1989), Time Out Of Mind (1997) and Modern Times (2006).
Dylan’s tours in 1965 and 1966 attracted a lot of attention. For a period he was accompanied by film maker D. A. Pennebaker, who documented life around the stage in what would come to be the movie Dont Look Back (1967). Dylan has recorded a large number of albums revolving around topics like the social conditions of man, religion, politics and love. The lyrics have continuously been published in new editions, under the title Lyrics. As an artist, he is strikingly versatile; he has been active as painter, actor and scriptwriter.
Besides his large production of albums, Dylan has published experimental work like Tarantula (1971) and the collection Writings and Drawings (1973). He has written the autobiography Chronicles (2004), which depicts memories from the early years in New York and which provides glimpses of his life at the center of popular culture. Since the late 1980s, Bob Dylan has toured persistently, an undertaking called the “Never-Ending Tour”. Dylan has the status of an icon. His influence on contemporary music is profound, and he is the object of a steady stream of secondary literature.
Bibliography – a selection
Works in English:
Bob Dylan Song Book. – New York : M. Witmark, 1965
Bob Dylan Himself : His Words, His Music. – London : Duchess, 1965
Bob Dylan : A Collection. – New York : M. Witmark, 1966
Bob Dylan : The Original. – Warner Bros.- Seven Arts Music, 1968
Tarantula. – New York : Macmillan, 1971
Poem to Joanie / with an introduction by A. J. Weberman. – London : Aloes Seola, 1971
Writings and Drawings. – New York : Knopf, 1973
The Songs of Bob Dylan : From 1966 through 1975. – New York : Knopf, 1976
Lyrics, 1962-1985. – New York : Knopf, 1985
Bob Dylan Anthology. – New York : Amsco, 1990
Drawn Blank. – New York : Random House, 1994
Lyrics, 1962-1996. – New York : Villard, 1997
Lyrics, 1962-1999. – New York : Knopf, 1999
Man Gave Names to All the Animals / illustrated by Scott Menchin. – San Diego, Calif. : Harcourt Brace, 1999
The Definitive Bob Dylan Songbook. – New York : Amsco, 2001
Lyrics : 1962-2001. – New York : Simon & Schuster, 2004
Chronicles : Volume One. – New York : Simon & Schuster, 2004
Bob Dylan : The Drawn Blank Series / edited by Ingrid Mössinger and Kerstin Drechsel. – New York : Prestel, 2007
Hollywood Foto-Rhetoric : The Lost Manuscript / photographs by Barry Feinstein. – New York : Simon & Schuster, 2008
Lyrics / edited by Heinrich Detering. – Stuttgart : Reclam, 2008
Forever Young / illustrated by Paul Rogers. – New York : Atheneum, 2008
Bob Dylan : The Brazil Series. – New York : Prestel, 2010
Man Gave Names to All the Animals / illustrated by Jim Arnosky. – New York : Sterling, 2010
Blowin’ in The Wind / illustrated by Jon J. Muth. – New York : Sterling, 2011
Bob Dylan : The Asia Series. – New York : Gagosian Gallery, 2011
Revisionist Art. – New York : Gagosian Gallery, 2012
Bob Dylan : Face Value / text by John Elderfield. – London : National Portrait Gallery, 2013
If Dogs Run Free / illustrated by Scott Campbell. – New York : Atheneum, 2013
The Lyrics : Since 1962 / edited by Christopher Ricks, Lisa Nemrow and Julie Nemrow. – New York : Simon & Schuster, 2014
If Not for You / illustrated by David Walker . – New York : Atheneum, 2016
Albums:
Bob Dylan (1962)
The Freewheelin' Bob Dylan (1963)
The Times They Are A-Changin' (1964)
Another Side Of Bob Dylan (1964)
Bringing It All Back Home (1965)
Highway 61 Revisited (1965)
Blonde On Blonde (1966)
Bob Dylan's Greatest Hits (1967)
John Wesley Harding (1968)
Nashville Skyline (1969)
Self Portrait (1970)
New Morning (1970)
Bob Dylan's Greatest Hits Vol. 2 (1971)
Pat Garrett & Billy The Kid (1973)
Dylan (1973)
Planet Waves (1974)
Before The Flood (1974)
Blood On The Tracks (1975)
The Basement Tapes (1975)
Desire (1976)
Hard Rain (1976)
Street Legal (1978)
Bob Dylan At Budokan (1978)
Slow Train Coming (1979)
Saved (1980)
Shot Of Love (1981)
Infidels (1983)
Real Live (1984)
Empire Burlesque (1985)
Biograph (1985)
Knocked Out Loaded (1986)
Down In The Groove (1988)
Dylan & The Dead (1989)
Oh Mercy (1989)
Under The Red Sky (1990)
The Bootleg Series Vols. 1-3: Rare And Unreleased 1961-1991 (1991)
Good As I Been to You (1992)
World Gone Wrong (1993)
Bob Dylan's Greatest Hits Vol. 3 (1994)
MTV Unplugged (1995)
The Best Of Bob Dylan (1997)
The Songs Of Jimmie Rodgers: A Tribute (1997)
Time Out Of Mind (1997)
The Bootleg Series, Vol. 4: Bob Dylan Live 1966: The ’Royal Albert Hall’ Concert (1998)
The Essential Bob Dylan (2000)
”Love And Theft” (2001)
The Bootleg Series, Vol. 5: Live 1975: The Rolling Thunder Revue (2002)
Masked And Anonymous: The Soundtrack (2003)
Gotta Serve Somebody: The Gospel Songs Of Bob Dylan (2003)
The Bootleg Series, Vol. 6: Live 1964: Concert At Philharmonic Hall (2004)
The Bootleg Series, Vol. 7: No Direction Home: The Soundtrack (2005)
Live At The Gaslight 1962 (2005)
Live At Carnegie Hall 1963 (2005)
Modern Times (2006)
The Traveling Wilburys Collection (2007)
The Bootleg Series, Vol. 8: Tell Tale Signs: Rare And Unreleased, 1989-2006 (2008)
Together Through Life (2009)
Christmas In The Heart (2009)
The Original Mono Recordings (2010)
The Bootleg Series, Vol. 9: The Witmark Demos: 1962-1964 (2010)
Good Rockin’ Tonight: The Legacy Of Sun (2011)
Timeless (2011)
Tempest (2012)
The Lost Notebooks Of Hank Williams (2011)
The Bootleg Series, Vol. 10: Another Self Portrait (2013)
The Bootleg Series, Vol. 11: The Basement Tapes Complete (2014)
The Bootleg Series, Vol. 12: The Cutting Edge 1965-1966 (2015)
Shadows In The Night (2015)
Fallen Angels (2016)
Films:
Dont Look Back / D. A. Pennebaker, 1967
Eat the Document / D. A. Pennebaker, Howard Alk, Bob Dylan, 1971
Pat Garrett & Billy The Kid / Sam Peckinpah, 1973
Renaldo & Clara / Bob Dylan, 1978
The Last Waltz / Martin Scorsese, 1978
Hard to Handle / Gillian Armstrong, 1986
Hearts of Fire / Richard Marquand, 1987
Masked and Anonymous / Larry Charles ; written by Bob Dylan and Larry Charles, 2003
No Direction Home / Martin Scorsese, 2005
I’m Not There / Todd Haynes, 2007
The Other Side of the Mirror : Bob Dylan Live at the Newport Folk Festival, 1963-1965. / Murray Lerner, 2007
Macro shot of this photo of Martin Scorsese & Jack Nicholson on the set of The Departed, which I took a shot of in this huge tome on Scorsese I have.
Finished reading this book recently & it was an excellent read.
This Buddha sculpture at CineCitta was made for the film Gangs of New York, with the face designed by Martin Scorsese.
I love Gangs of New York.
Nikon D7000.
This big book on Martin Scorsese I'm reading has a facsimile of the wanted poster from his 1985 film After Hours.
I watched it again last night & its a great movie. Well worth checking out.
Experimental multiple exposure of the face of this Buddha sculpture at CineCitta Studios in Rome. This Buddha was made for the film Gangs of New York, & Martin Scorsese designed the face.
I love Gangs of New York. I think it is a pretty undervalued Scorsese film, & the story has a lot more nuance & depth than is given credit for. I like it a hell of a lot more than the likes of The Departed & The Wolf of Wall Street which are pretty good (it took me years to be able to appreciate them, as I wasn't a fan initially), but not among his best.
Taken with Red, Blue & Green Hoya Pop Colour Filters.
Nikon F4. Nikkor 50mm F1.2 lens. Kodak Ektachrome 100 35mm E6 slide film.
—Hola Sport, ¿qué tal va el negocio de macarra?
—¿Perdona te conozco?
—¿Y yo te conozco?... ¿Qué tal está Iris?
—No conozco a ninguna Iris.
—¿Ah, no? ¿No la conoces?
—Mira vete de aquí antes de que te parta la cara, no quiero líos.
—¿Llevas una pistola?
—Vete a tomar por culo.
—¡Trágate ésto! "PUM".
Taxi Driver. Scorsese
Film posters hanging up in the corridor of the hotel I stayed at in Bologna. Al Capello Rosso.
I've not seen Enamorada, but I love Raging Bull. Scorsese is one of my favourite directors.
Boasting 19,000 square feet, the “summer home” of William and his wife at the heart of the park, Westbrook, is modeled on a Tudor-style English country house.[16] The interior of the 60-room mansion features large pieces of oak furniture, stained-glass windows from Louis Comfort Tiffany, and imported fireplaces. Views of the Connetquot River can be seen from across the open lawn.[6]
Most recently, one of the family bedroom’s was a filming location for HBO Max’s The Gilded Age. The Martin Scorsese’s period drama “The Age of Innocence” was also a filmed partially on the vast estate.
There is also a designated shower that was built specifically for the Cutting’s friend Nobel Prize Winner Dr. Albert Schweitzer who was not a fan of baths.
Prospect Park. Brooklyn, New York
Boathouse on the Lullwater of the Lake in Prospect Park is located in the eastern part of Prospect Park on the northeast shore of The Lake. It was built in 1905-07 to a classical design of Helmle, Hudswell and Huberty.
It now houses the Audubon Center, the Audubon Society's only urban interpretive center in the United States.
It was listed on the National Register of Historic Places in 1972.
The Boathouse was seen in Scorsese's movie: The Age Of Innocence (1993) as the Boston park where Archer Newland(Day-Lewis) meets Ellen Olenska(Pfeiffer)
I actually recently watched Martin Scorsese's The King of Comedy a few weeks ago. Lewis is great in it.
Nikon F55. Fujifilm Superia Extra 400 35mm C41 film.
Boasting 19,000 square feet, the “summer home” of William and his wife at the heart of the park, Westbrook, is modeled on a Tudor-style English country house.[16] The interior of the 60-room mansion features large pieces of oak furniture, stained-glass windows from Louis Comfort Tiffany, and imported fireplaces. Views of the Connetquot River can be seen from across the open lawn.[6]
Most recently, one of the family bedroom’s was a filming location for HBO Max’s The Gilded Age. The Martin Scorsese’s period drama “The Age of Innocence” was also a filmed partially on the vast estate.
There is also a designated shower that was built specifically for the Cutting’s friend Nobel Prize Winner Dr. Albert Schweitzer who was not a fan of baths.
With the advertisement of the Rome Film Festival visible in the corner, I arrived in Rome only days after Martin Scorsese was there to premier The Irishman at the festival, so I sadly missed out on him.
The year before, I was in Rome only 2 weeks or so after he received a Lifetime Achievement Award there too.
Nikon F4. CineStill 50 35mm C41 film.
Prospect Park. Brooklyn, New York
Boathouse on the Lullwater of the Lake in Prospect Park is located in the eastern part of Prospect Park on the northeast shore of The Lake. It was built in 1905-07 to a classical design of Helmle, Hudswell and Huberty.
It now houses the Audubon Center, the Audubon Society's only urban interpretive center in the United States.
It was listed on the National Register of Historic Places in 1972.
The Boathouse was seen in Scorsese's movie: The Age Of Innocence (1993) as the Boston park where Archer Newland(Day-Lewis) meets Ellen Olenska(Pfeiffer)
Boathouse. Prospect Park, Brooklyn
Boathouse on the Lullwater of the Lake in Prospect Park is located in the eastern part of Prospect Park on the northeast shore of The Lake. It was built in 1905-07 to a classical design of Helmle, Hudswell and Huberty.
It now houses the Audubon Center, the Audubon Society's only urban interpretive center in the United States.
It was listed on the National Register of Historic Places in 1972.
The Boathouse was seen in Scorsese's movie: The Age Of Innocence (1993) as the Boston park where Archer Newland(Day-Lewis) meets Ellen Olenska( Michelle Pfeiffer)