View allAll Photos Tagged S45
Linhof Technikardan S45
Rodenstock Grandagon-N 4.5/90
6mm front rise
f25
8 seconds
Kodak Ektar 100
Heliopan Slim High Transmission SH-PMC CPL
Gitzo GT3532LS
Arca-Swiss Z1
Lab development
Digitised using 16-shot pixel-shift capture
Note: my images are processed to appear correct on a calibrated, professional grade colour-accurate monitor set to Adobe RGB output / 6500 K temperature / gamma 2.2. Many consumer grade screens (particularly mobile phone screens) at default settings will display these images with too much saturation and contrast, so please bear this in mind when viewing on such devices.
(Best viewed fullscreen in the lightbox)
Yes, "that" scene of Padley Gorge. A well worn subject to be sure, but sometimes the clichés must be committed.
Linhof Technikardan S45
Schneider-Kreuznach Super-Angulon 5.6/72 XL
9mm front fall
2° front forward tilt
f22
8 seconds
Kodak Ektar 100
Gitzo GT3532LS
Arca-Swiss Z1
Lab development
Digitised with DSLR using 9-shot stitch
Note: my images are processed to appear correct on a calibrated, professional grade colour-accurate monitor set to Adobe RGB output / 6500 K temperature / gamma 2.2. Many consumer grade screens (particularly mobile phone screens) at default settings will display these images with too much saturation and contrast, so please bear this in mind when viewing on such devices.
(best viewed fullscreen in the lightbox)
Camera: Ebony S45 Ti with Nikkor 90mm (I think)
Film: Ilford HP5 plus developed for 11 min. in 1/25 Rodinol at 20C in a Jobo 2520 tank with 2502 reel on a Jobo CPE2 Processor. Printing: LPL 7453 enlarger +VCCE filter module and EL-nikkor 135mm/5.6 lens. Exposure was programed with a StopClock Pro timer. Paper is 8x10 Adox MCC110 processed with Adotol WT developer and washed with a Patterson print washer, and scanned on a CanoScan LiDE 40 scanner.
This is where the expressway passes over the Nagara River close to the aquarium. Nothing special here except the curvature and texture of the concrete was very nice in the late afternoon sun. I like how it came out in a way that only large format can.
Normanton Church, Rutland Water.
Linhof Technikardan S45
Schneider-Kreuznach Apo-Symmar L 5.6/150
16mm front rise, 9.5mm front left shift.
f22
5 minutes
Lee Big Stopper
Ilford Delta 100
Gitzo GT3532LS
Arca-Swiss Z1
Self-developed in Ilfotec DD-X 1:4 at 19.5 C for 11 mins
Digitised with DSLR using 12-shot stitch
(best viewed fullscreen in the lightbox)
Linhof Technikardan S45
Schneider-Kreuznach Apo-Symmar L 5.6/210
8.5mm front rise
15° upward tilt of camera
8° front forward tilt
3° rear forward tilt
f45
15 seconds
Ilford FP4+ (EI 80)
Gitzo GT3532LS
Arca-Swiss Z1
Self developed in Pyrocat-HD 1:1:100 at 22 °C for 14 mins (minimal agitation)
Digitised using 16-shot pixel-shift capture
Toned
Note: my images are processed to appear correct on a calibrated, professional grade colour-accurate monitor set to Adobe RGB output / 6500 K temperature / gamma 2.2. Many consumer grade screens (particularly mobile phone screens) at default settings will display these images with too much saturation and contrast, so please bear this in mind when viewing on such devices.
(Best viewed fullscreen in the lightbox)
Ein 4024 der ÖBB am 25. April 2021 als Zug 20920 auf der Wiener Vorortelinie S45 zwischen dem Großen und dem Kleinen Türkenschanztunnel.
An OEBB 4024 between the Big and the Small Tuerkenschanz Tunnel in Vienna as Train 20920 on the Line S45.
Kew Gardens, London, 14/09/16
Subjects pushing up against the glass seemed an entirely appropriate and intriguing composition for a camera with a ground glass (not that mine is as dirty as the the glass in the image, mind...)
A second interpretation/inversion of the same original negative. A bit more bottom in this one (though I did have to clone out a bit of my forehead reflected in the glass...!)
Linhof Technikardan S45, Nikkor W210
Kodak Ektar 100 5x4
4mm front shift right and 35mm front rise for composition
1/15" f/22, darks metered at -2EV
digitized with Nikon D800E and 200 f/4 micro, 4 frames stitched in CS6
Linhof Technikardan S45
Rodenstock Grandagon-N 4.5/90
1mm front fall
4° front left swing
f29
14 seconds
Ilford FP4+ (EI 80)
Gitzo GT3532LS
Arca-Swiss Z1
Self developed in Pyrocat-HD 1:1:100 at 22 °C for 14 mins (minimal agitation) using a modified Paterson Orbital
Digitised using 16-shot pixel-shift capture
Toned
(best viewed fullscreen in the lightbox)
Isle of Harris, Scotland
2:35pm 13th September 2018
Linhof Technikardan S45
Schneider Apo-Symmar MC 150mm f/5.6
Fujichrome Velvia 50 5x4
1/30" f/22
6º front tilt
Lee 0.3 Hard GND
Self-developed with Jobo CPE-3 and Tetenal E6 (FD 7'10"),
scanned with Silverfast.
Linhof Technikardan S45
Rodenstock Grandagon-N 4.5/90
38mm front rise
f22
1/4th second
Ilford Delta 100
Gitzo GT3532LS
Arca-Swiss Z1
Self-developed in Ilfotec DD-X 1:4 at 19 C for 11 mins
Digitised with DSLR using 9-shot stitch
Note: my images are processed to appear correct on a calibrated, professional grade colour-accurate monitor set to Adobe RGB output / 6500 K temperature / gamma 2.2. Many consumer grade screens (particularly mobile phone screens) at default settings will display these images with too much saturation and contrast, so please bear this in mind when viewing on such devices.
(best viewed fullscreen in the lightbox)
Padley Gorge, The Peak District, Derbyshire.
Linhof Technikardan S45
Rodenstock Grandagon-N 4.5/90
E82/112 center filter
16mm front rise
f22
3 seconds
Kodak Portra 160
Gitzo GT3532LS
Arca-Swiss Z1
Lab developed
Digitised with DSLR using 9-shot stitch
Note: my images are processed to appear correct on a calibrated, professional grade colour-accurate monitor set to Adobe RGB output / 6500 K temperature / gamma 2.2. Many consumer grade screens (particularly mobile phone screens) at default settings will display these images with too much saturation and contrast, so please bear this in mind when viewing on such devices.
(Best viewed fullscreen in the lightbox)
Lithika 3, Dinorwic
Llanberis, North Wales
10am 24th March 2018
Linhof Technikardan S45
Fujinon T 400mm f/8
Fujichrome Velvia 50, 1" f/22
Lee landscape polarizer
Home-developed with Jobo CPE-3 and Tetenal E6 (FD 7mins 10secs)
Digitized with 4-frame stitch on lightbox with D800E/85PC-E (Update: rescanned with Epson V850 - looks pretty much the same as previously with a slightly warmer mid-tone, and most importly, the removal of the slightly obvious mark of the stitching in the water.)
Padley Gorge, Peak District, early autumn.
Linhof Technikardan S45
Schneider-Kreuznach Apo-Symmar L 5.6/150
9mm front fall
f32
4 seconds
Kodak Ektar 100
Heliopan Slim High Transmission SH-PMC CPL
Gitzo GT3532LS
Arca-Swiss Z1
Lab development
Digitised using 16-shot pixel-shift capture
Note: my images are processed to appear correct on a calibrated, professional grade colour-accurate monitor set to Adobe RGB output / 6500 K temperature / gamma 2.2. Many consumer grade screens (particularly mobile phone screens) at default settings will display these images with too much saturation and contrast, so please bear this in mind when viewing on such devices.
(Best viewed fullscreen in the lightbox)
Photo André Knoerr, Genève. Reproduction autorisée avec mention de la source.
Utilisation commerciale soumise à autorisation spéciale préalable.
Le Talent 4024 134 en livrée Cityjet assure un S45 en direction de Wien Hütteldorf.
22892
Linhof Technikardan S45
Rodenstock Grandagon-N 4.5/90
E82/112 center ND filter
50mm front rise
f22
90 seconds
Kodak Portra 160 (EI 100)
Gitzo GT3532LS
Arca-Swiss Z1
Lab developed
Digitised using 16-shot pixel-shift capture using a 99 CRI light source
(Best viewed fullscreen in the lightbox)
Kew Gardens, London, 14/09/16
Linhof Technikardan S45, Nikkor W210
Kodak Ektar 100
4mm front shift right and 35mm front rise for composition
1/15" f/22, darks metered at -2EV
"scanned" with Nikon D800E and 200 f/4 micro, 4 frames stitched in CS6
Linhof Technikardan S45
Schneider-Kreuznach Apo-Symmar L 5.6/210
45mm front rise
5° upward tilt of camera
5° front tilt of both standards
f29
10 seconds
Kodak T-Max 100
Gitzo GT3532LS
Arca-Swiss Z1
Self-developed in DD-X 1:4 at 20 °C for 7 mins
Digitised using 16-shot pixel-shift capture
Toned
Note: my images are processed to appear correct on a calibrated, professional grade colour-accurate monitor set to Adobe RGB output / 6500 K temperature / gamma 2.2. Many consumer grade screens (particularly mobile phone screens) at default settings will display these images with too much saturation and contrast, so please bear this in mind when viewing on such devices.
(Best viewed fullscreen in the lightbox)
Fat OLD Root :/ The book will be released by 18 june 2008 in 110 Limited Edition.Hi quality Coton Printed Book of my Photo -Grafix / Graffiti .handstyle and My Way +documented photos of Tehran Urban lifeStyles/ the book price is about 100 to 150 euroes. but still i am trying to make things better ...
Bolehill Quarry, The Peak District, Derbyshire.
Linhof Technikardan S45
Schneider-Kreuznach Apo-Symmar L 5.6/150
No movements
f32
10 seconds
Kodak T-Max 100 (at EI 200)
Gitzo GT3532LS
Arca-Swiss Z1
N+1 development in DD-X 1:4 at 20°C for 9 mins
Digitised with DSLR using 9-shot stitch
Square crop
Toned
Note: my images are processed to appear correct on a calibrated, professional grade colour-accurate monitor set to Adobe RGB output / 6500 K temperature / gamma 2.2. Many consumer grade screens (particularly mobile phone screens) at default settings will display these images with too much saturation and contrast, so please bear this in mind when viewing on such devices.
(Best viewed fullscreen in the lightbox)
An interior view of the old Greater Union Cinema that used to be in Russell Street in the Melbourne CBD. The building was demolished a few years ago to make way for a luxury boutique hotel. This image was taken nineteen years ago, as of this posting date, 1 September 2024.
Canon S45 | SOOC
Re-digitised version of a previous upload using an improved workflow, and showing the entire uncropped frame.
Bolehill Quarry, The Peak District, Derbyshire.
Linhof Technikardan S45
Schneider-Kreuznach Apo-Symmar L 5.6/150
No movements
f29
12 seconds
Kodak Ektachrome E100
Gitzo GT3532LS
Arca-Swiss Z1
Lab development
Digitised using 16-shot pixel-shift capture with a 99 CRI light source and an IT8-calibrated custom profile.
(best viewed fullscreen in the lightbox)
Gérard Levoyer invité d'honneur du Temps Fort Théatre se prêtera volontiers à l’exercice de lecture de ses oeuvres. Cet auteur a, en effet, écrit de nombreuses pièces radiophoniques et une dizaine de pièces de théâtre. Il sera accompagné des deux comédiennes qui interprètent sa pièce Soeurs le soir-même au Triptik
" Gérard Levoyer " www.facebook.com/gerard.levoyer?hc_ref=ARTDoHeDDVSM3Bz2Tr...
" Arsenic et vieilles dentelles " www.facebook.com/events/1763913637261482
" Soeurs " www.facebook.com/events/1353504621438398/
" Têtes rondes et têtes pointues " www.facebook.com/people/T%C3%AAtes-Rondes-T%C3%AAtes-Poin...
" Les Arlequins " www.facebook.com/search/top/?q=les%20arlequins%20acign%C3%A9
Merci pour vos visites et vos commentaires.
Ce(tte) œuvre est mise à disposition selon les termes de la Licence Creative Commons Attribution 4.0 International.
Compared with the previous wider shot this subsequent detail view produced cooler shadows, probably due to a combination of the fading light and increased reciprocity failure. However I liked the resulting contrast against the warm tones of the foliage.
Padley Gorge, The Peak District, Derbyshire.
Linhof Technikardan S45
Nikkor-M 9/300
1mm front rise
f32
20 seconds
Kodak Ektar 100
Heliopan Slim High Transmission SH-PMC CPL
Gitzo GT3532LS
Arca-Swiss Z1
Lab development
Digitised with DSLR using 9-shot stitch
Note: my images are processed to appear correct on a calibrated, professional grade colour-accurate monitor set to Adobe RGB output / 6500 K temperature / gamma 2.2. Many consumer grade screens (particularly mobile phone screens) at default settings will display these images with too much saturation and contrast, so please bear this in mind when viewing on such devices.
(Best viewed fullscreen in the lightbox)
Le Havre, Normandy, France 0308/2022.
These are called gravity base foundations. These are concrete blocks each weighing 5,000 tonnes. They will be submerged off Fécamp (Seine-Maritime) to accommodate the offshore wind farms. In total, 71 concrete monsters built and parked in Le Havre for several months must leave the port area. Le Havre pilots have received 500 hours of specific training to enable this exceptional transport.
On appelle ça des fondations gravitaires. Il s'agit de blocs de béton pesant chacun 5 000 tonnes. Ils seront immergés au large de Fécamp (Seine-Maritime) pour accueillir les éoliennes du parc en mer. Au total, 71 monstres de béton construits et parqués au Havre depuis plusieurs mois doivent quitter la zone portuaire. Les pilotes havrais ont reçu 500 heures de formation spécifique pour permettre ce transport hors norme.
Linhof Technikardan S45
Linhof Techno Rollex 6x12 back
Rodenstock Grandagon-N 4.5/90
f32
1/4th second
10° right swing of both standards
3.5mm front left shift
5mm rear right shift
Gitzo GT3532LS
Arca-Swiss Z1
Agfa Copex Rapid / SPUR DSX (EI 25)
Self developed in SPUR Dokuspeed SL-N, 24:12:564mL A:B:deionised water at 20 C for 10.5 mins
Digitised using 16-shot pixel-shift capture
2:1 crop
Toned
(best viewed fullscreen in the lightbox)
More amazing detail and tonality. This was in fact the first shot I took on 5x4, so nice to see that it worked (in the end)!
17/2/16, 11.15am
Linhof Technikardan S45
Nikkor SW75
Ilford Delta 100 (N+1)
11" f/32, 14mm front rise and 5º of rear backward tilt.
Totally thought this shot was ruined, since I misread the meter as indicating 4 seconds rather than 1/4"(!!), and so shot it at 11 seconds to take reciprocity into account. But it came out perfectly well, it seems, though obviously there's little to no detail in the sky.
Ironically, the second shot I took some minutes later, when I realised my error, isn't so great. I used much too much front rise (I went about 5mm over), so the shot has some vignetting; it's also not quite in focus, and the composition is different. But the exposure is a lot darker and more moody.
Updated edit using 4 frames shot onto lightbox with D800E and 60mm micro stitched in CS6.
Bolehill Quarry, The Peak District, Derbyshire.
Linhof Technikardan S45
Schneider-Kreuznach Super-Symmar 5.6/110 XL
20mm front fall
1° front left swing
f32
2 seconds
Fuji Acros 100 (EI 50)
Gitzo GT3532LS
Arca-Swiss Z1
Self developed in Pyrocat-HD 1:1:100 at 22 °C for 14 mins (minimal agitation) using a modified Paterson Orbital
Digitised using 16-shot pixel-shift capture
Toned
Best viewed fullscreen in the lightbox (Press L + F11)
Colour version of the previously uploaded monochrome.
Bolehill Quarry, The Peak District, Derbyshire.
Linhof Technikardan S45
Schneider-Kreuznach Apo-Symmar L 5.6/150
No movements
f29
12 seconds
Kodak Ektachrome E100
Gitzo GT3532LS
Arca-Swiss Z1
Lab development
Digitised with DSLR using 27-shot HDR stitch
Square crop
Note: my images are processed to appear correct on a calibrated, professional grade colour-accurate monitor set to Adobe RGB output / 6500 K temperature / gamma 2.2. Many consumer grade screens (particularly mobile phone screens) at default settings will display these images with too much saturation and contrast, so please bear this in mind when viewing on such devices.
(Best viewed fullscreen in the lightbox)
Yearning for summer holidays again: this image is a detail of the wonderful lichen-covered rock I found at Dunagoil Bay, Isle of Bute, Scotland, last August. Even though this is less than a quarter of the size of the original image (taking in Arran across the sea) the details are still great.
This was of course taken on large format with Velvia 50. Might well go back to revisit the location for more details to explore.
Linhof Technikardan S45, Schneider Apo-Symmar MC 150mm f/5.6
Digitized on lightbox with D800E/85PC-E (detail from single frame)
As seen from the northern slope up to Skelgill Bank.
Linhof Technikardan S45
Fujinon A 9/240
Heliopan Slim High Transmission SH-PMC CPL
Lee 0.6S GND
2° front forward tilt
12mm rear rise
f25
1/4 second
Fuji Provia 100F
Gitzo GT3532LS
Arca-Swiss Z1
Lab development
Digitised using 16-shot pixel-shift capture with a 99 CRI light source and an IT8-calibrated custom profile.
(best viewed fullscreen in the lightbox)
Linhof Technikardan S45
Nikkor-M 9/300
9mm front rise
320mm bellows draw
f32
1/2 second
Fuji Velvia 50
Gitzo GT3532LS
Arca-Swiss Z1
Lab developed
Digitised with DSLR using 27-bracketed-shot HDR stitch
Note: my images are processed to appear correct on a calibrated, professional grade colour-accurate monitor set to Adobe RGB output / 6500 K temperature / gamma 2.2. Many consumer grade screens (particularly mobile phone screens) at default settings will display these images with too much saturation and contrast, so please bear this in mind when viewing on such devices.
(Best viewed fullscreen in the lightbox)
The Peak District, Cheshire.
Linhof Technikardan S45
Schneider-Kreuznach Apo-Symmar L 5.6/150
3mm front fall
9° front forward tilt
23mm front left shift
22mm rear rise
9.5mm rear right shift
f32
1/2 second
Ilford Delta 100
Lee Orange 21
Heliopan Slim High Transmission SH-PMC CPL
Gitzo GT3532LS
Arca-Swiss Z1
Self-developed in DD-X 1:4 at 20.5 °C for 10:15
Digitised using 16-shot pixel-shift capture
Toned
Note: my images are processed to appear correct on a calibrated, professional grade colour-accurate monitor set to Adobe RGB output / 6500 K temperature / gamma 2.2. Many consumer grade screens (particularly mobile phone screens) at default settings will display these images with too much saturation and contrast, so please bear this in mind when viewing on such devices.
(Best viewed fullscreen in the lightbox)