View allAll Photos Tagged Robotics
IU Kokomo hosted a F.I.R.S.T. Robotics Tech Challenge Qualifying Tournament, a state-wide robotics competition for high school robotics teams.. Teams from around Northern Indiana competed and some placed for the state competition in Indianapolis
Designed spring 2008, in response to a friends suggestion as to how to deal with trolls on the internet by "unleashing clockwork sharks".
I expanded the notion to other kinds of robot animals and this desing was born.
Ella: María
Maquillaje: Celeste Bugli
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Robot
Les aventures d'un petit robot créé spontanément. Les photos sont réalisées avec un Hasselblad 500 C/M.
Un robot-pion à manipuler pour jouer et créer. Dans un parcours semé de surprises, les enfants découvrent les multiples facettes de l’art numérique tout en s’amusant et en s’initiant à une robotique ludique et multimédia. Esprits curieux demandés !
While on a run with a friend, we spotted this building. The way it was lit up made it look like a Robot face. We thought it was great, so I took a photo with my phone.
UofT Robotics Institute at the IEEE International Conference on Robotics and Automation, in Montreal, Canada. May 20-24, 2019. Photos courtesy Xiaoyu Zhu.
The green dot was the clue, they’d started to appear around the city earlier that year. He first thought it was a student project or an alternative graffiti artist; he remembered the notorious stickerer of New Cross, rumoured to be an art student, who over the space of 12 months had built up a memory, a stationary palimpsest, of his daily routines. Brightly coloured stickers, the type you’d find in Office World, where left on lamp posts, handrails, doors and bus stops. There were hundreds of them, leaving evidence of the movement and actions of a stranger… an emergent record of the banal movements through space over time.
But this was different, the dots appeared on objects that you first didn’t expect; on products that were handmade or crafted locally. The products of the new revolution, the ones that were sweeping the country; a neo-craft movement, that began with the hipsters, had now grown in momentum and scale. People had returned to the ideas and ideals of Ruskin (without the attendant misogyny); where their labour was evident in their close material domain. From craft beer to artisanal axes, people had rejected mass manufacturing for simpler times, but something about the green dots had given him cause for concern.
In the first decade of the 21st Century a ‘new aesthetic’ had emerged. Named, documented and described by the artist James Bridle, it had influenced a lot the visual culture of the early part of the century. To see chocolates with robot readable surfaces wasn’t unusual in itself, but the dots regularity and distribution hinted a system much darker than a trend for post-internet artists. The dots were the first sign of an infiltration, and ultimate downfall, of the global shift in capitalism.