View allAll Photos Tagged Rewrites
Quero gritar todos os meus pensamentos espalhados
Pois não existe outra prova de que existo
O futuro que eu devia ter agarrado
Se divide entre "dignidade" e "liberdade"
Quero apagar essa imagem distorcida
Pois conheci meu limite ali
Na imagem dessa minha confiança exagerada
Não existem datas no calendário do último ano
Apague e reescreva
Essa grande fantasia boba
A sensação inesquecível de existir
Reviva e Reescreva
A imaginação sem sentido
Se entregue de corpo e alma
全身全霊を暮れよ！
Me arrependo de me livrar
de todos os meus sentimentos
Depois de perceber que eu não sou nada, eu choro
Um coração triste
Uma mentira...
消してリライトして
下らない超幻想
忘られぬ存在感を
起死回生リライトして
意味の無い想像も
君をなす原動力
全身全霊を暮れよ。。。
I am rewriting our Naturalist Journeys itinerary for Alaska 2016 and needed a photo of Musk Ox for time in Nome. These two cows and their calves seemed appropriate. The new itinerary will include Nome as part of the main tour. It had previously been a stand-alone extension. Check out www.naturalistjourneys.com in a couple of weeks...
This is amazing. I straightened this photo using LR 5 and it apparently erased my previous description. So, I will rewrite it.
Around noon today I was sitting, sipping a soda, at a small snack-bar in a department store. Fern approached me and asked if a stool sitting nearby was being used. I told him it was not. So, he sat there and ate his lunch. During all this time, he was occupied with reading from his cell phone.
I glanced at him several times and wished I could make his photo.
I even considered secretively taking his pic with my small pocket camera. At the same time, I decided that would be totally RUDE.
But, as he finished his lunch and started to leave, I asked if I could ask questions about his hair. He smiled and graciously agreed.
My first question was how long he had this style? He replied, "A LONG time." Then, how often does he have to style it? Actually, I think I used a Texas term and asked him about "fixing" it. He said about once a week.
Knowing how my hair (what I have left) looks when I awaken mornings, I ask him about sleeping and what kind of issues that he would have. He smiled, reached up and bent his forward spike all the way to his face. When he released it, it just sprang back like a spring. I was totally amazed. He said he used hair glue to form the spikes.
Lastly, I asked who fixes it for him and he said he does it all himself. Now, that is talent!
Fern was very friendly and courteous. Perhaps he is just accustomed to people asking him about his hair. I think he is not just tolerant, but is just a nice guy that everybody would like to be around.
I think my first narration was better, but you will never know. LOL
If you would like more information on the 100 Strangers Project you can get it at this location: www.100strangers.com/
Shot at 8k with GeDoSaTo.
Config rewrites as described by one3rd in the below thread for Hudless, FOV changes.
www.deadendthrills.com/forum/discussion/352/guide-spec-op...
CE Table by jim2point0 for free camera positioning.
This game is proving to be an interesting one to try and shoot. It doesn't always look well, or like a game. Sometimes it looks like a picture or a painting in some strange way. Textures and character model geometry can be hit or miss and it is, I believe, exposing my noob status.
Extra special thanks to both one3rd and jim2point0 for helping me trouble shoot the issues I was having with the Hudless Toggle. It's truly appreciated.
혁명사를 고치면서.
A wall depicting so-called "slogan-bearing trees" (구호나무) in Mt Ryongak in the suburbs of Pyongyang is being demolished. Maybe some new slogan trees were "discovered" (read: fabricated) in the meantime, or some of the slogans had to be adapted to a recent change in party line.
"It is my aim, and every effort bent, that the sum and history of my life, which in the same sentence is my obit and epitaph too, shall be them both: I take the photos and I died."
© Luís Campillo 2015
Model Saryta Vinagrero.
www.facebook.com/pages/Sara-Vinagrero-Ilustradora-Bailari...
instagram.com/luiscampillo/
Paraphrasing Tom Waits of course. Outside a pub in London. I'm sure it's fairly easy to rewrite the complete song by changing piano by camera... but I did not dare. One day.... maybe !
The piano has been drinking, my necktie is asleep
And the combo went back to new york, the jukebox has to take a leak
And the carpet needs a haircut, and the spotlight looks like a prison break
And the telephone’s out of cigarettes, and the balcony is on the make
And the piano has been drinking, the piano has been drinking...
And the menus are all freezing, and the light man’s blind in one eye
And he can’t see out of the other
And the piano-tuner’s got a hearing aid, and he showed up with his mother
And the piano has been drinking, the piano has been drinking
As the bouncer is a sumo wrestler cream-puff casper milktoast
And the owner is a mental midget with the i.q. of a fence post
’cause the piano has been drinking, the piano has been drinking...
And you can’t find your waitress with a geiger counter
And she hates you and your friends and you just can’t get served without her
And the box-office is drooling, and the bar stools are on fire
And the newspapers were fooling, and the ash-trays have retired
’cause the piano has been drinking, the piano has been drinking
The piano has been drinking, not me, not me, not me, not me, not me
Ryan McNew and Betsy Weiner in the Frist compter lab. Everything in health care is constantly evolving, including how students are taught and faculty are trained. From the virtual world of Second Life to a comprehensive new approach to interprofessional learning, the Vanderbilt School of Nursing is erasing the old chalkboard and rewriting nursing education for the 21st Century.
(John Russell/Vanderbilt University)
Read more: www.vanderbilt.edu/vanderbiltnurse/2011/04/rewriting-how-...
Reuniting with the director of his hit double TWO WEEKS NOTICE and MUSIC & LYRICS is loveable British lothario Hugh Grant. THE REWRITE has Grant paired with Oscar-winner Marisa Tomei for the Lionsgate Films mid-life crisis rom-com directed by Marc Lawrence that boasts a superb supporting...
In 1885, a former president of the United States published one of the most influential books ever written about the Civil War. An entire generation of Americans had eagerly awaited his memoirs and it has remained so popular that it has never gone out of print. Historians then and now have made extensive use of Grant’s recollections, which have shaped how we understand and evaluate not only the Union army’s triumphs and failures, but many of the war’s key participants. The Memoirs of Ulysses Simpson Grant may be a superbly written book, Frank P. Varney persuasively argues in General Grant and the Rewriting of History, but is so riddled with flaws as to be unreliable.
Juxtaposing primary source documents (some of them published here for the first time) against Grant’s own pen and other sources, Professor Varney sheds new light on what really happened on some of the Civil War’s most important battlefields. He does so by focusing much of his work on Grant’s treatment of Maj. Gen. William S. Rosecrans, a capable army commander whose reputation Grant (and others working with him) conspired to destroy. Grant’s memoirs contain not only misstatements but outright inventions to manipulate the historical record. But Grant’s injustices go much deeper. He submitted decidedly biased reports, falsified official documents, and even perjured himself before an army court of inquiry. There is also strong evidence that his often-discussed drinking problem affected the outcome of at least one battle.
General Grant was an outstanding soldier and, so we have long believed, a good man. History’s wholesale acceptance of his version of events has distorted our assessment of Rosecrans and other officers, and even of the Civil War itself. Grant intentionally tried to control how future generations would remember the Civil War, and in large measure he succeeded. The first of two volumes on this subject, General Grant and the Rewriting of History aptly demonstrates, however, that blindly accepting historical “truths” without vigorous challenge is a perilous path to understanding real history.
This past summer I completed a rewrite of my history of the old blues song, "St. James Infirmary." Pam worked on the interior and cover designs. The book was finished and sent to the printer. And then we learned we were - within two months - about to move to Vancouver Island.
So it's all been a bit of a rush. We're starting to settle down now.
The book is 255 pages, including index. One recent comment:
"How wonderful to see a new edition! The first edition has already turned me into a card-carrying SJI bore, and I can't wait to catch up with your latest findings. Many thanks for all your wonderful work; I absolutely love this book, and the blog." - Nick Lowe
If you want more info, or even a copy:
and blog:
My college English instructor once said:
"There's no such thing as good writing - only good rewriting."
I think he was right about that.
He also said... when I quit school to go work in radio... that I would never write again.
On that, he was wrong.
I sometimes wish I could talk to him, and tell him that. Because... caring dude that he was... he was truly distraught the day we said goodbye. He thought I was making a huge mistake, and told me so, and I just shrugged. For me it was a choice between years of debt or earning a living immediately. I was tired of noodles from the bulk bin and canned generic mushroom soup. I was sick of homework. I couldn't imagine three more years in classrooms.
If I could see him now I'd tell him radio wasn't a death sentence after all. In fact, it was a necessary apprenticeship.
No, I didn't write much fiction in those days. Mostly just work stuff... hundreds and hundreds of stories a day. And no matter how complex or how important or how compelling... there was no story that could merit more than 40 seconds. Tell it straight out. Get to the point. And if you must add colour... the odd flying adjective... for god's sake keep it brief and understated and meaningful.
And then I left the radio world for the world of made-to-order writing. Tell me what you want to say... to whom... and why... and how you want them to feel at the end. I'll do the rest and send you my bill and go back to my world of private isolation.
This is what I do, what I have done for many years, and it has been a kind of apprenticeship too. Writing every day. Putting words to work... regardless of how I feel about them, or the subject matter, or the client... or the weight, the tightness, the restrictions of the deadline.
I have learned to give up (in this one realm at least) the lure of perfectionism. Just get it done, get the work turned around and off my plate and out of my life.
Sometimes I stumble on some publication or other... and it's only when I see my name under "writer" in the credits that I realize it's mine. Typically, that's as far as I go. These things I write for money... I just don't feel attached to them. I care in the moment, but that's about it. They're not mine. They belong to the client. And that detachment... like the forced speed and brevity and clarity of writing for radio... has helped to train and discipline my mind... like neurological calisthenics.
If I could see my old teacher now, I would tell him that I made the right choice in the 80s. He thought I had potential. And I think he was probably right about that. But I just wasn't ready... in any sense... to settle down to serious writing at age 18. I didn't know enough, hadn't lived enough, to have any kind of perspective on things.
I think it's slowly coming now. Like... I finally have enough distance from my earlier selves to sort through some of what they thought and saw and experienced.
Really, that's all we all have to draw on... our own knowledge, our own experience, our own senses and memories and thoughts and fears and secret secrets. When we're too close... when we're inside them... it's almost impossible to see their true shape. But distance has a way of putting things in perspective.
If I could see my old teacher now I'd tell him that I finally feel I'm catching up. That time and age and this prolonged apprenticeship are slowly, slowly opening up the paths I need to follow... in my head and in my life. And that the story of my life is... true to his truism... always open to revision, to rewriting. And that I will keep rewriting for as many years as it takes to get it right.
Jennifer Doudna (R), Professor of Chemistry and of Molecular and Cell Biology, University of California, Berkeley, USA, Craig Mello (C), Professor, University of Massachusetts Medical School, USA and Joe Palca (L), Science Correspondent, NPR, USA are captured during the session 'Rewriting Human Genes' in the congress centre at the Annual Meeting 2015 of the World Economic Forum in Davos, January 22, 2015.
WORLD ECONOMIC FORUM/swiss-image.ch/Photo Michele Limina
Maureen is a freelance video producer and storyteller. She lives in Miami with her husband, two beautiful boys and big black lab Sam. She enjoys daydreaming about the time she lived in Monterey Bay. Maureen thought having a baby was going to be the happiest time in her life, but the day she discovered she was pregnant, she knew something was terribly wrong. For the first time, she was in the middle of a mental health crisis. Fighting to save her life and the life of her unborn son, Maureen visited 29 professionals before she got the help she needed. Desperate to put a name to what happened to her and find out why she went untreated for so long, Maureen and fellow pregnancy and postpartum mood disorder survivor, Jennifer Silliman, embark on a journey to uncover the unspoken story of mothers in the documentary film Dark Side of the Full Moon.
www.arqueologiadelperu.com/archaeological-findings-in-ind...
When Niraj Rai travels to Pune on Wednesday to pick up DNA samples from 4,000-year-old human skeletons, he will set in motion a process that might resolve Indian history's most fiercely debated question: Who were the ancient Indians?
Four complete human skeletons - two men, one woman and a child - thought to date back some 5,000 years have been discovered in an ancient village in northern India. Archaeological teams from India and South Korea have been digging since 2012 in an area of Haryana state where an ancient Indus Valley civilisation was thought to have been located [Credit: Manoj Dhaka/AFP]
So far, the archaeological remains of the Indus Valley civilisation, which flourished across north-western India and Pakistan between 3,300 and 1,700BC, have provided few clues about the people who lived there, their ethnic or racial background, the language they spoke, or the religion they followed.
Mr Rai, a geneticist at the Centre for Cellular and Molecular Biology (CCMB) in Hyderabad, will be working with samples from four Indus Valley skeletons that are now at Pune's Deccan College, in its well-regarded archaeology department.
Until they were excavated in January and February, the human remains — two male, one female, and one child — lay in a cemetery not far from the village of Rakhigarhi, in Haryana, about 150 kilometres from Delhi.
Of the many known archaeological sites dating back to the Indus Valley Civilisation, Rakhigarhi is the largest.
Discovered in 1965, the settlement is spread over three to four square kilometres, and is thought to have been home to nearly 200,000 people. Excavations revealed a planned city, with roads nearly two metres wide, and brick-lined drains on either side. There were fire altars, gold foundries, and a large granary.
Archaeologists even found little toys, including a figurine resembling a dog on a leash.
Although skeletons have been found in Rakhigarhi in the past — 13 of them, in one dig between 1997 and 2000 — as well as in other Indus Valley sites, the four skeletons stored in Pune will be the first to undergo DNA extraction and analysis, Mr Rai said.
Due to humid conditions, skeletons found in Indus Valley Civilisation sites have invariably degraded more than those found in cold locations like the Himalayas, or hot, dry desert locations, said Vasant Shinde, the vice-chancellor of Deccan College and an archaeologist working at Rakhigarhi.
Additionally, “With earlier excavations, we perhaps made mistakes,” Mr Shinde told The National.
“We put the skeletons on display, maybe for a month, so that people could come and see them. And in the process of excavation and display, they got contaminated with modern human DNA.”
At Rakhigarhi this year, archaeologists thus took extra precautions in excavating the skeletons, in a manner that preserve any DNA still on them.
“This time, we immediately wrapped each bone in foil, to avoid contamination and degradation,” Mr Shinde said. “We also collected the soil that would have been around the abdomen area of each skeleton, because the soil can be tested for the eggs of parasites that may have existed within the stomachs of these people.”
“We all have parasite eggs within us, because the food and water we ingest has some minimum contamination,” he said. “But they can tell us something about the diet of these people and their health.”
The four Rakhigarhi skeletons will also benefit from being the first Indus Valley skeletons to be unearthed after CCMB developed its own procedures to test skeletal DNA.
“Each country or region needs its own procedure to analyse ancient DNA, because the weather varies so much that DNA is preserved to different degrees and in different ways,” Mr Rai told The National. “We developed our protocol, specific to Indian conditions, in 2009-10.”
The facility has worked on other cases since its inception. The most notable example, Mr Rai said, was that of a set of 100 samples taken from human remains on the shores of the Roopkund Lake, high in the Himalayas.
The CCMB lab was able to show that the remains were most likely those of travellers from Iran who died during a hailstorm around 800AD.
Until this finding, speculation had it that the remains were of Tibetan monks or of soldiers from an invading army.
The uncontaminated DNA samples from the four Rakhigarhi skeletons, Mr Rai said, will first be “amplified” — a procedure to draw out genetic attributes of the humans from other “junk” bacterial DNA that might be present in the samples.
The sequenced DNA will be entered into a database that contains thousands of samples from across the world, as well as into CCMB's own diverse database of 30,000 DNA sequences from Indian individuals.
The closest match from these databases to the Rakhigarhi samples will be a matter of immense interest, said Veena Mushrif Tripathi, another archaeologist at Deccan College.
For decades, scholars have hotly debated whether the residents of the Indus Valley Civilisation were “Indo-Aryans” — from a family speaking a branch of the larger Indo-European language — or whether they were other indigenous peoples, who were supplanted and absorbed over time by Indo-Aryan migrants from the west.
No conclusive proof has been presented on either side. Relics have been interpreted in multiple ways, and the civilisation's “script” — symbols found on clay seals and pottery — has not yet been deciphered.
The Rakhigarhi samples will be compared to DNA from populations to the west of India, from other ancient Indian DNA, and from various modern Indian communities, Ms Tripathi said.
“This will be a considerable contribution to Indian history from the fields of archaeology and anthropology,” she said. “It could rewrite our identities altogether.”Author: Samanth Subramanian | Source: The National [May 27, 2015]
Jennifer Doudna, Professor of Chemistry and of Molecular speaks during the session 'Rewriting Human Genes' in the congress centre at the Annual Meeting 2015 of the World Economic Forum in Davos, January 22, 2015.
WORLD ECONOMIC FORUM/swiss-image.ch/Photo Michele Limina
Jennifer Doudna, Professor of Chemistry and of Molecular gestures during the session 'Rewriting Human Genes' in the congress centre at the Annual Meeting 2015 of the World Economic Forum in Davos, January 22, 2015.
WORLD ECONOMIC FORUM/swiss-image.ch/Photo Michele Limina
shanghai
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i've already used the song paraphrasing Tom Waits of course. O I'm sure it's fairly easy to rewrite the complete song by changing piano by camera... but I did not dare. One day.... maybe !
Dédicated to NatC, who was nice enough to complain there was no new picture from me yesterday . Here is to you, Nat.
The piano has been drinking, my necktie is asleep
And the combo went back to new york, the jukebox has to take a leak
And the carpet needs a haircut, and the spotlight looks like a prison break
And the telephone’s out of cigarettes, and the balcony is on the make
And the piano has been drinking, the piano has been drinking...
And the menus are all freezing, and the light man’s blind in one eye
And he can’t see out of the other
And the piano-tuner’s got a hearing aid, and he showed up with his mother
And the piano has been drinking, the piano has been drinking
As the bouncer is a sumo wrestler cream-puff casper milktoast
And the owner is a mental midget with the i.q. of a fence post
’cause the piano has been drinking, the piano has been drinking...
And you can’t find your waitress with a geiger counter
And she hates you and your friends and you just can’t get served without her
And the box-office is drooling, and the bar stools are on fire
And the newspapers were fooling, and the ash-trays have retired
’cause the piano has been drinking, the piano has been drinking
The piano has been drinking, not me, not me, not me, not me, not me
Saturday, 8 June, 2013
11:45 - 12:30 VIEWPOINT: REWRITING THE GLOBAL RULE BOOK
Today’s CEOs are finding it increasingly difficult to navigate the patch-work regulations that shape global trade and commerce. What kinds of new rules are needed to simplify the demands of cross-border commerce? How do we create a rule book to promote more world trade and operate more sustainably, while providing a safer global financial framework, less subject to systemic failure? What will be the roles of the U.S., China and other Emerging Markets in shaping this brave-new regulatory world?
Discussion leaders:
Yan Qingmin, Vice Chairman, China Banking Regulatory Commission, People’s
Republic of China
David Daokui Li, Mansfield Freeman Professor of Economics, School of
Economics and Management, Tsinghua University
Robert Mundell, Nobel Laureate in Economics and University Professor,
Columbia University
Moderator:
Bill Powell, China Editor, Reuters
Photograph by Stuart Isett/Fortune Global Forum
Craig Mello, Professor, University of Massachusetts Medical School, USA, is seen speaking during the session 'Rewriting Human Genes' on a portable device outside the Forum room in the congress centre at the Annual Meeting 2015 of the World Economic Forum in Davos, January 22, 2015.
WORLD ECONOMIC FORUM/swiss-image.ch/Photo Michele Limina
(calligraphy is a rewrite of Huang Xiang's poem Writing in 3-D)
Jackson Pollock
The oldest way to create a painting
is with a brush
The newest way to create a painting
is with the body
The most wonderful way to create a painting
is to stand right on your head
with mind and body as one
and drip the paint
on the ground !
Participants follow the session 'Rewriting Human Genes' on their portable devices outside the Forum room in the congress centre at the Annual Meeting 2015 of the World Economic Forum in Davos, January 22, 2015.
WORLD ECONOMIC FORUM/swiss-image.ch/Photo Michele Limina
Saturday, 8 June, 2013
11:45 - 12:30 VIEWPOINT: REWRITING THE GLOBAL RULE BOOK
Today’s CEOs are finding it increasingly difficult to navigate the patch-work regulations that shape global trade and commerce. What kinds of new rules are needed to simplify the demands of cross-border commerce? How do we create a rule book to promote more world trade and operate more sustainably, while providing a safer global financial framework, less subject to systemic failure? What will be the roles of the U.S., China and other Emerging Markets in shaping this brave-new regulatory world?
Discussion leaders:
Yan Qingmin, Vice Chairman, China Banking Regulatory Commission, People’s
Republic of China
David Daokui Li, Mansfield Freeman Professor of Economics, School of
Economics and Management, Tsinghua University
Robert Mundell, Nobel Laureate in Economics and University Professor,
Columbia University
Moderator:
Bill Powell, China Editor, Reuters
Photograph by Stuart Isett/Fortune Global Forum
Impression of the session 'Rewriting Human Genes' in the congress centre at the Annual Meeting 2015 of the World Economic Forum in Davos, January 22, 2015.
WORLD ECONOMIC FORUM/swiss-image.ch/Photo Michele Limina
Participants follow the session 'Rewriting Human Genes' on their portable devices outside the Forum room in the congress centre at the Annual Meeting 2015 of the World Economic Forum in Davos, January 22, 2015.
WORLD ECONOMIC FORUM/swiss-image.ch/Photo Michele Limina
Jennifer Doudna (R), Professor of Chemistry and of Molecular and Cell Biology, University of California, Berkeley, USA, Craig Mello (C), Professor, University of Massachusetts Medical School, USA and Joe Palca (L), Science Correspondent, NPR, USA are captured during the session 'Rewriting Human Genes' in the congress centre at the Annual Meeting 2015 of the World Economic Forum in Davos, January 22, 2015.
WORLD ECONOMIC FORUM/swiss-image.ch/Photo Michele Limina
ACROSS REWRITING
V EDIZIONE
Una mostra collettiva "ridotta"
dedicata al mondo graffiti writing e street art.
Martedì 6 dicembre 2011 ore 19.00
In mostra fino al 7 gennaio 2012
Orario: lunedì/sabato, ore 18.00/01.00
Per la quinta volta consecutiva inaugura all’Amantes di Torino “Across Rewriting”, collettiva ricognitoria dedicata al mondo graffiti writing e street art. La rassegna tiene un piede in Piemonte ma non si dimentica di esplorare le regioni limitrofe.
I circa novanta partecipanti sono per la maggior parte conosciuti al grande pubblico e rappresentano uno spaccato del fermento creativo che anima quotidianamente i nostri quartieri. Giovani al primo approccio con la tela di piccolo formato, affiancati ad artisti riconosciuti a livello internazionale, insieme per comporre un mosaico unico di tasselli trenta per trenta centimetri, ospitato nella galleria del circolo culturale Amantes, dal 6 dicembre 2011 al 7 gennaio 2012.
Torino, Milano, Roma, Ferrara, Bologna, Venezia, Reggio Emilia, Napoli, Brescia, Parma, Como, Bergamo, sono alcune delle città di provenienza degli artisti ospitati in questa quinta edizione, molti di loro saranno presenti all’inaugurazione, occasione speciale per conoscere da vicino i creatori di diverse opere che possiamo ammirare quotidianamente in strada.
999, Acme107, AK, Aries, Batsu, Bo130, Bongo, Bostik, bR1, Cabalinguista, Calogero Marrali, Cikita Zeta, Collettivo Fx, Corn79, Davide Fasolo, Deder, Deep, Dolo, Dott. Porka’S P. Proj, Dub, El Euro, Elfo, Encs, Esck, G®, Garu-Garu, Gec, Halo Halo, Hide, iDipsy Diverz, Il Vov, Jaman, James Kalinda, Jato, Karim, Kasy23, Kora, Kraser, L, Lapin, Martina Love, Mendez, Microbo, Moe, Mork, Mosquita Blanca, Mr. Degrì, Mr. Fijodor, Mr. Klevra, Mr. Wany, Nero Rebel, Nest, Nox, Omino71, Pao, Paolo Leonardo, Pesca, Pseudo, Psiko, Pymor, Raw Tella, reFRESHink, Reno, Reser, Reve+, Ruas, Seacreative, Senda Dons, Shirk, Sisterflash, Skià, Sly, Sone, SR, Stetocefalo, Talka, Tonichina, Ufo5, Uno, Up, Vesod, Vs, Woc, Wubik, Xel, Xeno, Xumia, Zero TDK, Zoid, Zorkmade.
Partecipano:
999, Torino
Acme107 (D-Urbanizer) Milano
AK, Torino
Aries, Milano
Batsu, Torino
Bo130, Milano
Bongo, Torino
Bostik, Torino
bR1, Torino
Cabalinguista, Mondovì, Cn
Calogero Marrali, Torino
Cikita Zeta, Torino
Collettivo Fx, Reggio Emilia
Corn79 (Il cerchio e le gocce) Torino
Davide Fasolo, Torino
Deder, Torino
Deep (Knz Clan) Torino
Dolo (Artefatti) Torino
Dott. Porka’S P. Proj, Torino, Bari, Bologna
Dub (PAI) Torino
El Euro, Vercelli
Elfo (SCS Clan) Brescia
Encs (PAI, Monkeys Evolution) Torino
Esck (SCO) Ferrara
G® (Unione Artisti Oscuri) Torino
Garu-Garu, Torino
Gec, Cuneo
Halo Halo, Torino
Hide (Knz Clan) Torino
iDipsy Diverz, Torino
Il Vov (HIT, SVC) Torino
Jaman (Knz Clan) Torino
James Kalinda, Parma
Jato (Us, Trf, Rnf) Iglesias
Karim (Artefatti) Torino
Kasy23 (Assa) Bergamo
Kora (Boc crew), Torino
Kraser ,
L, Torino
Lapin (Unione Artisti Oscuri), Torino
Martina Love, Torino
Mendez (SCO) Ferrara
Microbo, Milano
Moe, Bologna
Mork
Mosquita Blanca, Messina
Mr. Degrì, Como
Mr. Fijodor (Il cerchio e le gocce) Torino
Mr. Klevra (F2B-72 –XL) Roma
Mr. Wany (Heavy Artillery, GBF, PDB, PUF) Milano
Nero Rebel, Torino
Nest
Nox, Torino
Omino71, Roma
Pao, Milano
Paolo Leonardo, Torino
Pesca, Milano
Pseudo, Torino
Psiko (SCO) Ferrara
Pymor, Torino
Raw Tella, Torino
reFRESHink (The Spruzzer) Arona
Reno, Pavia
Reser (TOT) Torino
Reve+
Ruas (Knz Clan) Torino
Seacreative (The Spruzzer) Milano
Senda Dons, Torino
Shirk, Torino
Sisterflash, Torino
Skià (QBR, Monkeys Evolution, Kuba) Torino
Sly, Venezia
Sone, Roma
SR, Torino
Stetocefalo (Unione Artisti Oscuri) Torino
Talka, Torino
Tonichina, Torino
Ufo5, Novara
Uno, Roma
Up, Torino
Vesod (SCO) Torino
Vs. , Torino
Woc, Torino
Wubik (BOC) Torino
Xel, Torino
Xeno (TNG2) Torino
Xumia, Torino
Zero TDK, Milano
Zoid, Torino
Zorkmade, Torino
Maureen is a freelance video producer and storyteller. She lives in Miami with her husband, two beautiful boys and big black lab Sam. She enjoys daydreaming about the time she lived in Monterey Bay. Maureen thought having a baby was going to be the happiest time in her life, but the day she discovered she was pregnant, she knew something was terribly wrong. For the first time, she was in the middle of a mental health crisis. Fighting to save her life and the life of her unborn son, Maureen visited 29 professionals before she got the help she needed. Desperate to put a name to what happened to her and find out why she went untreated for so long, Maureen and fellow pregnancy and postpartum mood disorder survivor, Jennifer Silliman, embark on a journey to uncover the unspoken story of mothers in the documentary film Dark Side of the Full Moon.
Circolo Culturale AMANTES
Via Principe Amedeo 38/a. Torino. 0118172427 .
www.arteca.org info@arteca.org
COMUNICATO STAMPA
ACROSS REWRITING
Una mostra collettiva “ridotta”
dedicata al mondo graffiti writing / street art.
III EDIZIONE
Inaugurazione
mercoledì 9 dicembre 2009 ore 19.00
In mostra fino al 5 gennaio 2010. Orario: lunedì/sabato, ore 18.00/01.00.
Lo sviluppo di una ricerca personale si trasforma in una mostra collettiva alla
ricerca di autori sospesi nel mondo graffiti writing/street art. Quest’anno, pur
limitando la circolazione del bando, abbiamo superato quota 80 invitati.
Piemontesi e lombardi, famosi e sconosciuti, giovanissimi e old schooler. Ai
50 torinesi si aggiungono artisti da Milano, Varese, Vercelli, Cuneo, Novara,
Alessandria, Arona, Roma, Termoli, Ascoli, Salerno. Un esempio della
creatività che dalla strada approda nello spazio espositivo, dove perfetti
sconosciuti (al mondo delle gallerie d’arte) incontrano autori con alle spalle
un personale percorso professionale e artistico.
Due le coordinate per partecipare: la misura, rigorosamente 30 x 30 cm.
telaio 4 cm. e lo stile che deve rappresentare icone, tags e puppets
abitualmente spalmati sul territorio. Un mix di stili e materiali, dove lo spray
lotta con la superficie ridotta lasciando ampio spazio a marker e pennelli,
mascherine, stickers, resine e carta con, a volte, una deriva verso la pittura
pura e meno street.
La mostra collettiva ridotta ACROSS REWRITING è proposta e promossa,
grazie al contributo Regione Piemonte, dal circolo culturale AMANTES a
Torino, uno spazio al confine tra galleria d'arte e locale di svago fondato nel
1996, dove è possibile dialogare con gli autori davanti a un bicchiere e in
modo informale.
ACROSS REWRITING è un percorso di avvicinamento a "REWRITING", la
quinta edizione di una rassegna sempre rivolta al fenomeno graffiti writing /
street art ma performativa. Si svolgerà a partire dal 10 aprile 2010 e darà
modo ai visitatori di ammirare gli artisti all'opera.
A cura di Roberto TOS
Link correlati: www.arteca.org
In galleria fino al 5 gennaio 2010:
108 – (OK, PRC) - Alessandria
999 – Termoli
Acme 107 (D-Urbanizer)- Milano
Alicé – Roma
Annie Malahus – Milano
Aries – Milano
Batsu – Torino
Berets (SKL) – Milano
Borse (The Spruzzer) – Varese
Bostik – Torino
bR1 – Torino
Corn (Il cerchio e le gocce) – Torino
Crea - Torino
CT – Torino
Dabone (KNZ Clan) – Torino
Dade (TNG2) – Torino
Deep (KNZ Clan) – Torino
Dhemo – Torino
Dolo (Artefatti) – Torino
Diego Grangetti - Torino
Dr. Drago – Torino
Duck 26 – (FH) – Varese
El Euro – Vercelli
Elfo (s.c.s. Clan) - Brescia
F.T.M. (UAO) – Torino
Farm (Hit Crew) - Torino
Galo - Torino
Gatto TDK – Milano
Gec – Cuneo
Giano306 – Torino
Gratis (UAO, PevZ) – Torino
Halo Halo – Torino
Helios (Cafardo Energizer) - Salerno
Hide (KNZ Clan) – Torino
Il Mammellatore (UAO) – Torino
Il Vov (Hits) – Torino
Iugen (SKL) – Milano
Jaman (Knz Clan) – Torino
Karim (Artefatti) – Torino
Kora (Boc crew) – Torino
Kvrz – Torino
L – Torino
Ipno – Torino
Mach!505 (Truly Design) – Torino
Massakre_Mask – Cuneo
Massimo Sirelli (Dimomedia Lab) - Torino
Mauro 149 (Truly Design) – Torino
Mess2 – Termoli
Mr. Fijodor (Il cerchio e le gocce) - Torino
Mr. Klevra (F2B-72 –XL) Roma
Mr. Wany (Heavy Artillery, GBF, PDB, PUF) - Milano
Ninja 1 (Truly Design) – Torino
Omino71 – Roma
Original Asker - Milano
Paolo Leonardo – Torino
PG – Treviso
Piove (dmnt) – Torino
Pixelpancho – Valencia
Pseudo (Monkeys Evolution) – Torino
reFRESHink (The Spruzzer) – Arona
Rems 182 (Truly Design) – Torino
Reser (TOT) – Torino
Seacreative (The Spruzzer) - Milano
Skià (Heartist) - Torino
Senso – Milano
Simon – (Hits, Serial Vandalz) – Torino
Simone Bubbico – Torino
Sir Two (TOT) - Vercelli
Sisterflash – Torino
Shirk - Torino
Spek (Monkeys Evolution) – Torino
Spider (TOT) – Torino
SR – Torino
Take 514 (Monkeys Evolution) – Torino
Talka – Torino
Tawa – (16k) – Milano
Tonichina – Torino
Ultralion a.k.a. Oasi – Milano
Ufo5 - Novara
Urka (TSO - PRG – ACME) – Ascoli Piceno
Vine (The Spruzzer) – Varese
Wubik (Boc Crew) - Torino
X – Termoli
Xeno (TNG2) – Torino
Zorkmade – Torino
circolo culturale amantes
80 mq. nel centro di Torino, dal 1996 cuore pulsante delle avanguardie creative, Amantes
ospita e promuove eventi nel campo della videoarte e dei nuovi media, segue la scena
cinematografica indipendente (e militante), supporta e produce artisti emergenti in campo
fotografico, è laboratorio per le crew dj / vjing torinesi e per il mondo graffiti writing / street
art. La sede si trova a Torino in via Principe Amedeo 38/a, a due passi dal Museo del
Cinema; ingresso libero in galleria, accesso al circolo con tessera ARCI. In rete su
dal lunedì al sabato.dalle ore 18.00 alle ore 01.30.
postazione web, rivisteria alternativa, spazio per rassegne corsi e incontri, sala relax,
aperitivi tematici, spazio espositivo, dj e vj set, rassegne video
Jennifer Doudna (R), Professor of Chemistry and of Molecular and Cell Biology, University of California, Berkeley, USA, Craig Mello (C), Professor, University of Massachusetts Medical School, USA and Joe Palca (L), Science Correspondent, NPR, USA are captured during the session 'Rewriting Human Genes' in the congress centre at the Annual Meeting 2015 of the World Economic Forum in Davos, January 22, 2015.
WORLD ECONOMIC FORUM/swiss-image.ch/Photo Michele Limina
ACROSS REWRITING
V EDIZIONE
Una mostra collettiva "ridotta"
dedicata al mondo graffiti writing e street art.
Martedì 6 dicembre 2011 ore 19.00
In mostra fino al 7 gennaio 2012
Orario: lunedì/sabato, ore 18.00/01.00
Per la quinta volta consecutiva inaugura all’Amantes di Torino “Across Rewriting”, collettiva ricognitoria dedicata al mondo graffiti writing e street art. La rassegna tiene un piede in Piemonte ma non si dimentica di esplorare le regioni limitrofe.
I circa novanta partecipanti sono per la maggior parte conosciuti al grande pubblico e rappresentano uno spaccato del fermento creativo che anima quotidianamente i nostri quartieri. Giovani al primo approccio con la tela di piccolo formato, affiancati ad artisti riconosciuti a livello internazionale, insieme per comporre un mosaico unico di tasselli trenta per trenta centimetri, ospitato nella galleria del circolo culturale Amantes, dal 6 dicembre 2011 al 7 gennaio 2012.
Torino, Milano, Roma, Ferrara, Bologna, Venezia, Reggio Emilia, Napoli, Brescia, Parma, Como, Bergamo, sono alcune delle città di provenienza degli artisti ospitati in questa quinta edizione, molti di loro saranno presenti all’inaugurazione, occasione speciale per conoscere da vicino i creatori di diverse opere che possiamo ammirare quotidianamente in strada.
999, Acme107, AK, Aries, Batsu, Bo130, Bongo, Bostik, bR1, Cabalinguista, Calogero Marrali, Cikita Zeta, Collettivo Fx, Corn79, Davide Fasolo, Deder, Deep, Dolo, Dott. Porka’S P. Proj, Dub, El Euro, Elfo, Encs, Esck, G®, Garu-Garu, Gec, Halo Halo, Hide, iDipsy Diverz, Il Vov, Jaman, James Kalinda, Jato, Karim, Kasy23, Kora, Kraser, L, Lapin, Martina Love, Mendez, Microbo, Moe, Mork, Mosquita Blanca, Mr. Degrì, Mr. Fijodor, Mr. Klevra, Mr. Wany, Nero Rebel, Nest, Nox, Omino71, Pao, Paolo Leonardo, Pesca, Pseudo, Psiko, Pymor, Raw Tella, reFRESHink, Reno, Reser, Reve+, Ruas, Seacreative, Senda Dons, Shirk, Sisterflash, Skià, Sly, Sone, SR, Stetocefalo, Talka, Tonichina, Ufo5, Uno, Up, Vesod, Vs, Woc, Wubik, Xel, Xeno, Xumia, Zero TDK, Zoid, Zorkmade.
The Guardian's piece on the phenomenon of co-parenting in the modern age, what it means and why we do it - a great read!
"The definition of family has changed in recent years, now co-parenting is rewriting it completely. These mothers and fathers have relationships based on legal agreements and counselling rather than dates, romance and sex. But they all have one thing in common: the desire to have a child.
It's supper-time in the Morgan household and three-year-old Zaide is pushing his food round his plate with a baby spoon. When he finally takes a mouthful, he howls that it's too hot and too spicy. Instantly the adults round the table – his "tummy mummy" Sabrina Morgan, his "mum" Kirsty Slack and his daddy, Kam Wong – jump up to help. It's a familiar scene to any of us who've had tears at the tea table. It's just in this case, three people have stepped up to the plate. It is utterly astonishing watching them, not because they are all gay and all devoted to their son – nothing new in that – but because they met on the internet in order to create him.
Sabrina wanted a baby, but was a single gay woman. Kam wanted a baby, but was – is – in love with Martin, a man who didn't want a child in his life 24/7. (Martin is very much part of Zaide's life now, though.) And Kirsty wanted a child, too, but didn't want to carry one. All of them were a piece short of the jigsaw. So while Sabrina and Kirsty met in the conventional way, Kam and Sabrina – Zaide's biological parents – went on to the internet to find each other with the sole intention of having a child. With Zaide about to turn four, in January they are going to try for a second child.
"Co-parenting" through the initial use of the internet – basically finding a parent online – is fast becoming a trend. The various introduction websites, operating just like internet dating sites, are reporting rocketing numbers of users, with London coming within the top three cities after New York and Los Angeles. Even for the most liberal, it takes a certain recalibration of ideas. Co-parenting is not only about the gay community wanting to experience parenthood: heterosexual men and women are also signing up to websites, mostly as a result of feeling that time is running out and that parenthood with a "co-parent" rather than a real "love" who may never materialise is better than no parenthood at all."
See full article here
Source: The Guardian mycoparenting.org/blog/co-parents/the-guardian-meet-the-c...
Saturday, 8 June, 2013
11:45 - 12:30 VIEWPOINT: REWRITING THE GLOBAL RULE BOOK
Today’s CEOs are finding it increasingly difficult to navigate the patch-work regulations that shape global trade and commerce. What kinds of new rules are needed to simplify the demands of cross-border commerce? How do we create a rule book to promote more world trade and operate more sustainably, while providing a safer global financial framework, less subject to systemic failure? What will be the roles of the U.S., China and other Emerging Markets in shaping this brave-new regulatory world?
Discussion leaders:
Yan Qingmin, Vice Chairman, China Banking Regulatory Commission, People’s
Republic of China
David Daokui Li, Mansfield Freeman Professor of Economics, School of
Economics and Management, Tsinghua University
Robert Mundell, Nobel Laureate in Economics and University Professor,
Columbia University
Moderator:
Bill Powell, China Editor, Reuters
Photograph by Stuart Isett/Fortune Global Forum