View allAll Photos Tagged Reweave
Saltram House (NT) - Saloon, or Great Drawing Room
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
Tweet (19/06/2023):-
'For the first time in over 40 years, visitors at Saltram can enjoy the Saloon as intended after the spectacular carpet was recreated by Axminster Carpets, whose founder wove the original in 1770
The skill that's gone into the re-weave project is remarkable with @AxminsterUK rebuilding its largest loom to accommodate the vast carpet, and @linney_cooper expertly hand finishing and installing the final carpet in the Saloon
The reweave is the final stage of a major Saloon conservation project which began in 2017 and was funded by the National Trust and Wolfson Foundation @wolfsonfdn.' - @NTSouthWest - [NTSouthWest]
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
Cane has a few breaks, which add to the character. I love this chair EXACTLY as is, but you can also reweave it to mint condition.
House of Moda have been reweaving, recycling and reigniting the connection between fashion, parties and the underground Paris scene for a year and a half now. For their event on March 30 at la Java, they called on me to take photos of the clubbers, posing them as a very special version of the ‘Classe Mannequin’ (Think ‘Melrose Place’ or ‘90210’, but about teenaged models and French).
_____
All rights reserved, don't use my pictures without permission.
"Literature and butterflies are the two sweetest passions known to man." -- Vladimir Nabokov.
Today's edition of the NYT Science Times is all about our changing understanding of how life is shaped by evolution, including the intricate patterns on butterfly wings. For an annotated guide to the articles, see my blog Letter from Here. (Photographed at at the Bolz Conservatory, Olbrich Botanical Gardens, Madison, WI.)
For more about the interconnection between Nabokov's literary creations and his work as an entomologist, see this earlier post in my blog Letter from Here. Nabokov knew all about reweaving the rainbow.
NAVAL BASE KITSAP-BREMERTON, Wash. (Oct. 2, 2016) - Seaman Chase Ethridge (right), a native of Katy, Texas, steadies an arresting cable while Petty Officer 3rd Class Gabriel Moreno, a native of Huntington Beach, Calif., welds during a reweave of the arresting gear on board USS Nimitz (CVN 68). Nimitz is currently undergoing an extended planned incremental maintenance availability at Puget Sound Naval Shipyard and Intermediate Maintenance Facility where the ship is receiving scheduled maintenance and upgrades. (U.S. Navy photo by Petty Officer 3rd Class Samuel Bacon/Released)
House of Moda have been reweaving, recycling and reigniting the connection between fashion, parties and the underground Paris scene for a year and a half now. For their event on March 30 at la Java, they called on me to take photos of the clubbers, posing them as a very special version of the ‘Classe Mannequin’ (Think ‘Melrose Place’ or ‘90210’, but about teenaged models and French).
_____
All rights reserved, don't use my pictures without permission.
Rug Cleaning & Repair Newport Beach (714) 867-7847
Orange County Rug & Carpet Cleaners offers not only the best rug cleaning service in Newport Beach but we have the most talented rug repair service in all of Orange County.
We are located at: 18318 Ward St. Fountain Valley, CA 92708.
Our rug cleaning and repair company has a rug pick up and delivery service or you can drop off your rug at our rug cleaning and repair facility.
We hand wash all rug to make sure you have the best rug cleaning possible and we also repair all rugs in our facility and farm out no rugs. We service all Persian and Oriental rugs modern and antique. We clean and repair all wool, silk and cotton rugs.
The rug we just cleaned and repaired in this photo is a Persian Silk on Silk Qum. The Foundation is silk as well as the face fibers.
The repair service we offer is fringe repair, fringe replacement, tears, holes, cord repair, side of rug repair, dye migration, dye transfers, pet odor, pet urine, spots, stains and professional reweaving of any type of rug.
Three openings represent my two young daughters and me, unweaving and reweaving our lives as we find "new family" after divorce.
See my sets, Earth to Stoneware and Living in a Jungle.
House of Moda have been reweaving, recycling and reigniting the connection between fashion, parties and the underground Paris scene for a year and a half now. For their event on March 30 at la Java, they called on me to take photos of the clubbers, posing them as a very special version of the ‘Classe Mannequin’ (Think ‘Melrose Place’ or ‘90210’, but about teenaged models and French).
_____
All rights reserved, don't use my pictures without permission.
I was very pleased with how this shot turned out, as the light was tricky, this shot, apart from a slight crop was straight out of camera.
The story behind the exhibition is explained in the description of the previous photo.
karenmclean.co.uk/work/stitching-souls-threads-of-silence
"The installation juxtaposes these carefully quilted heads with grand gold-framed replicas of merchant portraits and empty gilded frames. The towering replica portraits exude power and self-importance, reflecting the wealth and grandeur these men sought to immortalise. Yet the true nature of how their wealth was built on the suffering and exploitation of enslaved Africans has been obscured and ignored in historical narratives. The replicas highlight the layers of contradiction and hypocrisy inherent in their public personas. The decision to include empty frames alongside these portraits symbolises the silences and absences in these narratives. They reflect the inaccessibility of these merchants, their presence confined to spaces that still celebrate their success while hiding the truth of their origins. The silences mirrored here in these empty frames challenge the viewers to question the narratives we preserve and those we overlook.
“Stitching Souls: Threads of Silence” is an installation that honours and memorialises the lives lost as well as an act of reclamation and justice. It invites viewers to reckon with the legacies of slavery and those who profited from it. By honouring the victims, this work seeks to reweave the threads of history into a more truthful narrative, transforming this work of art into a vessel of healing, reminding us that the stories of the past remain stitched into the fabric of our present."
More photos via this link www.liverpoolmuseums.org.uk/news/press-releases/walker-ar...
And an interview with Karen McLean is available on You Tube - about 9 minutes long www.youtube.com/watch?v=bj8u8zr8wP8
Rug Repair Service Orange County (714) 867-7847
www.carpetcleaning-orangecounty.com/rug-cleaning.htm
Orange County Rug Repair is a company that serves all of Orange County with rug services such as rug cleaning and the most talented rug repair service department in all of Orange County. If you want the most professional rug repair possible you need to have Orange County Rug Repair work on your rug for you. Our rug repair and cleaning facility is located at:
18318 Ward St. Fountain Valley, CA 92708
Our professional rug repair experts are able to repair any tears, holes and cuts in your rug. We perform fringe replacement as well as fringe repair itself.
When we reweave your rugs for you or fix you side of the rug or the cord or the rug we match the wool yarn with our own dyed yarn. This ensures the best possible match for the repairs to your rug.
Pet urine or dog and cat odor can be a serious problem with your rug. Orange County Rug Repair can help fix the problem with a simple wash and cleaning of the rug.
Spots and stains can become a problem if left in the rug or not removed properly. So bring in your rug so we can prevent your spots from becoming stains.
House of Moda have been reweaving, recycling and reigniting the connection between fashion, parties and the underground Paris scene for a year and a half now. For their event on March 30 at la Java, they called on me to take photos of the clubbers, posing them as a very special version of the ‘Classe Mannequin’ (Think ‘Melrose Place’ or ‘90210’, but about teenaged models and French).
_____
All rights reserved, don't use my pictures without permission.
House of Moda have been reweaving, recycling and reigniting the connection between fashion, parties and the underground Paris scene for a year and a half now. For their event on March 30 at la Java, they called on me to take photos of the clubbers, posing them as a very special version of the ‘Classe Mannequin’ (Think ‘Melrose Place’ or ‘90210’, but about teenaged models and French).
_____
All rights reserved, don't use my pictures without permission.
Goddard Seminary, Class of 1923, Barre, Vermont
Photo: Goddard College Archives
“To anyone who has observed Goddard College for any period of time, two facts stand out: it is continually changing; it is ever the same. Few, however, realize just how long Goddard has been reweaving new vestments from the same threads of belief.
“The Seminary was established by Universalists in order to prepare young men and women to go to college, especially Tufts, which was at the time a Universalist college. The Universalists, who merged with the Unitarians in 1960, were and are radical freethinkers. They stressed the inherent dignity and trustworthiness of human beings, the equality of the sexes, the freedom to reach individual interpretations, the tolerance and appreciation of diversity, and the continual modification of beliefs to accords with the discoveries of reason and science.
“This kind of thinking, applied to education, resulted in the Goddard Seminary, a school that views students as ‘Trustworthy individuals’ and whose goal was to produce graduates who would ‘Do Good in All the State.’”
Doug North, Former Director of Development
A wall hanging which I created after my divorce. Two different pieces of cloth interwoven... one dark and vertical. The other light and horizontal. The three openings represent my two daughters and me. Unweaving my old life and reweaving my next stage of my life... lighter, more open and creative.
For our home today, see my set Living in a Jungle.
House of Moda have been reweaving, recycling and reigniting the connection between fashion, parties and the underground Paris scene for a year and a half now. For their event on March 30 at la Java, they called on me to take photos of the clubbers, posing them as a very special version of the ‘Classe Mannequin’ (Think ‘Melrose Place’ or ‘90210’, but about teenaged models and French).
_____
All rights reserved, don't use my pictures without permission.
woven acrylic skins and collage incorporating some embedded painted papers on black gessoed canvas, 36 x 36, blogged at half-sweet.blogspot.com/
House of Moda have been reweaving, recycling and reigniting the connection between fashion, parties and the underground Paris scene for a year and a half now. For their event on March 30 at la Java, they called on me to take photos of the clubbers, posing them as a very special version of the ‘Classe Mannequin’ (Think ‘Melrose Place’ or ‘90210’, but about teenaged models and French).
_____
All rights reserved, don't use my pictures without permission.
The enthroned and bearded personification of Honor receives the victor's laurel crown from Virtue and Victory. Majesty and Respect sit like handmaidens at Honor's feet, and the most lauded rulers of history, each identified by name, flank his throne; below are ten virtuous women, plucked from mythology, the Bible and more recent apocryphal histories. The central scribe peruses the list of Honor's celebrants, whilst in the foreground an unruly mob of historical and literary protagonists beseige Honor's pavilion.
This tapestry was part of a seven-piece set presenting an allegorical guide to the qualities which a successful ruler should espouse. The set was made for Cardinal Erard de la Marck (1472–1538), Prince-Bishop of Liège, and loyal envoy and financial backer of Holy Roman Emperor Charles V.
Signatures, Inscriptions, and Markings
Inscription: Names of characters, in Latin, at center, top: VICTUS (probably a misreading at cartoon or weaving stage for VIRTUS- Virtue); MAIESTAS (Majesty); REVER[N]TIA (Respect); VICTORIA (Victory).
Top tier of rulers, inscribed left to right: GODEEREDUS BUHONIUS (Godfrey of Bouillon); S. LODOVICUS (Louis IX of France); CAROL MAGN (Charlemagne); CONSTANTINUS (Emperor Constantine); DAVID (King David); OCTAVIUS (Emperor Augustus); ABRAM (Abraham); ALEXANDER MAGN (Alexander the Great).
Second tier of virtuous females: FLORE[N]TIA ROMITIA (Florence of Rome); PENELOPE (Penelope); SOMRAMIS (Semiramis); HELENA (Empress Helena); HESTER (Esther); DEBORA (the prophet Deborah); SABA (Queen of Sheba); ASIA (the continent Asia, at this time iconographically associated with the spread of Fame).
Mounting the steps to enter Honor’s pavilion are, at the left, SERTORIUS (General Sertorius) and MARCELLA (Consul Marcellus), crowned by DIGNITE (Dignity) and TRIU[M]PH (Triumph); at the right, PHOCAS (Phocias) and PHUS (unidentifiable) welcome two additional unnamed protagonists.
At upper corners: NATURA (Nature); SCRIPTRAS (Scripture).
Amongst the foreground proragonists are: IORAM (Joram), IULIANUS APOSTATA (Julian the Apostate), JEROBOAM (Jereboam), HELENA (Helen of Troy) and PARIS (Paris), TARQUIN (Sextus Tarquinius), MELISA (probably an error due to reweaving of MEDUSA), IEZEBEL (Jezebel), NERO (Emperor Nero), MARCUS ANTONI (Mark Anthony), HOLOFERNES (Holofernes) and SARDANAPALUS (King Sardanapalus)
Three inscriptions in cartouches along the uppermost register of the border: “QUISQUIS UT AD CLARUM STUDIOSUS SCANDAT HONOREM / NATURA ASSIDUIS PROVOCAT ALMA TUBIS” (“Generous nature urges with constant trumpets / Anyone to ascend zealously to glorious Honor”); “CANDIDA QUOS MISIT VIRTUS HONOR ARCE RECEPTANS / LAUREAT AMBITIO QUOS TULIT INDE FUGAT” (“Those whom shining Virtue sent, Honor receives and crowns in the citadel. Those whom Ambition inspired, he makes flee from there”); “SEDULO DOCTA IUBET MODULIS SCRIPTURA DISERTIS / NE QUIS HONORIPAROS TARDET INITRE LARES” (“Scholarly Scriptura ordains with skillful means measures that no one should delay to enter the house of Honor”).
La personificazione in trono e barbuto di Honor riceve la corona d'alloro del vincitore da Virtue and Victory. Maestà e rispetto siedono come ancelle ai piedi di Onore, ei più lodati regnanti della storia, ciascuno identificato dal nome, fiancheggiano il suo trono; sotto ci sono dieci donne virtuose, strappate alla mitologia, alla Bibbia e alle più recenti storie apocrife. Lo scriba centrale esamina la lista dei celebranti di Honor, mentre in primo piano una folla indisciplinata di protagonisti storici e letterari blocca il padiglione di Honor.
Questo arazzo faceva parte di un set di sette pezzi che presentava una guida allegorica alle qualità che un governante di successo dovrebbe sposare. Il set è stato fatto per il cardinale Erard de la Marck (1472-1538), principe-vescovo di Liegi, e inviato leale e finanziatore del Sacro Romano Imperatore Carlo V.
Firme, iscrizioni e segni
Iscrizione: Nomi di personaggi, in latino, al centro, in alto: VICTUS (probabilmente una lettura errata del cartone animato o del palcoscenico per VIRTUS- Virtù); MAIESTAS (Maestà); REVER [N] TIA (Rispetto); VICTORIA (vittoria).
Top livello di sovrani, inscritto da sinistra a destra: GODEEREDUS BUHONIUS (Godfrey of Bouillon); S. LODOVICUS (Luigi IX di Francia); CAROL MAGN (Carlo Magno); COSTANTINO (imperatore Costantino); DAVID (King David); Ottaviano (imperatore Augusto); ABRAM (Abraham); ALEXANDER MAGN (Alessandro Magno).
Secondo livello di femmine virtuose: FLORE [N] TIA ROMITIA (Firenze di Roma); PENELOPE (Penelope); SOMRAMIS (Semiramis); HELENA (Imperatrice Elena); HESTER (Esther); DEBORA (il profeta Deborah); SABA (Regina di Saba); ASIA (il continente asiatico, in questo momento iconograficamente associato alla diffusione di Fame).
I passi per entrare nel padiglione di Honor sono, a sinistra, SERTORIUS (generale Sertorius) e MARCELLA (console Marcello), incoronati da DIGNITE (Dignity) e TRIU [M] PH (Triumph); a destra, PHOCAS (Phocias) e PHUS (non identificabili) danno il benvenuto a due altri protagonisti senza nome.
Agli angoli superiori: NATURA (natura); SCRIPTRAS (Scrittura).
Tra i proragonisti in primo piano ci sono: IORAM (Joram), IULIANUS APOSTATA (Julian the Apostate), JEROBOAM (Jereboam), HELENA (Helen of Troy) e PARIS (Parigi), TARQUIN (Sextus Tarquinius), MELISA (probabilmente un errore dovuto al riavvolgimento di MEDUSA), IEZEBEL (Jezebel), NERO (Imperatore Nerone), MARCUS ANTONI (Mark Anthony), HOLOFERNES (Oloferne) e SARDANAPALUS (Re Sardanapalus)
Tre iscrizioni in cartiglio lungo il registro superiore del confine: "QUISQUIS UT AD CLARUM STUDIOSUS SCANDAT HONOREM / NATURA ASSIDUIS PROVOCAT ALMA TUBIS" ("La natura generosa spinge con trombe costanti / Chiunque ascenda zelantemente al glorioso Onore"); "CANDIDA QUOS MISIT VIRTUS HONOR ARCE RECEPTANS / LAUREAT AMBITIO QUOS TULIT INDE FUGAT" ("Coloro che brillano di virtù, Honor riceve e incorona nella cittadella, quelli che l'ambizione ha ispirato, fugge da lì"); "SEDULO DOCTA IUBET MODULIS SCRIPTURA DISERTIS / NE QUIS HONORIPAROS TARDET INITRE LARES" ("La Scriptura ordinata con mezzi abili misura che nessuno dovrebbe ritardare per entrare nella casa d'onore")
House of Moda have been reweaving, recycling and reigniting the connection between fashion, parties and the underground Paris scene for a year and a half now. For their event on March 30 at la Java, they called on me to take photos of the clubbers, posing them as a very special version of the ‘Classe Mannequin’ (Think ‘Melrose Place’ or ‘90210’, but about teenaged models and French).
_____
All rights reserved, don't use my pictures without permission.
House of Moda have been reweaving, recycling and reigniting the connection between fashion, parties and the underground Paris scene for a year and a half now. For their event on March 30 at la Java, they called on me to take photos of the clubbers, posing them as a very special version of the ‘Classe Mannequin’ (Think ‘Melrose Place’ or ‘90210’, but about teenaged models and French).
_____
All rights reserved, don't use my pictures without permission.
House of Moda have been reweaving, recycling and reigniting the connection between fashion, parties and the underground Paris scene for a year and a half now. For their event on March 30 at la Java, they called on me to take photos of the clubbers, posing them as a very special version of the ‘Classe Mannequin’ (Think ‘Melrose Place’ or ‘90210’, but about teenaged models and French).
_____
All rights reserved, don't use my pictures without permission.
Don't like the base of the birdbath. I'll have to take it out and reweave it. Blogged at jazzcatproductions.com
House of Moda have been reweaving, recycling and reigniting the connection between fashion, parties and the underground Paris scene for a year and a half now. For their event on March 30 at la Java, they called on me to take photos of the clubbers, posing them as a very special version of the ‘Classe Mannequin’ (Think ‘Melrose Place’ or ‘90210’, but about teenaged models and French).
_____
All rights reserved, don't use my pictures without permission.
House of Moda have been reweaving, recycling and reigniting the connection between fashion, parties and the underground Paris scene for a year and a half now. For their event on March 30 at la Java, they called on me to take photos of the clubbers, posing them as a very special version of the ‘Classe Mannequin’ (Think ‘Melrose Place’ or ‘90210’, but about teenaged models and French).
_____
All rights reserved, don't use my pictures without permission.
House of Moda have been reweaving, recycling and reigniting the connection between fashion, parties and the underground Paris scene for a year and a half now. For their event on March 30 at la Java, they called on me to take photos of the clubbers, posing them as a very special version of the ‘Classe Mannequin’ (Think ‘Melrose Place’ or ‘90210’, but about teenaged models and French).
_____
All rights reserved, don't use my pictures without permission.
House of Moda have been reweaving, recycling and reigniting the connection between fashion, parties and the underground Paris scene for a year and a half now. For their event on March 30 at la Java, they called on me to take photos of the clubbers, posing them as a very special version of the ‘Classe Mannequin’ (Think ‘Melrose Place’ or ‘90210’, but about teenaged models and French).
_____
All rights reserved, don't use my pictures without permission.
House of Moda have been reweaving, recycling and reigniting the connection between fashion, parties and the underground Paris scene for a year and a half now. For their event on March 30 at la Java, they called on me to take photos of the clubbers, posing them as a very special version of the ‘Classe Mannequin’ (Think ‘Melrose Place’ or ‘90210’, but about teenaged models and French).
_____
All rights reserved, don't use my pictures without permission.
House of Moda have been reweaving, recycling and reigniting the connection between fashion, parties and the underground Paris scene for a year and a half now. For their event on March 30 at la Java, they called on me to take photos of the clubbers, posing them as a very special version of the ‘Classe Mannequin’ (Think ‘Melrose Place’ or ‘90210’, but about teenaged models and French).
_____
All rights reserved, don't use my pictures without permission.
House of Moda have been reweaving, recycling and reigniting the connection between fashion, parties and the underground Paris scene for a year and a half now. For their event on March 30 at la Java, they called on me to take photos of the clubbers, posing them as a very special version of the ‘Classe Mannequin’ (Think ‘Melrose Place’ or ‘90210’, but about teenaged models and French).
_____
All rights reserved, don't use my pictures without permission.
House of Moda have been reweaving, recycling and reigniting the connection between fashion, parties and the underground Paris scene for a year and a half now. For their event on March 30 at la Java, they called on me to take photos of the clubbers, posing them as a very special version of the ‘Classe Mannequin’ (Think ‘Melrose Place’ or ‘90210’, but about teenaged models and French).
_____
All rights reserved, don't use my pictures without permission.
Diane Solis had worked as an inweaver for the Inweaving Company on W. 12th, reweaving damaged garments. At the time this photo was made, she was working as a seamstress out of her home.
Rug Repair & Rug Cleaning Orange County (714) 867-7847
Orange County Rug Cleaners also repairs all types of hand made rugs modern and antique. We repair and clean Persian and Oriental rugs wool, silk and cotton.
We repair rugs that have damaged fringe or we can replace the fringe with ease. We offer all our repairs in our facility such as cord repair, side of rug repair, holes, tears, reweaving, pet urine, pet odor, spots, stains and of course rug cleaning.
We are located at 18318 Ward St. Fountain Valley, CA 92708.
House of Moda have been reweaving, recycling and reigniting the connection between fashion, parties and the underground Paris scene for a year and a half now. For their event on March 30 at la Java, they called on me to take photos of the clubbers, posing them as a very special version of the ‘Classe Mannequin’ (Think ‘Melrose Place’ or ‘90210’, but about teenaged models and French).
_____
All rights reserved, don't use my pictures without permission.
Luminous, distinctive, ancient pulsating medallions within medallions "with fingers" motif (believed to guard against evil) dominates the field in this free, elegant, borderless design mimicking the nomadic life... Whimsical 'primitive' filler includes numerous prayerful fetter symbols for sustained union and 'S's' some researchers believe to symbolize serpents and/or dragons... It is said in Anatolia, snake motifs symbolized happiness and fertility... Either way, snakes represent shedding the old/transformation... Reminds me of where my heart feels so at home, in the 'Land of Enchantment', northern New Mexico, home to many distinct Native American Peublo Tribes... Soft tranquil palette, adobe and sky... Just stunning!... To me, a mystical love letter to The Divine... In need of a reweave in one corner if for the floor... Rare and temple-worthy room-size publishable tribal antique turn of the century or earlier flatweave!...
Biennalist is an Art Format where the participants are passionate about the Theme
Theme:
Think with the Senses – Feel with the Mind.
Art in the Present Tense
52. Venice Biennial
10 June - 21 November 2007
Director:
Robert Storr
From Plato onwards philosophers have divided and compartmentalized human consciousness more or less explicitly pitting one faculty against another; mind versus body, reason versus unreason, thought versus feeling, criticality versus intuition, the intellect versus the senses, the conceptual versus the perceptual. At best such dichotomies have served to sharpen our understanding of the different capac ities at our disposal for comprehending the world and making our place in it. At worst they have deprived us of some of those abilities by setting up false hierarchies that cause us to mistrust or disparage one for the sake of another, many for the sake a few.
Yet no matter how successfully philosophers and ideologues have persuaded people that such categories are not just analytically useful but inherently or historically true, the manifold challenges to understanding that reality poses and the actual f lux of existence exceed the power of systems, theories and definitions to contain them. The imagination is the catch basin into which this overflow spills and art cuts the channels that reconnect formerly isolated or segregated parts of consciousness to each other while flooding and replenishing the whole of it like a fertile river delta.
Think with the Senses - Feel with the Mind is predicated on the conviction that art is now, as it has always been, the means by which humans are made aware of the whole of their being. However, it does not assume that an enduring wholeness is the result, or that art is a magical solution for the conflicts in our nature or in and among differing cultures and societies . That is the domain of philosophy, the social sciences and politics. Nevertheless, to “make sense” of things in a given moment or circumstance is to grasp their full complexity intellectually, emotionally and perceptually. That effort does not promise that our grasp will hold for long, or even much more than the instant in which we awaken to the fact that such fleeting powers of concentration and transformation are ours. Incidentally, “making nonsense” of the world, as grotesque, Dada or absurdist art does, deploys those same powers through exaggerated disparity. By inverting order and logic the artifact created paradoxically holds fragmented consciousness in suspension so that its contradictions can be clearly apprehended.
Epiphanies happen but do not last. As James Joyce showed, one of the functions of art is to preserve the experience so that we may savor and study its many aspects. The history of art is a fabric of epiphanies woven by many hands at different speeds; the present tense of art is the outer edge of that work in progress. At any point the edge may be ragged and uneven and the pattern in formation disturbing or hard to discern, reflecting the difficulty of making art in troubled times. We are living in just such times. Rather that trim the edge or reweave the pattern to neaten it, this exhibition focuses on selected aspects of current production that hint at what the emerging patterns might be without presuming to map them entirely. No attempt has been made therefore to be programmatically “representative,” either in terms of styles, mediums, generations, nations or cultures. Instead certain qualities and concerns widely found in contemporary art have been used as magnetic poles for gathering work from all seven continents, in all media, in various styles and of all generations now active.
Between the poles to which some works have readily gravitated is a force field where many other works hover. The poles themselves have been used like tuning forks, such that the criterion for selection has been resonance or mood as much as subject matter or aesthetic methodology. Among these vibrating points of reference are the immediacy of sensation in relation to questioning the nature and meaning of that sensation, intimate affect in relation to engagement in public life, belonging and dislocation, th e fragility of society and culture in the face of conflict, the sustaining qualities of art in the face of death.
Since the early 20century the development of modern art has been world wide. However its general dissemination and reception have lagged f ar behind this far flung, simultaneous, and cross -pollinating growth. In recognition of that discrepancy this Biennale has, as in the past, counted to the national pavilions to close the gaps, but it has also incorporated one national pavilion, Turkey, plus a regional pavilion, Africa, within its core, pointing the way, it is hoped, to greater, more permanent inclusiveness in areas of the world and of art -making too long overlooked in the international exhibition circuit.
While this show looks forward it does not look back. No attempt is made to trace genealogies or construct a new canon - and none at all to compete with art fairs or handicap the market. With a handful of exceptions all the artists included are alive and active. Diverse in origin and in temporal vantage points, it is they who conjugate the present tense of art for each other – and for us. The only artists in the show who are not living, would be but for their premature or unexpected deaths; their work is included here because its abiding freshness and impact keeps them on the minds of their peers and the public.
2007 Awards:
Golden Lion to an artist exhibited at the international exhibition to León Ferrari
Golden Lion to a young artist (under 40) to Emily Jacir
Golden Lion for best national participation to Hungary represented by Andreas Fogarasi
Honourable Mention to an artist to Nedko Solakov
Honourable Mention to a pavilion to the Lithuanian Pavilion represented by Nomeda & Gediminas Urbonas
Golden Lion to a critic or an art historian for his contribution to contemporary art to Benjamin Buchloh
Golden Lion for Lifetime Achievement to Malick Sidibé
Artists:
Rafael Lozano-Hemmer
Ignasi Aballí
Adel Abdessemed
Adel Abidin
Marina Abramovic
Vito Acconci
Nasser Naassan Agha
Tora Aghabeyova
Vincenzo Agnetti
Faig Ahmed
Vyacheslav Akhunov
Mounira Al-Solh
Rashad Alakbarov
Nikos Alexiou
Luciano de Almeida
Hüseyin Alptekin
David Altmejd
Narda Alvarado
Francis Alÿs
Ghada Amer
El Anatsui
Giovanni Anselmo
Dario Arcidiacono
Tatiana Arzamasova
Orkhan Aslanov
Said / Abilsaid Atabekov
Chingiz Babayev
Mrdjan Bajic'
Sonia Balassanian
Rubén Ramos Balsa
Oladélé Bamgboyé
Miquel Barceló
Yto Barrada
Andrei Bartenev
Georg Baselitz
Gabriele Basilico
Jean Michel Basquiat
Mónica Bengoa
Mario Benjamin
Joseph Beuys
Bili Bidjocka
Manon de Boer
Stefano Bombardieri
Boris Mikhailov
Zoulikha Bouabdellah
Louise Bourgeois
Herbert Brandl
Sergei Bratkov
Jan Christiaan Braun
Antonio Briceño
Patricia Bueno
Daniel Buren
Luca Buvoli
Christoph Büchel
Gerard Byrne
Sophie Calle
Paolo Canevari
Christian Capurro
Pablo Cardoso
Giovanni Carmine
Maríadolores Castellanos
Samba Chéri
Loulou Cherinet
Ali Cherri
Eteri Chkadua
Amrit Chusuwan
Vladimir Cybil
Bassem Dahdouh
Jacob Dahlgren
José Damasceno
Sahar Dergham
Angela Detanico
Felipe de Souza Dias
Paulo Vitor da Silva Dias
Ranieri Dias
Renato Figueiredo Dias
Gino De Dominicis
James Drake
Marlene Dumas
Eric Duyckaerts
Nataliya Dyu
Dzine
Rena Effendi
Jorge Eielson
Haiam Abd El-Baky
Tarek El-Komy
Aiman El-Semary
Fouad Elkoury
Tracey Emin
Haris Epaminonda
Lev Evzovich
Valie EXPORT
Steingrimur Eyfjörd
Nganguè Eyoum
Mounir Fatmi
Cao Fei
Eloy Feria
León Ferrari
ngela Ferreira
Marcus Viniciu Clemente Ferriera
George Fikry
Angelo Filomeno
Urs Fischer
Andreas Fogarasi
Francisco Bernd da Franca
Rene Francisco
Georgy Frangulyan
Ivana Franke
Vladimir Fridkes
Yukio Fujimoto
Gints Gabra-ns
Charles Gaines
Rainer Ganahl
Tomer Ganihar
Fabio Ferreira Gaviao
Isa Genzken
Alla Girik
Helidon Gjergji
Gent Gjokola
Shaun Gladwell
Felix Gmelin
Toril Goksøyr
José Luis Guerín
Dmitry Gutov
Alban Hajdinaj
Neil Hamon
Jonathan Harker
Lyle Ashton Harris
Ali Hasanov
Kiluanji Kia Henda
Christine Hill
Alexandre Hnilitsky
Jenny Holzer
Rebecca Horn
Marine Hugonnier
Mustafa Hulusi
Orkhan Huseynov
Pierre Huyghe
Lee Hyungkoo
Elshan Ibrahimov
Tamilla Ibrahimova
Ihosvanny
Pravdoliub Ivanov
Alfredo Jaar
Emily Jacir
Kim Jones
Lamia Joreige
Irena Ju*zová
Waltercio Caldas Junior
Andre Juste
Emilia Kabakov
Ilya Kabakov
Y.Z. Kami
Paulo Kapela
Izumi Kato
Ellsworth Kelly
Amal Kenawy
Kendell Geers
Raoul de Keyser
Rauf Khalilov
Jamshed Kholikov
Martin Kippenberger
Gaukhar Kiyekbayeva
Riyas Komu
Guillermo Kuitca
Tamara Kvesitadze
Rafael Lain
Rosemary Laing
Rafael Lamata
Maria Verónica León
Leonilson
Vincent Leow
Sol LeWitt
Jason Lim
Rosario López
Rafael Lozano-Hemmer
Armando Lulaj
Zulkifle Mahmod
Nalini Malani
Renato Mambor
Victor Man
Blagoja Manevski
Camilla Martens
Roman Maskalev
Steve McQueen
Xenía Mejia
Jill Mercedes
Arseny Mescheryakov
Aernout Mik
Paul D. Miller
Julia Milner
Santu Mofokeng
Andrei Monastyrski
Ronald Morán
Hiroharu Mori
Callum Morton
Joshua Mosley
Nástio Mosquito
Ivan Moudov
Rabih Mroué
Gulner Mukazhanova
Oscar Muñoz
Elizabeth Murray
Ndilo Mutima
Ingrid Mwangi
Marko Mäetamm
Sirous Namazi
Zoran Naskovski
Bruce Nauman
Hadil Nazmy
Yves Netzhammer
Alexander Nikolaev
Stefan Nikolaev
Susan Norrie
Thomas Nozkowski
Odili Donald Odita
Chris Ofili
Olu Oguibe
Melik Ohanian
Masao Okabe
Marco Antonio Oliveira
Maycon Souza de Oliveira
Nelcirlan Souza de Oliveira
Mario Opazo
Nipan Oranniwesna
Svetlana Ostapovici
William Paats
Paola Parcerisa
Philippe Parreno
Philippe Pastor
Heldi Pema
Giuseppe Penone
Jose Carlos da Silva Pereira
Dan Perjovschi
Rodrigo de Maceda Perpetuo
Raymond Pettibon
Donato Piccolo
Jorge Pineda
Cristi Pogacean
Sigmar Polke
Alexander Ponomarev
Concetto Pozzati
Wilfredo Prieto
Emily Prince
Morrinho Project
Tobias Putrih
Arnulf Rainer
Lars Ramberg
Alfredo Rapetti
José Alejandro Restrepo
Jason Rhoades
Manuela Ribadeneira
Gerhard Richter
David Riff
Ketty La Rocca
Ugo Rondinone
Tracey Rose
Susan Rothenberg
Aleksei Rumyantsev
Robert Ryman
Ruth Sacks
Walid Sadek
Ghassan Salhab
Ernesto Salmerón
Margaret Salmon
Fred Sandback
Iran do Espirito Santo
Yehudit Sasportas
Oksana Shatalova
Yinka Shonibare MBE
Malick Sidibe
Nedko Solakov
Monika Sosnowska
Cinthya Soto
Nancy Spero
Rania Stephan
Christine Streuli
Daniel von Sturmer
Evgeny Svyatsky
Tabaimo
Sophia Tabatadze
Da Wu Tang
Sam Taylor-Wood
Elaine Tedesco
Philippe Thomas
Mark Titchner
Faustin Titi
Felix Gonzalez Torres
Mario Garcia Torres
Jalal Toufic
Paula Trope
Tatiana Trouvé
Florin Tudor
Alexander Ugay
Gediminas Urbonas
Nomeda Urboniene
Vyacheslav (Yura) Useinov
Jamshed Usmanov
Aitegin Muratbek uulu
Jaime Vallare
Minnette Vàri
Mona Vatamanu
Emilio Vedova
Francesco Vezzoli
Alterazioni Video
Ernesto Vila
Manuel Vilariño
Françoise Vincent
Viteix
Kara Walker
Andy Warhol
Lawrence Weiner
Franz West
Sophie Whettnall
Maaria Wirkkala
Pavel Wolberg
Troels Wörsel
Yin Xiuzhen
Kan Xuan
Moico Yaker
Fudong Yang
Zhenzhong Yang
Yonamine
Tomoko Yoneda
Shen Yuan
Akram Zaatari
Maksim Zadarnovsky
Valeriy Zadarnovsky
Lesia Zaiats
Chen Zhen
Tags: Ignasi Aballí, Adel Abdessemed, Adel Abidin, Marina Abramović, Vito Acconci, Vincenzo Agnetti, Vyacheslav Akhunov, Rashad Alakbarov, Hüseyin Alptekin, David Altmejd, Francis Alÿs, Ghada Amer, El Anatsui, Giovanni Anselmo, Armando, Rubén Ramos Balsa, Miquel Barceló, Yto Barrada, Georg Baselitz, Gabriele Basilico, Jean-Michel Basquiat, Joseph Beuys, Bili Bidjocka, Manon de Boer, Zoulikha Bouabdellah, Louise Bourgeois, Herbert Brandl, Christoph Büchel, Daniel Buren, Gerard Byrne, Waltercio Caldas, Sophie Calle, Paolo Canevari, Po-i Chen, Ali Cherri, Jacob Dahlgren, José Damasceno, Gino de Dominicis, Marlene Dumas, Eric Duyckaerts, Dzine, Rena Effendi, Fouad Elkoury, Tracey Emin, Haris Epaminonda, Valie Export, Mounir Fatmi, Cao Fei, León Ferrari, ngela Ferreira, Angelo Filomeno, Urs Fischer, Andreas Fogarasi, René Francisco, Ivana Franke, Yukio Fujimoto, Charles Gaines, Rainer Ganahl, Kendell Geers, Isa Genzken, Shaun Gladwell, Felix Gmelin, Felix Gonzalez-Torres, Dmitry Gutov, Neil Hamon, Jonathan Harker, Lyle Ashton Harris, Kiluanji Kia Henda, Christine Hill, Jenny Holzer, Rebecca Horn, Marine Hugonnier, Mustafa Hulusi, Pierre Huyghe, Pravdoliub Ivanov, Alfredo Jaar, Emily Jacir, Kim Jones, Lamia Joreige, Ilya & Emilia Kabakov, Y.z. Kami, Ellsworth Kelly, Amal Kenawy, Raoul De Keyser, Martin Kippenberger, Guillermo Kuitca, Rosemary Laing, Leonilson, Sol LeWitt, H.H. Lim, Rosario López, Rafael Lozano-Hemmer, Armando Lulaj, Marko Mäetamm, Nalini Malani, Victor Man, Steve McQueen, Aernout Mik, Boris Mikhailov, Santu Mofokeng, Andrei Monastyrski, Callum Morton, Joshua Mosley, Nástio Mosquito, Ivan Moudov, Rabih Mrouè, Oscar Muñoz, Elizabeth Murray, Sirous Namazi, Bruce Nauman, Yves Netzhammer, Stefan Nikolaev, Susan Norrie, Thomas Nozkowski, Odili Donald Odita, Chris Ofili, Olu Oguibe, Melik Ohanian, Nipan Oranniwesna, Philippe Parreno, Giuseppe Penone, Dan Perjovschi, Raymond Pettibon, Cristi Pogacean, Sigmar Polke, Alexander Ponomarev, Concetto Pozzati, Wilfredo Prieto, Emily Prince, Tobias Putrih, Rainer Fetting, Arnulf Rainer, José Alejandro Restrepo, Jason Rhoades, Manuela Ribadeneira, Gerhard Richter, Ketty La Rocca, Ugo Rondinone, Tracey Rose, Susan Rothenberg, Robert Ryman, Margaret Salmon, Fred Sandback, Iran do Espírito Santo, Yehudit Sasportas, Yinka Shonibare, Malick Sidibé, Nedko Solakov, Mounira Al Solh, Monika Sosnowska, Nancy Spero, Christine Streuli, Daniel von Sturmer, Tabaimo, Al Taylor, Sam Taylor-Wood, Mark Titchner, Mario Garcia Torres, Tatiana Trouvé, Minnette Vari, Emilio Vedova, Francesco Vezzoli, Alterazioni Video, Kara Walker, Andy Warhol, Lawrence Weiner, Franz West, Sophie Whettnall, Pavel Wolberg, Troels Wörsel, Yin Xiuzhen, Kan Xuan, Yonamine, Tomoko Yoneda, Shen Yuan, Akram Zaatari, Chen Zhen, Yang Zhenzhong
en.wikipedia.org/wiki/Thierry_Geoffroy
www.emergencyrooms.org/biennalist.html
www.emergencyrooms.org/formats.html
------------about Venice Biennale history from wikipedia ---------
curators previous
* 1948 – Rodolfo Pallucchini
* 1966 – Gian Alberto Dell'Acqua
* 1968 – Maurizio Calvesi and Guido Ballo
* 1970 – Umbro Apollonio
* 1972 – Mario Penelope
* 1974 – Vittorio Gregotti
* 1978 – Luigi Scarpa
* 1980 – Luigi Carluccio
* 1982 – Sisto Dalla Palma
* 1984 – Maurizio Calvesi
* 1986 – Maurizio Calvesi
* 1988 – Giovanni Carandente
* 1990 – Giovanni Carandente
* 1993 – Achille Bonito Oliva
* 1995 – Jean Clair
* 1997 – Germano Celant
* 1999 – Harald Szeemann
* 2001 – Harald Szeemann
* 2003 – Francesco Bonami
* 2005 – María de Corral and Rosa Martinez
* 2007 – Robert Storr
* 2009 – Daniel Birnbaum
* 2011 – Bice Curiger
* 2013 – Massimiliano Gioni
* 2015 – Okwui Enwezor
* 2017 – Christine Macel[19]
* 2019 – Ralph Rugoff[20]
—-------------
#art #artist #artistic #artists #arte #artwork
#artcontemporain contemporary art Giardini Arsenal
venice Veneziako Venecija Venècia Venedig Venetië Veneetsia Venetsia Venise Venecia VenedigΒενετία( Venetía HungarianVelence Feneyjar Venice Venezia Venēcija Venezja Venezia Wenecja Veneza VenețiaVenetsiya BenátkyBenetke Venecia Fenisוועניס Վենետիկ ভেনি স威尼斯 (wēinísī) 威尼斯 ვენეციისવે નિસवेनिसヴェネツィアವೆನಿಸ್베니스வெனிஸ்వెనిస్เวนิซوینس Venetsiya
art umjetnost umění kunst taideτέχνη művészetList ealaínarte māksla menasartiKunst sztuka artăumenie umetnost konstcelfקונסטարվեստincəsənətশিল্প艺术(yìshù)藝術 (yìshù)ხელოვნებაकलाkos duabアートಕಲೆសិល្បៈ미술(misul)ສິນລະປະകലकलाအတတ်ပညာकलाකලාවகலைఆర్ట్ศิลปะ آرٹsan'atnghệ thuậtفن (fan)אומנותهنرsanat artist
other Biennale :(Biennials ) :
Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale .Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial ; Athens Biennale , Bienal do Mercosul ,Göteborg International Biennial for Contemporary Art ,DOCUMENTA KASSEL ATHEN ,Dakar; Biennalist
kritik[edit] kritikaria kritičar crític kritiker criticus kriitik kriitikko critique crítico Kritiker κριτικός(kritikós) kritikus Gagnrýnandi léirmheastóir critico kritiķis kritikas kritiku krytyk crítico critic crítico krytyk beirniad קריטיקער
Veneziako Venecija Venècia Venedig Venetië Veneetsia Venetsia Venise Venecia Venedig Βενετία(Venetía) Hungarian Velence Feneyjar Venice Venezia Latvian Venēcija Venezja Venezia Wenecja Portuguese Veneza Veneția Venetsiya Benátky Benetke Venecia Fenis וועניס Վենետիկ ভেনিস 威尼斯 (wēinísī) 威尼斯 Georgian ვენეციის વેનિસ वेनिस ヴェネツィア ವೆನಿಸ್ 베니스 வெனிஸ் వెనిస్ เวนิซ وینس Venetsiya