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MineralPRO Water Filters - Nanaimo
2116 Mountain Vista dr.
Nanaimo, BC V9T 6S4
Tel: 250-667-8590
Fax: 250-999-8900
Under the skillful throttle of engineer James Lewis, Metra #2107 makes its' stop at Lake Forest, IL. on the C&M Subdivision.
Merge of several images to illustrate reversing round a corner and road position for my son's article. My son John is a motor jounalist working both freelance and for Honest John on line.
Shot the G15 logo on my keyboard using the EF-S 18-55mm reversed at around 25mm (Forgot to look at the scale)
Really hard to shoot these handheld.
Taken with a 24mm reversed onto extension tubes. Flash is on a hinged hot shoe and leaned out over the end of the lens stack. A DIY snoot fires the light in front of the lens.
I don't have a flash gun so I cant capture water droplets in quite as much detail as I would like so this will have to do
Taken with a 24mm lens reversed onto a stack of 3 extension tubes. A hinged hot shoe allows the flash to lean out over the stack with a home made snoot to fire the light directly in front of the lens. Taken in Central Park, NYC.
Reverse in the Empty Stones is a photographic and writing project by Giacomo Por.
© Giacomo Por. All rights reserved.
A public launch of Reverse Joy by artist collective Slavs and Tatars took place at the fountain of Wall Centre Plaza in downtown Vancouver in mid-April 2013. The morning was dark grey, sky filled with ominous clouds, but they cleared in time for the launch of the red-dyed fountain, which attracted numerous people.
This was part of a larger exhibit by Slavs and Tatars happening at Presentation House in North Vancouver.
In the group shots are (L-R) Payam Sharifi - artist, member of Slavs and Tatars, Babak Golkar - curator, and Kasia Korczak - artist, member of Slavs and Tatars.
testing the reverse lens macro technique. canon 50mm 1.8 wide open coupled with a Carl Zeiss Jena Flektogon 35mm f/2.4 at f22. i ended up having to use a 8 second exposure.
working on some "reverse" patterns to go with Triangle Mania and Scruffy Daisy...need to create a coloured background.
We'll see on Weds if it worked...
The reverse. The hardest part about the apron is deciding how to wear it.
I made two minor modifications to the pattern. First, I left the open area to turn the apron on one of the sides instead of along the bottom. It seems silly to iron up and topstitch an open curved spot when there are so many strait edges available. Second, instead of making an adjustable tie neck, I measured to my size, because I knew this would be mine, and made the neck binding continuous.
I LOVE this pattern. Even #3 is so satisfying.