View allAll Photos Tagged ReversalProcessed
Published for #post-apo.lv weekly theme "Atvērto (b)aiļu dienas". #post-apoFriday
Combo picture. Both photos taken with Zenit 11 + Helios-44M-4 lens and Ilford Delta 100 Professional BW film. DIY developed with reversal processing, pushed +2
One of the kindest, hardest working photographers I know is my friend Tariq Tarey. By day, he helps refugees settle into their new lives in the United States. By night, he documents the lives of the very same refugees he's surrounded by in Central Ohio.
Just being in the same room as Tariq forces me to work better as a photographer. His understanding of light and portraiture are masterful, and I can't help but make portraits when in his company. Today, however, Tariq was the subject!
These are two test sheets of expired TMAX 100 developed as B&W slides. The reversal process is a bit harder to control than regular B&W development, but the end results are something special. Transparencies were scanned to retain the warmth from selenium toning.
Sinar P2 8x10
Schneider Symmar-S 480mm f/8.4
1/125th @ f/8.4 + front tilt
Kodak TMAX 100 Reversal Processed
marrash.com
Mt.Tokachidake from Bogakudai, Kamifurano, Hokkaido.
Canon AV-1, FDn 135mm F2.8, negative ISO 100 from Fuji expired 8 years ago exposed as ISO 100, developed with reversal processing ( 1st: Korectol 30 DegC. 2 minutes 15 seconds, 2nd: BAN1 ) scanned with Plustek OpticFilm8100 + VueScan at 7200 DPI, edited with GIMP. Bigger sizes: www.flickr.com/photos/threepinner/53947244797/sizes/ up to 10170 × 6805 pixels compatible.
Learn DIY development and upgrade to film !
28th and 29th June. Furano, Hokkaido.
Canon AV-1, FD 135mm F2.5, negative ISO 100 for recording from Fuji expired 5 years ago exposed as ISO 100, developed with reversal processing ( 1st: Korectol 30 DegC. 2 minutes, 2nd: BAN1 ) scanned with Plustek OpticFilm8100 + VueScan at 7200 DPI, edited with GIMP.
Learn DIY development and upgrade to film !
Mikasa, Hokkaido.
Ricoh XR8, Pentax-M 28mm F3.5, negative for cinema from Fuji ( F64D ) exposed as ISO 40, developed with reversal processing ( 1st Finedol, B&W developer at 16 Deg.C. for 4 hours, 2nd: ECN-2 ), scanned with Plustek OpticFilm8100 + VueScan at 3600 dpi, edited with GIMP.
We are snow fighters. Iwamizawa, Hokkaido. Snow depth is over 1 meter. Canon AV-1, NFD 50mm F1.8, negative ISO 100 from Fuji, exposed as ISO 100, developed with reversal processing ( 1st: Korectol 30 DegC. 140 seconds, too long, 2nd:BAN1 ), scanned with Plustek OpticFilm8100 + VueScan, edited with GIMP. Bigger sizes: www.flickr.com/photos/threepinner/54225647809/sizes/ up to 10076 × 6782 pixels compatible. Learn DIY development and upgrade to film !
Since pre-Covid times, I've been tinkering with a process that takes RA-4 color negative paper and exposes them directly in camera. With enough light, careful filtration, and extra darkroom processing steps, some pretty cool results can be achieved. I'm not going for 100% realism with the colors in this process like some are, just something different from what's available with new and expired color materials today.
You can see more on this process over on my YouTube channel:
Sinar P2 8x10
Ilex Portrait Lens
1/60 sec. @ f/5 + front fall, tilt
Fuji Crystal Archive @ ISO 10
Speedotron 4800 + Broncolor 1600
Soma shrine, Sapporo. Canon AV-1, NFD 50mm F1.8, negative ISO 100 from Fuji, exposed as ISO 100, developed with reversal processing ( 1st: Korectol 30 DegC. 120 seconds,still too long, 2nd:BAN1 ), scanned with Plustek OpticFilm8100 + VueScan, edited with GIMP. Learn DIY development and upgrade to film !
Lower deck of the Sorrento to Queenscliff car ferry.
Bronica S2a, Ilford Delta Pro 100 Reversal Processed.
I've had this new toy in my hands for the last month, the Reveni Labs Spot Meter. It's pretty neat, and all the photographs I've made with it I'm uploading here to Flickr in higher res. Check out the full review here:
www.youtube.com/watch?v=RBlacFq74JA
Tachihara 8x10 Double Extension
Ilex Portrait Lens 305mm f/5
1 sec. @ f/5
Fuji Crystal Archive RA-4 @ ISO 1
These are the results from our first test of processing B&W slides from Delta 100. I say our because I didn't do this at home but in collaboration with my local lab here in Melbourne. I bracketed the Delta 100 shotting at ISO 50, 100 and 200. This is a scan of the 200.
I discussed the results with the lab guy, who is very knowledgable and is happy to spend plenty of time with me talking through the process. He showed me the test roll He'd done before processing mine, which was also Delta 100 albeit 35mm not 120, and the blacks in the test roll were awesome. He'd even tinted half of the test roll to see the difference, which didn't alter the blacks that much. I guess my question is..other than me somehow fogging the film, what could have happened and have you had similar results processing B&W film to positives?
Any help/advice is appreciated.
These are the results from our first test of processing B&W slides from Delta 100. I say our because I didn't do this at home but in collaboration with my local lab here in Melbourne. I bracketed the Delta 100 shotting at ISO 50, 100 and 200. This is a scan of the 200.
I discussed the results with the lab guy, who is very knowledgable and is happy to spend plenty of time with me talking through the process. He showed me the test roll He'd done before processing mine, which was also Delta 100 albeit 35mm not 120, and the blacks in the test roll were awesome. He'd even tinted half of the test roll to see the difference, which didn't alter the blacks that much. I guess my question is..other than me somehow fogging the film, what could have happened and have you had similar results processing B&W film to positives?
Any help/advice is appreciated.
I had to work up near the NSW border, about a 4 hour drive from home. I had planned to go out night shooting but had be a little off colour (severe Man Flu) and decided to stay in my motel room for the night and rest up.
Couldn't resist playing around with the Bronica though.
At skiing up to Mt.Soranuma, Misumai, Sapporo. Canon AV-1, NFD 50mm F1.8, negative ISO 100 from Fuji, exposed as ISO 100, developed with reversal processing ( 1st: Korectol 30 DegC. 120 seconds,still too long, 2nd:BAN1 ), scanned with Plustek OpticFilm8100 + VueScan, edited with GIMP. Learn DIY development and upgrade to film !
11th Aug, Utashinai, Hokkaido.
Canon AV-1, FDn 50mm F1.8, negative ISO 100 from Fuji expired 8 years ago exposed as ISO 100, developed with reversal processing ( 1st: Korectol 30 DegC. 2 minutes 15 seconds, 2nd: BAN1 ) scanned with Plustek OpticFilm8100 + VueScan at 7200 DPI, edited with GIMP. Bigger sizes: www.flickr.com/photos/threepinner/53921749053/sizes/; up to 10127 × 6698 pixels compatible.
Learn DIY development and upgrade to film !
[Taken with Zenit 11, Helios-44M-4 lens and Ilford Delta 100 black and white film. DIY developed in a reversal process, pushed +2]
Reversal Process on 4x5 Paper Negative
Fomabrom (N)
DIY wooden box camera
Industar-23 110mm f4.5 (Moskva-2)
Reversal process based the bleaching and re-lighting and re-development of the negative. Concentrated hydrogen peroxide mixed with citric acid is the bleaching agent, so low toxicity is ensured within careful and reasonable handling of the chemicals. The white parts of the image are made of bleached silver.
Many thanks to Joe van Cleave for making a video about the process and explaining the details of the process.
Lake Shupar, Yubari, Hokkaido. Back peak is Mt.Takinosawa.
Pentax MZ-M, EBC Fujinon 28mm F3.5 ( M42, with Rayqual adoptrer ), Fujicolor 100 ( negative ISO 100 from Fujfilm ), exposed as ISO 100, developed with reversal processing ( 1st: Korectol 30 DegC. 100 seconds, 2nd:BAN1 ), scanned with Plustek OpticFilm8100 + VueScan, edited with GIMP. Bigger sizes: www.flickr.com/photos/threepinner/54266030612/sizes/ , the original: 10152 × 6836 pixels compatible. Learn DIY development and upgrade to film !
RA-4 is the name of a color process intended for taking color negative films and printing them in the darkroom as a color positive. With some heavy filtration, a bit of patience, and heaps of light, we can actually expose this paper directly in-camera and specialty process this paper as a color positive! Over the course of 2020, I’ve been chipping away at some of the biggest hurdles to this process, namely color. After this most recent series of tests, I’m happy to share some results that make me want to keep shooting pictures with this process.
You can watch the in-depth video about it here:
Sinar P2 8x10 + Sironar 360mm f/6.8
1/30th sec. @ f/8
Fuji Crystal Archive II Luster
RA-4 Reversal Processing
Graflex Speed Graphic + Optar 135/4.7
Agfa multicontrast premium @iso 3
Reversal Processed
jamesharrphoto.blogspot.com/2017/07/moving-forward-in-rev...
Yuni, Hokkaido. The yellow shack is used as a bus stop.
Mamiya Universal Press, Sekor 100mm F2.8, F250D ( cine negative from Fuji ) , exposed as ISO 200，developed with reversal processing ( 1st: Finedol 20 DegC. 240minutes, 2nd:ECN2 ), scanned with Epson V700 + EpsonSoftwareat 3200 dpi, edited with GIMP.