View allAll Photos Tagged ReversalProcessed
I like what they've done with the place.
Bronica S2a, Ilford Delta Pro 100 reversal processed. I'm looking forward to seeing this one projected.
This is from a few weeks ago, the same day as "Late in the day High in the Air" at Mt Buffalo, Victoria.
I wasn't going to upload it but it goes well with the previous two tree shots.
Bronica S2a, Nikkor 50mm, Ilford Delta Pro 100 Reversal Processed.
I've had this new toy in my hands for the last month, the Reveni Labs Spot Meter. It's pretty neat, and all the photographs I've made with it I'm uploading here to Flickr in higher res. Check out the full review here:
www.youtube.com/watch?v=RBlacFq74JA
Tachihara 8x10 Double Extension
Ilex Portrait Lens 305mm f/5
4 sec. @ f/8
Fuji Crystal Archive RA-4 @ ISO 1
An experiment in reversal processing negative film to positive slides with Roba Apposta kit chemistry.
Notes: Increased contrast and emulsion shifts in unexposed areas
Since pre-Covid times, I've been tinkering with a process that takes RA-4 color negative paper and exposes them directly in camera. With enough light, careful filtration, and extra darkroom processing steps, some pretty cool results can be achieved. I'm not going for 100% realism with the colors in this process like some are, just something different from what's available with new and expired color materials today.
You can see more on this process over on my YouTube channel:
Sinar P2 8x10
Ilex Portrait Lens
1/60 sec. @ f/5 + front fall, tilt
Fuji Crystal Archive @ ISO 10
Speedotron 4800 + Broncolor 1600
Cropped a bit for Macro Mondays weekly theme "Made of Metal".
[Taken with Zenit 11, Helios-44-2 lens + Olympus A-macro H.Q. converter, Ilford Delta 100 BW film developed in a reversal process (DIY) +2]
1972 Rambler Matador, Zero 612B Pinhole camera (the first time I've used it in 6x6 mode), Ilford Delta Pro 100 beautifully Reversal Processed by Dan at Vanbar Imaging, typical Melbourne day.
Tonebetsu park, Iwamizawa, Hokkaido.
Ricoh XR8, Rikenon 50mm F2.0, negative for cinema from Fuji ( F64D ) exposed as ISO 40, developed with reversal processing ( 1st: Finedol 16 Deg.C. for 4 hours ! , second: ECN2 ), scanned with Plustek OpticFilm8100 at 3600 dpi, edited with GIMP.
House for summer dance festival, Central park, Mikasa, Hokkaido.
Mamiya M645, Sekor 45mm F2.8, negative ISO 160 from Fuji developed with reversal processing. This technique works only in night scenes. Sorry for the dull sharpness.
Tonebetsu park, Iwamizawa, Hokkaido.
Ricoh XR8, Rikenon 50mm F2.0, negative for cinema from Fuji ( F64D ) exposed as ISO 40, developed with reversal processing ( 1st: Finedol 16 Deg.C. for 4 hours ! , second: ECN2 ), scanned with Plustek OpticFilm8100 at 3600 dpi, edited with GIMP.
This is from the second roll of Delta 100 Reversal Processed.
The tones are much better in this roll and even though this is a night shot and it is a littl hard to judge, I'm really lovin the results, apart from the weird lines.
This is about a 15 minute exposure in between rain storms.
An afternoon beach walk just east of Lorne.
Bronica S2a, Ilford Delta Pro 100 reversal processed, Nikkor 75mm.
I really like the blemishes on this one although I'm not really sure why.
1964 Rambler Classic 770 Coupe. It is stunning!
Bronica S2a, Nikkor 75mm, Ilford Delta Pro 100 reversal processed.
Tonebetsu park, Iwamizawa, Hokkaido.
Ricoh XR8, Pentax-M 28mm F3.5, negative for cinema from Fuji ( F64D ) exposed as ISO 40, developed with reversal processing ( 1st: Finedol 16 Deg.C. for 4 hours ! , second: ECN2 ), scanned with Plustek OpticFilm8100 at 3600 dpi, edited with GIMP.
Gibson Beach. This was late afternoon mid week. I can remember when we used to surf here in the 80s and even on weekends there would be no other footprints on the beach. I have to admit, it looked kind of weird to see this many footprints.
This is another shot from the second roll of reversal processed Delta Pro 100, shot with my Bronica S2a.
Tonebetsu park, Iwamizawa, Hokkaido.
Ricoh XR8, Rikenon 50mm F2.0, negative for cinema from Fuji ( F64D ) exposed as ISO 40, developed with reversal processing ( 1st: Finedol 16 Deg.C. for 4 hours ! , second: ECN2 ), scanned with Plustek OpticFilm8100 at 3600 dpi, edited with GIMP.
Ansco 3A 122 (postcard)
Arista Grade 2 paper @ iso 2
Reversal Processed Direct Positive
My-tol 1:1
Peroxide/Cit. acid bleach
2 min exposure
My-tol 1:1
Mikasa, Hokkaido.
Ricoh XR8, Pentax-M 28mm F3.5, negative for cinema from Fuji ( F64D ) exposed as ISO 40, developed with reversal processing ( 1st Finedol, B&W developer at 16 Deg.C. for 4 hours, 2nd: ECN-2 ), scanned with Plustek OpticFilm8100 + VueScan at 3600 dpi, edited with GIMP.
Sorrento to Queenscliff Ferry ride in the rain. It was pretty nice because the wind was light and it was pretty warm too.
Bronica S2a, Ilford Delta Pro 100 Reversal Processed, Nikkor 75mm.
Rinkuu park, Abira,Hokkaido.
Canon AV-1, NFD 28mm F2.8, F64D ( negative for cinema from Fuji ) exposed as ISO 40, developed with reversal processing ( 1st: Korectol + H&W control 37 Deg.C. 12 minutes, 2nd: CD3 + BAN1 pH11.0 38 Deg.C ), scanned with Plustek OpticFilm8100 + VueScan at 3600 DPI, edited with GIMP.
Iwamizawa, Hokkaido. Snow depth is over 1 meter. Canon AV-1, NFD 50mm F1.8, negative ISO 100 from Fuji, exposed as ISO 100, developed with reversal processing ( 1st: Korectol 30 DegC. 140 seconds, too long, 2nd:BAN1 ), scanned with Plustek OpticFilm8100 + VueScan, edited with GIMP. Bigger sizes: > up to 9951 × 6750 pixels compatible. This is to test the newly labeled color negative film on reversal processing. Learn DIY development and upgrade to film !
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Shot on Agfa Scala 200X at EI 200.
Black and white reversal (slide) film in 35mm format.
Reversal processed.
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Read on at: emulsive.org/photography/35mm-format/latch-key-kid-shot-o...
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Filed under: #35mmformat, #Photography, #2018February, #35MmFormatFilm, #Agfa, #AgfaScala200X, #BlackAndWhiteReversalSlideFilm, #EI200, #EMULSIVEDailyPhoto, #ISO200, #Leica, #LeicaM6TTL085, #LeicaTeleElmarit90MmF28, #ReversalProcessed
#shootfilmbenice #filmphotography #believeinfilm
One of the kindest, hardest working photographers I know is my friend Tariq Tarey. By day, he helps refugees settle into their new lives in the United States. By night, he documents the lives of the very same refugees he's surrounded by in Central Ohio.
Just being in the same room as Tariq forces me to work better as a photographer. His understanding of light and portraiture are masterful, and I can't help but make portraits when in his company. Today, however, Tariq was the subject!
These are two test sheets of expired TMAX 100 developed as B&W slides. The reversal process is a bit harder to control than regular B&W development, but the end results are something special. Transparencies were scanned to retain the warmth from selenium toning.
Sinar P2 8x10
Schneider Symmar-S 480mm f/8.4
1/125th @ f/8.4 + front tilt
Kodak TMAX 100 Reversal Processed
marrash.com