View allAll Photos Tagged Retrostyle

Model: Miss Diversity

 

Photographer: Krokograf

Vintage Portraits of Miss Mary

Picture and Edit: Davide Morino

Outfit, makeup and hairstyle:

Miss Malí

100mm | F/7.1 | ISO 160 | 1/160 | Flash on | Hand Held |

  

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in portixol, a seaside district of palma de mallorca, i captured this classic porsche 911, likely from the late 1960s to early 1970s. the iconic shape of the air-cooled, rear-engine design is instantly recognizable, a testament to german engineering and a beloved model among car enthusiasts. its presence speaks to the timeless allure of vintage sports cars.

Photo was taken at the festival "Retro trip 2022" | Фото было сделано на фестивале "Ретро рейс 2022"

Mercedes Museum Stuttgart

... you will love it!

German automobile designer:

 

Friedrich_Geiger

 

La Mercedes-Benz 300 SL (W198) « papillon » est un modèle d'automobiles à deux places coupé et cabriolet du constructeur automobile allemand Mercedes-Benz conçu et dessiné par le designer Friedrich Geiger,

commercialisé de 1954 à 1963 et entré depuis dans la légende des automobiles de rêve. Elle est considérée comme la plus emblématique des Mercedes produite après la seconde Guerre mondiale pour son originalité, ses qualités techniques et esthétiques.

 

de.wikipedia.org/wiki/Mercedes-Benz_W_198

 

Mercedes-Benz W 198 ist die interne Typbezeichnung eines Sportwagens von Mercedes-Benz. Unter der Verkaufsbezeichnung Mercedes 300 SL wurde er in den Jahren 1954 bis 1957 als Coupé mit Flügeltüren und in den Jahren 1957 bis 1963 als Roadster angeboten.

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The Mercedes-Benz 300 SL (W198) was the first iteration of the SL-Class grand tourer and fastest production car of its day. Introduced in 1954 as a two-seat coupé with distinctive gull-wing doors, it was later offered as an open roadster.

 

Built by Daimler-Benz AG, the direct fuel injected production model was based on the company's highly successful yet somewhat less powerful carbureted overhead cam straight 6 1952 racer, the W194.

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Exif data

  

Camera

Panasonic DMC-FX10

 

Exposure

0.025 sec (1/40)

 

Aperture

f/2.8

 

Focal Length

5.8 mm

 

ISO Speed

100

 

Exposure Bias

-0.33 EV

 

Flash

On, Fired

 

Orientation

Rotate 90 CW

  

Software

Ver.1.0

 

Date and Time (Modified)

2008:06:01 12:55:27

 

YCbCr Positioning

Co-sited

 

Exposure Program

Program AE

 

Date and Time (Original)

2008:06:01 12:55:27

 

Date and Time (Digitized)

2008:06:01 12:55:27

 

Compressed Bits Per Pixel

4

 

Max Aperture Value

2.8

 

Metering Mode

Multi-segment

 

Light Source

Flash

 

Color Space

sRGB

 

Sensing Method

One-chip color area

 

Custom Rendered

Normal

 

Exposure Mode

Auto

 

White Balance

Manual

 

Digital Zoom Ratio

0

Focal Length (35mm format)

35 mm

 

Scene Capture Type

Standard

Gain Control

None

 

Contrast

Normal

 

Saturation

Normal

 

Sharpness

Normal

 

Image Quality

High

 

Firmware Version

0.1.0.22

White Balance

Incandescent

 

Focus Mode

Auto

AFArea Mode

5-area

 

Image Stabilization

On, Mode 2

 

Macro Mode

Off

 

Shooting Mode

Normal

 

Audio

No

 

Data Dump

(Binary data 6152 bytes, use -b option to extract)

 

White Balance Bias

0

 

Flash Bias

0

 

Internal Serial Number

(F24) 2007:08:28 no. 0387

 

Panasonic Exif Version

0220

 

Color Effect

Off

 

Time Since Power On

00:02:02.43

 

2 hours capturing till SD-Card is full

 

Burst Mode

Off

 

Sequence Number

0

 

Contrast Mode

0

 

Noise Reduction

Standard

 

Self Timer

Off

 

Rotation

Rotate 90 CW

 

AFAssist Lamp

Enabled but Not Used

 

Color Mode

Normal

 

Portrait of Pin Up Miss Valeria with vintage Volkswagen Type 34

Picture and Edit: Davide Morino

Outfit, makeup and hairstyle: Pinup4oneday Team

Vintage Car: OldiesWorks Garage co.Ltd Chiang Mai

Leica M6 TTL .85 (recently upgraded to MP's flare-free optics) | Leica Summicron 90mm f2 Pre-Asph | Ilford Delta 3200 @ 6400 | Kodak HC110b | Epson V500

 

Available Light B&W 35mm Photojournalism by Johnny Martyr

 

JohnnyMartyr.com

 

Johnny Martyr Instagram

 

Johnny Martyr Facebook

 

Johnny Martyr Wordpress

 

Thanks for checking out my work!

Model: Miss Diversity

 

Photographer: Frank Aderhold Photography

Wallpaper 1920x1200

 

The outstandingly unique and beautiful, fat wood type face in use, »Manicotti«, was created by David Jonathan Ross.

 

Manicotti is inspired by the boisterous wood types of the nineteenth century, Manicotti pushes the reversed-stress French Clarendon style to its decorative extreme. Its thick tops and bottoms and massive slab serifs overtake the short vertical stems, creating an oddly dense typographic texture.

Originally drawn as an all-caps poster face, Manicotti was honored by the Type Directors Club in 2007. Ross revisited the design a couple years later, adding lowercase, extended language support, alternates and ornaments. The result is a contemporary take on a rambunctious style, reminiscent of Spaghetti Western films, rugged trails and rowdy saloons.

 

Self-portrait for Don't Run With Scissors

  

Photo credit to my wife. I just edited.

Black-and-white photograph of a woman sitting beside a statue in Hungary during the 1960s. Rural setting in the background.

Model, MUAH, Edit: Miss Diversity

Photographer: Frank Aderhold

Outfit: Dont Run With Scissors

This close-up shot invites viewers to appreciate the timeless design and craftsmanship of the red 1960 Cadillac Eldorado, offering a glimpse into an era of automotive excellence. Whether a car enthusiast or an admirer of classic style, this photograph celebrates the enduring charm of a bygone automotive era.

  

The front end of a stunning red Cadillac Eldorado takes center stage, showcasing the epitome of timeless automotive elegance. The sleek and polished exterior of the classic car gleams, accentuating its iconic design. The panorama crop frames the image, allowing for an immersive and detailed view of the Cadillac's distinctive features.

 

The gracefully contoured lines of the Eldorado's hood lead the eye to the iconic grille, adorned with the Cadillac emblem, a symbol of luxury and sophistication. The vibrant red hue of the car exudes a sense of boldness and flair, capturing attention and making a statement against any backdrop.

 

The panorama format not only accentuates the Eldorado's aesthetic appeal but also highlights the meticulous craftsmanship and attention to detail that defines this automotive masterpiece. From the chrome accents to the sleek curves, every element of the front end contributes to the overall allure of this vintage beauty.

 

This NEW image is available in the gallery here - james-insogna.pixels.com/featured/front-end-of-a-stunning...

 

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1942 black-and-white portrait of a young woman in a swimsuit, sitting on a dock by the water in Ráckeve, Hungary.

土耳其-爱琴海地区-Izmir省-以弗所-游客与猫咪

 

Cat sitting on ancient ruins, in Ephesus, an ancient Greek city and UNESCO World Heritage Site in Selçuk, Izmir province, Aegean region of Turkey.

 

© All rights reserved. You may not use this photo in website, blog or any other media without my explicit permission.

Model: Miss Diversity

 

Photographer: Krokograf

The NISSAN Figaro was designed by Naoki Sakai (Water Studios) in cooperation with Shoji Takahashi.

This so-called retro car was introduced in Japan, 1989, and only built in 1991 in a limited edition.

Photographed from the upper deck of a moving London Double Decker at about 10 PM...

 

987cc.

810 kg.

Production Figaro: 1991.

 

Number seen: 3.

 

London, SW2, Brixton Road, Jan. 5, 2018.

 

© 2018 Sander Toonen Amsterdam | All Rights Reserved

Model: Miss Diversity

Clothing: Don't Run with scissors

Photographer: Julietta Ustenco

Vintage Portraits of Miss Mary

Picture and Edit: Davide Morino

Outfit, makeup and hairstyle:

Miss Malí

Portrait of Miss Malì

Picture: Davide Morino

Edit: Davide Morino

Outfit, makeup and hairstyle: Miss Malì

Wallpaper 1920x1200

 

Typeface in use:

 

Tim Ahrens’ (Just Another Foundry) striking, conspicuous, grayletter typeface »Zalamander«.

 

Zalamander:

Blackletter, sans serif, graffiti, constructivism: all these influences are combined into a lively and dynamic – and somehow “disobedient” – typeface. Since blackletter fonts typically don’t look great when used in all-caps, Zalamander comes with a special Caps version that contains letter variants that combine nicely in uppercase.

 

Black-and-white photo of a group in historical costumes, part of a theatrical performance in Hungary, 1944.

Strobist info:

 

Canon Speedlite + Softbox (Backlight)

 

Reflector (White) -> - Subject

This Wallpaper 1920x1200 is a homage to »Cliff Roberts«. It is a »storyboard« of his fantastic children’s book «Start with a Dot«.

 

Typeface in use(background):

 

The striking, groovy, retro typeface »Marvin« designed by Patrick Griffin (Canada Type).

 

Marvin: The objective of this font was to try and find out how far back in the designer’s life this obsession with letters began. The challenge was to draw, from memory only, two sets of caps that recall older Looney Tunes and Merrie Melodies lettering. The experiment was a success, which means that the designer’s got it bad since he was, like, four!

And here we are. Marvin is a great cartoon font that can help you build your very own Illudium Q-36 Space Modulator, so you can trigger that earth-shattering kaboom. Then you're on your way to claim this planet in the name of Mars. Isn't it lovely, mm?

 

The term "collective memory" denotes the aggregate of memories, knowledge, and data that a social group holds, which is intrinsically linked to the group's identity. The term "collective memory" in English and its French counterpart "la mémoire collective" emerged in the latter half of the 19th century. Maurice Halbwachs, a philosopher and sociologist, further developed this concept in his 1925 work, «Les cadres sociaux de la mémoire». Both expansive and intimate social collectives can create, disseminate, and inherit collective memory.

 

Contrary to the term "collective memory," which is somewhat ambiguously defined yet generally accepted, the notion of "collective memories" is inherently problematic. Memories are the results of the individual acts of recollection, making the idea of "collective memories" paradoxical. Сontemporary diffusion models utilize vast amounts of often unidentified data, including historical and personal old photographs, vintage postcards, and other kinds of publicly circulating images. These models may be seen as involved in the prompts-driven singular acts of remembrance, producing images that paradoxically represent "collective memories," something otherwise unfeasible and ultimately, non-existent.

 

Some of my daily looks.

Dress: True Vintage

The term "collective memory" denotes the aggregate of memories and knowledge, that a social group holds, which is intrinsically linked to the group's identity. Maurice Halbwachs, a philosopher and sociologist, developed this concept in his 1925 work, «Les cadres sociaux de la mémoire». Various social collectives can create, disseminate, and inherit collective memory.

 

Contrary to the term "collective memory, the notion of "collective memories" is inherently problematic. Memories are the results of the individual acts of recollection, making the idea of "collective memories" paradoxical. Diffusion models, utilizing vast amounts of data, including historical and personal old photographs, may be seen as involved in the prompts-driven singular acts of remembrance, producing images that paradoxically represent "collective memories," something otherwise unfeasible and ultimately, non-existent.

Black-and-white studio portrait of a man in a suit and tie, taken in 1930s Budapest by Sándor Diskay.

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