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The term "collective memory" denotes the aggregate of memories, knowledge, and data that a social group holds, which is intrinsically linked to the group's identity. The term "collective memory" in English and its French counterpart "la mémoire collective" emerged in the latter half of the 19th century. Maurice Halbwachs, a philosopher and sociologist, further developed this concept in his 1925 work, «Les cadres sociaux de la mémoire». Both expansive and intimate social collectives can create, disseminate, and inherit collective memory.
Contrary to the term "collective memory," which is somewhat ambiguously defined yet generally accepted, the notion of "collective memories" is inherently problematic. Memories are the results of the individual acts of recollection, making the idea of "collective memories" paradoxical. Сontemporary diffusion models utilize vast amounts of often unidentified data, including historical and personal old photographs, vintage postcards, and other kinds of publicly circulating images. These models may be seen as involved in the prompts-driven singular acts of remembrance, producing images that paradoxically represent "collective memories," something otherwise unfeasible and ultimately, non-existent.
Young woman on the streets of Budapest, looking at her smartphone, trying to call a taxi or a car sharing service via mobile application. She is wearing a green jacket and a scarf on a sunny winter day.
Portrait of Miss Chris
Picture: Davide Morino
Edit: Davide Morino
Outfit, makeup and hairstyle: Miss Malì
Race the Waves is one of the UK’s most exciting vintage motorsport events, held annually on the sandy beaches of Bridlington, East Yorkshire. It's a celebration of classic speed, style, and seaside culture, where the roar of engines meets the roar of the crowd. Hosted by Backfire Promotions, the event brings together a vibrant mix of vintage and retro vehicles in a dynamic beach drag race setting.
You'll see an incredible variety of machines, from pre-1950s hot rods, bobbers and custom motorcycles to military vehicles and American classics. The cars and bikes aren’t just for show, they race head-to-head in thrilling sprints across the beach, kicking up sand and nostalgia in equal measure. There’s no official timing, it’s all about style, sound and spectacle.
Vintage retro effect hipster style image of sporty fit woman doing yoga asana Adho mukha svanasana - downward facing dog - at tropical waterfall
"retro paper" "retro wallpaper" "vintage wallpaper" "vintage paper" "retro style" 1970's "vintage style" retro vintage "wallpaper roll"
FACEBOOK:https://www.facebook.com/Mss.Diversity
INSTAGRAM: instagram.com/rragtime_cat
Photographer: Jens Peltzer
Hülle für den Mutterpass -
Cover for a maternity card (a document issued to pregnant women by a doctor and contains medical information relating to the pregnancy).
The orange-brown-white-fabric is originally from the 70s (my mother saved it).
"retro paper" "retro wallpaper" "vintage wallpaper" "vintage paper" "retro style" 1970's "vintage style" retro vintage "wallpaper roll"
"retro paper" "retro wallpaper" "vintage wallpaper" "vintage paper" "retro style" 1970's "vintage style" retro vintage "wallpaper roll"
Portrait of Miss Malì
Picture: Davide Morino
Edit: Davide Morino
Outfit, makeup and hairstyle: Miss Malì
Hülle für den Mutterpass -
Cover for a maternity card (a document issued to pregnant women by a doctor and contains medical information relating to the pregnancy).
The orange-brown-white-fabric is originally from the 70s.
The term "collective memory" denotes the aggregate of memories, knowledge, and data that a social group holds, which is intrinsically linked to the group's identity. The term "collective memory" in English and its French counterpart "la mémoire collective" emerged in the latter half of the 19th century. Maurice Halbwachs, a philosopher and sociologist, further developed this concept in his 1925 work, «Les cadres sociaux de la mémoire». Both expansive and intimate social collectives can create, disseminate, and inherit collective memory.
Contrary to the term "collective memory," which is somewhat ambiguously defined yet generally accepted, the notion of "collective memories" is inherently problematic. Memories are the results of the individual acts of recollection, making the idea of "collective memories" paradoxical. Сontemporary diffusion models utilize vast amounts of often unidentified data, including historical and personal old photographs, vintage postcards, and other kinds of publicly circulating images. These models may be seen as involved in the prompts-driven singular acts of remembrance, producing images that paradoxically represent "collective memories," something otherwise unfeasible and ultimately, non-existent.