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Made Explore currently at #73 A Huge thank you to all ~
I was finally able to go out with the everyone to take some shots, I am happy I got this one. I didn't have a flash with me & the light started to go quick, we had to actually go make her re-retrieve a few times so I could get some better shots this was about 45 minutes after they were all done with the hunt, but after reviewing my shots I was not thrilled so we tossed it back in the water for some additional shots & I got a few keepers :)
Many of the shots were just too noisy for my taste due to the light... thats what happens when you have OLD equiptment I guess
All Rights Reserved.
Marco loved retrieving the Pheasant Pelt dummy. So much so that when I went to switch camera lenses and placed it on the BBQ he jumped onto the BBQ, grabbed the dummy and jumped off. Snot ran to me and looked at me as if to say "okay got it, can you throw it again now?!" Don't think we'll have a problem with a mouth full of feathers when we start our hunt training!
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Image © Greencove Acres and/or Kelly Hayes all rights reserved.
DO NOT duplicate or use any pictures without my written consent.
Greencove Photography - Facebook
NUESTRA SEÑORA DE GUADALUPE DE CEBU
Patrona de la Ciudad y Provincia de Cebú
The origin of the Cebuano devotion to Our Lady of Guadalupe; the origin and history of the image; and the religious practices and oral tradition that are associated with the Virgin of Guadalupe of Cebu.
That sometime in 1880, Ricardo Ramirez, a "Mangangayam" or wild chicken trapper who lived in the forested area of what was then Barrio Banawan (now Barangay Guadalupe), in the course of his trapping activities, one day saw a flashing light coming from inside the cave known as "langub nga duha'y baba" (cave with two mouths). It is near the river called Sapang Diyot of Barangay Kalunasan. Surprised by what he saw, Ramirez called the attention of the other trappers who were near him but when they looked, they could not see anything. Ricardo decided to investigate the source of the light inside the cave. He got inside and saw that the light flashes came from an estampita (Holy Card, usually measuring 2 inches by 3 inches) of Our Lady. The picture was standing atop a naturally formed rock, beside which a slow drip of water cascaded into a basin -shaped rock on the floor. The light and the flashing stopped when Ricardo got inside. He took the holy card and gave it to the teniente del barrio, Eustaquio Abapo, in turn showed the picture to the barrio's "mananabtan" (prayer group leader), Placido "Edo" Datan. Placido advised Eustaquio to keep the unusual find until they would know what to do with it.
Eustaquio Abapo hid the picture somewhere in his house as advised by Placido but soon forgot where, until some years later when Placido, Eustaquio, the barrio catechist Silverio Gonzales and other people in the area thought of building a chapel in Kalunasan, in the property of Eustaquio. This was sometime in 1889.
The four decided to ask permission of Fr. Ceferino Fernandez, parish priest of San Nicolas, who had jurisdiction over Banawan. When they arrived in San Nicolas convent office, they saw a two feet wooden image of Our Lady and they suddenly remembered the estampita given to them by Ricardo Ramirez years back because the image resembled the image in the holy card. Without telling the parish priest about their intention, the three hurried back to Banawan to look for the estampita in Eustaquio's house. They didn't find it then so; they decided to postpone telling the parish priest about their find and their plan until they have the holy card.
A few months later, the estampita was found by Eustaquio lying under a bundle of corn that was harvested from his field. The four immediately decided to go back to Fr. Fernandez and told the priest what Ricardo Ramirez found inside the cave, and what they were planning to do. When the priest saw the estampita, he told the group that it was the picture of Our Lady of Guadalupe. He asked for it and kept it. He gave his consent for the construction of a small chapel in honor of Our Lady of Guadalupe in kalunasan, and agreed to lend them the two-foot wooden image they saw in the convent on their yearly novena and fiesta from December 4 to 12. However, he also made them promise that the image should be returned to San Nicolas after the fiesta. According to the narration of Florencio "Noy Rencio" Tabal, who was already 96 years old when I talked to him sometime in 2002, the parishioners from Pasil resented the lending of the image to the Banawan chapel for the first fiesta celebration, and they would always try to prevent the procession from leaving San Nicolas by blocking the path but the people of Banawan, more numerous in number than them, persisted and always succeeded in bringing the image to the chapel in the mountain. During this time, the name of the barrio became Guadalupe because word got around that the Blessed Virgin of Guadalupe appeared in a cave in Banawan.
Although there was a story of a sighting by the late Josefa "Nang Sepa" Labra (d. 1948) of a young and beautiful girl who would play in what is now the church plaza which at that time was still full of fruit trees. According to Nang Seap, she would often check on her carrabaos tied in the trees along the plaza at dawn. Often, she would be disturbed by the sight of a young girl playing at dawn. So one day, she decided to spy on the girl, Nang Sepa wend inside the chapel to validate her suspicion that the girl could be no other that the Virgin of Guadalupe. She checked the image and saw amorseco weeds attached to the hemline of its dress, the kind that abounds in the plaza. In addition, the fragrance that accompanies the presence of the young girl when she shows herself to Nang Sepa at dawn also filled the chapel. From then on, word spread that the Blessed Virgin appears as a chubby little girl and plays around the plaza of the chapel at dawn.
From that first Fiesta in 1889 until 1901, Our lady of Guadalupe was just a local barrio devotion. Every year, the image was borrowed from San Nicolas in December, then returned on the Sunday after December 12, because ion the Saturday after December 12, the image would be brought inside the cave where the estampita was found for another Mass. The image would stay inside the cave overnight and would be brought back to San Nicolas the next day, a Sunday. So the Virgin actually stayed longer than nine days in the barrio.
In 1902, there was a cholera epidemic outbreak. The epidemic hit the whole city but hardest hit was Barrio Guadalupe. Probably because the source of our drinking water then was the river, which was also renamed Guadalupe, and some open wells. It was devastating. Hundreds of residents died. It was said that those who buried the dead, did not return as they themselves died along the way or right on the cemetery while grieving for their dead relatives.
The cholera outbreak was so bad in the barrio that there was burial everyday. Later, the burial had to be done en masse on a carabao cart. Death stalked the people of Guadalupe real bad.
It was sometime in the month of May. Anyway, the "mananabtan" Placido "Edo" Datan initiated a move and called on the barrio leaders to hold a penitential dawn procession to invoke the help of Our Lady of Guadalupe and the Holy Cross of Jesus, and end the epidemic. The melody for the so-called "Antifon" was written by Silverio Gonzales, the catechist. One of the ardent supporters of the movement was Don Joaquin Labra, who, unfortunately, became one of the victims of the epidemic himself. The "Antifon" is actually the prayer Hail Mary in Spanish (Dios Te Salve Maria) but sung repeatedly in a very plaintive tune.
The Antifon was held for one month, from mid-May to Mid-June. What was placed on the andas (palanquin) and carried during the dawn procession was a small image of the Holy Cross and an estampa of Our lady of Guadalupe (an estampa is a bigger Holy Card, measuring anywhere from 8"x10" to as much 18"x24"
According to Maximo Gabutan, and the other old people of Guadalupe, the Antifon was purely the idea of the local devotees of Our lady of Guadalupe, the likes of Don Joaquin Labra, Don Gervacio Quijada, his brother-in-law Placido datan, the catechist Silverio Gonzales, Eustiquio Abapo, Melchor Abella and others.
The cholera epidemic stopped but not immediately. As the dawn procession went on, the number of deaths decreased until there were no more deaths in the barrio. The devotion and strong faith of our elders to the Blessed Virgin of Guadalupe and to the Holy Cross of Jesus saved them from death. If the cholera outbreak did not stop sooner, there would have been nobody left in the barrio. As an act of thanksgiving to God and to the Virgin of Guadalupe, Silverio Gonzales and the other people involved, decided to hold a thanksgiving novena from July 8 to 16 1902, with a grand procession of the Holy Cross and the estampa of the Virgin. Melchor Abella paid for the brass band that accompanied the procession( note: July 16 is the feast of the Triumph of the Holy Cross and the Virgin of Carmel) SInce then, July 16 has always been celebrated as the second fiesta of the Virgin of Guadalupe. If not for the Virgin's intercession, probably all our elders would have perished and we would not be here today.
December 12 is the official feastday but July 16 is also a celebrated as a Thanksgiving for her and the Holy Cross. There was a time during Mons. Tosing dela Cerna's time (parish priest 1987 - 1994) when he separated the feast of the Holy Cross and celebrated it on September 14, but the people didn't like it and he was compelled to return it to join feast on July 16.
Only in the 1920's, after the Labra and to lesser extent, the Lopez families, donated a sizable portion of their lot (which is now the present church and plaza) to the diocese, that the chapel was transferred from Kalunasan to the present site. In 1927 or 1928, an inexplicable event occurred that prompted the permanent enshrinement of the image in Guadalupe.
On the Sunday after the December 12 fiesta of that year, the image was, as usual securely tied with ropes to the andas for her return trip to San Nicolas, accompanied by a huge number of people. upon reaching a place we used to call Gucro, short for Guadalupe Crossing, along what was called Calamba road, now V. Rama Avenue, near the corner of M. Velez Street, near the Suzara property, the image suddenly fell from the andas, feet first to the ground but instead of tumbling, it remained standing and made a 180 degree turn by itself, facing the direction of the chapel where she came from. This happened in full view of many people who joined in the procession, including Florencio Tabal and Maximo Gabutan. (an area where a huge acacia tree is, right across Lacto PAFI office, as the place where the image fell. The spot was pointed by Mr. Maximo Gabutan who was an eye witness of the event).
The people secured the image back to the andas and brought it to San Nicolas. There they told the priest who was Fr. Emiliano Mercado (parish priest of San Nicolas from 1910 - 1942) what happend in the procession. Fr. Mercado was the one who decided that the wooden image of the Virgin of Guadalupe should already stay in the newly-built chapel. So in 1929, the image of Our Lady was permanently enshrined in Guadalupe. In 1933, four years later, Guadalupe became a parish with Fr. Emiliano Mercado himself acting as concurrent parish priest until 1936. Then Fr. Sancho Abadia took over in 1937.
During the World War 2, the church was bombed. Fortunately, the image was saved because it was kept in Amado Gabutan's house in a place called Nabongturan, what is now the Petron Gasoline Station along V. Rama Avenue.
During the war, Amado's mother, Andrea, one of the so-called "beatas" of Guadalupe, asked her son to secure the image in his house in Nabongturan. The parish priest then was Fr. Leonardo Arriba (parish priest 1939-1943) who was arrested and imprisoned by the Japanese on suspicions of being a guerilla. When he was released, he did not return to the parish but hid in the mountains and so Guadalupe did not have a parish priest. Andrea took it upon herself to secure the safety of the statue.
Unfortunately, Amado Gabutan’s house was hit by a bomb and burned down. What was really strange and surprising was that the image escaped unscathed from the bomb and the fire, although five people who were in the same area died.
Amado and family then evacuated to Pardo, bringing the image of Our Lady with them. From there he sent word to Maximo Gabutan to pick up the image from his place in Pardo so Maximo Gabutan sent Tranquilino Nacua to retrieve the image for a fee of two pesos "genuine" money , and bring it to where he and his family hid in the mountains of Candomorga, which is already a part of Talisay. The image was placed in a basket surrounded by pillows and was carried as a back-pack.
In early 1945, when my Maximo Gabutan, felt that the war was ending and the Americans were winning, Maximo and his family went back to Guadalupe from Candomorga only to find the church and their own house nearby burned. Maximo Gabutan then requested Don Gervacio Quijada and his wife Doña Teresa Datan, (sister of Placido, the mananabtan) whose big house was left intact after the war, to shelter the image and all of Maximos’s family, until a temporary church could be built, and until Maximo could rebuild our own house. So the Gabutan family and the Virgin stayed in the house of the generous Don Gervacio for about 10 months. The house still looks exactly the same now as it did when we stayed there in 1945. (the house is in Number 1335 V. Rama Avenue, obliquely across Guadalupe Heights subdivision entrance, now under the care of Don Gervacio's great grandson, Mr. Roger Quijada Lim. It was constructed on may May 10, 1932, as evidenced by the carving in a corner "tugas" round post inside)
When Maximo Gabutan passed away in 1974 at the age of 88, Eulogio Gabutan, father of Fr, Henrico and Philip, became the Virgin's caretaker until his death on December 15, 1986. Then it became his son Philip's responsibilty until now.
first hand information about miracles attributed to Our Lady other that half of 1902 was when Maximo Gabutan and the rest of their family were hiding in Candomorga mountain with the Virgin of Guadalupe, there was a Philippine army camp somewhere in Babag that was never penetrated by the Japanese. The stories of Lt. Ambrosio Gacayan and a Capt. Navarro of the Philippine Army, said that every time the Japs would attempt to raid their camp, a vision of a woman would be seen prancing along the hills of Babag mountain. The Japs got scared of the vision because she would just vanish into thin air, then show herself again. The army and the Gabutan Family also believed it was the Virgin of Guadalupe whose image was with them.
A miracle healing happened to Aniana Sacamay. She developed breast cancer but she was miraculously cured after praying to Our Lady of Guadalupe. She was one of our Lady's attendant,working together with Mohing Ibonalo.,
Another was when the image of the Virgin would be brought inside the cave for the post December 12 Mass, it would be placed in the exact place where the estampita was found, where the water drips from the ceiling of the cave. Despite the image is being placed directly in the water's way, it would remain dry.
The slowly dripping water inside the cave reportedly had curative powers. A long queue of people used to wait for their bottle to get full. Some devotees used the water from the cave to cure disease, and that there were a lot of cures that happened.
The water in the cave stopped dripping during the time of Mons. Esteban Binghay as parish priest of Guadalupe (parish priest 1975-1987), after he ordered the renovation of the cave with tiles and an overhead tank of water was placed atop the cave with the tube descending down the cave. People stopped gathering the water because they realized it was already water piped from the river and not from the original source.
The Image always wore a crown, the "rostrillo" around the face and carried a scepter a shorter one than what she carries now, and dressed up like she is dressed now.
During the 16th of July, 2006, the image was canonically crowned through solemn rites held at the Shrine of Nuestra Señora de Guadalupe de Cebu at Guadalupe, Cebu City by virtue of a pontifical decree which was issued on May 9, 2006 issued by the Vatican’s Congregation for Divine Worship and the Discipline of the Sacraments. The coronation symbolized the official and formal recognition of Our Lady of Guadalupe as the patroness of the Archdiocese of Cebu.
There are two feast days celebrated in honor of Cebu’s Patroness. The first being held every 16th of July, her feast as Cebu’s Patroness, the anniversary of the ceasing of the epidemic through her intercession, and the anniversary of her canonical coronation. The second is celebrated every 12th of December, her feast which is celebrated by the church all throughout the globe.
The General's Residence was demolished on 8/25/2020 to make room for a replica building. During the demo, the architect supervised the removal of significant features such as these beams and posts. These pieces will be used in the reconstruction or kept for other display.
For more images of this activity see flic.kr/s/aHsmQrLieV.
(Photo credit - Bob Gundersen www.flickr.com/photos/bobphoto51/albums)
The millstone will be on permanent display at the Allis-Bushnell House parking area. The South Central Regional Water Authority donated a large ~4' diameter millstone on their Summer Hill Road property. The age and use of the old artifact is unknown.
Darren has spent the last three months in Italy, travelling for work. His flight was coming in tonight, so the kids and I headed to the Columia area to hangout for the afternoon, before heading to the airport to wait for his flight. We stopped at Roots, then went to Centennial Park for a nice long walk, then headed to the mall for a ride on the carousel, wrapping up at Whole Foods Market for dinner. Darren's flight was delayed a half an hour, but arrived safely, and we were all very happy to see him!
BICYCLES PARK ON A STREET SIDEWALK OR PAVEMENT CYCLE RACKS TO BE RETRIEVED LATER BY OWNERS ON AN EAST LONDON BOROUGH SUBURB STREET HIGHWAY ENGLAND DSCN2996
RIZAL PARK (THE MOTTO STELLA MONUMENT, DESIGNED BY RICHARD KISSLING)
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Luneta Park or Rizal Park is one of the major parks in the Philippines located in its capital, the City of Manila. The place was originally named "Bagumbayan" meaning "new village" and was considered an area of execution to the filibusters during the Spanish era, including Dr. Jose Rizal on Dec. 20, 1896. After the Spanish Occupation, the area became a promenade and a park. According to faq.ph, the Rizal Monument in Luneta was planned and constructed during the American colonial period of the Philippines through Act No. 243 which was approved by the United States Philippine Commission by the authority of the United States President Theodore Roosevelt on September 28, 1901, and officially inaugurated on December 30, 1913.
Medium: Canon EOS 4000D
Date Taken: June 12, 2024
Copyright 2024. All Rights Reserved.
Reference:
Abrugar, V (2015): 25 Facts You Should Know About Rizal Monument and Luneta Park. Retrieved from faq.ph/25-facts-you-should-know-about-rizal-monument-and-...
© 2015 Corey Bourassa, all rights reserved. No reproduction without prior consent. For more information visit www.coreybourassa.com
Looking west down the 14c nave & north aisle.
There is a letter, in the Westcountry Studies Library, from Rev. Ponsford Cann to Miss Creswell. In which he states that the present screen that divides off the tower, came from a disused chapel in Gunnislake and was retrieved by his mother after it was closed down and a new church was built. The screen also had painted panels on it, by Miss Trentham of North Petherwin.
In the tower are several well engraved slate lids probably from tomb chest.
. On south wall, slate with strap work. Include monuments to Francis —- died, 1736 and Philip and wife Isabella, c1682.
- Church of All Saints, Dunterton Devon
Jo Kernow www.google.co.uk/local/place/fid/0x486c89dd3a27ffcd:0x2c5...
Wat Phnom (Khmer: វត្តភ្នំ, UNGEGN: Vôtt Phnum, ALA-LC: Vatt Bhnaṃ [ʋɔət pʰnom]; "Mountain Pagoda") is a Buddhist temple (wat), a pagoda, that symbolizes the name of Phnom Penh, and a historical site that is part of the Khmer national identity. Wat Phnom has a total height of 46 meters (150ft). The pagoda is named after Lady Penh from the story of the discovery of the five statues: four Buddha statues and one Vishnu statue.
In 1372, a wealthy old lady named "Penh" lived on a small hill near the bank of the confluence of the four rivers. One day, when it was raining, Penh went down to the port to take a bath and saw a floating Koki tree in the river and she called the village to fish it from the water. She and the villagers took a piece of wood to scrape off the mud and in the hole of the Koki tree, there were four Buddha statues made of bronze, brass and one made of marble. Another statue was in the form of Vishnu with the hands holding a staff, a chain, a snail, and a lotus flower. Penh asked the villagers to help retrieve the Koki tree and retrieve the four treasures. Later, Penh assigned the villagers to build an artificial hill and build a small wooden temple on top of the hill to house the statue. She invited monks to bless the statues and the monks named the hermitage "Wat Phnom" which is known to this day.
King Ponhea Yat (also known as Barom Reachea I) was King of Cambodia and reigned at Tuol Basan (Srey Santhor) for nine years. At the time there was severe flooding in that area, during which the capital was flooded deep in 1396 AD. When the water receded that year, He ordered Chao Ponhea Decho, the governor of Samrong Tong Province to build a new palace in Russey Keo village in the area of (Wat Phnom) today. Chao Ponhea Decho ordered the people to dig from an area which is now located where the Central Market currently stands. The hole created a lake called Boeung Decho. After a year of flooding, King Ponhea Yat moved his court from Tuol Basan, Kampong Cham province to the confluence of the Tonle Sap River in 1397 AD. After the completion of the palace, King Ponhea Yat ordered the construction of a hermitage hut on the top of the mountain near the temple of Wat Phnom, the hermitage of the district chief, which Cambodians today call Neak Ta Preah Chao and Wat Phnom called "Wat Phnom Doun Penh" "Which marks the name of Grandma "Doun Penh ". After completing the construction of his palace and city, he named the city "Chaktomuk Sakal Kampuchea Thibdey Udiya Mohanakor" in 1416 AD. His reign at Chaktomuk begun the "Chaktomuk Period" of the Kingdom of Kampuchea in 1431. After his death, a large stupa was built for him at the top of Wat Phnom.
The sanctuary itself was rebuilt several times in the 19th century and again in 1926. The interior has a central altar complex with a large bronze seated Buddha surrounded by other statues, flowers, candles and items of devotion and worship. The walls are covered with murals, especially of Jataka stories of the Buddha's earlier reincarnations before his attainment of Enlightenment. There are also murals depicting stories from the Reamker, the Khmer version of the Ramayana. The newer murals in the bottom tiers are somewhat balanced, traditional and modern.
The southwest corner of the temple and stupa, is a small shrine dedicated to Lady Penh. The front is often crowded with the faithful bringing their prayers and food offerings to the woman deemed responsible for the founding of the wat.
Retrieved from 2 local resale shops,
all in remarkably nice condition considering their age.
1. M&S Shillman doll - Maxi Mod or Mini Mod?
She is hollow and does not have the T&T waist ...
could that mean that she's an early version ?? ... '60s?/'70s?
Her ethnic costume is unfamiliar to me. It's bodice is a bit over-sized and seems made to fit some differently proportioned doll,
but it's nicely made so I will tailor it to fit.
2. Ken's sweater = 'Twice as Nice' reversible fashions - 1985
- Mattel #2309-4891
3. Striped Dress with belt =
Barbie fashions 'Now Knit' - 1970 - Mattel #1452
4. Dramatic New Living Skipper doll - 1969 - Mattel #1117
** 1963 Skipper original sculpt
-- (her dress is from my stash = Skipper Best Buy - 1975 - Mattel #7223)
5. Barbie doll & fashion case - baby blue version - 1961 - Ponytail
The dipper, aka, water ouzel, is a small aquatic songbird that makes year-round living diving into fast-running water to retrieve tiny invertebrates for food. Its story is remarkable in so many ways: that there are nutritious organisms available to it in freezing water; that it can plunge into freezing water and reliably come up with food; that it sings - beautifully - all year long; that although ice forms on its feet and legs, it seems impervious to very very cold conditions. The dipper is endlessly fascinating, and entertaining to watch.
"[H]is music is that of the streams refined and spiritualized. The deep booming notes of the falls are in it, the trills of the rapids, the gurgling of margin eddies, the low whispering of level reaches, and the sweet tinkle of separate drops oozing from the ends of mosses and falling into tranquil ponds." —John Muir, 1894
Photo taken at the confluence of Soda Butte Creek and the Lamar River, Yellowstone National Park.
One of a series of photos following a friend whilst shooting / hunting on farmland in Cornwall, England.
Scenes from the Artemis I mission going beyond the Moon and back to Earth.
After its launch on November 16, the Orion spacecraft has been heading toward the Moon on its 25-day Artemis I mission. Orion was launched by the NASA Space Launch System (SLS) rocket at 7:47 CET (06:47 GMT) from launchpad 39B at NASA’s Kennedy Space Center in Florida, USA.4
The European Service Module is powering Orion, providing propulsion, temperature control, electricity as well as storage and delivery for essential supplies such as fuel, water and air. This first Artemis mission is an uncrewed test mission, putting the spacecraft through its paces preparing to send astronauts forward to the Moon.
The uncrewed mission to learn as much as possible about Orion and its European Service Module’s performance. The primary objectives are to demonstrate Orion’s heat shield on reentry, demonstrate operations and facilities during all mission phases, and retrieve the spacecraft after splashdown.
Credits: NASA
Sand Dunes
Date: 1928
Source Type: Photograph
Publisher, Printer, Photographer: Unknown
Postmark: Not applicable
Collection: Steven R. Shook
Remark: This photograph was part a group of photographs taken on a family's vacation to the Indiana Dunes State Park in 1928.
Copyright 2015. Some rights reserved. The associated text may not be reproduced or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without prior written permission of Steven R. Shook.
My dog was retrieving sticks from a lake. I just happened to capture this very odd shot, in which he just grabbed the stick in what looks to be a very uncomfortable position. He didn't seem phased by it in real life! I love the drops falling from his teeth. I also am amazed at the power in those jaws, knowing his true sweet personality.
I'm still following a Blender tutorial to get models in as avatars for VRChat. Not sure if I'm going to be successful >_> Blender has been a pain in my butt and the source of me giving up for years now <_<
I did not create this model, removed the gun holster, and "decimated" tri count down to 19,998 because the limit is under 20k. So it looks worse than it was!
Model retrieved from: b.dlsite.net/RG12372/ (not spam)
What is Enterprise Search? youtu.be/4pF2pAmEdEg What is Enterprise Search? This short video explains the benefits, challenges, risks and processes surrounding Enterprise Search in a way that is simple and easy for non-technical business professionals to understand. Enterprise search provides businesses with the ability to search both structured and unstructured data sources with a single query. It answers the business need to store, retrieve and track data and information of all types. Data sources in enterprise search systems combine information stored in many different systems such as servers, desktops, e-mail systems, messaging systems, customer relationship management systems, content management systems, cloud storage, file systems, intranet sites and external Web sites, blogs and social media. Enterprise search systems provide users with rapid response times and search results that rank information in an easily accessible way. Brought to you by MagInfo, a leader in Enterprise Search consulting. Maginfo is a leading provider of technology development services and solutions to small, medium and large enterprises. With years of experience providing innovative solutions to leading brands and industry leaders such as Autodesk, Inforbix, Systap and many others, Maginfo's world class team of industry experts, data scientists and business professionals will help you turn your business challenges into competitive advantages. Our areas of expertise: ⇨Software Development ⇨Web Development ⇨Mobile Application Development ⇨Data Management / Integration Consulting ⇨Cloud Computing ⇨ Big Data Analytics It's challenging in today's market to find reliable, cost-effective development teams who understand business objectives. With a long track record executing complex development solutions for large enterprise, MagInfo has the experience, expertise and resources needed to turn your visions into business drivers. Contact Us: maginfo.com plus.google.com/+Maginfo twitter.com/MaginfoUSA www.youtube.com/c/maginfo www.facebook.com/MAGINFOUSA www.linkedin.com/company/maginfo www.pinterest.com/maginfollc maginfollc.blogspot.com
Darren has spent the last three months in Italy, travelling for work. His flight was coming in tonight, so the kids and I headed to the Columia area to hangout for the afternoon, before heading to the airport to wait for his flight. We stopped at Roots, then went to Centennial Park for a nice long walk, then headed to the mall for a ride on the carousel, wrapping up at Whole Foods Market for dinner. Darren's flight was delayed a half an hour, but arrived safely, and we were all very happy to see him!