View allAll Photos Tagged Respect
Despite his felony conviction, T.I. headed to the polls on October 29 to cast his vote for the first time. To learn more, check out www.hiphopcaucus.org.
Ecuador, 5 de junio 2020.- 1. Representantes de la Comisión Interamericana de Derechos Humanos CIDH, con el objeto de que exponga sobre la alerta emitida al Estado ecuatoriano respecto de la vulnerabilidad a la que se encuentran expuestos los Pueblos Indígenas Amazónicos frente al momento de emergencia sanitaria por el COVID – 19.
2.Marlon Vargas, presidente de la Confederación de Nacionalidades Indígenas de la Amazonía Ecuatoriana CONFENIAE, con el objeto de que exponga sobre el aumento de casos por COVID – 19 en los Pueblos Indígenas Amazónicos.
3. Rodrigo Mendieta Muñoz, rector de la Universidad Nacional de Educación del Ecuador UNAE, con el objeto de que exponga sobre la suspensión del proyecto de profesionalización de la Universidad Nacional de Educación del Ecuador UNAE, en vista del recorte presupuestario realizado por el Ministerio de Economía y Finanzas a esta institución educativa perteneciente a la Amazonía ecuatoriana.
4. Richard Martínez Alvarado, ministro de Economía y Finanzas, con el objeto de que exponga sobre el recorte presupuestario y falta de transferencia de fondos al proyecto de profesionalización de la UNAE, lo cual ha causado suspensión de la referida institución educativa.
5. Magister Monserrat Creamer Guillén, ministra de Educación, con el objeto de que exponga sobre la suspensión del proyecto de profesionalización de la Universidad Nacional de Educación del Ecuador UNAE.
6. Julia Landázuri López, secretaria Técnica de la Amazonía, con el objeto de que exponga sobre la suspensión del proyecto de profesionalización de la Universidad Nacional de Educación del Ecuador UNAE.
Fotos: Alexander Moya / Asamblea Nacional
The Iași Metropolitan Ensemble is also called “Moldavia’s Jerusalem” or “Mother of all Moldavian churches” due to the fact that it is the regional residence of the Orthodox Church.
It was moved from Suceava to Iași in 1677 by Voivode Antonie Ruset, during the time of Metropolitan Dosoftei, in order to respect the Byzantine tradition of having the princely administration and the metropolitan’s chair in the same town.
The metropolitan’s seat was moved in the current space after it was placed for a while in the Nicolae Domnesc church, in the Princely Court.
The Ensemble is comprised of the Metropolitan Cathedral (1887) in the central part, the Saint George Church (1769) towards the boulevard and the Metropolitan Palace (1905) to the south.
A series of outbuildings were erected or remodeled during the works of 1962: to the south-west the Metropolitan Office, to the north-west, the “Dumitru Stăniloaie” Ecumenical Library and to the north, the Saint George monastic hostel (right wing) and “Epivata House” (left wing).
After recent restorations, in 2016, an elegant Metropolitan Museum was founded in the basement, under the Metropolitan Cathedral, under the western terrace and under Hodocin’s fountain or the “Gothic Fountain”, an old wrought iron drinking fountain made in 1851 by the Czech engineer Mihailik de Hodocin.
Saint George Church or “The Old Metropolitan Church” was finished in 1769 and is reserved to monastic life.
It has a typical Moldavian structure, with a thin shape and medium size.
It is impressive due to the massive Corinthian columns, the accolade trefoil arches and the mosaics from the porch plated with tomb stones.
The façade is decorated with Corinthian pillars and a braided frieze, symbol of the infinite and the Divinity.
In 1833 the works on the Cathedral’s construction began, after the demolition of the Stratenia Church (“The Meeting of Christ”) which dated back to 1682, also built on the ruins of the former White Church built in 1472.
The Viennese architect Gustave Freywald adopted the neoclassic architectural style, influenced by the shapes of Italian Renaissance, following the towering proportions of Western cathedrals, with a capacity of over 3000 people.
The construction was initially designed with a central dome of large sizes (as in the case of the St. Peter’s basilica in Rome), but its huge weight led to cracks in the resistance walls and it finally collapsed in 1839.
After 40 years of ruin, the works were restarted by the architect Alexandru Orăscu, rector of the Bucharest University, which gave up on the central dome, replacing it with a system of four vaults separated through transversal arches, but kept the four lateral towers.
The Cathedral’s inauguration in 1887 was made in the presence of King Carol I of Romania who contributed through consistent donations for the completion of the works.
On the right side of the central nave, two years later, the relics of Saint Parascheva were brought from the Three Hierarchs Monastery, along with a part of St. George’s relics.
Above the entrance, on the western wall, the vaulted semi-circular mosaic is truly impressive, representing the Presentation of Jesus at the Temple, and the bas-relief representing St. George.
The church has a basilica plane, with two lateral naves, separated through marble plated archways and decorative Renaissance elements.
The wall painting was also made in a Renaissance style by the great painter Gheorghe Tătărescu from Bucharest, and the windows are decorated with stained-glass.
On the entrance wall, we can admire the founders’ painting, King Carol I and Queen Elisabeta, but also the metropolitans Veniamin Costachi and Iosif Naniescu (the first started the project and the second one, finished it).
The iconostasis impresses through the ornamental sculpture in linden tree wood, covered with gold foil, and having floral motifs (stems, flowers and leaves of acanthus).
The richly adorned royal and bishop thrones are placed in front of it.
The icon of Virgin Mary, which is considered to be a miracle worker because it was noticed that it wept in 1854, is of great importance for believers.
The annual city celebrations are linked to the day of St. Parascheva (the 14th of October), when the biggest Orthodox pilgrimage in Romania (about half a million pilgrims) takes place.
The cathedral is a magnificent place of prayer and collectedness where all age categories can be seen, looking for an approach to spirituality.
The Metropolitan Museum, located in the basement of the Cathedral offers an unforgettable experience through the seven theme halls: Synaxarion Hall, Oblation Hall, Founder’s Hall, Ekkelsia (“church”) Hall, the maze called the Path of the Cross, the Clerical History of Moldavia Hall and the Baptistery Hall with an impressive Neo-Byzantine painting signed by the master Grigore Popescu.
NSW AMBULANCE: Summit 2024 Respect at Work. August 20, 2024. International Convention Centre, Sydney , NSW, Australia. Photo: Narelle Spangher, NSW Ambulance
Someone holding the door open for another person
Key element- color
Key principle- emphasis
The fix- basic edit plus black and white with a pop of color
Depth of field- infinite
Direction of natural light- west
Please respect the Copyright of this image and follow the license accordingly. More info. on the license here: creativecommons.org/licenses/by-nc-sa/3.0/
3.28☁️4/15℃40% 昨日☀️暖かい春から一転📉 #寒い #冬 急激 #寒暖差 #体調悪化 #悲しい #空 も 泣いている #深夜 ☔️ #雨
🙏 #坂本龍一 #死去 #1周忌 。時は早すぎます
#寒い #風邪 #手袋 し布団内で、聴き続ける #連日 #お守り 最高の #癒し #クスリ #連日 #聴く これが聴け無かったら…生きていけなかった…過酷家、過酷環境、狂人、弱い身体、壊れる #心 に #必要 💊
今まで幼少期から、あらゆる #音楽 #CD #ハイレゾ を #聴くいてきた中で #1番 の #アルバム です。もちろん #現在 の #弱者 #過酷家 #Hardtolive #生活 でだからかもしれませんが #社会 #世界 #気候変動 #異常気象 の観点から #現代 を #俯瞰 し #生きるのがつらい #All #死ぬ #冷酷 家と日本。それらを差し置いて仮に、昭和(1988頃)の作品だったとしても #名盤 と言えます。ピアノ作品で、ここまで #心 #魂 響く #寄り添う #音楽 #play は聴いたことがない、本当に優しい空気、邪魔をせず #安らぐ #天国 どんなクスリよりも効く😮💨
しかし、この #哀愁 #切なさ #儚さ まで #表現 されてまさに #死 と向き合いながら #紡ぐ #人間味 滲み出て #感涙 #涙 せずに #聴けない これは #坂本龍一 の究極の姿です。もはや、コンピューター電子音楽、多くの楽器など #不要 #ピアノ と #心の叫び #魂 だけで #生き様 #楽曲 の #素晴らしい #excellent さが、年代を超え、静かに #主張 しているそれは、うるさくなく #優しい #音 #sound #奏でる #空気 の様に #寄り添う #Air sounds of health healing. #永遠 の1枚です。
This #CD is #PlayingthePiano 2020
My long long ago #listening was to #music of #great #album #No1 no many sounds, #only one #piano #beautiful 🎹
Today #RyuichiSakamoto passed away. #Oneyear has passed since he left for #heaven. This #piano #album is the best #healing medicine and talisman. I like and #respect #kind people and always want to meet them. Wear #gloves if you feel #cold. The sky is also #crying , matching the rain, calming and #healing #sounds . #Thankyousomuch everyday forever my #heart .
1.17 #flickr
Taken on January 4, 2024
「2024.1.17 #HappyBirthday #RyuichiSakamoto :Playing the Piano12122020[1.4_19℃21%]Great,Heartwarming,Best,Piano,Album😮💨healing of my heart hard life #生きるのがつらい 中でお守り最高癒し坂本龍一最高🎹
#Hello2024 but not 1.1 of JP,Ishikawa was earthquake M7 ..& my life is Crash cold hard to live down.. very sad start 2024
thank you very much. this year again.
Today is #RyuichiSakakoto #坂本龍一 #お誕生日 #Birthday 1.17
This #album is #heartwarming #healing #piano #great best #sound #love . this afraid of everyday my life of good music😮💨
【my review】…」
Many tweet
@ryuichisakamoto 3.28_4:32
「【GIFのみで】A year haspassed... 」
x.com/ryuichisakamoto/status/1773070484910797204
9:06
￣￣￣￣￣￣￣￣￣￣￣￣￣￣￣
Ryuichi Sakamoto | Opus
￣￣￣￣￣￣￣￣￣￣￣￣￣￣￣
本日3月28日は #坂本龍一 さんの一周忌。
本作が撮影されたNHK509スタジオにて収録したコメント映像です🎹
4/26 109シネマズプレミアム新宿 先行公開
5/10全国公開
#skmt_opus」【本人、演奏前コメント映像】
x.com/opus_movie/status/1773139502636175749
U-zhaan 10:50 (埼玉県川越市 出身)
「デザートの写真を撮るときにスマホの画面でちょっと照明を足してくれる、優しい教授が好きです」
x.com/u_zhaan/status/1773165754411581541
@y4uk
「2023.4.8☁️連朝iPad日記📻11時🔋❌ #神様 🔊機器で聴け" #坂本龍一 ニューイヤー再" #NHKFM 📻 #美しい #ピアノ #落ち着く #声 「2024年🎍もお会いできる…良い年に…坂本龍一でした #さようなら … #aqua 🎹」pm☔️ #空 も #泣いていた #雨 #電線 #空がある風景 photozou.jp/photo/show/3097248/270946889 『12』
25:18
「3.28☁️15℃ #寒い 📉 #寒暖差 空も泣いている深夜 #雨 " #坂本龍一 #死去 #1年 "早い時, #尊敬 … #生きるのがつらい 🔁 #連日 🎹 #癒し 💊year has passed #respect #healing #flickr flic.kr/p/2pFX6oJ
『 #RyuichiSakamoto :Playing the Piano12122020』
x.com/y4uk/status/1773384130480480397
3.28_25:33☔️ #rain 明朝 #春の嵐 #暴風雨 #穏やか 春がない日々… #元気 #味方 やる気 環境身体ほしい。 #身体 いろいろ地球規模から #過酷家 💀までのせいで弱まる一方…痩せ細る #気力 もない。最中 #連日 #PlayingthePiano 🎹 #安らぐ #癒し #究極 #唯一無二 💊より効く。 #会いたい #尊敬
Short-sleeved one of a kind toddler t- shirt. Hand sewn from (almost) all-recycled fabric. We use 100% organic cotton for the trim.
Rap für Toleranz, Fairplay und RESPECT!
an der EURO 08
Veranstaltung vom 16.6.2008 in der Fanzone Kaserne-Riviera, Basel
Stiftung Erziehung zur Toleranz (SET)
www.set-toleranz.ch/de/projekte/rap-fuer-fairplay-toleran...
- Ah, guarda esa hueá, no tomís fotos. Hay que respetar a los muertos.
- Ay, hueón, tú robabai cráneos.
- ...
*click*
- Capturado.
Developing a Kunming-Montreal Global Biodiversity Framework Target 2
Session 5 – Ensuring stakeholder inclusion and respect for rights holders
22 - 24 November 2023 – FAO headquarters – Rome, Italy November 2023
Editorial use only. Copyright ©FAO.
Photo credit must be given: ©FAO/Pilar Valbuena
Rap für Toleranz, Fairplay und RESPECT!
an der EURO 08
Veranstaltung vom 28.6.2008 auf der Bühne bei der Villa Egli, Zürich
Stiftung Erziehung zur Toleranz (SET)
www.set-toleranz.ch/de/projekte/rap-fuer-fairplay-toleran...
Envoyons un message fort pour dire notre engagement pour le respect et l’avancement des droits humains dans le monde ! Rendons hommage et redonnons espoir à celles et ceux dont les droits sont bafoués en leur envoyant des cartes de vœux !
Venez exprimer votre créativité en participant seul, en famille ou entre amis aux Marathons d’écriture afin d’apporter votre soutien à ces personnes luttant pour la défense de leurs droits humains.
On vous invite à nos marathons d'écriture du 19 novembre au 14 décembre. Consultez la carte pour les lieux, les heures et les dates. Voyez les marathons organisés pour la section canadienne anglophone.
Rap für Toleranz, Fairplay und RESPECT!
an der EURO 08
Veranstaltung vom 28.6.2008 auf der Bühne bei der Villa Egli, Zürich
Stiftung Erziehung zur Toleranz (SET)
www.set-toleranz.ch/de/projekte/rap-fuer-fairplay-toleran...
Among my camera collection, FOCA's are probably the ones that mean the most to me. Called sometime with respect the « French LEICA’s », the FOCA’s are very far from any simple Leica copies. They were independently designed and prototyped in the clandestine by clever French engineers of the O.P.L. (« Optique & Precision de Levallois ») company in Paris, France, during the WWII. They were then manufactured in series as soon as possible after the war end in 1945 to 1962 in various versions. Overall about 150.000 units were produced (for the focal curtain shutter bodies). FOCA’s are amazing of precision, optical quality, and a real joy to use.
I selected this mid-range PF2B FOCA circa 1955 and its normal lens OPLAR 1:2.8 f=5cm for a relaxing photowalk enjoying a sunny mild afternoon in Lyon, France. For all the views the lens was equipped with 42mm push-on filter, AUV for the two first frames then, for the rest of the film, a FOCA Yellow x2.5 filter. A Genaco metal shade hood was aditionnaly used for all the views. For the fun, I added an external collimated viewer FOCANOX f=5cm.
The film used was a 36-exposure Ilford Pan 100. Expositions were determined for 100 ISO (or 50 ISO to compensate the absorption of the Yellow filter) using a Minolta Autometer III lightmeter fitted with a 10° finder for selective metering privileging the shadow areas.
Documentary smartphone picture
March 3, 2025
69001 Lyon
France
After completion, the film was rewound and processed using 350 mL of Adox Adonal (Agfa Rodinal) developer prepared at the dilution 1+25 for 9min at 20°C.
Digitizing was made using a Sony A7 camera (ILCE-7, 24MP) fitted to a Minolta Auto Bellows III with the Minolta slide duplication accessory and Minolta Macro Bellow lens 1:3.5 f=50mm. The diffuse light source was a LED panel CineStill Cine-lite.
The RAW files obtained were inverted within the latest version available of Adobe Lightroom Classic (version 14.2) and edited to the final jpeg pictures without intermediate file. They are presented either as printer files with a frame or the full size JPEG's together with some documentary smartphone color pictures.
About the camera :
This FOCA camera is in an exceptional state of conservation and looks exited from a sort of time capsule since 70 years!
I was not so very optimistic about the real state of this camera because of the scars description of the seller, but I finally won the bid for tiny price on September 26, 2023 and the camera arrived to me a few days later.
According to the serial number this PF2B should be a model-4 from year 1955 (model-4 spans the years1954-1957). The shutter is a type-3 that equipped the version 16 to 17 in 1956. Curiously, the camera has also the type-6 rewind large button only appeared in 1957 on the model-5 of PF2B's. Maybe a latter upgrade required by the customer or prosed by the after-market service?
The camera was kept clearly in original box with the serial number hand written on the right side. The OPLAR normal lens 1:2.8 f=5cm is a model-3 version-4 from 1955 with the "ECD/9" diaphragm graduation 2.8...3.5...9....18.
In the box Botton was the user manual, a Kodachrome brochure in French and several cashier ticket from the seller "PHOTO BANGARD", 29, Quai du Fossé, Mulhouse, France, also identified in the inner side of the camera back with a sticker.The cashier ticket are probably to related to the camera since the amounts in French Francs does not correspond to any price list of that time.
In addition the camera has a leather ever-ready bag in excellent condition. When I first detailed the camera, I soon appeared that it almost pristine with very little sign of use. All functions works flawlessly and the shutter curtains are as new. The view finder and range finder are very clear and contrasted as the day 1. The lens is also very nice with the coating in quite good condition.
The camera was so nice and easy to clean that I could test it with a film the day after the receipt.
About the FOCA PF2B camera's and the normal lens OPLAR:
The Foca type PF2B (PF for "Petit Format") was constructed in France by the company "Optique & Precision de Levallois" (OPL) starting from 1947. It was manufactured in the Chateaudun OPL factory, route de Jallans, France. The factory, constructed in 1938, is still at the same place under the name of SAFRAN now producing precision devices for aerospace appliances.
The camera is equipped with the collapsible 36mm screw-mount OPLAR lens (a modified Tessar formula with an additional fifth rear element) 1:2.8 f=5cm. The focal shutter of the PF2B has timing of 1/1000, 1/500, 1/200, 1/100, 1/50 and 1/25s plus the B pose. A slow exposure device below 1/25s could be installed by the aftermarket service and was installed basically for the FOCA PF3 type.