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Le sfide degli algoritmi e delle fake news per la web reputation aziendale nel settore agroalimentare. Un seminario di approfondimento organizzato da Agronetwork – l’associazione per i progetti dell’agroindustria costituita da Confagricoltura, Nomisma e l’Università LUISS Guido Carli – e #LUISSBusiness.
🚀 I am excited to present some of the machines and people I captured during a 5 year collaboration with Danneels SBA, a Belgian company specializing in the sale and repair of agricultural equipment and machinery.
🎥 I developed a new marketing strategy for Danneels SBA and carried out hundreds of video and photo shoots, captured thousands of professional photos and portraits, and produced and distributed hundreds of pro video reports and commercial interviews to showcase their products, services, and customized advertisements
🚜 Find more photo and video content for Danneels SBA and other brands at: benheine.com/fr/services/contenus-videos/
✨ Here’s what I bring to my clients:
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✅ Community Management: Active management of your social media (Facebook, Instagram, LinkedIn, TikTok, YouTube...) to engage your audience and attract new clients 📱
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Danneels SBA represents major brands like Fendt, Cat, Iseki, McHale, Trioliet, Pottinger, Franquet, Claas, Kuhn, and more. They have showrooms and warehouses in Beaumont, Mettet, and Marche-Lez-Ecaussines, Belgium.
Danneels SBA website: www.danneels-sba.be/fr
Facebook: www.facebook.com/Danneels.sba
Note: To use high-resolution images, contact info@benheine.com. The images in this collection are compressed and protected by copyright!
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Online Reputation Management specialist Gerry McCusker revs the crowd up with custom motorbikes and online PR advice at SocialBusiness2014.
Few years back, businesses use to do advertising of their service or product by getting their names out in the news or ads. This old approach of enticing customers towards the brand is no longer in trend, especially from the time when reputation management has come into picture. # softsystemsolutionservices.blogspot.com/2015/06/what-are-...
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Online Reputation Police Deals with Online Reputations by protecting them through salvaging compromised reputations. Have you ended up the victim connected with some bad media. Are destructive remarks or critical reviews ranking high in the actual search results for you, your own brand or maybe enterprise?
Claude Monet - French, 1840 - 1926
Waterloo Bridge, Gray Day, 1903
West Building, Main Floor — Gallery 80
We look across a river at a bridge that spans the center of this horizontal landscape, which is painted entirely with broad, visible brushstrokes in muted blue, pink, and brown. The straight deck of the bridge crosses the center of the composition but angles slightly away from us as it moves to our right. The four low arches of the bridge are ash brown on their face, and their curved undersides are cobalt blue. Marigold-orange and teal-blue marks on the deck above suggest traffic, and shell-pink smoke or steam billows over our side of the bridge. Three long, narrow forms in the water between and in front of the bridge pilings suggest boats. The sky above is painted loosely with icy blue and pale peach around the slate-blue silhouettes of buildings and smokestacks lining the far bank. The artist signed and dated the painting in the lower left corner: “Claude Monet 1903.”
Claude Monet, born in Paris in 1840, was raised on the Normandy coast in Le Havre, where his father sold ships’ provisions. He gained a local reputation as a caricaturist while still a teenager, and landscape painter Eugène Boudin invited the budding artist to accompany him as he painted scenes at the local beaches. Boudin introduced Monet to plein air (outdoor) painting, which would prove a decisive influence in his career.
Monet went to Paris in 1862 to study painting and there befriended fellow students Auguste Renoir, Alfred Sisley, and Frédéric Bazille, who would later form the core group of the original impressionists. By the end of the 1860s Monet had largely abandoned ambitious, large-scale figurative painting in favor of smaller, spontaneous landscape works executed en plein air.
Monet fled to London during the Franco-Prussian War, and in late 1871 settled at Argenteuil, a suburb just west of Paris that maintained its rustic charm even as it underwent rapid modernization. From 1872 to 1876 Argenteuil became the hub of what would soon be known as impressionist painting. Monet and his colleagues organized an exhibition of their work in Paris in 1874; one of Monet’s exhibited works, Impression, Sunrise (1873), a loosely painted sketch of an industrial seascape, led critics to derisively dub the group “the impressionists.” Financial difficulties forced Monet to relocate to Vétheuil in 1878, and a few years later, in 1883, he settled in Giverny, where he would live for the rest of his life.
Most of Monet’s paintings from the 1870s depict the landscape in and around the small towns along the Seine. Executed outdoors, he employed seemingly spontaneous brushstrokes to capture the ever-changing effects of light and atmosphere. In the 1880s Monet expanded his motifs, turning his attention both to the Mediterranean and to the rugged vistas along the Normandy coast. In the 1890s he undertook a number of paintings produced in series, including pictures of poplars, grainstacks, and Rouen Cathedral; each work captured a specific atmospheric effect and time of day. With his reputation as France’s leading landscape painter established and his financial situation secure, the artist turned his attention to the lavish gardens he had constructed at Giverny, eventually creating more than 250 works focused on water lilies.
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The National Gallery of Art in Washington, DC is a world-class art museum that displays one of the largest collections of masterpieces in the world including paintings, drawings, prints, photographs, sculpture, and decorative arts from the 13th century to the present. The National Gallery of Art collection includes an extensive survey of works of American, British, Italian, Flemish, Spanish, Dutch, French and German art. With its prime location on the National Mall, surrounded by the Smithsonian Institution, visitors often think that the museum is a part of the Smithsonian. It is a separate entity and is supported by a combination of private and public funds. Admission is free. The museum offers a wide range of educational programs, lectures, guided tours, films, and concerts.
The original neoclassical building, the West Building includes European (13th-early 20th century) and American (18th-early 20th century) paintings, sculptures, decorative arts, and temporary exhibitions. The National Gallery of Art was opened to the public in 1941 with funds provided by the Andrew W. Mellon Foundation. The original collection of masterpieces was provided by Mellon, who was the U. S. Secretary of the Treasury and ambassador to Britain in the 1930s. Mellon collected European masterpieces and many of the Gallery’s original works were once owned by Catherine II of Russia and purchased in the early 1930s by Mellon from the Hermitage Museum in Leningrad.
The core collection includes major works of art donated by Paul Mellon, Ailsa Mellon Bruce, Lessing J. Rosenwald, Samuel Henry Kress, Rush Harrison Kress, Peter Arrell Browne Widener, Joseph E. Widener, and Chester Dale. The Gallery's collection of paintings, drawings, prints, photographs, sculpture, medals, and decorative arts traces the development of Western art from the Middle Ages to the present, including the only painting by Leonardo da Vinci in the Americas and the largest mobile created by Alexander Calder.
The NGA's collection galleries and Sculpture Garden display European and American paintings, sculpture, works on paper, photographs, and decorative arts. Paintings in the permanent collection date from the Middle Ages to the present. The Italian Renaissance collection includes two panels from Duccio's Maesta, the tondo of the Adoration of the Magi by Fra Angelico and Filippo Lippi, a Botticelli work on the same subject, Giorgione's Allendale Nativity, Giovanni Bellini's The Feast of the Gods, Ginevra de' Benci (the only painting by Leonardo da Vinci in the Americas) and groups of works by Titian and Raphael.
The collections include paintings by many European masters, including a version of Saint Martin and the Beggar, by El Greco, and works by Matthias Grünewald, Cranach the Elder, Rogier van der Weyden, Albrecht Dürer, Frans Hals, Rembrandt, Johannes Vermeer, Francisco Goya, Jean Auguste Dominique Ingres, and Eugène Delacroix, among others. The collection of sculpture and decorative arts includes such works as the Chalice of Abbot Suger of St-Denis and a collection of work by Auguste Rodin and Edgar Degas. Other highlights of the permanent collection include the second of the two original sets of Thomas Cole's series of paintings titled The Voyage of Life, (the first set is at the Munson-Williams-Proctor Arts Institute in Utica, New York) and the original version of Watson and the Shark by John Singleton Copley (two other versions are in the Museum of Fine Arts, Boston and the Detroit Institute of Arts).
en.wikipedia.org/wiki/National_Gallery_of_Art
Andrew W. Mellon, who pledged both the resources to construct the National Gallery of Art as well as his high-quality art collection, is rightly known as the founder of the gallery. But his bequest numbered less than two hundred paintings and sculptures—not nearly enough to fill the gallery’s massive rooms. This, however, was a feature, not a failure of Mellon’s vision; he anticipated that the gallery eventually would be filled not only by his own collection, but also by additional donations from other private collectors. By design, then, it was both Andrew Mellon and those who followed his lead—among them, eight men and women known as the Founding Benefactors—to whom the gallery owes its premier reputation as a national art museum. At the gallery’s opening in 1941, President Roosevelt stated, “the dedication of this Gallery to a living past, and to a greater and more richly living future, is the measure of the earnestness of our intention that the freedom of the human spirit shall go on.”
www.doaks.org/resources/cultural-philanthropy/national-ga...
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One email related to the $4,000 loan Pete Eyre made to Kevin "Freeheart" Dean in the hopes that it'll help incentivize the latter to repay the former.
For an overview of the situation check: peteeyre.com/kevindean
Jesse Levine, a Norristown based reputation expert - To survive in today’s digital world and be either a successful entrepreneur or professional, online reputation is something you cannot ignore. “While some executives or brands thought it wise to run a low profile on social platforms and keep things private, they run at a greater risk of being run down by an individual who has got something negative to say about their operation or business,” says Jesse Levine.
Ferus Medical aims to provide a platform to boost clinical and physician incomes through careful utilization of digital directories; allowing physicians and clinics to be seen by a greater audience. Through our extensive knowledge of digital marketing, and healthcare principles we are able to effectively manage digital directories in a fashion that is profitable for both our clients, and their patients; giving the patients the information they desire when choosing a physician, and giving clinics the digital traction needed for continued upward momentum, and success.
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