View allAll Photos Tagged Reputation
We have earned our reputation throughout the industry for the dependable and long-lasting capping process through Capping Machine for Wet Wipe that provides excellent repeatable torque accuracy.
Le sfide degli algoritmi e delle fake news per la web reputation aziendale nel settore agroalimentare. Un seminario di approfondimento organizzato da Agronetwork – l’associazione per i progetti dell’agroindustria costituita da Confagricoltura, Nomisma e l’Università LUISS Guido Carli – e #LUISSBusiness.
via At Online Reputation Management, we offer pro reputation mangement in Cramlington t.co/LZqBx2T5Pl We have helped thousands in Northumberland and are more than happy to help #pr #Cramlington:
via Twitter twitter.com/ukreputations
onlinereputationmanagementuk.tumblr.com/post/704881772993...
Reputation: Be the person who is respectful, thankful, "fun-full" and
Careful-to make the direction you travel up and forward xx
Happy Hello and all things fun, happy, positive and smiley from my desk
to yours xx
Your reputation...
Have you ever wondered what other people think of you?
Do you care?
Have you ever, or do you, change who you are to suit other people?
What do you think of yourself?
Do you belive you are a good, kind, nice person?
Would you be proud to have the world look into your life and read your
thoughts?
What do you want your reputation to be?
* What is your reputation? Sometimes or always?
* How do you know? Do you ask, do you have people in your life
who would be honest with you?
* Are you aiming to be a better, kinder, stronger, nicer person
everyday?
* Regardless of people thinking you are a leader or a loser-what
are you doing daily to become more of the
person you want to become?
Some great questions to ask but regardles of what other people think of
you, you are the person who has to look in the mirror at yourself and
you are the one who has to sleep at night-do you like who you are?
Do you stand for something of value?
Do you add value to your world?
Sleep Deep
Looooove Rowie xx
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IT sector Expert in Branding, making Reputation any organization, Electronics Reputation Management, Social Media management, Office management, office admin, cyber investigation, Comprehensive problem solving abilities,
Expert in Branding, Online/E- Marketing, E-Business, Social Media management, SEO.
Expert in Online Reputation Management (ORM) & Online Complaint & Content Removal.
Able to deal corporate operations & admin work.
Able to operate types of OS working on windows 98-8, Back Track, Ubuntu.
Computer hardware, software, networking & Security, Proficient Knowledge of Hardware.
Possess knowledge of Computer Security, Registries, Malwares, Security Auditing, Email Security, Network Security, Snort, Firewall Security, LAN, WAN, Virus, Trojan, Data Security, Security Policies, Password Cracker (ophcrack, ERD Commands, Trinity) desktop security.
via Sourcing a Reputation Management Company in Bruche we can help here t.co/409jXCN2Gf. Covering all of Cheshire, we have helped thousands over the years #PR #Bruche #Cheshire:
via Twitter twitter.com/ukreputations
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Discover why online reputation management (ORM) is essential for brand success in the digital world. Learn how ORM services help build credibility, address negative feedback, and protect your brand's image online. Explore Novus Insights' guide to thriving in the online space!
For More Info - www.novusinsights.com/blog-details/will-your-brand-sink-o...
IT sector Expert in Branding, making Reputation any organization, Electronics Reputation Management, Social Media management, Office management, office admin, cyber investigation, Comprehensive problem solving abilities,
Expert in Branding, Online/E- Marketing, E-Business, Social Media management, SEO.
Expert in Online Reputation Management (ORM) & Online Complaint & Content Removal.
Able to deal corporate operations & admin work.
Able to operate types of OS working on windows 98-8, Back Track, Ubuntu.
Computer hardware, software, networking & Security, Proficient Knowledge of Hardware.
Possess knowledge of Computer Security, Registries, Malwares, Security Auditing, Email Security, Network Security, Snort, Firewall Security, LAN, WAN, Virus, Trojan, Data Security, Security Policies, Password Cracker (ophcrack, ERD Commands, Trinity) desktop security.
Robert Peckham - American, 1785 - 1877
The Hobby Horse, c. 1840
West Building, Main Floor — Gallery 63
Two children with pale, peachy skin stand and sit on a rocking horse in a wallpapered interior in this square painting. Both children have short, honey-brown hair, high foreheads, dark blue eyes, and small, rounded noses. Their cheeks are smooth and the corners of their thin, pale pink lips curl slightly up. Both wear dresses with puffy, elbow-length sleeves, white collars, calf-length skirts, and wide, white pantaloons over white stockings. At the center of the composition, one child sits astride the rocking horse, which faces our right in profile. The skirt of the forest-green dress splits at the waist to fall open on either side of a white garment underneath. That child’s head turns back over one shoulder to look down and to our left. One black shoe rests in a stirrup, and the child holds a riding crop in one hand. The horse is dappled with fawn brown and white, and has a parchment-brown mane and tail. The horse’s eye we can see is black and its red mouth is open around the bridle and reins. The second child stands at the back of the rocking horse, hands resting on the crossbar that connects the toy's long, curving rockers. That child wears a crimson-red dress and holds the red ribbon of a straw bonnet in one hand. The hair is parted down the middle and that child looks at us. A black cap with a curved, shiny visor and tassels hanging from the crown rests on the base of the rocking horse. The rug has a stylized, terracotta-orange floral pattern against a pine-green background. The wall behind the children is striped with wide bands of golden yellow and moss green. A door with a gold-colored doorknob is swung inward to our left, behind the child in red, to reveal the profile of a staircase beyond. To our right, just behind the horse’s head, a wooden table is draped with a cloth patterned with vines and leaves in dark green against a pea-green background. A lamp with a tall, spindly brass base is topped with a squat, round white globe. A folded newspaper behind the child in green could rest on the table, or could be held by that child. An inscription on the masthead of the paper begins, “Dai.”
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The National Gallery of Art in Washington, DC is a world-class art museum that displays one of the largest collections of masterpieces in the world including paintings, drawings, prints, photographs, sculpture, and decorative arts from the 13th century to the present. The National Gallery of Art collection includes an extensive survey of works of American, British, Italian, Flemish, Spanish, Dutch, French and German art. With its prime location on the National Mall, surrounded by the Smithsonian Institution, visitors often think that the museum is a part of the Smithsonian. It is a separate entity and is supported by a combination of private and public funds. Admission is free. The museum offers a wide range of educational programs, lectures, guided tours, films, and concerts.
The original neoclassical building, the West Building includes European (13th-early 20th century) and American (18th-early 20th century) paintings, sculptures, decorative arts, and temporary exhibitions. The National Gallery of Art was opened to the public in 1941 with funds provided by the Andrew W. Mellon Foundation. The original collection of masterpieces was provided by Mellon, who was the U. S. Secretary of the Treasury and ambassador to Britain in the 1930s. Mellon collected European masterpieces and many of the Gallery’s original works were once owned by Catherine II of Russia and purchased in the early 1930s by Mellon from the Hermitage Museum in Leningrad.
The core collection includes major works of art donated by Paul Mellon, Ailsa Mellon Bruce, Lessing J. Rosenwald, Samuel Henry Kress, Rush Harrison Kress, Peter Arrell Browne Widener, Joseph E. Widener, and Chester Dale. The Gallery's collection of paintings, drawings, prints, photographs, sculpture, medals, and decorative arts traces the development of Western art from the Middle Ages to the present, including the only painting by Leonardo da Vinci in the Americas and the largest mobile created by Alexander Calder.
The NGA's collection galleries and Sculpture Garden display European and American paintings, sculpture, works on paper, photographs, and decorative arts. Paintings in the permanent collection date from the Middle Ages to the present. The Italian Renaissance collection includes two panels from Duccio's Maesta, the tondo of the Adoration of the Magi by Fra Angelico and Filippo Lippi, a Botticelli work on the same subject, Giorgione's Allendale Nativity, Giovanni Bellini's The Feast of the Gods, Ginevra de' Benci (the only painting by Leonardo da Vinci in the Americas) and groups of works by Titian and Raphael.
The collections include paintings by many European masters, including a version of Saint Martin and the Beggar, by El Greco, and works by Matthias Grünewald, Cranach the Elder, Rogier van der Weyden, Albrecht Dürer, Frans Hals, Rembrandt, Johannes Vermeer, Francisco Goya, Jean Auguste Dominique Ingres, and Eugène Delacroix, among others. The collection of sculpture and decorative arts includes such works as the Chalice of Abbot Suger of St-Denis and a collection of work by Auguste Rodin and Edgar Degas. Other highlights of the permanent collection include the second of the two original sets of Thomas Cole's series of paintings titled The Voyage of Life, (the first set is at the Munson-Williams-Proctor Arts Institute in Utica, New York) and the original version of Watson and the Shark by John Singleton Copley (two other versions are in the Museum of Fine Arts, Boston and the Detroit Institute of Arts).
en.wikipedia.org/wiki/National_Gallery_of_Art
Andrew W. Mellon, who pledged both the resources to construct the National Gallery of Art as well as his high-quality art collection, is rightly known as the founder of the gallery. But his bequest numbered less than two hundred paintings and sculptures—not nearly enough to fill the gallery’s massive rooms. This, however, was a feature, not a failure of Mellon’s vision; he anticipated that the gallery eventually would be filled not only by his own collection, but also by additional donations from other private collectors. By design, then, it was both Andrew Mellon and those who followed his lead—among them, eight men and women known as the Founding Benefactors—to whom the gallery owes its premier reputation as a national art museum. At the gallery’s opening in 1941, President Roosevelt stated, “the dedication of this Gallery to a living past, and to a greater and more richly living future, is the measure of the earnestness of our intention that the freedom of the human spirit shall go on.”
www.doaks.org/resources/cultural-philanthropy/national-ga...
..
________________________________
The National Gallery of Art in Washington, DC is a world-class art museum that displays one of the largest collections of masterpieces in the world including paintings, drawings, prints, photographs, sculpture, and decorative arts from the 13th century to the present. The National Gallery of Art collection includes an extensive survey of works of American, British, Italian, Flemish, Spanish, Dutch, French and German art. With its prime location on the National Mall, surrounded by the Smithsonian Institution, visitors often think that the museum is a part of the Smithsonian. It is a separate entity and is supported by a combination of private and public funds. Admission is free. The museum offers a wide range of educational programs, lectures, guided tours, films, and concerts.
The original neoclassical building, the West Building includes European (13th-early 20th century) and American (18th-early 20th century) paintings, sculptures, decorative arts, and temporary exhibitions. The National Gallery of Art was opened to the public in 1941 with funds provided by the Andrew W. Mellon Foundation. The original collection of masterpieces was provided by Mellon, who was the U. S. Secretary of the Treasury and ambassador to Britain in the 1930s. Mellon collected European masterpieces and many of the Gallery’s original works were once owned by Catherine II of Russia and purchased in the early 1930s by Mellon from the Hermitage Museum in Leningrad.
The core collection includes major works of art donated by Paul Mellon, Ailsa Mellon Bruce, Lessing J. Rosenwald, Samuel Henry Kress, Rush Harrison Kress, Peter Arrell Browne Widener, Joseph E. Widener, and Chester Dale. The Gallery's collection of paintings, drawings, prints, photographs, sculpture, medals, and decorative arts traces the development of Western art from the Middle Ages to the present, including the only painting by Leonardo da Vinci in the Americas and the largest mobile created by Alexander Calder.
The NGA's collection galleries and Sculpture Garden display European and American paintings, sculpture, works on paper, photographs, and decorative arts. Paintings in the permanent collection date from the Middle Ages to the present. The Italian Renaissance collection includes two panels from Duccio's Maesta, the tondo of the Adoration of the Magi by Fra Angelico and Filippo Lippi, a Botticelli work on the same subject, Giorgione's Allendale Nativity, Giovanni Bellini's The Feast of the Gods, Ginevra de' Benci (the only painting by Leonardo da Vinci in the Americas) and groups of works by Titian and Raphael.
The collections include paintings by many European masters, including a version of Saint Martin and the Beggar, by El Greco, and works by Matthias Grünewald, Cranach the Elder, Rogier van der Weyden, Albrecht Dürer, Frans Hals, Rembrandt, Johannes Vermeer, Francisco Goya, Jean Auguste Dominique Ingres, and Eugène Delacroix, among others. The collection of sculpture and decorative arts includes such works as the Chalice of Abbot Suger of St-Denis and a collection of work by Auguste Rodin and Edgar Degas. Other highlights of the permanent collection include the second of the two original sets of Thomas Cole's series of paintings titled The Voyage of Life, (the first set is at the Munson-Williams-Proctor Arts Institute in Utica, New York) and the original version of Watson and the Shark by John Singleton Copley (two other versions are in the Museum of Fine Arts, Boston and the Detroit Institute of Arts).
en.wikipedia.org/wiki/National_Gallery_of_Art
Andrew W. Mellon, who pledged both the resources to construct the National Gallery of Art as well as his high-quality art collection, is rightly known as the founder of the gallery. But his bequest numbered less than two hundred paintings and sculptures—not nearly enough to fill the gallery’s massive rooms. This, however, was a feature, not a failure of Mellon’s vision; he anticipated that the gallery eventually would be filled not only by his own collection, but also by additional donations from other private collectors. By design, then, it was both Andrew Mellon and those who followed his lead—among them, eight men and women known as the Founding Benefactors—to whom the gallery owes its premier reputation as a national art museum. At the gallery’s opening in 1941, President Roosevelt stated, “the dedication of this Gallery to a living past, and to a greater and more richly living future, is the measure of the earnestness of our intention that the freedom of the human spirit shall go on.”
www.doaks.org/resources/cultural-philanthropy/national-ga...
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As a second roll of negative color film with my new camera Pentax 17 (see below for the details about the camera), I loaded a more regular 36- exposure Kodak Gold 200 cartridge and exposed the film for its nominal 200 ISO over two weeks from May 15 to June 1st, 2025 in Lyon, France and the surroundings.
The Pentax 17 was equipped with an Anti-UV or polarizing filter as indicated below . For the camera transportation, I used a small camera bag ThinkTank « Mirrorless Mover 5 » that was well protecting the camera from possibly damaging vibrations when using my bicycle.
The expositions were automatically metered by the camera system using the « P » program modes with, or without, flash. For very bright scenes the exposition was corrected by +0.3 to +1EV to compensate the biais induced (and reversely -0.3 to 0.7 EV for very dark scenes to objects). The Pentax 117 light sensors being behind the filter, the filter is then automatically compensated.
Polarizing filter
Boat Excursion from Albigny-sur-Saône to Trévoux, May 24, 2025
01600 Trévoux
France.
After completion (75 frames), the film was processed by a local lab service using the C-41 protocol.
Single-frame digitizing was made using a Sony A7 camera (ILCE-7, 24MP) fitted to a Minolta Auto Bellows III with the Minolta slide duplication accessory and Minolta Macro Bellow lens 1:3.5 f=50mm at approximate reproduction ratio of 1:2. The diffuse light source was a LED panel CineStill Cine-lite.
The RAW files obtained were inverted within the latest version available of Adobe Lightroom Classic (version 14.3.1) and edited to the final jpeg pictures without intermediate file. They are presented either as printer files with a frame or the full size JPEG's together with some documentary smartphone color pictures.
About the camera :
Since last Christmas 2024, it was on display in the middle of « reusable » cheap camera’s in the window of my local photography store. But this camera is not cheap and sold at 10-times the price of those « reusable » film camera’s. The Pentax 17 is a novel film camera released by Pentax (a brand belonging to Ricoh Imaging, Japan) in June 2024.
The history of « Pentax » name is still something worth to mention. After the WWII, in Dresden (that was heavily destroyed by the bombing of Feb. 13-15, 1945), Germany, The Zeiss Ikon company could not produce anymore the legendary original Contax (a high-reputation professional range-finder 35mm released in 30’s) camera that was taken by Russia and transferred to Kiev, Ukraine, in the USSR. However the brand name Contax survived and the German engineers designed something completely new within several years : the Contax S (S for « Spiegel mirror reflex ») that integrated a pentaprism for a full redressed reflex viewer observation. Zeiss Ikon Dresden registered to new trademarks derived from the words « Pentaprism » and « Contax » that were « Pentax » and « Pentacon ». If Pentacon became the new name of the company in Dresden, the trademark Pentax was bought by Asahi Optical Company in Japan, and became a formidable industrial and commercial success. Asahi Pentax, then Pentax alone, produced amazing quality camera’s including the legendary « Spotmatic » (a 35mm SLR) and stunning medium-format camera’s heavily used by professional photographers. Many of these camera’s of the past century are still operative and appreciated by film photography enthusiast’s.
Production of film camera’s vanished progressively in the mid 2000’s, as digital camera’s became of better quality and finally of generalized appliances in photography. The Pentax 17 was introduced to the market in June 2024, it was a big surprise for all the film photography lovers. Seeing a newly engineered brand-new film camera was a sort of renaissance of the film photography today of a growing interest worldwide.
The camera is a « half-frame » format on the traditional double-perforated 35mm film giving 17x24mm photograms. This format was not as popular as to classical 24x36mm (full-frame) format of most of the 35mm camera’s. However famous and quality half-frame camera’s were produced in the past including, the long series of Olympus Pen for example. Then, the Pentax 17 immediately attracted the attention of experimented film photographers and camera collectors, probably more than the officially targeted customers of the younger generations. Less than a year after, the future of the Pentax 17 and the film photography project of Pentax is questioned today. The chef-engineer who conducted the project in Ricoh company recently left and the marketing of Pentax 17 is now a question.
This finally decided me to buy an exemplary from my local shop and to discover this strange machine. The camera is of course guaranteed, even with a there-year extension after the camera registration on the Pentax website. The whole ergonomic is clearly derived from classical past 35mm camera’s with a fully mechanical film advance and rewind, a collimated Albada viewer, no digital display at all, only levers, barrels, crank and wheels… However inside is a automatic electronic exposure system with flash, the focusing is manual but the electronic mechanism moves the whole optical group with a micro motor.
The lens is a Cooke triplet 1:3.5 f=25mm equivalent to a 37mm of a 24x36mm format. The Cooke triplet is a photographic lens designed and patented in 1893 by Dennis Taylor who was employed as chief engineer by T. Cooke & Sons of York. It was the first lens system that allowed the elimination of most of the optical distortion or aberration at the outer edge of the image. It likely for this reason that the lens is unscripted curiously « Traditional » on the front lens ring… It is known that a Cooke triplet lens could give surprisingly good results with only three separated optical elements. The Cooke Triplet is still widely used in inexpensive cameras, including variations using aspheric elements, particularly in cell-phone cameras. The Cooke triplet consists of three separated lenses positioned at the finite distance. It is often considered that the triplet is one of the most important discoveries in the field of photographic objectives
The lens receives 40.5mm diameter thread filters that I use for my Zorki / Leningrad lenses Jupiter-8 2/50mm, Jupiter-11 4/135mm and Jupiter-12 2.8/35mm. The metal shade hood Minolta D42KA could mounted on the filter but I have to check is there is vignette induced.
The camera size is close to the original dimensions of a thread-mount Leica (called also the original Barnack Leica) which are, in a way, a sort of « Gold » size in the 35mm camera’s. I compared with my Zorki 1D year 1954 that is a straight reproduction of the Leica Iic. The upper deck of Pentax 17 is designed very clearly as a classical 35mm and we even find the original logo of Asahi Optical Company. The rewind crank is also a revival of past design seen on old Pentax SLR as my year-1971 Spotmatic SP in this seres of pictures.
The Pentax 17 is very light (about 300g) compared to those old ancestors that weight easily the double or the triple. It is then an effortless camera to carry. The Pentax 17 fits in the small ThinkTank bag (called « Mirorless Mover 5 ») that I recently bought to safely carry a film back of my Hasselblad or my Bronica 6X6 camera’s. In this tiny bag, the camera is protected for the element and vibrations due to cycling for instance.
Reference
analoguewonderland.co.uk/blogs/film-photography-blog/pent...
Key features and specifications
* Half-frame image capture (17 x 24mm)
* 37mm (equiv.) FOV F3.5 lens
* Zone focusing system with 6 zones
* Circular leaf shutter (F3.5-16)
* Built-in flash (6m/20ft at ISO100)
* Optical tunnel viewfinder with frame lines
* Exposure from 1/350 sec to 4 sec (+ Bulb)
* Supports films from ISO 50 to ISO 3200
Specifically the lens has:
1. HD coating, which maintains high performance of the lens, by using this PENTAX multi-coating. This also enables high contrast and high definition right to the edges.
2. SP coating (Super Protect) which helps to repel water and oil from the lens.
The fact that the focusing on the Pentax 17 is electronic i.e. the lens only moves when you half-press the shutter gives me faith that autofocus was already considered in the R&D stage.