BLENDER RENDERS
View allAll Photos Tagged Rendered
Something different today. Something dark and eerie:
Here, as always, is the MJ prompt.
The images are the result of refinement with the help of weighting "::2 and ::3". The chaos parameter c30 in combination with s1000 makes for a certain self-willedness of the AI.
..........
IMAGE: a semi-transparent ghost::2 appears | GENRE: Horror | MOOD: Eerie, Disturbing | COLOR: Desaturated with a spectral blue tint | BACKGROUND: Decrepit room with peeling wallpaper and shattered furniture | SCENE: A distorted found footage image capturing a realm where the living and the dead::3 In the corner an antique mirror::2 | DETAILS: Dust-filled air, foggy::2 twisted and contorted shadows | RENDER: Disturbing and nightmarish | LIGHTING: Flickering, eerie light casting long, unnatural shadows | COMPOSITION: Disorienting and unsettling | FOCUS: In the corner, an antique mirror::2 reflects a twisted reflection::3 an apparition with hollow eyes that seem to penetrate the very essence of one's sanity | SHOT: Close-up shot | CAMERA: DSLR | LENS: Focal length 50mm | TAGS: Horror, found footage, paranormal::2, apparition, descent into darkness --ar 16:9 --s 1000 --c 30 --v 5.1 --style raw
for at that point the future is still unknown and has yet to hurt us, and also for that brief moment, our poses are accepted as honest :-)
Douglas Coupland
Happy Caturday! Justice Matters! Indict Trump!
Frida, one of two of our adopted Maine Coons
The body language says it all, the Kookaburra is top bird, and sees to it that the Magpie submits. The pecking order is established and enforced. Having asserted it's authority, the Kookaburra flew to me, and I gave it some food, while the Magpie flew away. The Magpie returned later and I fed it too.
Although a wild bird, this Magpie will take food from my hand, and when I put food out for the other birds, will come and stand at the table next to me. Here's a link to a video from The Magpie Whisperer, happiness is a playful Magpie www.youtube.com/watch?v=vErVV9cOmws
Credits to NASA for providing PBR and HDRI textures for 3D artists for non-commercial creations.
Several images are used to create this Blend, among others a diffuse texture (basically a picture of the earth without clouds, relief or illumination), a normal texture (to create the relief), an illumination image (for the lights at night), a cloud image (to create a cloud layer) etc. It also requires setting up a few transparency masks so that you can prevent the illumination texture from showing up in the part of the earth covered by sunlight.
I had to keep an eye on the temperature of my Graphics card for this one. With low res images it is feasible but if you want to create more detailed relief, you need hi res images, and then my GPU temperature shot up. So I ended up making the thing in low res first, then in solid view I replaced the textures with higher resolution ones, and then briefly changed to rendered mode and quickly took a screen shot instead of rendering it out.
Recommended tutorial and credits:
"A life spent making mistakes is not only more honorable, but more useful than a life spent doing nothing." - George Bernard Shaw
Although things took longer than planned due to supply problems, it worked out well, cos the renderers finished their work yesterday and the scaffolders came first thing this morning to clear up! Tim happened to have the day off from work to go for a cancer check up at the Dermatology Dept (all good) and so we spent the rest of the day sweeping up the dust, cleaning up and rearranging/repotting plants etc. I'm really pleased with my choice of colour for the render - it's called cream but in reality it's more of a peachy colour and it's almost identical to our back room!
Been on a Terragen kick, this was created with Terragen Classic...I DL'd the free version of T3, but those renders take longer!!
This Mallard with a wing deformity renders him unable to fly. He swam across the lake to see what was going on...
Captured during a recent trip to South Dakota and Wyoming with my Kodak Brownie No. 2 Model F box camera, circa 1924. Foma 100 film developed with Xtol at 1:1. It never ceases to amaze me how sharp Brownie Box cameras can render images. The key is to keep the camera steady and make sure there's plenty of light.
Took a photographic walk along the alley behind the business district in East Liberty along Penn Avenue, a stretch that has seen many changes over the decades. I found several stupendous walls reflecting the passage of time and fashion, left raw and exposed because this is a back alley meant for deliveries, trash, etc. and no effort has been made to render them more presentable. (In this case, the front facades of the same buildings are not in especially presentable shape, either). Now that East Liberty has gone upscale in recent years, this kind of quaint connection to the past is likely to be tidied up--a sign of good times, for some anyway, and better times yet to come, but also a loss for those, like me, who find beauty in these untidy places.
This marvelous section features a ghost sign that I think concludes with "...on [or in] the premises." The watercolor-like blue-green of the building is a joy to linger upon.
The rendering of your emotional highway has no barriers?
what do your deepest fears cross and encounter?
is there cherishment upon the way that feeds your heart?
picking moments with which the Soul is eaten, in part
is it the deliverer, the healer, the persecutor impart
smoothly surfaced into the light of day passing
a room, destiny, space, in time, rivers flowing
still in mind, awakening the emotive checklist of strife
recording movements and controlling daily schedules
watching every living matter, is this what you call life??
bear in mind what you simply cannot bear to face
with eyes closed, the entitled apparition becomes real
a chest note unspoken, which designs a noted bas-relief
filled with emotional spirit and natural purulency
go beyond the norm, look further afield, inherit more belief
taking your hand, reinvigorating this life shared
second to none and afraid no more, seize the willowed moment!
behold the veranda of opportunity and purest veracity
entering such a thalamus of hidden and untold dreams
here we feel the world in our hands within plentiful capacity
there is no wrong in a oneness of love, a oneness of spirit
where Nature is present, life abounds in surviving heartbeats
theurgic possibilities astride hermetic touches advancing
where breaths become deeper and silently longing
forever becomes the present of predestined-eternity's glancing
we are the insight of ourselves when open to heavenly calling
into our destiny we strive purely, future surrendered today
as the past catches up with the forgiveness of time itself
we're bold enough to go where our resistance never dared step
a shell of time, and only time will tell where we may tread ourself
are we to remain in fate's shadow, or shall we reflect glory -
on our own offering of light and illumination unto our present?
leaving a prosaic society aside, let your spirit touch it's potential
realise and embrace it, share and reach the four corners of your soul
such propensity of jubilant goodness within every heart existential.
by anglia24
13h35: 20/02/2008
©2008anglia24
The general of the monkey king Sugrīva who came to the aid of Rāma in rescuing Sīta from the hands of the demon Rāvaṇa in Laṇka. Sometimes known as the son of Vāyu (the god of the wind).
On display at the British Museum in London
This photo was taken by a Kowa Super 66 medium format film camera with a KOWA 1:3.5/55 lens and Kowa L39•3C(UV) ø67 filter using Ilford Delta 3200 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.
AI (MidJourney) render. Post work (composition) done with Photoshop and Gigapixel AI.
Image Copyright © Λlpha Λrt 2023 All Rights Reserved
Structure Synth / Sunflow
This image was inspired by Kevin Beason's 'Distance Field Attempts'.
www.kevinbeason.com/worklog/2009/06/03/distance-field-exp...
Architecture - Olesya Fetisova (GoArchviz) ________________________________________________
Soft: 3ds Max 2015, Corona Render 1.7, Adobe Photoshop CS 6 (plug-ins: Magic Bullet PhotoLooks).
_______________________________________________
PC: Core i7-6700, 32 Gb RAM, NVIDIA GTX 1080
Render time: 7 h.
_______________________________________________
My social links:
_______________________________________________
Messengers:
skype: silver913214
WhatsApp: +79613182752
Telegram: +79613182753 or t.me/silver3d
Im really impressed with the way the Fuji Acros grain Renders detail so fine, more like a powder that salt size. Then again The medium format has alot to do with that. Its important to click on the image to see what I mean. even at f5.6 the lens is able to give me a 3d separation from the background, my Lumix M43 sensor would not have been able to do that. this originally square image I cropped a bit from the top and bottom for that widescreen look.
Shot in the Remote Florida EvergladesRotenberger wildlife area.
Rolleiflex MX-EVS, Fuji Acros 100 ISO, developed in Rodinal, Epson V600 scanner.
Built in 1854 by local architect Thomas C Hine, "only the parapet motifs recognisable beneath mid-C20 render" (Elain Harwood in Pevsner's Nottingham). I thought it looked rather lovely in the late summer sun...
1-5 Lister Gate, Nottingham City
Here we see a Space Fire Team scouting rover, on the lookout for the relatively rare Fire Hose Tree. This tree was particularly valuable, as it trunk was a fire hose and its fruit was blue flashing lights, used on fire vehicles.
Fire officers would travel the galactic disc, looking for these trees, harvesting their fruit and coppicing the wood for the hoses.